Tagged Second Season

True Detective – Season 2, Episode 5: “Other Lives”

HBO’s True Detective
Season 2, Episode 5: “Other Lives
Directed by John Crowley (Boy A, Closed Circuit)
Written by Nic Pizzolatto

* For a review of the next episode, “Church in Ruins” – click here
* For a review of the previous episode, “Down Will Come” – click here
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The aftermath of the shooting at the end of Episode Four has begun to fall over everyone like the ashy snow of an atomic blast.
Ray’s had enough of being a cop, or at least he thought so anyways. Ani is stuck in departmentally mandated therapy and thrown in the basement looking after evidence. Paul faces scrutiny about the Vinci shootout and his time in Afghanistan due to the microscope over him concerning his trouble from the First Episode: the actress who accused him of soliciting oral sex in order to forego a moving vehicle citation. So, the shooting has spread out, touching them all in different ways, even Frank is affected.
Screen Shot 2015-07-20 at 2.58.08 AMThis week’s episode begins a little ways down the road after the climactic shootout during the final minutes of “Down Will Come“. In the first scene, Frank Semyon (Vince Vaughn) looks jaded, frustrated, as if he doesn’t have the words anymore; not for himself, not for his wife Jordan (Kelly Reilly).
Frank is beginning to be severely disrespected by Mayor Chessani (Ritchie Coster). Great scene where Frank leaves the Mayor’s office while the charismatic comedy of Vaugh comes out of Frank’s personality.
One good thing for Frank is that it seems he and Jordan do have things under control. For now. They’re almost as much like competitors, adversaries, as they are lovers, husband and wife. Either way, they seem to be on level ground for the time being. It’s clear they’re in love, but the stress of Frank’s old life keeps pressing on the new one they want to have, the new life they want to give. Though, Jordan is settled for now with the idea of maybe not being parents.
There are a couple real good Frank lines this week:
“The enemy won’t reveal itself, Raymond[…] it’s like, blue balls in your heart.”
(to his wife Jordan) “I was born on the wrong side of a class war, so fuck that gangster shit.”
Screen Shot 2015-07-20 at 3.02.47 AMMeanwhile, Ray Velcoro (Colin Farrell) has quit the Vinci Police Department; he’s working security for Frank full-time now. He looks clean cut, shaved, and even sober – though the last, not so much. Unfortunately, he’s getting booted out of the house he lives in because it’s reserved for municipal employees, which Ray is no longer.
Turns out Ray’s doing more than just “security” – he’s collecting money from slum apartment complexes for Frank. So, though he finds himself out of the grip of his masters in the P.D, Ray is clearly under the thumb of Frank; forever, and ever. Or is he?
Frank is peeling back the layers of the onion which is Ben Caspere’s murder. He asks Ray specifically if the Mexicans did Caspere, to which Ray replies in a wishy-washy way that there’s all kinds of wrong about what had happened, a messy situation.
Ray tails one of Frank’s men to try and tie up loose ends. He watches as there are some girls picked up from who looks like Dr. Irving Pitlor (Rick Springfield), they are then delivered to Osip Agronov (Timothy V. Murphy).
Screen Shot 2015-07-20 at 2.58.20 AMAni Bezzerides (Rachel McAdams) is being forced to undergo sexual harassment therapy, or some other such program. She clearly has no time for it, making a mockery of the group meeting talking about how she loves big dicks: not simply length but the girth, and says “I really wanna have trouble handcuffin’ the thing”.
But it’s also bullshit why she’s there – and clearly it shows how much of a male problem the harassment is within those few moments (not to mention the fact Ani is being blackballed by the whole department in the first place). We see more of Ani and her sister, which is good because it feels like they’re coming together. Perhaps it’s Ani’s own current life situation that makes her feel more sympathy for her sister than we saw in Episode One.
I just love Ani Bezzerides. Nic Pizzolatto writes her well – she’s tough and takes no shit, but also has her flaws. In closing: she is a human being. She’s allowed to cover the entire spectrum of humanity, from good to bad, not relegated to the land of character stereotypes. This episode went well for Ani in terms of character because I found her more interesting; keeps me on my toes, never knowing what type of attitude she will bring into a scene. Good stuff on the part of Rachel McAdams, she’s a great talent.
Screen Shot 2015-07-20 at 3.00.31 AMDetective, formerly Officer, Paul Woodrugh (Taylor Kitsch) is in the legal hotseat over the woman from the First Episode who tried bribing her way out of a ticket by offering him a blow job. Her lawyers bring up Woodrugh’s past: the days in Black Mountain Security, how many people he did/did not kill in the big Vinci shootout awhile ago from the previous episode. I can just feel Paul fraying at the edges in almost each scene.
We see more of Paul and his mother, clearly a dysfunctional relationship. There’s no telling what the history truly is between mama and Paul. Although, it’s clear she has her own issues, aside from those which plague Paul, but I’m not exactly positive what those might be.
Screen Shot 2015-07-20 at 3.01.04 AMAt his mother’s place, Paul looks for $20,000 he brought back from Afghanistan. His mom tells him “I thought it was something you left for me.” Paul is torn apart that it’s gone. But money is the least of Paul’s worries in life. It’s not hard to see she resents him; she tells Paul he ruined her life. Furthermore, she knows that Paul is gay and is denying it – she talks about all his “good friends”, “the boys”, she says “I know about you, Pauly!” So there’s tension galore.
I’m starting to wonder if maybe Paul does have some sort of history of violence towards women, judging by the torn relationship with his mother and how aggressive they both are with one another, verbally and physically. But who knows, he could just hate her guts for the way she has obviously treated him, like a burden. Another reason I find Paul Woodrugh so interesting. I think Pizzolatto does a fantastic job at juggling so many characters. Last season, there was so much centred focus on the two main detectives – this time with three, plus the addition of Frank and his wife, there is a ton going on. Yet Pizzolatto does well, I think, in fleshing them all out. Just so happens, for me Woodrugh is one of the most interesting. Hard to choose, though, when they’re all rich characters.
Screen Shot 2015-07-20 at 3.01.49 AMRay meets with Ani in the little bar where he usually met with Frank. They’re both damaged from the shootout. Ani clearly knows there’s more to the Ben Caspere case than the P.D determined; she says “a bunch of people got shot to shit and nobody cares.” Obviously, Ray knows what the deal is, at least partly, and he was forced to keep with a certain version of events. His best advice to Ani is: “I try to limit the people I can disappoint and I make sure to know the difference between my obligations and somebody else’s”.
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Bezzerides, Velcoro, and Woodrugh are being recruited to go deep and figure out what really went on behind the Ben Caspere case, what truly happened. Essentially, they want Velcoro to be a man on the outside, as he is now no longer a member of Vinci P.D. yet he knows how the greasy guys at the top operate.
District Attorney Katherine Davis (Michael Hyatt) offers Velcoro a deal – help her to uncover everything, she makes sure Ray is able to keep his son around. Also, she reveals that the man who raped Ray’s wife is not dead, he was recently picked up on a string of unsolved rapes – this leads Ray into a frenzy, looking for answers. Not only did Ray’s relationship with his ex-wife become a ruin due to her believing Ray had the man killed, he was also lead to believe the man was dead – now we know, Frank had him kill an innocent man just to keep Ray in his service. This ignites a fire in him that flames high; all directed towards Frank.
Screen Shot 2015-07-20 at 3.03.28 AMA couple awesome scenes happen in this week’s “Other Lives”.

