Tagged Roger’s Cube

American Gothic – Episode 9: “The Oxbow”

CBS’ American Gothic
Episode 9: “The Oxbow”
Directed by Doug Aarniokoski
Written by Lawrence Broch

* For a review of Episode 8, “Kindred Spirits” – click here
* For a review of Episode 9, “The Veteran in a New Field” – click here
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The title for this episode comes from Thomas Cole’s View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm. Otherwise known as The Oxbow.
I wonder where the series will give homage to the 1836 oil painting?
Brad Ross (Elliot Knight) is having a rough go of things. But at least now he’s got Garrett Hawthorne (Antony Starr) in custody. He’s got the missing piece and Garrett’s knife matched. Flash to 2002, as Madeline (Virginia Madsen) finds her son, covered in blood, holding a knife. “What did you do?” she asks.
Well, we’re not given a straight answer. He looks incredibly guilty. But what more is there. Much more, I bet. Madeline visits him in jail and tries to start spinning things in her favour, to help her son. Or is it mostly to help herself? For now, Garrett has an attorney working for him, although he’s not particularly worried about what she’s doing. Instead he rattles off quotes from Horace Mann: “If evil is inevitable, how are the wicked held accountable? Why do we call men wicked at all? Evil if inevitable, but it is also remediable.”
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Back to 2003. A younger Garrett wakes up before his family arrives at the cabin, he takes off into the woods on his own again. While breaking into a cabin, he comes across Al Jenkins (M.C. Gainey) who isn’t exactly convinced with his story of just being out on his own, away from Boston. You can tell there’s more to that relationship.
In the current day, Garrett gets a call from Cam (Justin Chatwin) in rehab. Both brothers in their own respective cages. The older of the two apologises for getting his younger brother close to drugs the last time. Cam doesn’t think he needs to, but Garrett feels guilty generally for never being around. He confides in Cam: “You stayed true to yourselfIm so proud of you.” Cut back to the younger Garrett, out in those woods. He chases a rabbit with a knife until coming across Al once again. They have a bit of dinner together around the fire. They bond. This leads to Garrett getting his own cabin after Al leads him to the place of a now dead old man. And the life of the wandering Hawthorne begins. Al teaches him a thing or two about surviving on his own.
In present day Alison (Juliet Rylance) doesn’t believe her brother was an accomplice of any kind to the Silver Bells Killer, their dear ole dad. Who knows what’s left to be done for the elder Garrett brother at this point, though. In other news, Alison has Jennifer Windham (Sarah Power) started on a bit of dirty work trying to dig up dirt on the current mayor. Ah, the greasy Hawthorne ethic comes out strong in this one.


Slide back to 2008. Al tells Garrett about losing a niece, as they bond over family members to which they were close; Garrett talks about his sister Tess (Megan Ketch) and how they were the closest of all the family. Speaking of Tess, she is certainly not convinced about her brother, either. She keeps telling her husband there must be some other explanation. However, Brady does not get her “loyalty” to a guy like Garrett. He suggests confronting her brother, seeing if he’ll confess or deny it to her face.
It’s on!
The painting from which the episode gets its name is all about the confrontation between wilderness and civilisation. We see that represented totally through Garrett. As the years pass, he stays in the woods, away from civilisation. Away from his family. He peeks in occasionally. He buys a newspaper to read Cam’s cartoon Roger’s Cube. There’s part of him that doesn’t want to let go. He gets his number to Tess without being seen, so they can get in touch: “If you need it,” Garrett lets her know. Their bond is so obviously a deep one, a caring one. Great scenes between those two.
When Tess goes to see him in jail things have changed. At least a little. Garrett’s mostly only concerned with his possible niece or nephew coming along. He doesn’t want anybody worrying about him. Tess asks him point blank about the knife. Her brother won’t answer what she needs to hear, casually suggesting his guilt. The change in their relationship is becoming more of a divide. Everyone’s opinion of Garrett has gone 180 degrees.
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Jennifer’s been tracking the mayor. He meets with Detective Linda Cutter (Deirdre Lovejoy) in secret. What exactly are they doing?
We see more of creepy little Jack (Gabriel Bateman) visiting his uncle, being weird. Talking about the bubonic plague and other happy things. He mentions seeing Christina (Catalina Sandino Moreno) at the hospital near the ultrasound department; Garrett tries calling her, but no luck in talking much. Then he calls his lawyer, desperate to get out of jail: he’s going to be a dad.
There are big things happening in the Silver Bells case. Mainly the police department is getting their ass kicked by Garrett’s lawyer. She starts bringing up chain of custody, mishandling evidence. Might not be long before Garrett does see the light of day.
Switch back to ’08. Garrett finds Al in pain on the floor, his heart aching. He’s writhing in agony. “This is it,” he says. Death is coming for him. So Al begs his friend: “Help me die.” Of course Garrett refuses. The begging becomes desperate until finally he agrees to help Al along the way. He holds a pillow over the man’s face and eases him into the afterlife.
Seeing this, can we actually now say that Garrett was an accomplice to murder? Definitely not in the first hand sense. He could barely help a dying man go ahead and die. There’s reason to suspect he may not be a killer whatsoever.
Then 2016 rolls around, and Garrett heads back to the city when his father’s ready to die. Present day, he sits behind the walls of prison. On the television he watches Jennifer Windham reporting on the Silver Bells Killer. Someone holds her hostage, making her read a note claiming himself as the true accomplice.

