Tagged Twisty the Clown

American Horror Story – Cult, Episode 1: “Election Night”

Donald Trump is elected POTUS. The clowns come out in hordes. Marginalised voices worry; anarchic racists rejoice.
This was the U.S. Election fo 2016. And this is 2017.

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American Horror Story – Freak Show, Episode 4: “Edward Mordrake Part 2”

FX’s American Horror Story
Season 4, Episode 4:
 “Edward Mordrake Part 2”
Directed by Howard Deutch (The Strain, Pretty in Pink)
Written by James Wong

* For a review of the previous episode, “Edward Mordrake Part 1” – click here
* For a review of the next episode, “Pink Cupcakes” – click here
screen-shot-2016-11-19-at-8-29-13-pmBack to it with Part 2 of the double bill for Halloween, Edward Mordrake (Wes Bentley) moves on to the other freaks – Paul (Mat Fraser), Legless Suzi (Rose Siggins), and so on – who each tell him and the devilish face their respectively sad, depressing stories. Pepper (Naomi Grossman) and Salty (Christopher Neiman) are deemed to have “no shame” by Edward.
Suzi ended up on the streets, no work for someone with no legs and lower half at all. She confesses the crime of stabbing a man in his legs, simply for spite, which actually killed the man. Though, Suzi went into performing afterwards because she had no other options and Edward deems this inspiration.
Paul meanwhile had to turn himself into a freak because he says he could “never make the world love me.” He only decided not to tattoo his face because it was the only part of him left normal, handsome, and therefore ought to stay natural.
Mordrake does not accept any of them and so moves on through the campgrounds.
screen-shot-2016-11-19-at-8-29-42-pmFinally, Mr. Mordrake finds himself in the tent of Elsa Mars (Jessica Lange). She’s more than happy to see him, still not under the correct impression about who he is; still thinking he’s there to make her famous, to pluck her from the obscurity of Jupiter, Florida and its muggy swamps.
Soon enough, though, Edward reveals himself and stakes his claim. He wants to hear all about Elsa Mars, her deepest fear, her darkest shame, everything and anything at all.
Turns out Elsa, during 1932 in the Weimar Republic, was doling out lots of nasty fetishism – apparently before Hitler turned it into war, the Germans were working it all out “with their cocks.” She never had sex, but worked as a dominatrix catering to plenty of rotten men. One of the more brutal moments in the entire series comes when she makes a man sit down on a toilet; its seat full of upturned nails. She did lots of shows for men she called The Watchers, becoming quite popular among the perverts of Brandenburg.
Eventually she found herself lured into a truly terrifying situation, which led to the removal of her legs – The Watchers got her nice and drunk, drugged up, for a little solo show. No co-star this time, only a chainsaw they use to chop off her legs at the knee.
And still, after all the tragedy and horror in Elsa’s past, Edward opts not to take her.
Jimmy Darling (Evan Peters) is having a tough time dealing with Esmerelda (Emma Roberts) and her attitude. At the same time, he clearly enjoys her company.
They find themselves crossing paths with Twisty the Clown (John Carroll Lynch), who chases down Bonnie (Skyler Samuels) after she escapes. Ever heroic Jimmy decides to go after the creepy clown, not wanting to let the girl he carries off into the night to suffer any more.
But things go to hell, as Dandy is about with Twisty. What happens is Esmerelda and Jimmy end up tied and trapped back at the rusty bus camp for an impromptu show. The so-called mystic finds herself in a real circus act when Dandy tries to saw her in half with a huge saw. Jimmy gets free, luckily, and knocks Dandy down while Twisty tries to get everyone clapping, madman that he is. Things devolve and Jimmy finds himself choked out by the terrifying clown. Lucky for him, Mordrake and his second face show up, green smoke curling inside the bus.


