Kai continues his ascent, by murderous means. Even if that involves killing his own.
Season 2, Episode 13: “I Will”
Directed by Jonas Pate
Written by Mike Moore
* For a review of the penultimate Season 2 episode, “Mother Nature’s Son” – click here
Season 2 finale, we’re here! I hope there’ll be more. Although because of NBC not treating the show with proper respect it deserves I’m not holding my breath on Season 3.
This possible series finale begins on August 7th of ’69 in the early morning hours. Former detective Sam Hodiak (David Duchovny) is start off retirement by trying to track the killer of women who recently rang him up at home. Sam heard a fire engine going, so he tries to track down any calls in that area to narrow things down. Alongside is Officer Charmain Tully (Claire Holt) doing her best to help. He soon comes up with where he believes the perp to be, the neighbourhood he seems to remember from some time ago. He follows the man into a diner; his name is Gerald Dunn, they shake hands. Sam begins an uneasy conversation with Dunn. Neither willing to openly say anything about why they’re there. Except Hodiak makes clear he’s eager for retirement: “Kinda looking forward to doing whatever I want. To whoever I want. I‘ll see you ‘round, Gerald.”
Ken Karn (Brian F. O’Byrne) has the money from his wife, and I assume Hal Banyin (Spencer Garrett), as well. He’s brought some for Charlie Manson (Gethin Anthony). Brought a bit of lovin’, too. Yowzahs. Doesn’t help him or his daughter being involved with Mr. Manson. Especially after he starts hearing more about Charlie’s “Helter Skelter” prophecy.
Over at the precinct, Ed Cutler (Chance Kelly) isn’t happy about Charmain or Detective Brian Shafe (Grey Damon) doing their respective things. He’s funny, though, and that’s all right. Poor junkie Shafe is suffering through his addiction AND not having his wife Kristin (Milauna Jackson) around anymore.
For the time being, Sam enjoys a little respite from murders, dead women and such. He and Billie (Olivia Taylor Dudley) have a bit of breakfast. She isn’t too thrilled about his addiction to chasing down suspects. I guess she’s right about him, and at the same time he only wants to do good. Speaking of which, he’s got Dt. Shafe knocking on Mr. Dunn’s door, hauling him down to the station while Sam Goes for a look inside the house.
And what does he find? A secret, nasty little dark room. Photographs everywhere. At the station, Gerald prints #1 DETECTIVE and SAMSON BENEDICT HODIAK, over and over on a pad of paper. Oh, he is a creepy man.
With everything going on, Grace Karn (Michaela McManus) is trying to keep her head straight. She finally reveals to her political lady friend the truth about her daughter Emma (Emma Dumont). Where’s Emma, exactly? Heading out on a “creepy crawly” and trying to calm her father down. He’s worried for his daughter. His sad, brainwashed, pregnant daughter. Charlie’s sending Tex (Cameron Deane Stewart) off on a mission. To do some terrifying things; painting the walls with blood, using knives. It’s August 8th, after all. Soon enough, Sharon Tate, among others, will be bleeding to death tragically. Because Charlie’s reading to “make history.”
Meanwhile, Shafe has to let Gerald go. He and Hodiak know this is the killer, but alas – the law. Charmain helps the fellas figure out an important piece to Gerald’s story; he was married to a pin-up girl who wound up dead, just like the women he murders and poses.
Out on their mission, Tex, Sadie (Ambyr Childers) and the others start Helter Skelter into motion, as Tex murders a man in his car up the driveway to their destination.
Hodiak finds pictures of him in the developed rolls of Gerald. He then rushes to a crime scene where Billie lies murdered viciously. Now, we see where this is all leading.
Charlie rambles on to Ken about his race war plan and hiding beneath the Grand Canyon, as his “children” head inside the Tate house. Tex continues his murderous rampage: “I‘m the devil, and I‘m here to do the devil‘s business,” he eerily explains to one of his victims. Watching on, the pregnant Emma is horrified by what comes next. One by one, people are dispatched violently.
At home, Gerald is gathering up some things. Problem is that Sam Hodiak has come to pay him a visit, gun in hand. Seems that Billie got a vicious beating, no typical M.O. from Dunn. And so Sam starts in on the guy: “I‘m gonna hurt you, Gerald. I‘m gonna hurt you until you tell me everything.” The whole thing comes down to Dunn being put in jail by Sam, not being there to protect his wife when she was killed. But Gerald taunts, wanting to get shot. Shafe turns up to convince Sam otherwise. We discover the dead woman was in fact Billie’s sister; still awful. At least she wasn’t also brutally killed.
The Tate house is being absolutely torn apart. Tex puts a knife in Emma’s hand and commands her to go finish off anybody that’s left. She only warns a man staying in the guest house not to come outside, or make a peep. The Manson Family starts to leave, as Emma witnesses the last of the killings take place, a horrified look in her eyes. Once it’s all over they write “something witchy” on the wall for their master. Simultaneously, Ken and Charlie have an intense confrontation leading to Karn’s death.
When everyone shows up again, Manson flips because none of his little plans turned out appropriately. No witchy words other than PIG, knives left behind. He throws a tantrum, deciding he and Emma are headed back to the Tate house.
So does Sam kill Gerald?
“Man‘s a sick animal,” Hodiak explains to Billie, as she pleads for him not to shoot Dunn. It takes every ounce of will power in him not to, but Sam doesn’t shoot after all. He relinquishes the gun and hugs Billie with all his strength.
Over at the crime scene, Charlie orders Emma to get things done. They fix the place up a bit to his liking, although it’s still an absolutely horrific thing to see. For a second time, Emma leaves the house, nearly 6 in the morning on August 9th. Tex clears Ken’s body out back at Spahn Ranch. Everything’s in (dis)order.