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In 2002, after Madeline walked in on Garrett with the blood stains over him, the knife in his hand, she asks what he’s done. The young Garrett replies: “He tried to kill me.”
Everything gets deeper and deeper, with every turn.
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A solid entry into the first season. Great episode! Suspenseful, mysterious.
Next is “The Veteran in a New Field” and is titled so after an 1865 painting by Winslow Homer depicting a man using a scythe in an open, empty field. You can find that painting here.

American Gothic – Episode 8: “Kindred Spirits”

CBS’ American Gothic
Episode 8: “Kindred Spirits”
Directed by Lexi Alexander
Written by Deidre Shaw

* For a review of Episode 7, “The Gross Clinic” – click here
* For a review of Episode 9,”The Oxbow” – click here
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Who are the titular “Kindred Spirits” and where will we find the influence of Asher Brown Durand’s 1849 painting in this episode? You can find the painting here, so look out for where the painting might be recreated or referenced.
So is Madeline Hawthorne (Virginia Madsen) accomplice to her husband’s crimes?
Garrett (Antony starr) is trying to get a lump sum of money out of his mother. Says it’s “in the familys best interest” to be paid. At the Boston Eastside Clinic, he gives them a bunch of it. He gives it all away. Perhaps a way for him to assuage his guilt.
Cam (Justin Chatwin) is headed into rehab. All over the news, too. In fact, the Hawthornes are being targeted quite fierce in the media by a young reporter named Jennifer Windham (Sarah Power). Certainly doesn’t help things. And Cam, he’s trying his best to kick that habit; he winds up meeting a fan of his comic Roger’s Cube, a nurse  named April (Bethany Joy Lenz).
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Detectives Linda Cutter (Deirdre Lovejoy) and Brady Ross (Elliot Knight) continue trying to figure out who was the second hand in the Silver Bells murders. A hit and run accident may hold the key.
Aunt Tessa (Megan Ketch) is looking after crazy little Jack (Gabriel Bateman), as well as meeting with her doctor. I feel awful for her in a lot of ways. She’s been swept up in a whirlwind of different emotions, which are all crashing up against one another. Tess is at least trying to do something for the kid. She takes him to a camp for… strange kids. I don’t know. Regardless, Jack doesn’t seem totally adverse to the idea.
Ms. Windham gets a visit from mother-daughter team, Alison (Juliet Rylance) and Madeline. They might’ve pushed too hard in the wrong direction. Not only that, she has lots of information on the Hawthorne family. Even knowing that Jack’s out at the creepy kid camp meeting an equally creepy young lady named Sadie (Aviv Cohen); she might harbour some of the tendencies.
Well, Garrett and the rest of the clan are now determined to dig up the “source” of all their troubles.
Sophie (Stephanie Leonidas) goes to visit Cam. She seems on the outside of her little family, as her husband is in there cleaning up, trying hard, just like her son, too. Maybe there’s hope after all. If only she weren’t totally full of shit most of the time.
Out on their search, Dts. Cutter and Ross come across a house in the woods. There, they meet an old woman named Ramona Canby (Clare Coulter). They’re looking for her husband, James. Except he’s dead now nearly three decades. And the car the detectives were tracking got stolen twenty years back.
Problem for Tess now is that she’s scared of passing on the horrific Hawthorne gene to her child. Infecting it with the want for violence and murder, like her father. Most likely the same with young Jack. Speaking of the boy, he and Sadie are getting closer; he mentions Garrett having a cabin near the camp. Also that he was suspected of being a serial killer, which interests twisted Miss Sady.
Alison and Garrett sit on Jennifer’s place, waiting to follow her, figure out to whom she’s been talking. The brother and sister reconnect slightly, but then they find out it’s Tom (Dylan Bruce), her husband. He is the source. Yikes. Their marriage is rough.
When Brady suggests there’s something bigger at play, Cutter shuts him down. However, you can see that he’s not willing to let that go totally. Better than that his keen eye discovers that old widow Canby lied. She had a program from Mitchell’s funeral in her home.

