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Banshee – Season 3, Episode 6: “We Were All Someone Else Yesterday”

Cinemax’s Banshee
Season 3, Episode 6: “We Were All Someone Else Yesterday”
Directed by Ole Christian Madsen
Written by Adam Targum

* For a recap & review of the previous episode, “Tribal” – click here
* For a recap & review of the next episode, “You Can’t Hide From the Dead” – click hereclick here
Screen Shot 2016-05-29 at 11.57.56 AM Moving on, or trying to, Hood (Antony Starr) can barely bring himself to go to the funeral for Siobhan Kelly (Trieste Kelly Dunn). All he can think of is an alternate history of coming to Banshee. Imagining it happening some other way. Because what it’s all about is Hood and his decisions. Whether acting first, thinking later does the job, or if maybe stepping back and taking a less chaotic approach might do the trick. Hood’s now seen what the repercussions of his actions have become. In his retroactive flashback, he sees things differently. If he instead chose to use his words and talk things out rather than charge forward like a bull in a china shop. Carrie Hopewell (Ivana Milicevic) and her family are caught in all of it. Siobhan’s been murdered. Many others have lost their lives since Hood wandered into town. His alternate vision sees him leaving Carrie to her family, leaving his daughter with her father Gordon (Rus Blackwell). Leaving everyone alone, and just moving on. But he couldn’t have done that. Perhaps could’ve done things a little better. Just would never have worked for him to walk on past.
Deputy Brock Lotus (Matt Servitto) tries to comfort Hood a little: “This town needs a sheriff.” Coming from him that means a good deal. Moreover, he wants the both of them to track down Chayton Littlestone (Geno Segers), find some revenge and give him what he deserves for killing Siobhan.
Screen Shot 2016-05-29 at 12.00.45 PM At the service for his mother, Kai Proctor (Ulrich Thomsen) arrives to the surprise of many. Sugar Bates (Frankie Faison) is present to pay his respects. It seems like Kai and his niece Rebecca Bowman (Lili Simmons) are slightly at odds because he’s feeling a little religious as of late. Then her parents say she’s forgiven, they don’t want to not speak to her for decades, but Rebecca only replies: “I dont forgive you. And I never will.”
Once more, Hood’s loving heart is shattered. Left only with the bits of memories, remnants of Siobhan all around him. As usual, he drowns in a bottle at the bar. Carrie drops in to try lending him a shoulder to cry on. He may be all cried out.
In his grief, Kai falls into bed with Emily Lotus (Tanya Clarke), and I worry for her safety now more than ever. Always in parallel, Hood and Proctor constantly endanger those around them. Only a matter of time before bad news comes for Emily. By the same token, I worry for Brock, who worries enough about his own ex-wife. Meanwhile, Gordon is busy trying to sort things out for Proctor’s trial re: the latest big fight with Sheriff Hood. Oh, and we also discover the Marine is still kicking in Gordon, as he shows off a few superior shooting skills.
Job (Hoon Lee) arrives to try and take care of his friend, wondering if the job may have to be called off. They have a little drink and start discussing the way forward. Over at the station, Hood finds the Department of Justice swarming around, led by Commander Salvatore Ferillo (Robert John Burke). They’re manhunting Chayton. This puts a little wrench into the revenge Hood has planned. This may send him off on a personal mission.


Rebecca runs into a little trouble with one of the staff at Uncle Kai’s strip club. She flexes her boss muscle, though we can see this escalating. And it quickly does after he calls her a cunt. She beats him with a two-by-four then goes to the officer. She has a meeting with some associates of Proctor from Philadelphia, though they weren’t expecting to meet his niece. But she’s in over her head, making deals without her uncle present. Later, Kai calls her in to get berated in front of his associates, as she’s stepped out of line. No longer a peachy relationship between the two these days.
And speaking of him, he’s pondering faith. Kai lingers in this weird space where belief and religion mean something to him, yet there’s a disconnect between that and how he actually acts in the real world.
Colonel Douglas Stowe (Langley Kirkwood) is still circling Carrie, obsessed over what they had together. Probably just missing all the hot sex, I’m guessing. He wants to meet at their motel for another romp. Except she’s busy getting his handprint, for the verification at the base. At the very same time, Deva (Ryann Shane) is practising the family trade of robbery again, learning to pick pocket. Then she ends up meeting a guy that notices her little tricks. They start to get to know one another and then head to a party together.
All the while, the DOJ are suiting up to head into Redbone territory. Definitely some crazy action ahead. Chayton’s going into custody, dead or alive.
Job and Hood are trying to head off the DOJ, looking for Chayton, as the former knows his friend can’t go on without revenge. So Hood tracks him right to the teepee where he sleeps. Preparing to kill him, a fight erupts between the fake sheriff and the object of his vengeance. Even Job must fight a Redbone while the other two go at it. Awesome little sequence nearing the end of this episode. A shot goes off then, and the DOJ are lured in the direction of Hood and Chayton. They run through the woods, Hood in hot pursuit of the massive Redbone. Also, Aimee King (Meaghan Rath) is tracking Chayton. She doesn’t want him to get hurt, but there’s slowly becoming no other way. “Its not murder, its war,” the big man tells Aimee re: Siobhan’s death. Their confrontation is tense, and he nearly chokes her to death. This may be the turning point for her in terms of how she views him, only escaping from his grip after Hood gets a shot at Chayton. Ultimately, he escapes by jumping from a cliff into the water and making off. This doesn’t make anyone happy, least of all the DOJ and Commander Ferillo.


In that alternate history of Hood’s, he meets the real Sheriff Hood, in uniform having not been murdered at the bar. The man not known as Hood, here, meets Siobhan at a gas station. They smile at one another, flirtatiously a bit. Then Job pulls up to take him out of Banshee. Gone forever. No death, no destruction in the little town. Just gone.
Screen Shot 2016-05-29 at 12.43.39 PMScreen Shot 2016-05-29 at 12.43.48 PM After the credits, we see Chayton rise from the water somewhere. Walking out, towards his next prey.
Screen Shot 2016-05-29 at 12.44.11 PM What a great episode. Lots of excitement. Adrenaline flowing. The next is titled “You Can’t Hide from the Dead” and further the chase for Littlestone goes, as everybody trails behind him.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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