Now we get to hear all about Twisty! He’ll have to reveal his worst shame, his deepest pains and wounds. Moving backwards to 1943, Twisty reveals he was the clown for children at West Chester’s carnival. He was proud of doing a great job for the little boys and girls. The freaks hated him, jealous of his popularity and talent, so they accused him falsely of molesting children and tricked him into running off; sadly, Twisty doesn’t seem to have ever been very bright. He gave up being a clown and went back to Florida, to Jupiter, trying to make old things into toys for children. This led him into a confrontation with the store owner in town (the one whose head he lopped off earlier in this season), which changed his life forever.
Back the bus, his home, he decided to try blowing his face off. You can tell where this went. Then later on he abducted children and other people, all in order to make them laugh, to give them what they wanted when their parents gave them nothing or refused. Twisted, hey? Twisty is an appropriate name.

I’m so dumb I can’t even kill myself

And so with Mordrake goes the evil clown. I honestly didn’t see that coming first time around when I watched this season as it aired. Still, though, it’s clear with Mordrake and his legions of dead, no matter in the afterlife or not we’ll probably see more of Twisty at some point or another. In a way, now he’s at peace in the beyond with all the other dead; even his face is back to normal again.
Of course, sick Dandy comes by and takes the clown’s mask for his own face. Better off, now he looks more outside like he does on the inside, anyways.
Jimmy Darling comes off as the big hero after he and Esmerelda are found when the cops show up. When a bunch of cars show up at the freak show, Elsa thinks they’re being laid siege upon. Instead, the townsfolk wanted to come and shake Jimmy’s hand – HIS HAND! – all for saving the children and the town as well. A really beautiful scene where the “normal” people come together with the “freaks”, the divide no longer so distant now that one side has proved to be capable of loving the other, being gentle with the other. Great bit out of this episode, kind of heartwarming. If only for a brief reprieve.
Finally, the greasy Stanley (Denis O’Hare) – a.k.a Richard this time – shows up and flaunts the idea of Hollywood, California in front of Elsa.

The episode ends with Dandy, his new and fitting clown face on, slitting a nice rip across Dora’s throat, letting her bleed all over the floor to her death. A disgustingly satisfied and happy smile forms across Dandy’s face and he laughs himself almost to tears.


Next episode should be an incredible one! This was an awesome two-parter for Halloween, expect no less from Ryan Murphy and Co. Can’t wait to review the next episode, “Pink Cupcakes”, which is directed by Michael Uppendahl once again.

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American Horror Story – Freak Show, Episode 2: “Massacres and Matinees”

FX’s American Horror Story
Season 4, Episode 2:
 “Massacres and Matinees”
Directed by Alfonso Gomez-Rejon
Written by Tim Minear