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The 1849 Durand painting is given literal homage when the two kindred spirits in Jack and Sadie emulate the men in the picture, standing out in the woods above the forest, as if lords of the world. Dark lords, but still. They soon find Garrett’s cabin out there. Sadie fires a small crossbow nearly taking Jack’s head off. Then their bright idea is to play a bit of William Tell. Only Jack can’t bring himself to do it proving he may not be as sick as we thought. Definitely a tad too curious, though.
Sophie unsuccessfully tries getting April fired. This probably only drives Cam closer to the sweet nurse. She helps the guy, quite a bit. Further aiding him in realising that “Cam is to heroin as Cam is to Sophie” – a hate/love, burning bright and hanging low type of love. Nasty. Yet necessary.
When more personal Hawthorne details, including Tess’ pregnancy, make it out into the news, Garrett locates a bug transmitting from the dining room. That’s why Jennifer bumped into Tom at the house, where he had sex with her, after which she planted the device. Oh, man. Tom is one real dimwitted man. Nevertheless, Tess and Brady are at odds now because of the big pregnancy news, and she isn’t even too happy about bringing a child into a “horrific family legacy.” Their argument leads to him telling her Papa Hawthorne was working with an accomplice.
Meanwhile, the detectives go back to the Canby place at night. Front door wide open. Ramona lying dead on the floor. More victims of The Silver Bells Killer.
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Alison confronts Jennifer with the bug, plus the truth about her and Tom. She’s a pretty intimidating lady when she wants to be, just like mother. She does a good psychological job on the young reporter. This rolls into Jennifer being pressured to do positive spins for the Hawthorne family. Along with a little humiliation. What a scene, wow!
In rehab, Cam tells Sophie they’re finished. “This is not what I want anymore, you are not what I want anymore,” he confesses coldly. That’s what true rehabilitation often means for those with friends or loved ones who are also addicts, or enablers. Sad, yet true. I know all too well.
Things with Tess are smoothing out. She’s feeling more confident about the baby, the family and life with Brady. Calm before the storm, I imagine.
At home, Alison, Madeline, and Garrett toast their latest success. Everybody’s friends, everyone is happy. Only Alison doesn’t know everything about her mother, or her brother. Most interesting is when Jack gets sent home from camp to Tess – he’s found with the knife he lifted from Garrett’s cabin. Just so happens Brady sees the chip in it, the missing piece, literally, to his puzzle. At least partly. The chip is in evidence, photographed clearly. Once Jack tells Brady the knife is from the cabin, things changed. Quickly.
So is Garrett the true accomplice? Or are we being led astray once more?

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Great, great episode. One of my favourites. This was creepy, some new things came to light, and we’re consistently thrown off in regards to Garrett. Next up is “The Oxbow” and it’s named for the 1836 oil canvas by Thomas Cole – the actual name of the painting is View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, but The Oxbow is the common name.