At the station, everybody hears about the murder concerning Sharon Tate and her friends. Big time news, as Cutler takes the call. He even opts to tell Hodiak “you just unquit.” Things are about to get serious for the whole of Los Angeles. The Hollywood Divison station is gone mad.
Over at the Tate house, Shafe is covered in blood and holding the medallion Emma left behind. You know, the one Sam gave to Emma awhile back. Ah, the deeper connection for Hidoak to this case has come out.
What a fucking fantastic episode! Gruesome, intense, gritty. All sorts of aspects that makes this series excellent. Again, I can only hope they’ll renew the show. If not, we’re left with a lot of interesting things that could have and SHOULD HAVE been.
Please, NBC: do the right thing. At least give them a Season 3 to clue up on a proper note. I want to see Hodiak on the hot trail looking for the Manson Family, all the while junkie Shafe trying to piece together his life and do his job, PLUS WE NEED MORE CHARMAIN TULLY! Please and thank you.
Season 2, Episode 2: “Happiness is a Warm Gun”
Directed by Jonas Pate
Written by John McNamara
* For a review of the Season 2 premiere, “I’m So Tired” – click here
* For a review of the next episode, “Why Don’t We Do It in the Road” – click here
There’s a lot going on these days.
At the family ranch, the women have got their hands on a load of guns. We get a cut over to the murders 18 months later, edited together with Ralph Church (Omar J. Dorsey) showing up at the ranch once more. “Helter Skelter,” Charlie Manson (Gethin Anthony) tells Emma Karn (Emma Dumont), explaining his idea of a coming race war. We see the night of the murders. The dead, bloody, pregnant woman on the floor in the near future.
All at once there’s the women confronting Ralph with their guns. A really great sequence; tense, exciting, wild.
In ’69 flashing forward again, we see the night of the murders, as Sharon Tate (Amanda Brooks) and Jay Sebring (Mark Famiglietti) discover Sadie in the bedroom doorway, waiting with a knife. Cut back to 18 months before, Ralph is confronting the women, asking for Charlie. And Sadie (Ambyr Childers) leads the charge with her gun drawn, pointed for the kill. The two old jail pals try striking up a deal. But can there be one? This is headed for something more dangerous.
And ol Hal (Spencer Garrett) wakes up, calling for the police. This is going to get tricky for Ken Karn (Brian F. O’Byrne).
Former-and-still-Mrs. Karn (Michaela McMaus) is across town with Sam Hodiak (David Duchovny). She gets a call from her father – he’s trying to sweep things up, getting Ken and his daughter together for a bit of triage. Big election coming up, so they’ve got to keep things together; no divorce, no slipping. There’s all kinds of things floating around the situation. A complex shitstorm.
Ken later goes to the hospital to see his onetime friend. He lets him know about the police not coming. Nobody’s coming. Hal is all alone, especially with the knowledge that he’s already somehow made a statement. Yikes. It’s all used to help Nixon claim the “radical left” are dangerous maniacs.
Sadie isn’t happy up at the ranch. She wants Charlie to stop praying and do something real. “Our plan is to open our hearts and feed those in need,” he assures. He does nothing but talk, and some of those around him, Sadie most of all, are starting to find themselves disillusioned with Charlie’s rhetoric and lack of action.
At home, Brian Shafe (Grey Damon) and his wife Kristin (Milauna Jackson) watch tv. He says he doesn’t want a child growing up in a country that loses wars. Kristin remarks it wasn’t so great growing up in a country that won them, either. An excellent, poignant moment of writing. Over at Roy’s place things are more dangerous and clandestine for Charmain; she’s still trying to get one over on the biker. I keep hoping this situation will have a proper end. Although I worry more and more for Charmain’s safety. She’s playing a dangerous game that she isn’t quite yet prepared for, but more power to her. She does have a good head on her shoulders and an eye(/heart) for justice.
And at the ranch Charlie is trying to keep Ralph happy, while also bringing a new girl into the fold, Patty (Madisen Beaty) – she’s trying to help the girls get away from the toxic environment Ralph has brought in after seeing the influence, the sexism, how they’re not even slightly in control anymore.
How? Well, she knows Dennis Wilson (Andy Favreau), and he’s always willing to have more people over to stay.
Sam and Grace receive ex-wife Opal (Jodi Harris). She isn’t too pleased to see them at the house together. Taking the time to verbally tear the both of them down before she and her ex-husband have to head out and see their son Walt (Chris Sheffield). No more treason charges, though he’s still on the hook for a deal of trouble. Salazar quit the New York Times after the paper refused to run the story; lots of Pentagon pressure. You can be sure Sam’s not impressed with the results. He’s ready to help his son. He loves Walt, and is going to do anything necessary.
More developments with Manson. The food he had cooked for Ralph and his boys? Poisoned. No wonder Charlie was adamant not to have the white and black food mixed. That, and he’s a racist. Still, the jailhouse deviousness in Manson pays off. Ralph and his crew are all fading fast, as Charlie relishes in their collective death. In the meantime, Patty’s been conned into the family, convinced to murder and convinced it’s all fine. Right at the same time we cut back and forth between Charlie with Patty, and the Manson family at Cielo Drive, committing the murders. See, this is Patty – one of the Manson Girls – who infamously aided in the Tate killing. A powerhouse ending to Episode 2.
Stick around for “Why Don’t We Do It in the Road” and we’ll see where Hodiak and the rest of the characters wind up. Is there more danger to come? You betcha.