A glimpse into the way Annie grew up explains some of the chaos in her adult life
Dr. Jordan lets the supposed Dr. DuPont hypnotise Grace, in order to hopefully discover the truth of her so-called crimes.
Grace begins recounting the day Nancy was killed, as Dr. Jordan hopes to finally uncover some truth.
Dr. Jordan discovers more about Grace and her time under the employ of Scottish master Mr. Kinnear.
Grace tells Dr. Jordan about her relationship with Mary Whitney, and what happened to the young woman.
Episode 8: “The Day in Question”
Directed by James Strong
Written by Bridget Carpenter
* For a review of the previous episode, “Soldier Boy” – click here
The titular day in question has arrived. The day of the assassination.
Jake (James Franco), along with Sadie (Sarah Gadon), is racing to get himself in place. JFK is due to be in Dallas for the fateful ride. Out of nowhere, Jake runs into Frank Dunning (Josh Duhamel), or does he? Just a mirage. Even Sadie runs into the specter of her former husband (T.R. Knight). The past is trying to prevent them in any way, shape or form from doing anything to change it.
Through crowded streets they try to make their way to the Book Depository. They come upon the Grassy Knoll, they see people waiting around for the President of the United States to drive by. All unknowing. Sort of eerie to see them in the midst of everything, knowing what’s to come. Another King reference – Randall Flagg struts through the streets, or someone likely to be him, anyways.
But Jake ends up pulling a gun on a man who’s supposed to know things, yet doesn’t, and Jake fears the past is pushing back harder now so close to the event.
Lee Harvey Oswald (Daniel Webber) is sitting, quiet, alone. Meanwhile, Jake manages to get himself inside the building. Only time is passing, fast. A nice Stephen King homage: REDRUM is on the wall as Sadie and Jake run up the stairs.
As the motorcade pulls around, Oswald sits breathing slowly. He is readying himself. The people on the street cheer, raising their hands, waving to John F. Kennedy. Lee steadies the rifle on the President’s car. Intercut with shots to look like the original footage. An amazing, tense sequence. Jake busts in and distracts Lee, enough so that the President and his Secret Service escape unharmed.
Now, though, Jake and Sadie are trapped in there with Oswald, who stalks them still with rifle in hand. “I‘m gonna make my mark on this world,” he raves at Jake. Hand to hand, they fight. That is until Jake’s forced to shoot him in the chest. So, one way or another, the past was going to kill Lee. Whether it was Jake or Jack Ruby, didn’t matter. Worse yet Sadie took a bullet. She is one tough customer. But maybe not tough enough to survive this one.
This puts Jake in custody. Not a perfect situation for a time traveler. He’s now finding himself pinned with being the one to have taken the shots. He’s going down or all of it. What a nasty turn of events for the past to take.
So now we’re seeing the mysterious FBI Agent James B. Hosty (Gil Bellows) again. He is taking part in the interrogation of Jake Epping, as well as Captain Will Fritz (Wilbur Fitzgerald). So Jake lays out the story about Lee, talking about his supposed intentions to kill the President. For the moment it seems as if Jake is up against the wall here.
Then once Hosty is alone with Jake, things appear differently. Outwardly, to anyone in the know like Hosty, it looks like Jake is a spy – two houses, no apparent identity “prior to 1960“, and lots more. Using the present knowledge of past events to his advantage, time traveler Jake keeps an edge on Hosty.
And from nowhere, JFK calls to speak with Jake. He thanks Jake, saying they owe him “their lives” – even Jackie gets on the line to say her peice. An emotional, very real moment for a mini-series involving time travel. But there’s always been a human element to its drama.
Hosty: “Far be it for me to pull the thread on the story of a hero, if I did the whole thing would unravel. God knows this country wants a hero. An American hero, who saved the President‘s life and values his privacy. That‘s how our story‘s gonna go.”
With some cash in his pocket Jake moves on. He buys a ticket elsewhere.
Then in the station he sees a woman reading From Here to Eternity. It’s Sadie, sitting quietly by herself. Except it’s not. Only another mirage, sadly.
