FX’s American Horror Story
Season 7, Episode 1: “Election Night”
Directed by Bradley Buecker
Written by Brad Falchuk & Ryan Murphy

* For a recap & review of Season 6 My Roanoke Nightmare episodes, click here.
* For a recap & review of the next episode, “Don’t Be Afraid of the Dark” – click here
Pic 1We start with clips of Hillary Clinton and Donald Trump leading up to the U.S. Election 2016. Including violent events at rallies and protests, clips of the Donald talking about his wall, the Rust Belt, and Hillary fighting back.
Cut to Kai Anderson (Evan Peters) praying in front of the television as the election’s being announced: “The revolution has begun.” He chants USA happily, his hair died blue like part of the American flag, humping the TV. Across town are Ally Mayfair-Richards (Sarah Paulson) and her friends, she literally weeps as the announcement is made while her wife Ivy (Alison Pill) consoles her.
We can tell already just by Kai’s dungeon-like basement, his near worship of the events transpiring, he’s going to be trouble. Afterwards, he blends up a load of cheesies and impersonates his hero in the mirror, complete with the little finger symbol.
And what is wrong with CNN for not giving us a trigger warning before they announce the results. I just, I dont know whats real anymore. She was supposed to win.”
Satire of both left and right is alive and well! Can’t fault Ryan Murphy & Co. for being one-sided, already giving it hard to the liberals, too. We see Winter Anderson (Billie Lourd) lamenting the election results. Kai shows up, Cheeto-faced and Trumpified. Perhaps he’s not so much a Trump fan as he is an anarchist, seeing this new Trumpmerica as an opportunity, to further instil fear in those who are now living afraid in the era of the Orange Menace. We’ll see.
Pic 1AOh, a callback to Season 4 Freak Show! Two people hump out near the lake. They joke about Twisty the Clown (John Carroll Lynch). All of a sudden he shows up. Of course the guy pulls a gun, putting a bullet into the clown. Nothing works. Then, Twisty has his murderous fun, killing the guy, chasing the girl. Soon, he’s back at his old bus, the place is a little grown over with weeds, but still the same ole shack.
But it’s only a comic book. Twisty’s a pop culture icon, y’know. Ivy and Ally’s little boy is reading the comic when he’s meant to be sleeping. When Ally catches him, seeing the clown on the cover, it triggers a near panic attack, anxiety flaring and sending her into fits. Because she coulrophobia, an irrational fear of clowns. You can see where this is headed; a terrifying place for her. Lucky she has an understanding partner who cares for and loves her.
We see Kai dolled up a bit, speaking in front of a group about “fear” and references everything from Trump Tower to rap music in his speech about “freedom of movement” and “fear as currency.” Then this leads into his not wanting more cops, certainly not those needing overtime to watch a Jewish community centre. He’s most certainly an anarchist.
Kai is, essentially, a boiled down version of many far-right bros, believing Trump (and people he’s given legitimacy to, such as Steve Bannon) has given them a green light to create a world of chaos in America, so that when fear reigns people will come running for the supposed strong to protect them, relinquishing rights and whatever else is needed. More than anything Kai is starting to represent the wounded male ego, epitomised in one mad, violent young man.
Kai: “Theres nothing more dangerous in this world than a humiliated man
At her doctor’s office, Dr. Rudy Vincent (Cheyenne Jackson), Ally talks about her phobias. How since the election, that fateful night, everything’s feeling shit, amplified in its awfulness. The world and everything in it is terrible. She also comes from the worldview of a lesbian, speaking of Obama and, for the first time, feeling a part of the American conversation. Vincent prescribes something many of us could all use: anxiety medication and less social media. Truly, though, Ally is symbolic of many people in America who’ve been having a terrible time since Trump won.
Pic 2The dreadfulness of the atmosphere in this season is already palpable. Poor Ally goes to the grocery store, experiencing multiple assaults on her senses. From loud music, creepy people in masks, humping clowns in the aisles. Through the prism of her phobias, we see her general fear of masks, of being unable to see the face of others; a parallel to the idea of her not knowing who may be a Trump supporter, who may oppose her very existence as a lesbian, so on. Later, with Ivy, it’s also a view on how many personal relationships, in various ways, have been altered by the state of America and how the election has divided people.
Also, an idea – Paulson’s character, in a sense, illustrates how many people often won’t people marginalised voices. Yes, she has phobias, many of which are irrational. However, as is sadly the case with LGBTQ voices, black voices and other voices from POC, the Indigenous communites(etc), their fears aren’t always considered.
Now we see the first interaction between Kai and the couple of Ally and Ivy. He tosses coffee on them, most likely on purpose. I wonder, has he been watching her already? Or is that coming next? Well, we already see Winter applying for a position with the couple as a nanny for their boy, worming her way in as the pro-Hillary supporter, the type of person they’d love to have around. Inside access. We cut between her interview and an honesty session with Kai. Ominous.
Out on the street Kai sees a bunch of Mexicans. He pisses in a condom, singing like a racist, then tosses it like a water balloon telling them they’re “not welcome.” While someone records in the background Kai lets the Mexican guys beat the shit out of him. Ah, the ole Breitbart-style journalism! Meanwhile, Winter’s also working on the couple’s kid, showing him creepy shit on the dark web. Like dead bodies.
Screen Shot 2017-09-06 at 1.23.33 AMPoor ole Ally continues falling apart, Ivy doing her best to not go insane right along with her. It’s a tragic situation, because partly there’s some genuine mental illness happening, also because she’s spending too much time obsessing. And another part is that it’s understandable, especially as a lesbian, worrying what Pence and Trump will do to her life, her family’s life. There’s genuine concern underneath the obsession.
On the street outside the Mayfair-Richards place an ice cream truck shows up. From out of the back come several clowns, men and women. The same group who were at the grocery store. Welcome to the neighbourhood, Bozo!
When Ally and Ivy arrive the street’s blocked with cops and all sorts of flashing lots, tape blocking the road. A murder at a house nearby. Worst part is that the kid saw the clowns, now nobody else does, so this is going to look to Ivy as if Ally’s influencing their boy negatively with her phobia. Could cause a further divide in the married couple.
Doesn’t help that Winter took the kid over to the house, where he witnessed the murder of the people inside. One of whom happens to be the guy at the municipal council meeting that embarrassed Kai. Yikes. Problem being that Winter negates the story, furthering the tension and pushing the couple farther from the truth.
And Ally, she’ll never escape those clowns. Not even in her own bed.
Screen Shot 2017-09-06 at 1.29.28 AMScreen Shot 2017-09-06 at 1.39.59 AMI don’t give a shit, I love this series. Cult comes out of the gate swinging, not afraid to jab at the left and right of the political spectrum. People will automatically assume this is a Trump hatefest. And sure, part of it is, or at least it’s attempting to show the real world division in America through the lens of the horror genre. I’m excited to see more, because it’s bound to get very fucked up. Judging by the premiere, anyways.
“Don’t Be Afraid of the Dark” is next week. Buckle up, snowflakes and deplorables.

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I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm also already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm also a writer and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Cinema. Contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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