BBC’s Peaky Blinders
Season 2, Episode 6
Directed by Colm McCarthy
Written by Steven Knight
* For a recap & review of the penultimate Season 2 episode, click here.
* For a recap & review of the Season 3 premiere, click here.
“My name is Tommy Shelby, and today I‘m going to kill a man.”
Before Derby Day, Tom (Cillian Murphy) prepares beforehand writing a letter to the New York Times explaining things, in case of his death. He tells of the government pushing him into an assassination, as well as the IRA involvement. Warning of “civil war in Ireland” upcoming following his firing of the fatal shot. Furthermore, he names Major Chester Campbell (Sam Neill). Then he leaves his note with Ada (Sophie Rundle), scaring her a bit.
Aunt Polly (Helen McCrory) and John (Joe Cole) do their own preparations. But I’ve a feeling nobody is prepared for everything that’s coming next.
Arthur (Paul Anderson) is still holed up in his cell. He’s getting out, though. All the witnesses pulled their statements about what supposedly happened. No longer grassed up for a murder he had no part in committing.
At the same time over at the bakery, Tom pops round to have a chat with Alfie Solomons (Tom Hardy), that hard bloke. They’ve made deals on exporting. First the baker would like to sign a few things. Such as having all the business handed to him. But the leader of the Blinders says his man outside is an “anarchist” and will trigger an explosion if he doesn’t see Tom come out the door. They get down to a 35% hand-over of business. I suspect that won’t sit long, though.
Things aren’t so well with Michael (Finn Cole) and his mother. Still, Pol brings him several rolls of money. She orders him to leave for London, start anew. “Everything‘s an if in this Birmingham life,” she tells him. She has her own business today.
Campbell has a few good Irish blokes ready to kill Mr. Shelby, part of the “Red (Right) Hand” of Ulster. They plan to take him out on his signal. Surely, after the assassination is complete. Meanwhile, Tom is briefing all the Blinders on exactly what’s going on. Everyone’s got their role to play, their ass kicking to do.
And so it’s off to the races! At the track, May Carleton (Charlotte Riley) looks after the horse – Grace’s Secret. She knows there’s something not right with Tom, suspecting there are other things going on about which she has no clue.
From out of nowhere Grace (Annabelle Wallis) arrives. She tells Tom of her pregnancy, that she loves him and not her husband. He has to rush off but they’ve definitely got things to talk about later. Simultaneously, we watch him manipulating Lizzie (Natasha O’Keeffe) into helping with the plan concerning Field Marshal Russell (James Richard Marshall), target of the assassination.
Campbell and Tom meet just before the race. The copper speaks of a “measure of respect” that’s almost grown between them. I quite doubt that, as does he in the end. But a lot has grown, plenty of animosity and jealousy and brutality. Tom throws the fact that Grace loves him in the Major’s face. This definitely gets to him, whether he shows it doesn’t matter. Tom also reveals he knows what Campbell did to Polly, what was done to Michael in jail. And he’s ready to bring this nasty business to a close.
Lizzie lures Russell away to the designated spot. She waits for Tommy, who said he’d stop anything before it started. The tension of waiting for him to get there is unbearable, as the Field Marshal gets terribly rough with her, raping her. When Tom does show up his pistol doesn’t fire. The men wrestle, before Tom manages to knock Russell backward and fire a shot through his head. This act, along with a a few extra shots, sends the coppers running, many to protect the King. Setting other plans in motion.
Tom meets with Darby Sabini (Noah Taylor) and it’s a fool proof plan. Because anyone who hauls a gun will draw full attention as possibly being ready to kill the King. A few coppers show up to haul Tom off. For the Red Right Hand. He’s being taken away for a last ride to his death.
At the track, Pol sticks a gun to Campbell. He tries to justify what he did to her. He acts as if he cares for her, which is absolutely crazy. Although he tries his best to ingratiate himself to her. Not enough, of course. Nor should it be. She fires one in him: “Don‘t fuck with the Peaky Blinders.” Case closed on the rotten Major, left to bleed out while Grace unknowingly sits not far off in the same bar. An amazing, welcomed coincidence.
All the while John and Arthur and Lizzie sit at a table together near the track, Tommy’s being carted to some spot far out in the fields, where no one can hear a thing. Certainly not a gunshot. There, a grave is already dug. Prepared in advance for the occasion. Then one of the men kills the other two, saving Mr. Shelby. He says that someday Winston Churchill will require to speak with him in person. Saved, in the end, by government. Such a strange life the leader of the Blinders leads.
On he goes, still in shock believing he was about to die. At least he’s alive. Always by the skin of his fucking teeth. Next step for the lads and Polly? Only way to go is up, I suppose. Plus it seems Michael’s in it for the long haul, a part of the family proper. Go on, boys! Get to it. Tom says he’s got plans to get married on top of everything else.
