TEXAS CHAINSAW MASSACRE (2022): A Brutal, Queer Return of the Repressed

Leatherface rears his head again to make sure we remember he’s here, he’s queer, and nobody invading his home is safe.

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[31 Days of Halloween – Day 12] Enduring Gothic Racism in Nia DaCosta’s CANDYMAN

Another day of 31 Days of Halloween, another forbidden name. This time? Candyman, Candyman… dare I? Not this time.

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SLICE: Mediocre Horror Doubles as Killer Modern Satire

SLICE is nothing special, though it’s full of commentary about modern social divisions, urban renewal, and racists.

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