Tagged Scary

Insidious: Chapter 3 is a Welcomed Creepy Surprise

Insidious: Chapter 3. 2014. Directed & Written by Leigh Whannell.
Starring Lin Shaye, Stefanie Scott, Dermot Mulroney, Angus Sampson, Leigh Whannell, Tate Berney, Michael Reid MacKay, Steve Coulter, Hayley Kiyoko, Corbett Tuck, and Tom Fitzpatrick. Blumhouse Productions.
Rated 14A. 97 minutes.
Drama/Horror/Thriller

★★★1/2
Insidious-Chapter-3-poster-1
I’m a fan of the two previous Insidious films. Reason being, I think James Wan did a pretty damn good job, together with the script from Leigh Whannell, in conjuring up a tense, suspenseful, and eerie atmosphere. Above all, I love when a horror film can carry that sort of atmosphere and tone throughout its runtime. While they’re not perfect, the first two movies were scary; to me anyways. I dig a good haunted house story and Wan/Whannell provided that with Insidious and Insidious: Chapter 2.
There was no surprise Blumhouse would try and pump out another one. I waited with baited breath to see exactly what might come out of it and I didn’t exactly expect that the third in the trilogy would live up to what the first two created. However, I was slightly surprised. It isn’t great, but Insidious: Chapter 3 has a good bit of that atmosphere and tone from the first two, as well as the fact Lin Shaye returns in another stellar performance as embattled demon seeker Elise Rainier. One thing I think that helps most is the fact Leigh Whannell not only writes this entry in the series, he makes his directorial debut with the third part, which extends much of the creepiness created by himself and Wan throughout the first two movies.

Taking place a long time after Elise Rainier (Lin Shaye) helped a young Josh Lambert with his problems, and just before Josh’s own son Dalton went through the same trouble, Insidious: Chapter 3 begins with Quinn Brenner (Stefanie Scott) going to see Elise Rainier unannounced. Her mother passed away and Quinn wants to contact her. Unfortunately, while trying to help Elise is clearly troubled; she advises Quinn find someone else who does the same thing and get them to help.
At home, Quinn’s single father Sean Brenner (Dermot Mulroney) tries to wrangle everything by himself. Between Quinn and her little brother Alex (Tate Berney), things are hectic.
An aspiring actress, Quinn heads to an audition. She’s looking to get into a good acting school for her post-secondary studies. Instead, out of nowhere, Quinn is hit by a car. This propels her, for the briefest of time, into The Further. After she comes back quickly, out of the darkness and back to reality, Quinn has clearly seen something inexplainable, something in another world. This sets off all the mysterious events which follow.
0c37e0c2ef44b7f252477c7f3e71111f3b898ec7.jpg__0x1500_q85I thought the writing – especially the characters themselves – was fairly solid. Once again, the family is a centrepiece for all of what unfolds in terms of The Further (see my other reviews for Part 1/Part 2 if for some reason you’ve not watched the previous movies) coming into play. For instance, the teenage characters don’t come off as too forcibly written on Whannell’s part. What I mean is that they’re smart, obviously, but they don’t say these ridiculously eloquent, elaborate things NO highschooler would ever say; I can’t think of great examples off the top of my head, but you know the types, you’ve seen them before. So that’s one thing I thought Whannell did great with because too many screenwriters – especially male screenwriters trying to write female characters –