Great fucking finale. Unexpected, exciting, intense. Nice revenge, as well. Season 3 is spectacular, too. Make sure to head on over and check out those recaps/reviews.
PJ Harvey’s version of “Red Right Hand” plays at the beginning of this episode, and it’s even more haunting than Nick Cave and the Bad Seeds.
A man named Billy Kitchen (Paul Bullion) that Tom knows from serving in the army comes to see him. He’s got to pass a physical, however, he took a bullet recently. So he gets a week before taking it. Already has the job, as he and Tommy are obviously close enough to go on good faith. Plus, he’s a fine boy to send out recruiting.
Arthur’s dipping deeper into the cocaine, a regular, heavy user. Not the type of guy you relish running into on a regular day, let alone one where he’s snorting hard. Makes a man feel like Superman. Doesn’t mix well with his temper and fists. The mother of the young man he beat to death shows up, pointing a gun at him in the Garrison. She calls him “an animal” and he doesn’t disagree.
One of the Blinders’ recruits spending the night in jail gets attacked in his cell. His throat is cut, as a display of authority from Sabini. An innocent casualty in their war. This will happen to any more of the Blinders who are sent inside.
A solid chapter in Season 2, building on some of the show’s central themes such as the loss of innocence, the way war changes people, how others in turn react to the change in them, so on. Lots of great stuff, including more of the battle brewing between Alfie Solomons, along with Tommy, and Mr. Sabini. Excited to see what happens next.
After Tom Shelby (Cillian Murphy) was beaten and nearly killed by Darby Sabini (Noah Taylor) and his men, he was saved by Major Chester Campbell’s (Sam Neill) lads. But what about Ada (Sophie Rundle)? She was taken by a group of men, god knows what about to happen to her. Whatever does happen, those fellas are in for a rude awakening when the Shelby clan finds them.
So Tom checks himself out of the hospital, needing to get to London. Immediately. He is a right state, not nearly healed. What I love about him is not only that he’s tough, and stubborn, he still has that Irish spirit of belief; not in God, particularly, but in the myths and lore of the Irish people, in magic and other things. Not that he’s an outright believer, he’s more willing to fall back on his heritage than trying to be a perfectly modern man.
Everyone already knows about Tommy coming to London again, specifically Mr. Sabini, whose own relationship with the police is one of a wretched boss and his subordinates. A hateful man. He’s got the cops on the take, looking out for Shelby should he pop up on the streets.
Campbell’s found out his coppers, some of them, are on the “Peaky Blinders payroll.” He sees the corruption in everyone else, remaining blind to his own. Sure, the Shelbys have put many people on the take, turned them against the law. All the same he’s done exactly that to the Major, whose wind is warped by jealousy of all kinds. He’s become as crooked as any of them, only of a different sort than those taking cash.
Beautiful episode, as well as one that explores the hero side as opposed to the anti(-hero) in Tommy with the way he cares for his family, despite the darkness in him. Season 2 promises to be even better than the first, which is a tough feat. I know they’ll achieve it, because already the first two episodes leading in are fantastic.
As George Chichester (Lucian Msamati) was digging into the sinking of the Cornwallis, James Keziah Delaney (Tom Hardy), tortured beyond the realm of human imagination, finally received his meeting with Sir Stuart Strange (Jonathan Pryce) in the Crown’s dungeons.
Young Robert (Louis Ashbourne Serkis) goes running around to see Brace (David Hayman), Cholmondeley (Tom Hollander), with letters for them written by James. Like dominoes, one after one receives whatever news and plans are at hand, including Atticus (Stephen Graham).
What about James? He sits there in that cell, having masterminded the entire series of events. Now he hears Robert singing from outside the dungeon’s walls. A sign. “I‘m ready,” he tells his captors.
Whoa. Are we going to get ourselves another series? Seems like it. I anticipated this as a limited series, but I’d LOVE to see Delaney and Atticus and Lorna and the lot doing their thing in America. Could get pretty wild. GIVE US MORE! We need it now.
How will James Keziah Delaney (Tom Hardy) atone for his sins after murdering young Winter by the shore in a drunken, mad state? Surely he did it. Or maybe not. I’m not sure he can redeem himself to begin with, really. Although such is the grotesque landscape of character in Taboo.
On the street, Helga takes a shot at James nearly popping his skull. She doesn’t manage to get the job done, only screaming “MURDERER” at him over and over. Then there’s poor Zilpha (Oona Chaplin), caught between life and her half-brother/lover, having just murdered her wickedly abusive husband. Between that and the loss of James’ ship neither of them are doing well.