* For a review of the previous episode, “Monsters Among Us” – click here
* For a review of the next episode “Edward Mordrake: Part 1” – click here
screen-shot-2016-11-17-at-11-00-04-pmSome of the sweeping shots of the carnival itself, such as the opening shot of “Massacres and Matinees,” really remind me of certain scenes in HBO’s Carnivale. Great look and feel.
This episode begins with a news report of a missing policeman. Of course, he was buried, dead, by the freaks – led by Jimmy Darling (Evan Peters) – at the end of the first episode. Everyone is on edge, naturally. Things get even worse once two more detectives show up poking around, they advise Elsa Mars (Jessica Lange) a curfew will be put in place, which effectively poises to ruin her business.
Bette and Dot Tattler (Sarah Paulson) find themselves called into the mix. The police are very interested in her, the entire band of freaks, and in plain language make it clear to Elsa they’ll be regulars around their neck of the woods.
Twisty the Clown (John Carroll Lynch) is up to more murderous fun again. In a shop full of toys, Halloween decorations, and so on, he hides as a clerk looks for his boss. When the clerk does find him, only a head, Twisty stabs him through the back of the neck, piercing his throat. A pretty unsettling scene and then it turns into a bloody, nasty little mess for a minute.
screen-shot-2016-11-17-at-11-01-21-pmBack at the carnival, Jimmy’s having a harder time than anyone else dealing with what happened to the cop. He was the one who killed the man, after all. Back at the hole, he tells Paul (Mat Fraser) and Amazon Eve (Erika Ervin) how he feels back, worrying the man may have had a family and children. They tell him he had no choice, it had to happen. Meanwhile, they’ve got to transplant the body somewhere else with all the cops and their heat sniffing around.
Good thing, too. Eve spies the man’s badge in the dirt. That could’ve certainly caused a few problems down the line.
Worse than any of them at the show – by FAR – is rich boy Dandy Mott (Finn Wittrock). I mean, the guy has a little baby’s bottle made of crystal he drinks from, it has a gold cover over the nipple. Fuck this guy. Worse than that, if you can imagine it, is the way his mother Gloria (Frances Conroy) cleans up his messes and caters to his every whim. Then their maid Dora (Patti LaBelle) tries not to lose her mind in the middle of it.
Things get thicker in the plot of Ethel Darling (Kathy Bates). Once a new performer named Dell Toledo (Michael Chiklis) and his wife Desiree Dupree (Angela Bassett) show up, everything changes a little. Elsa eventually agrees to take them on: not only is Dell a strongman, a good one at that albeit a terribly troubled one, Desiree has got lots going on under the hood with a set of male and female genitals + three breasts. It takes some convincing, but Elsa goes with their talent, despite any suspicions.
We come to discover Dell and Ethel were together at one time. In fact, Dell is a father to Jimmy. But he’s only there to capitalise. He reveals to Ethel, who is not impressed with his showing up to the carnival at all, Elsa has hired him on as security for their show and grounds. Lots of good tension already between these two, plus Bates and Chiklis in scenes together? The chemistry is there already, now let’s watch this one play out!


Dandy even ends up at the freak show asking to be taken in. He believes himself to be a freak, like them, only on the inside. Jimmy tries talking some sense into him; wouldn’t you like normal hands instead of flippers? It’s sort of offensive to someone like Jimmy if a ‘normal’ guy like Dandy walks in claiming to know what it’s like to be an outcast as they’ve been. He’s tossed aside. Spoiled little brat he is, Dandy loses his mind and smashes his face off the steering wheel in his car.
Luckily back home in the mansion, Gloria, mother dearest, has picked up a clown for Dandy, so they can play together. Best part? It’s Twisty; she’d found him wandering along the road. I’m sure those two have a lot in common. That’s not at all a joke, Dandy is clearly a budding psychopath.
Bette and Dot are being touted as the headliners of Elsa’s show, though, she would much prefer to be deemed the star. Only problem being neither of them are particularly brimming with talent. At least not until Jimmy is able to draw out a beautiful voice from Dot.
In this moment, a zoom on Lange’s face, eyes pointed, we see how Elsa is immediately threatened by this emerging talent. It’s the start of a big dynamic between the twins and Ms. Mars. Works well because in each season from Asylum on, Sarah Paulson and Jessica Lange have been setup as these very opposite characters, in strained relationships with one another. So I’m glad to see a new one, with a fresh and intriguing aspect. Great actors working together constantly in such a consistently solid manner is impressive.
Oh, Dandy. What a sick, twisted bastard this young man with too money is, and how painful yet fun it is to see his character open up with each episode. Watching him with Twisty is downright scary at times. First, I was beginning to think Twisty might hurt him, or even actually kill him; especially after Dandy goes through the clown’s bag and looks at his things. But no, Twisty just picks up and runs off leaving Dandy with a goose egg on the back of his head.


