Episode 5: “The Truth”
Directed by James Franco
Written by Joe Henderson
* For a review of the previous episode, “The Eyes of Texas” – click here
* For a review of the next episode, “Happy Birthday, Lee Harvey Oswald” – click here
Back in time once more this week with Jake Epping a.k.a George Amberson (James Franco) and his trusty sidekick Bill Turcotte (George MacKay) in the early 1960s.
Last we left Jake, he’d discovered Sadie Dunhill (Sarah Gadon) snooping around the recording equipment. She even heard some nasty little recordings of all the dirty details – that is, a bit of sex between Lee Harvey Oswald (Daniel Webber) and his wife Marina (Lucy Fry). What’s about to happen now in this latest episode, properly titled “The Truth”?
Sadie tries to run away, disgusted with Jake. He does his darnedest to explain, saying they were “Russian actors” in a play. But she knows there’s something more. He says it’s about her protection, yet that’s not going to be good enough. This has divided them impossibly for now. The token of her feelings, a dish of food, sits on the table still, reminding Jake of her. So he tosses it.
Flashback to Jake in the classroom, in present day. He asks his class about “traveling back in time“, what they might do. Suggestions for killing Josef Stalin, Adolf Hitler, Saddam Hussein, so on.
Switch back to ’63. Jake’s getting let go from his job by Principal Deke Simmons (Nick Searcy), due to a “moral clause” in the contract he signed. The “Russian filth” did him no good. Either way, it’s sad to see him go. Certainly Mimi (Tonya Pinkins) doesn’t like it either.
Back to present. Al Templeton (Chris Cooper) and Jake talk about Oswald more, and whether Al saw him shoot at General Walker. Al never lasted long enough, so now it’s in Jake’s hands.
In ’63, Jake and Bill sit on Oswald more. They need to see if Oswald is alone, or whether something larger is at play. Or someone completely different altogether. “Is it bad I‘m rootin’ for Lee to hit the guy?” Bill asks. The time is set, they’re ready to spy on what happens “according to history“, to see what fate has in store for them. I love the plot because it takes people right through researching a conspiracy theory, or possibly through what may have actually happened.
Jake: “It doesn‘t matter why he shoots. All that matters is if he shoots.”
The investigative duo try to prepare for every possible mishap on the day. Working against the past and its way may prove difficult at important turns. For his part, Bill’s curious about what happens afterwards. None of that is on Jake’s mind; only the job at hand. Nonetheless, Bill isn’t overly thrilled about staying in the past once Jake leaves. He seems to push too hard at times, though, overall is a good man. And he also has nothing keeping him anywhere, such is how he ended up with Jake to begin with, so I can understand his frustration with his life situation when traveling to the future could be accomplished.
With Sadie on her own, it looks like she may have someone following close by. Is it the sadomasochistic ex-husband Johnny Clayton (T.R. Knight)? Very likely.
On the phone, Jake gets a call from none other than Johnny himself. He’s with Sadie, and she looks in rough shape with what looks like a pillowcase on her head, blood seeping through.
Jake leaves Bill to their business. He rushes to Sadie’s place fast as his feet can move.
Inside, Johnny’s been a bad boy. He has Jake sit at the table, Sadie still with her bloody covering. Once Johnny removes it, we see her face, what he’s been busy doing: “She‘s not really pretty anymore,” he whispers to Jake. He taunts them both, calling his ex-wife a “dirty little bird” and such (reminiscent of other psychotic characters from Stephen King such as in Misery). This is one of the creepiest scenes yet. Knight gives it his all as Clayton, making you cringe and squirm a little in the seat. There’s a quiet, subtle madness about him that you feel might erupt at any moment. Johnny eventually serves up a bit of bleach for Jake to drink. And then Sadie enacts a plan for their hopeful escape. With some taunting of her own Sadie keeps Johnny busy. Until a doorbell rings.
Sadie: “All this because I told him your dirty little secret? Well I didn‘t even tell him about your grandmother. She liked to wash you, didn‘t she? She washed you real good. How old were you? Twelve? No, thirteen. They took her away because of you.”
Clever cut to Bill at the door of Marina Oswald. Uh oh. They share more cigarettes together while Lee is sleeping. How far will he risk Lee catching them, or becoming too suspicious of Bill, and in turn Jake? Right now, love is blinding Bill. And Lee wakes up, discovering them on the steps. This brings Bill too close to the situation. “Have you ever read any Karl Marx?” Lee questions: “You read it and then we‘ll talk.” He hands over a copy of Marx on Economics. “It tells the truth,” says Lee. For the time being, the investigation is safe.
Cut back to the Clayton situation. At the door are two students with stuff from a raffle. He tries to get the kids away fast. After that he tosses the bleach in Johnny’s face, blinding him. This sends Clayton, blurry eyed, shooting bullets around the room in a rage before Jake is forced to bury a fire poker in his temple. For good measure, Sadie shoots him. A brutal and tense scene.
Police are on the scene quickly. An ambulance carts Sadie off, leaving Jake to ponder what follows. Trying to get away from police questioning, Jake is saved by Deke, who shows up out of nowhere. Seems he’s as happy as anyone to have Clayton dead. The cops get a statement from Jake later, quite an honest one, too. It’s as if the town is merely hoping for Sadie to pull through, with students and even Deke offering to give blood.
Meanwhile, Bill is on the case by himself. Nine o’clock strikes and there he is, waiting for Lee to appear around General Walker’s office window; somewhere, anywhere. But then coming out of the nearby church, Bill believes he sees his sister Clara. He chases her before realizing it’s, obviously, not her. In his absence, the shot goes off. Who was it?
Flashbacks again to Al, his advice for Jake heading into the past: “If you get too close, you forget what you came for.” A fact Jake’s already realizing, much too heavily. And then Walker shows up with a gunshot wound to his arm. Jake watches on darkly. He calls Bill, who has no good news. He’s got his own demons haunting him, as well.
Goods news? Sadie isn’t dead, she’ll just have a bad scar. After she sees Jake again, he reveals more of himself, giving her the titular truth. Their bond becomes closer now after such a terrifying ordeal.
Looking forward to more next week with “Happy Birthday, Lee Harvey Oswald” – sure to bring more excitement, more revelation, more twists and turns. Stay with me, folks.