Jake gets himself to Lisbon, Maine. But things are troubling him. So he heads through the time portal. He finds the diner leveled. In fact, everything nearby is rubble. Far as the eye can see. Has changing the past really destroyed so much?
Another Stephen King Easter Egg – CAPTAIN TRIPS is spray painted on a wall in the background, as Jake first discovers the new present in a state of apocalypse. Is this the world where the disease of the same name has riddled the world with sickness, death, and madness? Hmm.
Jake encounters someone briefly in the street, though, it’s an awkward encounter to say the least. Obviously something’s happened, and if he were around he’d know. But the place is an absolute mess. Everything is rundown and deserted, abandoned, falling apart. People wander the road. Jake ends up finding Harry Dunning (Leon Rippy), saving him from some marauders. He remembers Jake being the one to have killed his father, saving their family. Time has been changed and thrown for a loop because Jake went ahead and changed the trajectory. He asks Harry about a ton of events, even 9/11 – none of it happened. Turns out that in 1975 there were Kennedy Refugee Camps where “bad things” happened. Nothing got any better. “You don‘t understand this world,” Harry tells Jake.
So with all the disappointment of time travel, Jake sets off headed for the portal once more. All is reset, even down to the clumsy mailman. But he sees Sadie riding in a car, running off towards her. What’s his plan now? Will he live in the world again from the 1960s onward and not change anything?
He starts off trying to introduce himself to Sadie, but then in the door appears the Yellow Card Man (Kevin J. O’Connor). He tries to warn Jake about the perils, as he already did, of getting stuck in a “loop” and how it always “ends the same“, never stopping.
In the end, Jake decides to let Sadie go. He chooses the harder thing instead of the easy thing he wants to do. So tough, but perhaps better in the end. At least for her.
Back in the diner, present day, Jake finds 2016 restored to its proper state.
He goes back to teaching, to his normal life. But of course it’ll never be the same again. Not after all he’s experienced. When Harry shows up again to say he didn’t his promotion, Jake weeps in his arms, saying sorry for not helping. This scene broke me. Such a sad thing to see the burden of all these moments come down on Jake.
At home, he searches Sadie on the internet. She’s receiving a Texas Woman of the Year award. Now older and on in years, Miz Sadie looks marvelous, and Jake watches on as the woman he fell in love with is a completely other person than in his past. Another emotional scene to see Jake having to watch the life he didn’t get to live. Older Sadie even talks of Deke Simmons, too. I loved this scene so much. Really powerful, beautiful few moments that resonate deeply. Classic King-type stuff.
When Jake asks the older Sadie to dance, he chats lovingly with her and flashes back to his dances with the younger Sadie, all at the same time. Through time, something connects between them.
Sadie: “Who are you?”
Jake: “Someone you knew in another life”
I loved the finish to this mini-series. Yes, it’s sort of like the journey to try and save JFK was all for nothing. It was. Although, Jake learned a valuable lesson, and that is the fact the past may not need to be changed. What happens happens. No need to change it because we’ll never know the effects of those decisions.
A solid King adaptation I enjoyed. Most of the episodes were incredible. Lots of thrills, few chills, and a ton of great acting.
Episode 7: “Soldier Boy”
Directed by James Kent
Written by Bridget Carpenter
* For a review of the previous episode, “Happy Birthday, Lee Harvey Oswald” – click here
* For a review of the next episode, “The Day in Question” – click here
The penultimate chapter begins, with Jake Epping (James Franco) having been left in bad shape at the end of last episode, as well as Bill Turcotte (George MacKay) being committed to a mental ward.
Seventeen days before the assassination of JFK, we find Jake coming in and out of consciousness. He sees Anderson Cooper on the television, a man on his iPhone. All these modern things. Then his ex-wife. Even Al Templeton (Chris Cooper) appears as the doctor. “I know this isn‘t real, I just want it to stop,” plead Jake. “Sometimes we don‘t get what we want,” replies Al. He expresses disappoint over the entire mission. The whole thing is nightmarish. Once things settle down, there’s Sadie Dunhil (Sarah Gadon) and Deke Simmons (Nick Searcy). But as Jake puts it: “Everything‘s mixed up.” Will the past take a toll on Jake, or is this simply a bump in the road?
