Tagged James Ransone

Sinister 2: Even More Sinister the 2nd Time Around

Sinister. 2015. Directed by Ciarán Foy. Screenplay by C. Robert Cargill & Scott Derrickson.
Starring James Ransone, Shannyn Sossamon, Robert Daniel Sloan, Dartanian Sloan, Lea Coco, Tate Ellington, John Beasley, Lucas Jade Zumann, Jaden Klein, Laila Haley, Caden Marshall Fritz, Olivia Rainey, & Nicholas King. Alliance Films/Automatik Entertainment/Blumhouse Productions/Entertainment One/IM Global/Steady Aim/Tank Caterpillar.
Rated 14A. 97 minutes.

POSTER Sinister came as a surprise to me when it first came out. The film was creepy and visceral at times, even if there were a few elements that let me down (including Bughuul’s face). But overall, Scott Derrickson and writer C. Robert Cargill did a good job making a modern horror chiller. I knew it would inevitably spawn a sequel. Going in there was hope it might attain a similar level of terror. Honestly, this one is almost as good, if not better. Sinister 2 has a definitely creep-filled quality and there are moments of genuine horror, scenes I found worked on my nerves in an excellent fashion.
Ciarán Foy’s first solo feature film was the marvelously odd and disturbing Citadel. When they announced him as director for this project I had high hopes. He does his best, the atmosphere he crafts along with the help of cinematographer Amy Vincent is filled with dark and terrifying corners. What I’m most impressed by, though, is the script from Cargill and Derrickson, which uses the mystery they attained in the first, continuing on in the hands of Deputy-So-and-So, and adds in more character development than we even got in the original. I’m still not positive whether I enjoy this one or the first more – it’s a hard choice, as I love both James Ransone and Ethan Hawke respectively in their roles. This one managed to make Bughuul’s face look better than the first somehow, as well. The story is one that sinks into your skin and grabs hold. Oh, and the found footage tapes? They’re almost definitely nastier, bound to make some of you squirm.
Courtney Collins (Shannyn Sossamon), along with her sons Dylan (Robert Daniel Sloan) and Zach (Dartanian Sloan), move into a country house. On edge all the time, it soon becomes apparent Courtney is running from her brutish, abusive husband Clint Collins (Lea Coco).
But even worse, the former Deputy So-and-So (James Ransone) has his eye on Courtney’s new house. Turns out, after the death of Ellis Oswalt, the ex-deputy was considered a suspect, but quickly released and cleared. He then went on to start figuring out more of what was happening to Osawlt; he soon discovered Bughuul. From there, he set about trying to save any further families by burning down marked houses.
Only now Bughuul has one of the young Collins boys in his sights. And there’s no telling whether So-and-So will be able to save the family in time.
The writing is real solid here. Now, I know – there are some plotholes with how the tapes were made, how those little kids could do all the work, and so on. Well to that I say, part of this is clearly supernatural. You know this. So suspend your disbelief a while, try not to pick it all apart. Mainly, I love the writing in terms of the family dynamics happening, as well as the character development all around. First, adding in the whole abusive father subplot with the family is a wonderful addition in the sense that it adds a whole extra dimension to what’s going on re: Bughuul; it plays into his convincing of the children to kill their families, as we’ve got two troubled couples, particularly the youngest who can’t deal with his life in a broken family. Then when you put in James Ransone’s character, adding jealousy to the mix and all those emotions, that makes the stakes even riskier, an extra piece of drama. Secondly, the character development of Courtney and Ex-Deputy-So-and-So are equally interesting. Courtney has this life riddled with complications, as she’s trying to escape the abuse of her husband, of which she and her oldest boy bear the brunt constantly. Seeing the first scene with the family where they go to the grocery store and she calls out her code word, it’s a perfect way to introduce them and their predicament. The former deputy has his own troubles, having seen the stiff, unjust arm of the law against him, a lawman himself, when he helped Ellison Oswalt in the first film. So we get to see part of the fallout here, and having him off the force also allows for a different dimension to the character we wouldn’t have seen otherwise. Here, he’s more of a regular guy, but he uses his skills and know-how, as well as knowledge of the case, to do what he can. His own subplot of going around trying to burn down the houses targeted by Bughuul was a good, inventive way to keep things going, instead of him simply trying to involve himself in the next apparitions of the entity elsewhere. These two characters, plus all the family drama, make Sinster 2 very enjoyable.
Horror is the name of this game. There are plenty of the shadowy, creeping scenes we got from the first, even a couple jumpy bits. Most of all there’s an air of dread, a tension thick from the first few frames until the final ones. Not only do we get the tapes here as found footage, like the first film, there’s also the added factor of one of the kids carrying the old camera around, filming his attempts at murdering his family. So there are a few intriguing sequences near the end, in the last 20 minutes, where the boy aiming to kill his family runs with the camera, as we follow both him and the other characters; the editing is stellar, switching from the ticking Super 8 camera to the frantically framed regular scenes. These different looks come together well. I loved the scene where Deputy-So-and-So gets the family out of their trouble, then they run through the cornfield, and behind them comes the boy with his camera, and the regularly filmed portions mix with the Super 8 to create a truly creepy back-and-forth that is used a bunch in several scenes following, but never too much. That added a nice flair to the style director Foy went after, emulating parts of the first while also giving it his own special touch. Add to that an amazing hand cutting with a small scythe, the nasty little Super 8 tapes Bughuul gets his kiddies to create, and the elements of terror are strong in this one.
I have to give this the same rating I give the original – 4 stars. There are parts that could’ve done with a bit of extra tweaking, such as some of the moments with the ghost kids. That being said, everything else makes up for it, in a large way. Ciarán Foy has a good eye, plus both James Ransone and Shannyn Sossamon bring credibility to the cast, as do the two Sloans playing brothers; even the asshole dad is good at being an asshole dad. So with the stellar writing, mostly, on the part of Cargill and Derrickson, added to the creepy visuals and the performances, Sinister 2 is a worthy sequel. I’d be interested to see if they could pull of another one, only if a decent story and characters were able to organically find their way into another screenplay. But this one is worth it. Don’t let people sell it short, see the damn thing for yourself. You may just find yourself creeped the hell out in fine form.

