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Aquarius – Season 2, Episode 2: “Happiness is a Warm Gun”

NBC’s Aquarius
Season 2, Episode 2: “Happiness is a Warm Gun”
Directed by Jonas Pate
Written by John McNamara

* For a review of the Season 2 premiere, “I’m So Tired” – click here
* For a review of the next episode, “Why Don’t We Do It in the Road” – click here
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There’s a lot going on these days.
At the family ranch, the women have got their hands on a load of guns. We get a cut over to the murders 18 months later, edited together with Ralph Church (Omar J. Dorsey) showing up at the ranch once more. “Helter Skelter,” Charlie Manson (Gethin Anthony) tells Emma Karn (Emma Dumont), explaining his idea of a coming race war. We see the night of the murders. The dead, bloody, pregnant woman on the floor in the near future.
All at once there’s the women confronting Ralph with their guns. A really great sequence; tense, exciting, wild.
In ’69 flashing forward again, we see the night of the murders, as Sharon Tate (Amanda Brooks) and Jay Sebring (Mark Famiglietti) discover Sadie in the bedroom doorway, waiting with a knife. Cut back to 18 months before, Ralph is confronting the women, asking for Charlie. And Sadie (Ambyr Childers) leads the charge with her gun drawn, pointed for the kill. The two old jail pals try striking up a deal. But can there be one? This is headed for something more dangerous.
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And ol Hal (Spencer Garrett) wakes up, calling for the police. This is going to get tricky for Ken Karn (Brian F. O’Byrne).
Former-and-still-Mrs. Karn (Michaela McMaus) is across town with Sam Hodiak (David Duchovny). She gets a call from her father – he’s trying to sweep things up, getting Ken and his daughter together for a bit of triage. Big election coming up, so they’ve got to keep things together; no divorce, no slipping. There’s all kinds of things floating around the situation. A complex shitstorm.
Ken later goes to the hospital to see his onetime friend. He lets him know about the police not coming. Nobody’s coming. Hal is all alone, especially with the knowledge that he’s already somehow made a statement. Yikes. It’s all used to help Nixon claim the “radical left” are dangerous maniacs.
Sadie isn’t happy up at the ranch. She wants Charlie to stop praying and do something real. “Our plan is to open our hearts and feed those in need,” he assures. He does nothing but talk, and some of those around him, Sadie most of all, are starting to find themselves disillusioned with Charlie’s rhetoric and lack of action.
At home, Brian Shafe (Grey Damon) and his wife Kristin (Milauna Jackson) watch tv. He says he doesn’t want a child growing up in a country that loses wars. Kristin remarks it wasn’t so great growing up in a country that won them, either. An excellent, poignant moment of writing. Over at Roy’s place things are more dangerous and clandestine for Charmain; she’s still trying to get one over on the biker. I keep hoping this situation will have a proper end. Although I worry more and more for Charmain’s safety. She’s playing a dangerous game that she isn’t quite yet prepared for, but more power to her. She does have a good head on her shoulders and an eye(/heart) for justice.
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And at the ranch Charlie is trying to keep Ralph happy, while also bringing a new girl into the fold, Patty (Madisen Beaty) – she’s trying to help the girls get away from the toxic environment Ralph has brought in after seeing the influence, the sexism, how they’re not even slightly in control anymore.
How? Well, she knows Dennis Wilson (Andy Favreau), and he’s always willing to have more people over to stay.
Sam and Grace receive ex-wife Opal (Jodi Harris). She isn’t too pleased to see them at the house together. Taking the time to verbally tear the both of them down before she and her ex-husband have to head out and see their son Walt (Chris Sheffield). No more treason charges, though he’s still on the hook for a deal of trouble. Salazar quit the New York Times after the paper refused to run the story; lots of Pentagon pressure. You can be sure Sam’s not impressed with the results. He’s ready to help his son. He loves Walt, and is going to do anything necessary.
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More developments with Manson. The food he had cooked for Ralph and his boys? Poisoned. No wonder Charlie was adamant not to have the white and black food mixed. That, and he’s a racist. Still, the jailhouse deviousness in Manson pays off. Ralph and his crew are all fading fast, as Charlie relishes in their collective death. In the meantime, Patty’s been conned into the family, convinced to murder and convinced it’s all fine. Right at the same time we cut back and forth between Charlie with Patty, and the Manson family at Cielo Drive, committing the murders. See, this is Patty – one of the Manson Girls – who infamously aided in the Tate killing. A powerhouse ending to Episode 2.
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Stick around for “Why Don’t We Do It in the Road” and we’ll see where Hodiak and the rest of the characters wind up. Is there more danger to come? You betcha.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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