– We watch Ray devolve a little after initially it seems he might be turning over (some kind of) a new leaf. He falls into that fugue of anger he began in at the start of the season. Ray goes back to see Dr. Pitlor and beats some information out of the man, donning leather gloves and a heavy blackjack with which to menace the doctor, and while it’s thrilling, you can see how quickly Ray slips between the two men existing within him: the man he wishes to be and the man who he is, the one he cannot escape.
Screen Shot 2015-07-20 at 3.04.26 AM– The scene with Paul and his mother worked excellently and Kitsch was fantastic. I’ll keep saying it, over and over, I think he is a great actor when given the right material. Plays the character of Woodrugh very well.

– Ani and Paul find a creepy little shack in the woods with a chair at the middle and arterial blood spray across one of the inner walls. Brief, not too much, but added some tension. Plus, I really like how Ani and Paul are together. Good dynamic. Then again, I also think Ani and Ray are a good team. Mainly I think that’s because the character of Ani is such a no bullshit, no nonsense type of woman, she basically calls the men in her life out on their shit whenever she can, quick as possible. So she almost corrals these male detectives, not in a motherly way just simply the way a leader needs to in order to get the job done.
Screen Shot 2015-07-20 at 3.05.15 AM– Finally…
My favourite scene of this episode is at the end when Ray goes to see Frank. It is just – WOW! There’s not much to it at all. A banging on the door, again, again – Frank gets pissed and tells them to shut the fuck up. He looks through the peephole and relaxes: it’s Ray. But it’s the look on Ray’s face, the eyes gently quivering, a subtle force bottled up inside him – just blew me away. He tells Frank they’ve got to talk and then… cut to black.
Screen Shot 2015-07-20 at 3.05.51 AMSo again, I keep telling people: Teague Dixon. We already have a scene in this episode, a couple actually, referring to Dixon. Woodrugh goes to a pawn shop for some information, only to find Teague had been there weeks before. In fact, he’d been there before the others had officially know about evidence which would’ve brought them there.

