NBC’s Aquarius
Season 2, Episode 6: “Revolution 9”
Directed by Jonas Pate
Written by Rafael Yglesias

* For a review of the previous episode, “Everybody’s Got Something to Hide Except Me & My Monkey” – click here
* For a review of the next episode, “Piggies” – click here
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At 10050 Cielo Drive on August 9th of 1969, a maid makes her way up to the house. First, she finds the wires on the gate speaker cut. On the door is scrawled PIG in red. Further inside waits unimaginable horror.
We jump back 16 months previous. The same maid finds herself the subject of nasty racism at the hands of none other than Charles Manson (Gethin Anthony). No surprise there. Meanwhile, Charlie’s not happy with much that’s going on at the home of Dennis Wilson (Andy Favreau). He orders his girls around, mostly pimping them out.
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In other news, Detectives Brian Shafe (Grey Damon) and Sam Hodiak (David Duchovny) are finding out what they can about the missing girl they’ve found, now dead and rotted away in a makeshift grave. At the same time, Ken Karn (Brian F. O’Byrne) is getting information on Bobby Kennedy, likely up to no good behind the scenes. He’s glued to the television and obviously worried about the threat of this Kennedy for his man Richard Nixon. Ah, political intrigue! I’ve always dug this Karn plot. Not only is O’Byrne a great actor, the character itself is well written and full of good threads to follow.
Back with Hodiak and Shafe, they’re trying to interrogate Ben Healy (Morgan McClellan) a bit. What we see here, above all else, is the fact Shafe is already starting to become that guy he never wanted to become, the one his wife Kristin (Milauna Jackson) fears he’ll be with that detective shield on.


Producer Terry Melcher (Chase Coleman) is getting pulled further into the world of Manson, as the latter works his devious ways to get what he wants, and to con others into thinking they’re getting what they desire. Greasy, slick bastard.
In jail, Healy’s talking a bit. But there’s more going on with Shafe than his job. He’s still sweating, his whole demeanour is shaky. He is not himself. And we’ve already seen the foreshadowing of his nasty addiction. We’re going to have to watch his downward spiral, which sort of pains me. I like this guy. I’d like to see him kick the demons, though clearly there’s only more trouble in his future. Even worse, if Hodiak figures everything out he won’t be happy.
Speaking of Sam, he’s over chatting with some union cats. They’re big fans of Kennedy, by the way. Well one of Hodiak’s buddies is being blackmailed by a prostitute. He worries, obviously, for his children, his wife, the integrity of the union and all kinds of things. Reluctantly, Sam agrees to do the job. Only thing is I’m not sure his morality is so free as it was before. He doesn’t look too pleased with having to track down a woman and… do who knows what to keep her silent.
Shafe is still grilling Healy trying to get more out of him. He’s following more rules of the non-official police handbook from Dt. Hodiak, too. Maybe, just maybe, it works.

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Manson gets a little of what he wants from Melcher with the promise of more. But you can be sure that either he’ll sabotage things unwillingly himself, or it won’t pan out how he envisions it.
Back to the politics, Grace Karn (Michaela McManus) is starting to dip her feet in. She’s asked to introduce Mrs. Nixon before a luncheon for the National Federation of Republican Women due to her husband Ken “working” for Nixon. When she’s courted afterwards to possibly take a more active role, Grace is presented with either lying or telling the truth about where her daughter Emma (Emma Dumont) is currently. She’s over being slapped around by Charlie Manson, told what to do, where to go, all that sort of thing; even her name Grace is no more, she’s Cherry.
Finally, Hodiak looks like he’s cluing in to what is going on with Shafe when the younger of the two mumbles: “This aint the flu.” In the meantime, Sam keeps at Healy, and starts trying to work more out of the guy. Nothing comes, except his lawyer. Now there’s more complaints headed Hodiak’s way, but he’s still convinced there is some guilt kicking around. And instead of going home, Shafe simply goes for another shot of horse, getting high as a kite in a dirty little room by himself.