Kristy: Lower V. Upper Class Horror

Kristy. 2014. Directed by Oliver Blackburn. Screenplay by Anthony Jaswinski.
Starring Haley Bennett, Ashley Greene, Lucas Till, Chris Coy, Mike Seal, Lucius Falick, Erica Ash, James Ransone, Mathew St. Patrick, and Al Vicente. David Kirschner Productions/La Sienega Productions/Electric City Entertainment.
Rated R. 86 minutes.

There’s nothing absolutely unique to Kristy. I can’t say there’s anything I’d call overly innovative, honestly. Yet something about the film draws me in. I’ve seen it three times in total now. There’s nothing to dissect, nothing to unpack and pick apart, nothing to examine. But each time I viewed Kristy, something lingered in me about this horror movie I could never fully shake. At least not for a couple days.
People look at the movie and see it as cliche-ridden, predictable horror with situations we’ve seen a million times before. I’m not saying director Oliver Blackburn reinvented the wheel on the genre. Nor am I trying to claim Anthony Jaswinski’s script is revolutionary, it doesn’t take horror and turn a mirror in on itself or bring new light to the tropes of the genre, anything in that sense. Simply put, I find Kristy just a good old fashioned horror movie. The difference which makes me think it’s better than the rest? A kick ass lead character, who is female and who doesn’t merely survive on instinct, she wills her survival into existence. Then takes some more.

