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Peaky Blinders – Season 3 Finale

BBC Two’s Peaky Blinders
Season 3, Episode 6
Directed by Tim Mielants
Written by Steven Knight

* For a review of Episode 5, click here.
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Here it is, the Season 3 finale!
We start as an institute for poor children in Grace’s name is being opened by Tommy Shelby (Cillian Murphy). Everyone’s there, Aunt Pol (Helen McCrory) introducing him, Arthur (Paul Anderson) and John (Joe Cole), the lot of them. Tommy gives a nice speech about taking care of the children, proper. Looking after them. Naughty Arthur even makes sure to throw in: “By order of the Peaky Blinders.” Saucy.
But what would Grace think of all that Tommy’s about to do? The big job and all. Well, up shows Father Hughes (Paddy Considine) and dashes all the nice thoughts. He has an office there at the institute. Claiming a place there. Poised to do untold more damage. The look on Michael’s (Finn Cole) face speaks volumes when he sees the priest pass by.
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Lots of other things happening other than a reception for the institute. Peaky Blinders never rest, no sir. Of course Tom does his best businessman face, popping about with his boy, and doing all he can to appear legitimate, squeaky clean. That image doesn’t suit him all that well. Then all of a sudden his boy Charlie goes missing. A nurse took out apparently. Christ almighty. This is the ultimate nightmare to end all nightmares. Arthur tries to calm his brother, he sets things in motion. The word’s out now. Whoever took that boy is going to die. Hard. Who was it, you wonder? Father Hughes? This is a sinister turn of events, as the man himself arrives to confirm it. “All children are dear to me,” Hughes explains creepily. Afterwards, there’s a further deal struck. He has to blow up the train on his own now. All in the name of staying clear of Soviet Union influence, y’know. Communism. Rabble rabble. On top of that all the jewels and such they stole, Hughes and his crew want it. Every last bit. Or else.
Only problem is this makes Tommy paranoid. He wonders who’s grassed up. He points a finger at each and every last one of them. The whole family’s tense now. Bridges may start burning if he’s not careful. Nevertheless, he puts John and Arthur on a job, preparing for the deadly train bombing to come. Tommy’s too busy accusing Polly, insulting her, which is out of line; calling into question Ruben Oliver’s (Alexander Siddig) interest in her and why a high class fella like him would take a shine to a woman like her.


Tommy’s meeting, once again, with Alfie Solomons (Tom Hardy). The Wandering Jew himself turns up with a list of people concerning the Fabergé eggs, so that hopefully Shelby can figure things out. Then Tom gets upset. There’s a name he knows that’s left off the list. Ahh, interesting! He questions Alfie, his allegiance, so on. Whether he’s pulling strings and in with some of Tommy’s own enemies. He was in on most of it. Greasy.
When things go sideways Michael comes from nowhere to make things even. Instead of Alfie dying, he gives a savage monologue. He calls into question Tommy and his own idea of a “fucking line” over which he’s crossed. This brief appearance in Season 3 over the past couple episodes is fan-fucking-tastic. Hardy is beyond talented, enormously so. As far as Tommy and Alfie go, things are settled. “Well fucking said,” Tom tells him. And at least the one thing Alfie didn’t know about was the taking of Charlie.
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Alfie: “I want him to acknowledge that he who fights by the sword he fuckindies by it, Tommy.”
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Over with John and Arthur, Michael is proving to be every bit Shelby as any of them. They’ve got an address where apparently Charlie is being kept. Things are set, though they don’t want Michael pulling the trigger ultimately. Yeah, like that’ll happen.
The unnerving Father Hughes has the boy, and watching them together is just unbelievably terrifying. In the meantime, Arthur and the boys are getting things suited for the train bombing. Not everyone’s happy about the six men who will die; Arthur and John hand picked them. That’s rough, they take the brunt for what has to be done. At the same time, Tommy and his military pals are tunnelling through the earth, fast. So many things happening at once, all intense. Everyone straining under the brutal pressures.
Tommy gets through fine into the Russian’s little armoury/jewel stash. All the while Michael gets a beating from Hughes before he’s able to pull the trigger. John and Arthur wait for the train, as it starts to head out. Michael hulks out and slices up the dirty priest, cutting his throat. Then as Finn Shelby runs with news for Arthur seemingly to stop the blast, it goes up in flames. And at home, Polly sees her son now has the thousand yard stare like his cousins who came home from war, damaged and tortured. Seems like Birmingham is no better than the fields of war.


Arthur: “Who wants to be in heaven when you can send men to fuckinhell?”


Tommy offloads the diamonds and jewels with Tatiana Petrovna (Gaite Jansen), getting all that settled up. She is one hell of a piece of work. For a minute you almost worry for his safety. Then you just realize she’s a sly, dangerous business associate, and off he goes again to bigger, better things.
Back at his place, Tommy has the Shelby Organization all come in for a sit down. Everybody, from the wives to the family associates, the lot. He admits making a mistake getting involved with the Russians. He forks over money to Arthur and Linda, John and Esme, in a way of asking forgiveness. All’s well that ends in payment for the Shelbys, eh boy. The entire room gets money, though Lizzie (Natasha O’Keeffe) refuses her share. When Polly questions him, Tom reveals he cares nought about money. Not any more. He realizes there’s no change in his future. Because the politicians, the priests, the higher class, they’re worse than the Blinders, than any normal criminal: “You have to get what you want your own way,” Tommy proclaims. He gives up his praise for all those around him. Also, he’s straight up honest with them all, about every last inch of their business.
Pol steps up, though. She wants a better, more hopeful way for them all, as do the women. For his part, Arthur’s heading off for America with his wife. He’s saying goodbye to the family. Except that Tommy reveals there are charges headed for John and Arthur both, as well as Polly and Michael. They are all going down for the crimes. Tommy’s made a drastic deal with people “more powerful” than their enemies, so he claims. Wow. Just wow. Never saw this coming, at all. This is going to change the Shelby family dynamic for certain. How can we still feel as if Tommy’s a good man after this hypocritical move? We’ll what the next season brings.
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This has been a solid, intriguing season. Lots of things happening, especially now in this final episode. Just a wildly entertaining chapter. Can’t wait for the next season. Two more already confirmed, so that’s exciting. Head back and look at my other reviews, as I go back through the entire show, episode by episode.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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