Jimmy Darling and the crew of freaks – Pepper (Naomi Grossman), Paul, Eve, and others – show up at the diner looking for a meal. Everyone is properly grossed out for the 1950s, weak minds not willing to let people be people, regardless of how they look or talk. After Paul causes a little disturbance, eating off a plate yet to be bussed with food on it, in walks Dell who gets in a confrontation with Jimmy. Outside, he pounds the boy a few good shots and really lets Jimmy have it. Bastard.
Twisty heads back to his little home sweet home, the ragged rusted bus in the woods, and greets his captives – Bonnie Lipton (Skyler Samuels) and Corey Bachman (Major Dodson). He seems pretty laid back, a bit rattled by his time at the Mott residence. Then he takes out a little wind-up toy, displaying its walk for Bonnie and Corey, trying to be an actual clown and make them smile. Hard to do when his own smile is mortifying. We get a raw look at what’s under the plastic mask over his mouth, as Bonnie manages to crank him with a piece of wood and escape.
Lucky for ole Twisty, his new friend Dandy came back to the bus and followed him. He’s able to help capture Bonnie before she makes off. Sick and twisted are not even close to the words useful in describing Dandy’s character.
Another musical number comes out of “Massacres and Matinees” with Bette and Dot performing a Fiona Apple number. Loved this sequence for several reasons.
Reason the 1st – Sarah Paulson gets to perform a bit of music, proving she has a decent voice and getting a chance at doing one of these scenes. Reason the 2nd – we get to see how savagely jealous Ms. Mars is becoming, episode after episode. So at the start, Bette/Dot were a draw for her, she was rooting and scheming to have them in her show. Yet now, after their true talent is revealed and is emerging quicker than expected, Elsa sees them as threatening. Will this lead to anything sinister? Elsa strikes me as someone who values herself above anyone else, as well as she has a delusional view of herself as a big star still poised to rise.


When the cops show up, more of the relationship between Dell and Jimmy begins to unravel and it brutally affects what will come next. Jimmy tried to place the badge in Dell’s tent, in order to get him hauled away and out of their lives, out of the carnival. Only Dell is too keen, for such a dirty bastard – he planted the badge in another tent. Instead of seeing Dell carted off to a cell someplace, little Meep (Ben Woolf) gets taken. Excruciating to see Meep falsely put in jail, a bunch of scary looking, much bigger men crowding around believing him as a killer; you can feel something terrible is about to go down.
Elsa sneaks in to see Bette while her sister sleeps. Dot wakes up midway through and spoils Elsa’s fun. Clearly she’s playing a dangerous game with the twins; divide and conquer, all within the same body, one entity. It’s hard to tell where this will take any of them because Bette is very starry-eyed, while Dot in complete opposition is so cold and rational, there’s bound to be a good measure of disconnect between them both.
It gets even more brutal when Elsa leaves Bette with a small, sharp penknife, after filling her head with pessimistic thoughts about Dot. Uh oh.
Jimmy takes the weight of Meep being carted off all on his shoulders, he starts to drink for the first time getting absolutely hammered. His mother is worried, but Jimmy only worries about Meep— “hes not tough… hes just weird.”
No sooner does he say the words and runs outside, Jimmy and Ethel see a car drive by, dropping a wrapped up lump to the dirt. Inside is the lifeless body of Meep. A bloodcurdling scream comes out of Jimmy and rings into the night as the episode closes.
screen-shot-2016-11-17-at-11-07-39-pmIntense finish to this one! Cannot wait for the next episode, titled “Edward Mordrake: Part 1”, directed by Michael Uppendahl.

American Horror Story – Freak Show, Episode 1: “Monsters Among Us”

FX’s American Horror Story
Season 4, Episode 1: 
“Monsters Among Us”
Directed by Ryan Murphy
Written by Brad Falchuk & Ryan Murphy