Some people say Insidious: Chapter 3 is not as scary as the others. Me, I say there’s definitely some nice, creepy stuff happening in this instalment. Even quickly off the bat, Quinn starts seeing a shadowy figure in the distance waving to her, almost calling out for Quinn to follow. First, the figure appears in the catwalk at the theatre where she’s auditioning. Then in the streets, right before she’s hit by a car, the figure – a man – waves at her from far off once more. These little bits help to make a similar dreadful atmosphere as Wan culled in the first two films. Although here it’s different, which isn’t a bad thing. Everything is still eerie, though, Whannell brings his own style to the mix.
I also liked the little quick jump-scare of the man’s face in close-up – when Quinn slips into The Further briefly while surgeons are working away on her after the car accident, the terrifying face flashes quickly. What I love most about this is how it reminds me of the quick flashes of the demon in William Friedkin’s The Exorcist; not sure if this was intentional, but it does bring that shot to my mind specifically. Also, this didn’t make me want to have a heart attack like certain jumps do. It was brief and very effective at the same time.
Insidious3-4A huge aspect of why I enjoyed this third film is because we’re getting more out of the character Elise Rainier. Even in the slightest ways – she lays down in bed and says “Goodnight Jack” and hugs tight to what looks like a man’s sweater. So there’s depth to Elise, she isn’t merely a one-note psychic sort fo woman. And I love that, not just simply due to the fact Lin Shaye is a total badass and wonderful actress (even in her slovenly role as Landlady in Kingpin which still haunts me to this very day). Elise is a big part of why I loved both movies; I’m not huge on her sidekicks, Specs (Leigh Whannell) and Tucker (Angus Sampson), but I think her alone is enough to keep anyone interested. Particularly, after we’re treated to the flashbacks showing a young Josh Lambert being plagued by demons in The Further and Elise coming to their aid, doesn’t it make you just want to know everything about her? Then there’s her relationship with Carl (Steve Coulter), who showed up in the last film, which I thought was an excellent inclusion. In this movie, we see a little more of Carl and so his character/story gets a little more broad than before.
Most of all, though, it’s Elise. She is what draws me to the franchise overall, as it’s her who has dealt most closely with demons and The Further, she knows all about it and she has all the senses. I love the scene here where she’s lying in bed, hugging her obviously late husband’s cardigan (we discover later for sure he committed suicide only a year before), and then out of nowhere she feels something, a presence, she scrambles for the light – nothing’s there, yet the air feels terrifying. Good stuff showing how sensitive Elise is to the other side opposite that of the living.
insidious33The overall aesthetic of Insidious as a franchise is something which keeps me interested. It’s the whole reason – aside from Lin Shaye – I ever bothered to go see this one.
I’m a huge fan of the score in these films. I’d not – to my shame – checked on who was the composer for the music in either of the films. So doing this review I wanted to see if it was the same person. Naturally, it was: Joseph Bishara. The reason I had to check is because, while there are plenty of similarities, Bishara does bring us some new work in the score for Chapter 3. A lot of those heavy, dreaded string bursts are still present, however, he also gives us some bright and beautiful sounding stuff such as in a few scenes with Elise. Either way, he is one part of why that finely tuned aesthetic from the series keeps going.
While the look in this film was handled by a different cinematographer, Brian Pearson, I do think he is up to snuff with how he crafts the scenes visually. Just to note, Pearson did some work as D.P on the fairly excellent series Masters of Horror, as well as a recent film I’m a big fan of – the savage and excellent American Mary. He does good stuff keeping many scenes draped in darkness, as the previous films looked. So even though it isn’t exactly the same carbon copy of style, there is a ton of similar atmosphere built up through how Pearson shoots each scene in a tone down, darkened manner.
Furthermore, the art director Jason Garner worked on the previous Chapter 2, so I think his clearly excellent work there extended to this film. For those who aren’t big on the job descriptions for film work, an art director helps to create the film’s vision in terms of locations, sets, and that in turn brings about a visual aesthetic for the film. The houses and everything which are new in this movie, they really fit in with the entire Insidious franchise world. If you watched these all simultaneously, I think they’d match up unbelievably well.

In regards to the plot, I like the character of Quinn and how she ended up in contact with The Further. Plus it plays into the whole subplot of her mother’s death, trying to reach her in the afterlife and such. It’s a great way to have spun things off from the central story of the first two Insidious films. A lot of these spin-offs can end up really spinning out of control, or just being nonsensical additions to a franchise simply for the sake of raking in money. With this movie, I don’t see it being that way. Sure – profit is the major concern of studios. However, I think especially with Leigh Whannell writing this instead of it being farmed out to writers/directors not already a part of the franchise, Insidious: Chapter 3 is able to hold up in quality near to its predecessors. It’s not as good, but I feel as if it’s pretty damn close.
Also thought it was great the way Whannell setup The Bride in Black as being an entity who actively wanted to kill Elise. This sort of explains their history, as well as why the Bride purposely got into Josh and then strangled Elise at the end of the first Insidious. Not as if there was a massive need to explain anything in detail there, I just find this movie’s script capitalized and added more depth to the other films.
maxresdefaultAll in all, I think this was a 3.5 out of 5 star film. It wasn’t perfect. My biggest complaint about Insidious: Chapter 3 is that there’s more unfunny comedy with Specs/Tucker – something I didn’t like about the others but here it’s even more unbearable with such forced comedy on behalf of the Tucker character. Very lame. Then, I also thought there was something missing about the possession angle involving Quinn. While I found Josh Lambert’s possession in the others excellent, plus Patrick Wilson played him well, I didn’t like the way they did Quinn’s possessed state. It was too similar to the rip-offs of Japanese horror in American movies. I liked lots of the stuff involving Josh being possessed, it just didn’t seem to carry over here.
The finale of the film was decent. Honestly, though, I prefer the first half to three-quarters of the film because I like the build up, the character development and a view into the already established character of Elise Rainier (Lin Shaye). Mostly the last quarter of the movie I found wasn’t as effective as the scariness of the previous two Insidious entries. It isn’t bad, just doesn’t pack the punch you’d expect. If there was a stronger final 25 minutes I’d be more impressed.
Still, this is not bad at all. There’s room for improvement, yet I think Leigh Whannell did a decent enough job keeping up with the other films to make this a pretty good trilogy. I recommend seeing this, though, I’ll still always enjoy the first two more.
My personal favourite is Insidious: Chapter 2. How about you? Let me know in the comments.

