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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

TV Recaps & Reviews

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Well, fuck me— THE STANDOFF AT SPARROW CREEK is a tight, tense, 1970s-style thriller with a timely story about gun culture, & if you haven't seen it, go do it quick. The performances are great. The story's unexpected, as well as quietly intense. You'll be captivated from beginning to end. #TheStandoffAtSparrowCreek #2019 #Film #Crime #Thriller #JamesBadgeDale #CrimeThriller #Movies #FuckGuns

Very much wanted to enjoy DRY BLOOD. Really didn't dig it, but the effects are stellar! Head trip of a film with plenty of blood. Just didn't hit Father Gore right, other than the nasty practical effects work. #DryBlood #Horror #Gore #InstaHorror #Movies #IndieFilm #SpecialEffectsMakeup #SpecialFX #HorrorFilm #HorrorFan

TUMBBAD (2018) One of the horror greats. A truly genuine piece of cinema. This means big things for film in India, particularly for those Indian filmmakers who want to tackle horror in fresh & exciting ways while bringing their culture along for the ride. Honestly, Father Gore's never seen anything like this film. See it, soon as you can! #Tumbbad #IndianFilm #Bollywood #HorrorMovies #InstaHorror #Mythology #Horror #Movies #HorrorFan #Gore #HorrorFilm

THE HOUSE THAT JACK BUILT (2018) is one of the 21st century's great works of art so far. A cinematic masterpiece. A massive allegory about art, the intersection of death & violence with art, & how artists deal with fame, failure, & more. Click the link in the bio to read more! #LarsvonTrier #MattDillon #TheHouseThatJackBuilt #2018 #Horror #Murder #SerialKiller #HorrorFilm #InstaHorror #Masterpiece #ArtisticViolence #gore #2000sHorror #HorrorFan #BrunoGanz #DantesInferno #TheDivineComedy

Huge fan of LEATHERFACE, even if most others hated it. Gives the iconic horror movie villain a new identity. And if you didn't dig it, nothing's changed ole Leatherface himself. But seriously, this is a raw, brutal, & gruesome flick. Father Gore digs it so much! A gloriously gritty horror. #Leatherface #SerialKiller #Cannibalism #TheTexasChainsawMassacre #MyFamilysAlwaysBeenInMeat #Horror #InstaHorror #Prequel #HorrorFilm #HorrorFan #Gore #Disturbing #Reimagining #HorrorMovies

If you've never seen OGROFF a.k.a MAD MUTILATOR (1983), you've got to get yourself a copy! One of the most surreal slashers. A psychotronic brain-warp. Low on plot, high on strange. Things pivot from slasher to an odd zombie plot at one point, too. You've never seen anything quite like it, really. Only because it's so fucking weird. 🔪🔪🔪 #Ogroff #MadMutilator #1983 #80sHorror #HorrorMovies #Horror #Movies #Psychotronic #LowBudget #FrenchSlasher #FrenchFilm #Slasher #NGMount #SlasherFilm #HorrorFan #InstaHorror

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A Place for Horror Critical Theory + TV Recaps & Reviews

Tagged Officer of Interchange

Counterpart – Season 2, Episode 4: “Point of Departure”

So many doubles. The plot thickens.

Published: 12/31/2018

Words: Father Gore

Betty Gabriel
Counterpart
Harry Lloyd
J.K. Simmons
Nazanin Boniadi
Olivia Williams
Sci-Fi
Season 2
Starz

Alexander Pope
Fentanyl
Günter Grass
Howard Prime
Indigo
Nazanin Boniadi
Officer of Interchange
Sara Serraiocco
Spy
Terrorist Attack
The Tin Drum

Featured Articles

SUSPIRIA Bathes in (Blood &) the Power of Women
BLOOD RAGE’s Gory Freudian Nightmare
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
HEREDITARY’s Dark Heart of Grief and Mental Illness
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's student at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.

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