* For a review of the Season 3 Coven finale, “The Seven Wonders” – click here
* For a review of the next episode, “Massacres and Matinees” – click here
screen-shot-2016-11-17-at-10-39-44-pmThis season begins with Sarah Paulson narrating us, her face fades in quickly. Well, one of her faces.
Our introduction to them comes in 1952 – Jupiter, Florida – when the milkman Bill Palmer (Wilson Bradford) finds mouldy looking milk bottles outside the door. Going inside, he comes to discover there’s been something awful going on, as the food is all left out, everything in disarray, and Ms. Tattler lays in a pool of her own blood. Upstairs, he comes to discover what’s been hiding in the house all these years, tucked away in secret by the old woman. Back at the hospital, we get to see the terrified look in the eyes of a nurse as a doctor lists off the internal anomalies of the person they found at the Tattler house.
Before seeing what’s been causing all the commotion, Elsa Mars (Jessica Lange) shows up asking questions of a candy striper named Penny (Grace Gummer). Turns out Elsa is poking around for business purposes, she runs a traveling carnival and show of oddities. Penny, being the naughty nurse she is, helps Elsa on her way inside. Now, we finally get to discover why the hospital is in an uproar, hell – the whole town.
Another go around sees Paulson playing the twins Bette and Dot Tattler. Not only are they identical twins, they’re conjoined – rather, they’ve got two heads on a single body. They’re both highly different, though, each with their own distinct and vibrant personality. Even better than that, we as the audience get to sit in on their internal conversations and monologues, which is damn cool and will certainly serve as a unique, important device throughout the season.
Something I love about Bette/Dot is the way the visuals have started to work in “Monsters Among Us”. At various moments in any given scene, we’re treated to a split-screen technique giving us a slightly differing perspective from each of the women. It already visually sets up the tension and different feelings they have about Elsa and her ways.
While Elsa poses as a caring person to them, underneath it all she’s selfishly interested in their life, their condition, simply so they might come and work for her at the freak show.screen-shot-2016-11-17-at-10-41-53-pmThe horror begins pretty savagely here in the first episode. Twisty the Clown (John Carroll Lynch) wanders out of the trees to a clearing where Bonnie Lipton (Skyler Samuels) and Troy Miller (Andrew Duplessie) are almost ready to make a little love together. Twisty is so unbelievably creepy. Part of his face is all skin and makeup, while the other parts seem glued on… or torn off. There’s bloody edges all over his skin almost mixing in with the makeup.
Pretty much you can bet he’s a bad, bad sort of clown once he hauls out a couple bowling pins and whacks the lovers in their heads.
Little nod to Lynch’s turn in David Fincher’s Zodiac, as Bonnie comes to and sees Troy being stabbed to death by this nasty clown.
More characters filter into our mind’s eye now.
First, introducing the chameleon going by the name of Evan Peters, this season taking up the role of Jimmy Darling. His initial scene gives us a bit about him, and some about Elsa. It seems their travelling carnival is in trouble, with only what’s between Ms. Mars’ legs keeping them in town and staving off the landlord. Meanwhile, she’s pissed with Jimmy – a freak in his own right at her carnival – because he’s out flaunting himself and looking to hook up with women. He wears big, heavy leather mitts on his hands. Only hinting at his character to come.
Next scene, the gloves come off; in more than one way.
At a little party full of 1950s-era housewives, ole Jimmy is the entertainment. At the back of the house, in one of the bedrooms, each of the women head to see Jimmy and his big, long lobster hands. Y’know – the better to make you cum with, my dear.
Throughout the rest of the episode we see a lot of weird, wonderfully grim and exciting stuff.
Twisty goes back to the abandoned rusty bus where he keeps a young boy whose family he killed and Bonnie Lipton. There, he terrorises them in their cage after his attempts to amuse them fail. Absolutely disturbing stuff, even more vile if you’re afraid of clowns!
Elsa further worms her way into the lives of the twins. She scares Bette – the more innocent of the two – while Dot is much more sceptical of Ms. Mars and her scheming ways. Because, as it turns out, Bette went a little mad and started to stab their mother, which led to them both becoming accomplice to the crime. So naturally, Elsa uses this to her advantage. She claims it’s to save them, when really it only benefits her in the end; after all, she holds all the power knowing the truth of what happened to their mother. Off the twins go, back to the freak show, ready to help draw in some paying customers.