Advertisements

Avoid The Bunny Game & its Needless Misogyny

The Bunny Game. 2010. Directed by Adam Rehmeier. Story by Rodleen Getsic & Adam Rehmeier.
Starring Rodleen Getsic, Jeff F. Renfro, Drettie Page, Coriander Womack, Gregg Gilmore, Loki, Curtis Reynolds, and Jason Timms. Death Mountain Productions.
Unrated. 76 minutes.
Horror

No ★s
bunny_game_ver2Sometimes there comes along a film that is so dreary and needlessly graphic that I question why it was ever made. Now, before anyone says “Well if you can’t handle it then that’s not the film’s problem”, let me tell you this – I’ve seen plenty of disgusting, disturbing, outrageously graphic, gory, and beyond fucked up films in my time. I’ve seen a little over 4,100 movies in total. Many, many of those are horror. I’ve seen my fair share of good horror, as well as a lion’s share of terribly made, awful horror movies. I own Cannibal Holocaust, which is a nasty piece of work, and I’ve actually seen Salò, or the 120 Days of Sodom one more than once occasion – don’t ask me why. Plus, I’d actually consider those good horror. Then there’s the type of stuff I’ve just about perished while trying to watch, like the absolutely terrible August Underground stuff; pure, utter tripe, does nothing for the genre except make it look awful. Realistic? Sure. Realism does equate to quality, though.
So when I say that The Bunny Game is a grim and dreary, nasty piece of work, I’m saying it in the sense that it is all that but nothing comes of it. It’s not a good film overall. Ultimately, this is one of those brutal horror films which goes nowhere with what it’s trying to accomplish, and by the end you’re just wondering: A) why didn’t I turn this off sooner?, and B) I hope nobody makes a sequel to this one.
Either way, the result of The Bunny Game is not, as some no doubt paid crew members have spouted off on IMDB and other sites, in any way the reinvention of the genre. No way, shape, or form is it anything close. I never like to rag too hard on a film, but unfortunately for this one I just cannot find the words to express anything enjoyable or positive about any aspect of this muggy turd.
IMG_1084 Bunny (Rodleen Getsic) is an unfortunate soul, left on the streets – who knows what her sad story truly is – and resorting to prostitution.
She goes from one motel room to the next, searching for another meal, trying to stay high and alive. She squats and pees on the side of the road because she has nowhere else to go. She’s also so coked up that she passes out; one of Bunny’s customers goes ahead and has sex with her anyways, then proceeds to loot the bag she carries around constantly. After waking up to find the trust backpack empty, she loses her mind. But it’s just back out on the street once more, on to another miserable day.
Finally, she gets picked up by a trucker who wants to do some drugs with her; he needs a pick me up after a long stretch on the road. But that’s not all he wants – Bunny is taken hostage, thrown into the back of his truck, where a camera is setup, there are chains, and the trucker has plenty of sick games in mind for the poor, lonely girl.
IMG_1085 IMG_1086At times we’re treated to these shots that go on for what feels like eternity, and I’m truly at a loss as to why they’re in film. I get that the trucker guy this insane dude, is supposed to be developed slightly before things get going into the brutality full-on. However, having this man just walk around a little, smoke some cigarettes, drive – I mean, what’s the purpose? Perhaps if there were some nuisance, subtlety in this character, or in the performance, there’d be a reason to focus so much on him in such a languid, boring way. The camera’s not doing anything interesting, we’re simply watching this man. There’s nothing going on much in his face, in his mannerisms, though, I suspect there should be. We’re just not seeing much.