I guarantee there’s more to Dixon’s character, and I still know there will be some sort of plot involving those pictures he took of Woodrugh a couple episodes ago.
Screen Shot 2015-07-20 at 3.04.51 AMThe biggest thing going is that Frank knows there’s something not right about the official word on Caspere’s murder, he needs Ray to fill in the blanks. But now Ray knows that Frank set him up from the get-go. Ray’s life is in absolute shambles and Frank is responsible for so much of that. That ending really promises a confrontation between Frank and Ray that could lead to tremendous consequences.
Next week we’ll see what happens. I think there are going to be some big revelations in the next episode. This was a great one, in my opinion. They’ve all been a lot of fun. The small time jump from the last episode to this one worked, and it also helps to add a little depth to the story. Only about six or eight weeks, but just enough time. It seemed like everything was starting to smooth out, except now the chaos is creeping back further into Ray’s life, Paul too, and Ani has never been free of it for a second. With Ray at his door, I think Frank is about to understand the meaning of chaotic.
Screen Shot 2015-07-20 at 3.05.59 AMNext episode is titled “Church in Ruins”. After that, only two episodes left: “Black Maps and Motel Rooms” & “Omega Station”.
The detractors, I’m sure, will still compare this second season of True Detective to the first season. They are highly different. I do prefer the first, absolutely. However, I’m still a big fan of this second season. Can’t wait to see how these last three episodes play out! Stay tuned. I’ll see you next Sunday.

True Detective – Season 2, Episode 2: “Night Finds You”

HBO’s True Detective
Season 2, Episode 2: “Night Finds You”
Directed by Justin Lin (Better Luck Tomorrow)
Written by Nic Pizzolatto

* For a review of the next episode, “Maybe Tomorrow” – click here
* For a review of the previous episode, “The Western Book of the Dead” – click here