So many different things happening in this first episode of Season 4. There are even more interesting characters than ever before, I think. With such a full and wide variety of characters – due to the vast freak show – it’s impressive how well Falchuk and Murphy fit so many pieces into the script.
We get a brief flashback scene to when Elsa meets Ethel Darling (Kathy Bates), a.k.a The Bearded Lady (and Jimmy’s mama). Man – just have to say it, Bates is a powerhouse of a performer. Her accent is awesome, the whole bearded look goes well, and she embodies the character like always; quality actor.
There’s also Paul the Illustrated Seal (Mat Fraser), Amazon Eve (Erika Ervin), tiny little Ma Petite (Jyoti Amge), the familiar face from Season 2 Asylum Pepper (Naomi Grossman) and another awfully termed pinhead named Salty (Christopher Neiman), and more. Very rich tapestry of characters going on already from the start.
Funny enough, the candy striper from earlier named Penny wakes up after her time with the freaks and seems to have a problem with what happened to her, saying she was “drugged and ravaged.” Although, Elsa hauls out a film of all that went on the previous night, which pretty clearly shows how much fun Penny actually had. In this scene, we get a good look at how fed up Elsa is with how she and the freaks are treated – she calls them “beautiful” and “heroic,” chastising Penny for her and her kind’s way of looking down on them and at them.
At the same time, Jimmy Darling wants to have a normal life outside of their freak show, he wants to take him and his mother away, all of them. He even expresses the desire to help the freaks get away from drowning their sorrows in alcohol, telling Ethel how there are meetings and support groups for those types of issues now. He’s obviously a caring person, more than just a guy to be labelled ‘freak’, just like the rest of them. Loving this season’s themes already beginning to branch out from this first instalment.
But a dark side comes out of Jimmy’s hopes to look after the freaks. When a cop comes poking around for Bette and Dot, wanting to take them in under arrest for murdering their mother, Jimmy cuts his throat after he continually uses the F-word (no not that one: freak).screen-shot-2016-11-17-at-10-55-21-pmFinally we’re introduced to the sickly stuck-up Dandy Mott (Finn Wittrock) and his doting mother Gloria (Frances Conroy). They’re a hilarious pair, decadently dressed while taking in the local show Elsa and her carnival of freaks offer up. Our initial view of them is not overly long, however, within these moments we’re also treated to Elsa and the freaks putting off their show.
Some found it strange the way Murphy incorporated music into this season. I love his explanation, though, as every artist’s music they use is someone who has identified as a type of ‘freak’ over the years. For instance, we continually get Elsa singing Bowie, so it’s not hard to see his outsider status; later we’ll get other musicians like that, even a bit of Nirvana. Great sequence in this episode with seeing/hearing Jessica Lange performing David Bowie’s “Life On Mars?”, as the freaks play instruments in the background. Amazing stuff to kick this season into full gear.
My favourite part is the end of the episode when Elsa takes off her wooden legs for the night, slowly rolling down her socks, undressing. Very powerful scene. Now we understand a little more perhaps why Elsa is hardened and vicious and ruthless at times. As “Auf Weidersehn, Sweetheart” by Vera Lynn plays, the episode finishes on Elsa’s sad, tragic face. We’ll see where she and the rest of these characters take us in the second episode.

They wanna call us monsters, fine— well act like monsters.”

Dig the music in this season even more than any other before it. There’s a great quality to it with an almost 1950s sci-fi sound at certain points. It’s full of strings that sweep from one end of the spectrum to the next, so beautifully and at the same time in an eerie sense. I also can’t shake the weird electronic heartbeat-type sound, it comes out with the strings and it’s like a pulse beneath all the other sounds. At first you almost think it sounds out of place, then after some time the noise grows on you and morphs into the rest of the sonic wall. Score and soundtrack have been a big thing since the first season, but Season 4 in particular really has it down pat. Can’t wait to see how the aesthetic overall works in this season as the episodes go on.


Next episode is titled “Massacres and Matinees”, directed by series regular Alfonso Gomez-Rejon.