Al: “You‘re not the man I thought you were”
Worst of all, Jake’s memory is troubled. His brains are all jumbled. There’s even a great little joke by the writers, as Jake asks whether the man he worked with was named George; in fact, the name of the actor playing Bill. Love it. But feel terrible for Jake and his poor brain.
Meanwhile, Lee Harvey Oswald (Daniel Webber) is out to talk with an agent of the FBI. He’s concerned about the bug in his home. But nobody takes him seriously. Likely part of why he gets crazier and crazier.
With Jake and his memory all mashed, he missed the passing of Mimi. So sad, even sadder for Deke. But after a few moments, Jake starts to get bits of memory back. He remembers “where Bill is“, and oh… is it ever a nasty place, the darkened mental ward of a hospital in the early 1960s – a place for “people who can‘t pay“, a proper dungeon. They go to find him. His mind is almost no better off than Jake’s, though, it comes as a result of being subjected to psychiatric treatments that only served to make people worse decades ago.
But before they can take him away from the hospital, Bill slides out a window and plummets to the parking lot below.
For her part, Sadie tries to help Jake remember his mission. She breaks out newspapers touting JFK’s tour of Texas cities coming up soon, she brings up the Russian on those tapes in his basement. He gets a little frustrated, but Sadie’s determined to keep him on track. A good, loyal woman. A loving one.
In other parts of Texas, there’s Lee and his mother Marguerite (Cherry Jones). They have a nice relationship. She clearly loves her son, and doesn’t want him mixed up with anything crazy. Any sane mother would worry about her child, if her child were spouting out the things Lee thinks. Leading up to the assassination, it’s creepy to see them together. Not sure why. Even creepier still is Lee sitting on a park bench, enjoying a Babe Ruth. Almost like seeing some odd, rare, dangerous animal in the midst of the forest. When he spies a newspaper about Kennedy in Texas, even mapping out where the President will be going, an idea dawns in him; a purpose. What a powerful moment. The way it’s filmed is full of weight. Plus, Webber plays Oswald incredibly well.
But still, while the grimness lingers on, life goes on, too. Jake finds his memory slipping back in slices. He remembers living on Madison Street, the old place where he and Bill shacked up. Slowly, they retrace his steps. And then they run into Lee Harvey Oswald himself. What a turn of events! And more memories come back to Jake, all of Oswald, after he spies a newspaper in a pile, a pro-communist paper called The Worker. Excellent scene, especially the editing. But this whole twist, to send Jake back there recovering his memory, it’s a real treat.
Marina (Lucy Fry) and Lee have all but grown completely apart. This does nothing to help his deterioration. With Jake remembering now, is it fast enough to get the job done? Having Sadie alongside, Jake certainly has a leg up on things. They weasel their way into the garage of Marina’s friend, looking for the equipment Lee will use to kill JFK. No such luck in finding anything, though.
Only twelve hours left. Jake and Sadie do what they can to prepare for what will come next. And then the past starts to come out, pushing back against Jake. All of a sudden the Yellow Card Man (Kevin J. O’Connor) is in the car with him. Everything is eerie, strange now, with the man telling him a story, recounting how he “can‘t stop the past“, and weeping. It’s a sad and tragic exchange, as the man reveals his daughter drowned, and that he keeps repeating it, trying to save her but only watching the past repeat itself. He warns Jake. Then he’s gone again.
While Jake wants to abandon the plan, Sadie urges on, not wanting him to give up. She is his rock. But the past continues to push, not letting Jake start his car in the morning. So it begins. Because at home, Lee is upright, alert, ready to do whatever it is in his mind to do next. He leaves Marina in bed with something long, wrapped in paper under his arm.
We watch the final scene and find Lee setting up, in the window at the Book Depository. He looks chilling, a sentinel on high.
Amazing. Looking forward to the finale of this amazing mini-series, “The Day in Question”, which should hopefully nicely cap off these 8 episodes. Stay with me, folks!