At college trying to live her own life, Justine (Haley Bennett) works scrubbing dishes while studying her ass off to get good grades. During Thanksgiving, her boyfriend Aaron (Lucas Till) heads off to spend time with his obviously rich family, as does her roommate Nicole (Erica Ash) at the very last minute when her father suddenly gets time off from a political campaign.
Virtually alone – except for the groundskeeper, a young man named Scott (James Ransone), and sparse security including the friendly Wayne (Mathew St. Patrick) – Justine finds herself walking the halls, listening to music, studying, and generally passing away time. Though, Nicole left behind her BMW offering it to Justine in case she needs to get away from campus.
When Justine takes the car out for a drive and stops at a convenience store, one nice gesture towards a girl named Violet (Ashley Greene), who rudely declines, turns into a night of absolute terror and a horrifyingly tense struggle for survival.
Screen Shot 2015-09-19 at 1.46.40 AM Screen Shot 2015-09-19 at 1.41.59 AMAn immediate thing I noticed, then saw again more the next two times I saw the film, is how at the beginning of Kristy, the college campus has this beautiful, bright visual sense about it. Even while Justine finds herself alone across the entire college, there’s still this brightness everywhere she goes. Blackburn chooses to film much of everything in the first 15-20 minutes in this way, making the college and Justine’s life seem pretty relaxed. Along with that, there’s a pretty good little montage sequence where Justine goes through the motions, passing time swimming and bouncing around the lonely, empty halls with her headphones playing “Pumpin’ Blood” by NONONO as it bleeds out into the film’s soundtrack itself.
Then once Blackburn moves further into the screenplay, we start to get a mood shifter in terms of visuals. We see Justine go out at night, then things figuratively and literally get foggy. She drives through fog, almost like a barrier as she leaves the enclosed safety of the college campus gates into the real, terrifying world. You can almost look at it in the metaphorical sense: once you leave college/university, real life is there, real will fucking get you.
Because this is where Justine’s life changes, at the convenience store. This is also where the tone of Kristy links back to its grim opening sequence. Real life outside of the college campus clashes hard with Justine. Worst of all is the fact Justine herself is not the “Kristy” the antagonists are searching out to taunt, torture, and kill. She is not the rich type girl, but only drives her friend’s car (most likely a car her friend got from her parents). Funny enough, Nicole, the roommate with the BMW, is more the type Violet (Greene) and her crew are trying to find. There’s a tragic and scary irony in that. Especially considering the fact Justine even tries to befriend Violet by paying for the latter’s items at the store.
Passing through this point, the land of no return. Things get legitimately suspenseful, tense, and downright frightening at times moving forward. I love the interaction at the convenience store/gas station with Justine and Violet, then the clerk is thrown into the mix, as well. There’s great tension in that scene, which I found thick enough to bite. Great stuff and a well-written scene. This is the setup leading into the film’s real meaty bits.
Screen Shot 2015-09-19 at 1.42.16 AMScreen Shot 2015-09-19 at 1.42.45 AMA notably unsettling scene happens when Justine goes back to the dorm rooms at one point; as she goes by the wall of one room, unbeknownst to her, has all the pictures scratched up, specifically the eyes. I thought it was a brief and real eerie shot. This slowly ratcheted up the tension, adding to Justine’s fear without her even knowing.
In conjunction with creepy scenes like this one, I love the score composed by François-Eudes Chanfrault; his excellent work has included Alexandre Aja’s High TensionInside, and Vinyan. The amazing music goes along SO WELL in certain scenes that it’s hard to deny its effects. Moments when Justine finds her life threatened, when the danger is most real, the music swells and sort of throbs at you. In quieter moments the score lulls you in and captures you, the emotions onscreen jump into your head and into your chest. Chanfrault has a knack for incredible music and I think he is a definite asset here.
Screen Shot 2015-09-19 at 1.43.41 AMWhat really does it for me throughout Kristy‘s meagre 86 minute runtime (including the credits/post-credits scene) is the central performance of Haley Bennett as Justine. Not only her performance, I think Anthony Jaswinski’s screenplay has a great character in Justine. She’s a vulnerable, scared young woman in the beginning whose lonely Thanksgiving on campus turns into a nightmare. By the end of this psychologically daunting horror movie, I found myself almost fist pumping because of how kick-ass this woman had become; she had inside her, just like the intellectual side of herself coming out through class and study, this venomous and visceral side which was required in order to cast out these predators. They hunt her down, thinking she’s someone she is not, and she also becomes – in a sense – someone she is not in order to overcome their savagery. I think an important part of Kristy – not just why I like it – is the fact Justine starts off in a position of weakness, but really takes charge and becomes a tougher, stronger person after coming out the other side of a bloody, haunting situation. Justine reminds me of the Erin character from Adam Wingard & Simon Barrett’s You’re Next, yet without the same background, and in a sense a bit cooler.
Screen Shot 2015-09-19 at 1.44.07 AM Screen Shot 2015-09-19 at 1.44.55 AMThis leads me to the fact I love the finale of the film, so incredibly much. Again, nothing innovative or absolutely fresh, I simply find it hits all the right notes and really becomes this visceral experience. With Justine, we walk through this hell-like evening, or more like run and fight, until she essentially snaps and becomes the hunter instead of prey. She takes on these murderous masked psychopaths and there’s this awesome quality to her redemptive scenes I find really powerful, in terms of horror. I think some might fin the first 40 minutes a little slow pace, which I personally don’t mind. To those viewers I say: hold in there. The next 44 minutes are pretty spectacular, in my opinion. This portion of Kristy truly grips me, as the action and horror get more and more intense, barreling towards a nice finish.
And make sure you check out the scene after the credits.
Screen Shot 2015-09-19 at 1.43.18 AM Screen Shot 2015-09-19 at 1.46.28 AM Screen Shot 2015-09-19 at 1.46.54 AMWith some real amazing horror moments and a strong female lead in Haley Bennett, Kristy is a 4 out of 5 star film in my books. Tons of modern horror aims to be scary yet doesn’t hit the mark, as well as the fact we don’t often see a lot of horror movies where the lead female characters are anything but simple survivors, based on the merit/lost lives of others or a lot of lucky; Kristy is at times terrifying and always sees the character of Justine as someone who is willing to fight, to work, to really strive towards conquering the fear and obstacles surrounding her.
Check this out. Honestly, I think it’s worth the time, even if only for the final half hour. Plus I find the ending/post-credits scene intriguing with the idea from the beginning – of an online type of cult, people killing these “Kristy” substitutes in order to “kill god” as they put it. Very wild and weird and horror-ish fun.
There’s some great character in the screenplay, as well as genuine moments of horror and terror, in equal amounts. Maybe this is not for everyone. For me, it’s a movie I can watch over and over again obviously. Hopefully it might strike others in a similar way, chilling and thrilling to the end.
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