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Horrific Revelations in Space: Paul W.S. Anderson’s Event Horizon

Event Horizon. 1997. Directed by Paul W.S. Anderson. Screenplay by Philip Eisner.
Starring Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson, Richard T. Jones, Jack Noseworthy, Jason Isaacs, and Sean Pertwee. Golar Productions/Impact Pictures/Paramount Pictures.
Rated R. 96 minutes.
Horror/Sci-Fi

★★★★
IllpcThere are some excellent horror films which take place in space. For instance, I’d consider Alien as science fiction, but definitely with a great deal of horror involved. More recently there’s Pandorum, which I enjoy a ton and there are nice horror moments in that one, as well. In the found footage sub-genre, Apollo 18 has lots of creepy sci-fi/horror-ish stuff to offer. Even classics like Mario Bava’s fantastic Planet of the Vampires come into the sci-fi realm crossing with horror.
Of course there’s also terrible stuff like Leprechaun 4: In SpaceJason X, the live-action version of Doom, John Carpenter’s rare misfire Ghosts of Mars, and even worse horror movies crossed with space misdaventures such as the dreadful Inseminoid.
In my opinion, Event Horizon falls in with the former category of science fiction horror. Specifically the stuff taking place in space. Not only is the sci-fi angle of the film incredibly interesting and a lot of fun (I have no idea if any science within is accurate and could care less; it’s a movie), there’s a ton of horror – and I mean a TON! If you can’t get into this film, even a little, then that’s sad because I always look forward to putting this one on if I need to get creeped out… in space.
event-horizonIn 2047, a rescue vessel is sent to a find the Event Horizon spaceship which disappeared seven years ago. Captain Miller (Laurence Fishburne), along with his crew, and designer of the lost ship Dr. William Weir (Sam Neill) are along for the ride. Adjusting to deep space travel, Weir settles in amongst a group who don’t particularly want him there, nor do they want to be there themselves; this rescue mission took them off a scheduled break from time in space. Things get worse once they locate the Event Horizon.
Aboard the lost-now found ship, one of the crew members gets sucked into a portal created by the experimental gravity drive at the heart of the vessel, which comes alive suddenly and on its own. After he comes back, and a shockwave rocks the rescue ship, everyone is forced to board the Event Horizon.
What follows is a descent into madness and the depths of Hell itself far from the safety of Earth, in the dark and lonely confines of space’s outer reaches.
Event Horizon 1Something I noticed in this film was the great prosthetic work. From the first time we see some noticeable prosthetics, as a dead body with significant injury and decay floats into the view of Kathleen Quinlan’s character Peters, I knew the makeup work all around – from the blood and gore stuff to dead bodies and other such elements – would be well executed.
Lots of interesting stuff happening from Duncan Jarman, whose resume includes some of my favourites such as A Midsummer Night’s DreamThe BeachThe HoursThe Last Samurai, Danny Boyle’s SunshineHarry Potter and the Order of the PhoenixValhalla RisingBiutifulHarry Potter and the Deathly Hallows: Part 1/2; if that’s not enough he’s done work on two upcoming films I’m aching to see, In the Heart of the Sea and The Revenant. And he’s but one of the makeup department; plenty others worked their asses off, too.
The special makeup effects are solid. Some genuinely upsetting visceral stuff. Again, poor Peters (Quinlan) gets a big first dose, as she sees her son in a vision while in the Event Horizon’s medical lab – his legs are basically rotting, the flesh beginning to slop off his bones, bloody in patches. Not too long afterwards, Captain Miller (Fishburne) sees his own vision of a man on fire; incredible work on this brief moment.
As Justin (Jack Noseworthy) runs into his predicament with “the dark inside [him]”, the effects kick in with some nice blood and gore. There’s also an awesome shot of Justin’s veins bulging out massively through the skin on his arms, which I found – though brief – very cool.
7mwaa9c-imgur terror-from-beyond-a-list-of-sci-fi-horror-films-set-in-space-source-http-www-themovi-84456Another impressive aspect of Event Horizon is the set design. There’s a constant flow of amazing set pieces making up the spaceship, which helps to add a haunted house style setup to the film. Because essentially that’s what this is – a haunted house horror movie located in space, on a ship in a deep region. The whole of angle of Christian Hell comes into play, as D.J. (Jason Isaacs) decodes the message from the Event Horizon before it went completely dark for seven years. Set design can help a film or kill it; here, it truly elevates the whole aesthetic. Inside the Event Horizon especially, I cannot get enough of its entire design. Very sinister and creepy with this vast sense of isolation in this large corridors and rooms. The gravity drive itself is sort of Hell-ish looking, like something you’d imagine Pinhead might have sitting on his desk at home, at the office. Lots of this type of thing happening, which makes the set design something great and a major element to why I find the creepiness so effective in a lot of scenes.
7VleCGAJSyjnykIAQvoSO1qkyZNI’m not overly impressed with the dialogue in the screenplay, nor am I thrilled by any of the performances that much. Both Laurence Fishburne and Sam Neill are favourites of mine – the former in just about everything, particularly his latest turn in Bryan Fuller’s Hannibal as Jack Crawford; same goes for the latter, Neill is awesome in everything from his portrayal of Dr. Grant in Jurassic Park to his wonderful role in John Carpenter’s In the Mouth of Madness. That being said, even these two aren’t incredible here, no more than you’d expect from anyone else honestly. They’ve definitely put in much better work elsewhere, but they’re not bad here either. Simply, it isn’t the acting which brings me to Event Horizon.
Ultimately, it’s the makeup effects/special effects, the prosthetics work, and so on, which impresses me. Not to mention I do enjoy the screenplay, just not so much the characterization or the performances which came out of it. But I love the story and the plot themselves as a whole. I think one of my only big criticisms here is that I could’ve maybe used another 15 minutes to tack on some bits and pieces to certain characters, such as Captain Miller (Fishburne) and Weir (Neill). They had a bit of time, not near enough. Particularly Weir, as he comes to be even more important to the Event Horizon ship than we’re initially led to believe. If we had another 15 minutes, there could’ve been a bit of extra time dedicated to Weir and helped to flesh things out a little more. My beef is that things feel a bit rushed, like the lead-up to Weir’s involvement with the Event Horizon’s evil side sort of came as an afterthought – I feel like Philip Eisner, the screenwriter, was going with the ship itself doing all the awful stuff then later put Weir in as being the villain eventually. It could’ve worked better, that’s all I’m saying. The way it is in the final product feels slightly contrived; easily fixed by giving the subplot a bit more time to stretch its legs.
weir-jpgAll in all, I’m willing to say, for me, this is a 4 out of 5 star film. I honestly don’t like anything else from Paul W.S. Anderson, except the guilty pleasure I get from his version of Mortal Kombat. So I’m glad to say that I honestly love this movie. There are definitely flaws – I think the writing for Cooper (Richard T. Jones) was absolutely pitiful, which is unfortunate because I think Jones has a ton of charisma and he’s like a slightly younger version of Denzel Washington; underused and under appreciated as an almost “token black guy” role that could have easily been written better.
Aside from that, the makeup effects are out of this world (sorry for that lame unintended space pun), the story and plot are creepy, and there are two good actors (though not at the very top of their games; still good) to give this science fiction horror romp a nice edge. I suggest if you’ve not seen it, do so soon! Great way to quench your thirst for a genuinely well done horror which happens to take place in space. Enjoy, and if you have any sensible, civil comments please feel free to drop them below and we’ll have a chat about this bit of underrated ’90s sci-fi/horror.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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