Picture 7I thought the opening of “Night Finds You” was a really great little piece. Not because of what Frank and Jordan Semyon [Vince Vaughn & Kelly Reilly] are talking about particularly, but because of the image above. First, Frank sees the water stains in the roof, and he wonders where they came from as it hadn’t rained that much recently. Then, as the second scene crossfades with the one before the images mix and the water stains become the eyes of Ben Caspere, City Manager, who was found dead at the finale of the first episode.
Now what I enjoy is how the water stains come to represent a couple things. The obvious one is how Frank sees them, and yet they’re big blotches, brown and almost rotten, so they must’ve been there awhile. Only now is Frank noticing them. The stains represent the things which are right in front of us, the things growing and festering right under our noses but in a blind spot, somewhere it’s almost too obvious so it gets passed over. This can mean a lot of things. Then the stains also come to mean something else.
The other idea of the water stains and what they represent is how everything eventually bleeds through, like the water through to the inside of the house. For instance, the cops of True Detective, their “other lives” outside the badge blur into the badge, and then the job itself bleeds out into the other parts of their lives as well. Velcoro, obviously, has every part of his life both touched by the law and tainted by the law’s inability to always and effectively dole out justice. Woodrugh represents how the lives people live before the badge come to affect the way they do their jobs because they still have to go on and live a life outside the badge; he also symbolizes the people who cannot come to terms with who they are because they believe they must be a certain type of person to do a certain job, to lead a certain life, et cetera. I think the idea of those stains is what reflects throughout the course of the episode, and likely what might be the rest of the season. Frank has a great quote in the early part of the episode at the beginning when he mentions how everything seems like paper mache, and this is because the paper is wet, things bleed through; everything is mixed, there are no dichotomous distinctions only grey areas, like life is one giant cesspool.
See? Pizzolatto’s philosophical pessimism and ruminations on life are still all there, you just have to dig a little deeper than Rust Cohle’s eloquently lobbed softballs from the first season.
Picture 12BAM! This season is definitely moving at least a little away, initially anyways, from the violence against females which heavily characterized the first season. Not to say it was an epidemic of scenes including women being beaten or anything – I know the difference – but last season certainly had enough of it packed in there with the storyline and plots surrounding to last a lifetime. Such is life, things can be grim! Regardless, I think that whether or not Pizzolatto is intentionally moving away towards something else or if it’s natural doesn’t matter. The story is great so far, and I think people are worried there are too many characters. I’m not. There’s enough plot to keep us going – with Ben Caspere dead, above with his genitals removed, there are wheels in motion, and Episode Two “Night Finds You” shows us the consequences of what happens to people who get in the way of the big, heavy, moneymaking wheels.
IF YOU’VE NOT SEEN THIS EPISODE – WHAT IS YOUR PROBLEM? WHY ARE YOU READING THIS? TURN BACK NOW OR FOREVER BE SPOILED.
Really, I shouldn’t bother warning anybody dumb enough to come looking at reviews of an episode they’ve not yet seen. Alas I follow suit to be polite.
Anyways, Ray Velcoro [Colin Farrell] is the man who meets the heaviest of consequences in this second episode. Life for Ray is deteriorating fast as it is because his ex-wife wants to take his son away, after getting wind of the savage beating some unknown man, clearly Ray, laid on a bully’s father [for those who don’t remember Ray beat the dad and told the kid if he ever bullied/hurt anyone ever again Ray was going to come back and buttfuck his father with the mother’s headless corpse on the front lawn in Episode One]. He makes the mistake of telling his buddy/master Frank [Vince Vaughn] there isn’t much reason for him to keep going along with everything that’s going on, et cetera. However, I don’t think the fate Ray meets at the end of the episode is something Frank had anything do with, and here’s why…
In Episode One, there’s a shot of Ben Caspere’s corpse riding in back of a car, and upfront alongside the driver sits a big crow/raven type of mask.
Picture 1
Now, Frank seems to not know anything about what’s happened to Caspere, so when the crow/raven mask shows up again in the episode’s finale it’s hard to believe Frank has anything to do with what’s being done. Then again, we can never count on truly knowing what’s going on in True Detective, and certainly not when we’re only two episodes into the whole mess.
Picture 10Image above and all, Ray Velcoro is not out for the count just yet.
Picture 2Not even with this last shot either. Everyone can stop discussing. All you need to do is check it out – Farrell is listed as appearing in all the episodes of this season, so that’s enough right off the bat. Then, there’s the fact that he’s being shot at mid-to-low range here. I would imagine Farrell is wearing a vest. He survives, no doubt. Plus, there are images released, pieces in the trailers/teasers that show him in other scenes not yet aired. At the very least he’s in flashbacks. People need to calm down. Yet, this is what Pizzolatto knows, HBO too, and they play the game quite well.
This event will mostly just serve as paranoia and motivation for Velcoro. He’s probably going to immediately assume that Frank Semyon has done him in, but then again, Ray also realizes the men he works for in the Vinci P.D are not the most honest and uncrooked men there are in existence. So, the rabbit hole begins for ole Ray.
Picture 8Other than Ray, this episode showed us that Detective Bezzerides knows who she is working with. At one point she flat out asks Velcoro himself to tell her exactly how “compromised” he has become. The distrust in the picture above when she is with the other detectives and officer on the case is evident.
Furthermore, we get a little more evidence as I referenced in my last post [re: Officer Paul Woodrugh] that Paul is definitely having issues with his sexuality. Not only do we see him apparently checking out a corner where what looks like gay prostitutes are getting rides/dropped off with a bit of desire in his eyes, mixed with hatred, mostly for himself, but then he further tells another detective that a “fag” was checking him out and that he almost knocked the guy out – to which the other male detective responds “and why would you do that?” – so it’s more than clear Paul is having a lot of rough times dealing with the sexuality inside him that wants to be free. This should be interesting to see play out. I also want more of his Black Mountain Security past to come out because there’s no doubt neat places to explore in that part of his psyche, mixed with all the homosexual angst he feels so far.
queensdamnedsWith many believing death looms over Detective Ray Velcoro, I safely tell you – Ray lives. Don’t worry. Either way, this was an excellent second episode, and I think definitely built with strength on the first. Things are beginning to unfold now, and the further we go, the better this ride will get. The events of the second episode are really going to propel the third somewhere else. There are many places to go from here – what will Ray do if/when he survives this attack by the masked birdman? what will Frank do when he finds out about Ray/if Ray comes after him for the attack? is Paul going to continue wrestling with his sexuality, or will it give way to some kind of acting out in lieu of gratification? can we expect Ani to start unravelling some of the dark secrets behind Ben Caspere’s murder and maybe even the men she’s working with? So, so many avenues to go down. Let’s wait and see what happens, I know I’m beyond pumped to watch more True Detective. I’ll see you all next week.