The East India Company discovers their warehouse raided, as James heads off into the wilderness. He catches a man following him: “Are you King or are you company?” Instead of killing the man, he leaves him with a few nasty cuts to tell his friends about when he gets back. Back at James’ new factory Cholmondeley (Tom Hollander) is working steadfast on his gunpowder formula and things are going as planned. Four weeks to go if he’s given an assistant.
A fascinating episode, beginning with a bang and ending in a weird, wild way with plenty to offer for a setup leading into the following episode. Next one ought to be another whopper. I’m loving Taboo. Some others seem to think it isn’t so great, but I couldn’t care less. It’s interesting to me in so many ways. Let’s see what comes next.
James Delaney (Tom Hardy) can’t shake the memories of where he’s been, they’re with him all the time. All the while life does go on. Suddenly men from the Crown are looking for Lorna Bow (Jessie Buckley), so James tells her to “hold out” and he’ll sort everything proper. In the meantime, she’s cast down to some nasty old dungeon with a filthy man putting her in shackles. Solomon Coop (Jason Watkins) arrives to play his part, the rotten bastard. He threatens her physically and sexually in no uncertain terms, despicable to say the least. He urges her to sign it all over to the Crown, or else she’ll be convicted for attempted murder. And who knows what else would happen to her before she ever got into a court.
Oh, and you know that Sir Stuart Strange (Jonathan Pryce) has his knickers in a twist. At the same time, James is off getting what information he can from the crossdressing Godfrey (Ed Hogg). He gives over what he knows of the latest East India Company movements. Apparently there’s a “blacklist” and Delaney is definitely on it. “They can‘t kill you, but they will crucify your name, and crucify those around you.”
With James Keziah Delaney (Tom Hardy) having been stabbed, and having stabbed back, at the end of Episode 2, what’s left of the man as last we saw he was lying, bloody and dying in an alley?
Back at the Delaney house, Brace (David Hayman) continues with helping his old friend James with all his madness. They patch him up a bit before the man of the house feels compelled to run off again on another adventure. He’s essentially waiting now for more people to come kill him. “So, we are besieged,” Brace laments, as if to say: here we go again. Another Delaney, same bullshit.
On the tail of his refusal to sell Nootka Sound, James Keziah Delaney (Tom Hardy) is a man apart after returning from Africa to his old home in London. Over at the East India Company, Sir Stuart Strange (Jonathan Pryce) isn’t happy with those beneath him, with whom he’s charged the task of killing James. And it’s either play ball, or lose your job. Meanwhile, Delaney’s in the wilderness with a shovel; he retrieves a small bag. Of money? Or something more?
James finds a note with the name Atticus written on it, and he comes across the man whose name he seeks, a rough looking chap named Atticus (Stephen Graham); tattooed from head to toe, covered with butchers blood. They sit and chat. Atticus plans on writing a book, which is awesome. Furthermore, we’re told “when someone wants a man killed they come to Atticus.” We’ll be seeing more of this lad.
Out on the town James goes to see Helga, he tells her about Winter. He susses out that Winter is Helga’s daughter, which is why she doesn’t rent the girl out. This is all a way for James to try bringing her into the fold, to help him gather intel: “Secrets to me are weapons.” Plus, he wants information on the man Winter told him of, the gent with the silver tooth. And off James goes, farther on his quest. He takes a look at the ship he’s purchased and sizes it up. Down below he feels the pull of memory take him back to the ship he fled, the slave ship; and what other nastiness lies in those memories? Eager to find out. We get snippets of flashbacks to the ship; brief, sparse moments.
We begin on the open ocean. From a ship in the water comes a boat. In it is a mysterious, hooded figure. They hit land and the figure digs something from out of the ground. He reveals himself as James Keziah Delaney (Tom Hardy). He pushes on to a city nearby where he goes to see a dead man; interesting that he takes the coins from the man’s eyes.
London, 1814. The streets are alive with the sound of capitalism, and people are all doing various things to stay alive, stay fed. In the midst of the city a funeral procession goes on. Zilpha Geary (Oona Chaplin) ad Thorne Geary (Jefferson Hall) sit for the funeral of her father. At that very moment in walks James. “There walks a dead man,” someone says, as Zilpha is mortified to see her brother. Another interesting note: James plunks the two coins from his father’s eyes into the collection at church. But there’s a dreadful air surrounding the man, everyone seems to fear him. Next to the grave James seems to be doing some semi-voodoo-type stuff, saying prayers in another language, wiping a red streak of ochre (or something similar) down from his eye like a tear. So much intrigue in such a short time.
What a great opening episode. Honestly, I expected a lot, and for me this one delivered. Great involvement of artists, from Tom Hardy (and his father Edward ‘Chips’ Hardy), to Steven Knight, to Jonathan Pryce, and of course director Kristoffer Nyholm on this first episode.
