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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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TV Recaps & Reviews

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THE POUGHKEEPSIE TAPES (2007) remains near the top of Father Gore's most disturbing films list. Something about it is totally unsettling. #Horror #ThePoughkeepsieTapes #SerialKiller #InstaHorror #FoundFootage #HorrorFilm

Happy birthday to one of the horror genre's greats, Mr. Brad Dourif!! Not only is he fantastic in horror movies, he's an amazing character actor whose career has spanned four decades & nearly 200 performances (movies + TV). He's a gift to the screen, big or small. Father Gore hopes Mr. Dourif is living it up today at 69 years young. He deserves it. Which performance of his is YOUR favourite? #BradDourif #InstaHorror #Film #Movies #Actor

Trailer Alert! Trailer Alert! THE HEAD HUNTER (2018) A medieval warrior's gruesome collection of heads is missing only one— the monster that killed his daughter years ago. #Horror #TheHeadHunter #DarkFantasy #FantasyFilm #InstaHorror #Medieval #HorrorFan #Trailer #Film #HorrorMovies #JordanDowney #Fantasy

Tomorrow afternoon I'm doing THE BIGGEST interview yet for Father Son Holy Gore. I get to spend 20 minutes on the phone with director-writer Larry Fessenden as promotion for What The Fest!? to talk about his latest film, Depraved, which is a 21st century retelling of Mary Shelley's Frankenstein. Larry's one of my biggest inspirations. I'll have to try not to fanboy too hard. #Horror #InstaHorror #Interview #Film #LarryFessenden #GlassEyePix #Depraved #Frankenstein #HorrorFan #WhatTheFest

Get your summoning circles ready, y'all! Because CHILLING ADVENTURES OF SABRINA is back with Part 2 next month. #ChillingAdventuresOfSabrina #KiernanShipka #Witchcraft #Netflix #InstaHorror #Horror #HorrorFan #Trailer #CAOS #RobertoAguirreSacasa #BlackMagic #Comics

Todd Haynes makes great movies. SAFE is Father Gore's favourite— as scary as a horror flick. Julianne Moore gives one of the best performances of the 20th century, for real. The screenplay is as relevant today in 2019 as it was in 1995. #ToddHaynes #JulianneMoore #TitleScreen #Horror #InstaHorror #Film #HorrorFan #PsychologicalHorror

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Father Son Holy Gore

A Place for Horror Critical Theory + TV Recaps & Reviews

Tagged Officer of Interchange

Counterpart – Season 2, Episode 4: “Point of Departure”

So many doubles. The plot thickens.

Published: 12/31/2018

Words: Father Gore

Betty Gabriel
Counterpart
Harry Lloyd
J.K. Simmons
Nazanin Boniadi
Olivia Williams
Sci-Fi
Season 2
Starz

Alexander Pope
Fentanyl
Günter Grass
Howard Prime
Indigo
Nazanin Boniadi
Officer of Interchange
Sara Serraiocco
Spy
Terrorist Attack
The Tin Drum

Featured Articles

[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
[The Twisted Parallels of Cinema] Edition #1
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
[Slamdance 2019] The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.

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