Three shorts, each involving the abject + women/their bodies in incredibly different ways.
Mallory harbours a secret. New arrivals turn up from out of the wasteland at Outpost 3.
BORGMAN is filled with allegory and symbolism, from Germanic folklore to Marxism to the Kabbalah.
So, dig in!
Coralie Fargeat and Matilda Anna Ingrid Lutz take on the male gave of rape-revenge, delivering both a bloody and searing piece of throwback cinema.
I’ll just get started on the apocalypse.
This is not for the fainthearted. However, if you want to see a compelling, though disturbing, look at the misogyny inherent in Roman Catholicism: press play, if you dare.