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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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The artist wearing a cow's head on a Parisian beach PABLO PICASSO v. A boy wears the head of a dead cow LEATHERFACE Directed by Alexandre Bustillo & Julien Maury Cinematography by Antoine Sanier #Horror #Film #SideBySide #PabloPicasso #Leatherface #AlexandreBustillo #JulienMaury #TheTexasChainsawMassacre #InstaHorror

Reflections in aviator sunglasses COBRA Directed by George P. Cosmatos (*father of Panos) Cinematography by Ric Waite v. THE NEON DEMON Directed by Nicolas Winding Refn Cinematography by Natasha Braier #Horror #NeonDemon #Film #SideBySide #GeorgeCosmatos #NicolasWindingRefn #InstaHorror

Images of Elizabeth Bathory IMMORAL TALES Directed by Walerian Borowczyk Cinematography by Bernard Daillencourt, Guy Durban, Noël Véry, & Michel Zolat v. THE NEON DEMON Directed by Nicolas Winding Refn Cinematography by Natasha Braier #Horror #TheNeonDemon #ImmoralTales #InstaHorror #Film #SideBySide #NicolasWindingRefn #WalerianBorowczyk

Father Gore (a.k.a C.H. Newell) recently sat down for a phone call with director-writer Larry Fessenden. It was a dream come true. Larry spoke about his new film Depraved, Mary Shelley's Frankenstein, John Milton, how men are destroying the world, & he even briefly made fun of George W. Bush & Trump. What else could you ask for? Click on the link in the bio to read the FULL INTERVIEW!!! Find out all about Larry's latest film, which had its official world premiere last night at What The Fest!? in Manhattan. #Horror #Frankenstein #LarryFessenden #MaryShelley #Depraved #WhatTheFest #InstaHorror #Interview #Film

A rape victim wields her gun MS. 45 Directed by Abel Ferrara Cinematography by James Lemmo v. Clarice Starling holds her gun on Buffalo Bill THE SILENCE OF THE LAMBS Directed by Jonathan Demme Cinematography by Tak Fujimoto #InstaHorror #TheSilenceOfTheLambs #ClariceStarling #AbelFerrara #SideBySide #Film #HorrorFan

An octopus slithers through a corpse A BAY OF BLOOD Directed by Mario Bava Cinematography by Mario Bava v. A snake slithers from a dead body's mouth SLEEPAWAY CAMP Directed by Robert Hiltzik Cinematography by Benjamin Davis #Horror #Film #ABayOfBlood #MarioBava #SleepawayCamp #Slasher #InstaHorror

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A Place for Horror Critical Theory + TV Recaps & Reviews

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Into the Dark – Season 1, Episode 4: “New Year, New You”

This New Year's Eve party is going to get killer

Published: 12/28/2018

Words: Father Gore

Blumhouse Productions
Carly Chaikin
Horror
Hulu
Into the Dark
Season 1
Sophia Takal

Bullying
Carly Chaikin
Get Well Danielle
New Year's Eve
Social Media Influencer
Sophia Takal
Suki Waterhouse
TLC
Unpretty

Featured Articles

[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
[The Twisted Parallels of Cinema] Edition #1
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
[Slamdance 2019] The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.

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