Then he climbs into the back of the truck with Bunny, who is out completely cold, and the real misogyny and nastiness begins. I honestly loathe the stupid “torture porn” label because I think it’s stupid, although I realize what the label is meant to convey. That being said, I’d go ahead and say this is the concept of “torture porn” at its worst, at the most base and vile it can be on film. We’ve got to watch this mental trucker suck on Bunny’s nipples, play with her earlobes and other weird sexual stuff. It’s fine to have a character that deranged in the movie, but why do you have to explicitly show all this stuff? Only makes things disgusting. There’s nothing scary about what he’s doing, it’s the same as watching a badly lit, poorly shot pornographic movie that’s all about sadomasochism and extreme bondage. That’s pretty much what this whole section felt like, as he trucker revels in having Bunny captured in the back of his truck’s trailer. You don’t have to go subtle on every last creepy/scary scene. For me, though, I find there needs to be some sort of tension through not having to graphically see every last bit of the nasty business. Adam Rehmeier says fuck that. Leave nothing to the imagination.
Also, just the fact that the trucker does a bunch of nonsense supposedly “crazy” stuff, it really took me out of things. So much overacting. Awful, really. I thought it was bad, others think he’s some kind of amazing villain. Seriously? I couldn’t get into it. One bit of bad shlock after the other. Huff gas – go crazy – laugh – tell Bunny to shut up or shhhh – repeat.
IMG_1077The black-and-white also did nought for me. I honestly gave The Human Centipede II a star or so just because I found Tom Six’s use of black-and-white pretty interesting in some of the more tame scenes. They gave it a nice off-kilter feel that was very creepy. Here, The Bunny Game feels like it used black-and-white to try and force the idea that this is somehow an innovative or interesting film. There is nothing good about the movie and the use of black-and-white only made things more dismal; not in a good sense.
Ultimately, the whole movie is a bunch of perverse nonsense, mixed with Rodleen Getsic screaming at the top of her lungs a little, plus a ton of quiet, boring moments with the trucker doing nothing at all. Honestly, I don’t jump on a film for the sake of jumping on it. I’m actually one of the types who is often a fan of films people hate – not as a rule, there are just a handful or so of movies I love that others despise (like Exorcist II – fucking love it!). But I just simply can’t bring myself to like what Adam Rehmeier has done here. There’s nothing inspiring in terms of the horror genre, it’s a retread through territory we’ve seen before, just as nasty, but there are plenty of so-called “torture porn” films out there which aren’t this terribly made or as horrid for no purpose.
IMG_1080 IMG_1081I also saw, maybe on Bloody Disgusting or a similar site, that someone said this was extremely well edited. Is that truly their opinion? My good lord Satan. If they think this is masterful editing, I don’t want to see what they find to be bad examples of editing. Because this is, at times, like a black-and-white music video on crack. There’s a frenetic quality to it that’s absolute irritating, as well as fairly useless in my opinion. I really hated the way this was edited, and to think others found that to be one of its best, probably its only, good aspect – I can’t fathom what other poor movies they think contain nice editing. There’s not a moment where I found myself impressed by any of the technical side to The Bunny Game. I’m not trying to be mean: there’s nothing here that’s any good.
IMG_1079In all good conscience, I cannot give this film a single star. On IMDB, you can’t give 0 ratings, so if you happen to come across my ratings page on there and see it has 1 star, versus my 0 here, just remember: they won’t let you do it.
There is not a solitary redeeming aspect of The Bunny Game. It aims to be terrifying and disturbing, and while it may come across as the later at plenty of moments there’s nothing overall scary about this film. There’s not an ounce of suspense or tension in the whole lot; that’s enough to kill any horror. The acting is bad. There’s mostly a lot of yelling and screaming and spitting and weird touching and sexualization at every near, but no good acting, the script is complete trash, and the thing is filmed poorly.
I suggest that you see this only if you’re a completist, or if you’re one of those people who gets off on terrible horror that borders on the line of being the recreation of a snuff film. Otherwise, pick up a better bit of horror and have yourself an enjoyably creepy view! This didn’t make me feel anything, not for a second, and if a horror doesn’t scare me, even in the slightest sense, I don’t see what the point of it is in the end.