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Ken meets an Agent Bill Copley (Joe Williamson) at a hotel bar. Lots of undercover talk about Nixon, Hoover, dirt of Bobby Kennedy, and all that. Very clandestine, Deep Throat-type stuff. But there’s more than that at hand. Is there some type of relationship between these two? Ken says he looks “fit” and laments not getting a call after Copley came to town. Yowzahs. No wonder he thought Kennedy was a handsome fella.
At home, Brian and Kristin are at odds. She continually finds the change in him disruptive, disappointing above anything. Hodiak calls to let Shafe know the story on Healy. Mostly, we see how Brian is alienating his wife, he’s beginning to slip up slightly in his job. Everything is crumbling. He’s the only one that doesn’t seem to notice. Because not long after Kristin discovers her husband’s secret junkie kit.
Out on his moonlighting gig, Hodiak brings an old buddy a lunch, Detective Blumenthal (Matthew Arkin). He gets a bit of low down on the prostitutes which he seeks out: they’ve got the same pimp, a guy named Martin O’Reilly (Ryan Caldwell). During the whole debacle Sam meets Bobby Kennedy (Scott Bailey), who asks about race relations involving the African-American community: “Its my job to keep the bad away from the good. Thats all I can do,” Hodiak tells him.
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Eventually Hodiak tracks down O’Reilly. For his part the pimp denies any blackmail. Because why would he ruin a good client? Either way, Hodiak cracks his nose open on the steering wheel: “Youre still a pimp,” he says before getting out and letting a couple other detectives take the guy in – or are they someone else? So Hodiak goes back to his buddy, asking for more info. He ends up sitting for a hot beverage with the wife. She seems to let on that there’s more to her husband than appears at first, and she is the one that’s putting the screws to her husband. Good woman. Fuck that cheating slime.
Awhile later Sam discovers O’Reilly is now a missing person. Uh oh. Hodiak doesn’t like that his old buddy he tried helping basically used him to find the pimp, then did something… intense. Being an army pal from long ago doesn’t ensure Hodiak’s undying loyalty.
At the Wilson mansion, Charlie plays a new song for the Beach Boy. Over this we watch a montage of various scenes, including Brian and his destroyed living room along with Kristin’s disapproving look, Grace quietly worrying for her daughter, and Hodiak receives another envelope with RFK’S #1 DETECTIVE written across it, a new picture inside. And after Charlie finishes playing there’s a look behind Dennis’ eyes that speaks wonders. He finds it amazing, which pleases Manson plenty.
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Hodiak winds up doing his part to help get Bobby Kennedy out of the hotel where he made an appearance. Out through the doors they go and you know what’s coming, don’t you?
A man walks from out of the crowd, pulls a gun, then….
Cut to August 9th of ’69 again. The maid comes barrelling out of the house on Cielo Drive, trying to scream “murder” but barely with a voice.
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What a CRAZY, amazing episode! I love this show. I don’t care what the ratings say, or what other internet sites are saying: it’s awesome. While it takes liberties with Manson and other events, there’s a really fun, exciting, and fresh feel to Aquarius coupled with great performances from the cast. Excited for the next episode titled “Piggies” and I can’t wait to see what comes from the fallout of Bobby Kennedy’s assassination, particularly see as how Hodiak was right there at the scene. Stay tuned, fellow fans.

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I'm a Bachelor of Arts (Hons.) graduate and a Master's student with a concentration in early modern literature and print culture. Although I've studied everything from Medieval literature onward, also spending an extensive time studying post-modern critical theory; I have a large interest in both Marshall McLuhan and Jean Baudrillard. I completed my Honours thesis on John Milton's Paradise Lost + the communal aspects of its conception, writing, and its later printing/publication. This thesis will serve as the basis for a book about Milton's authorship and his influence on pop culture (that continues to this day). My Master's program involves a Creative Thesis, which will be a full-length, semi-autobiographical novel. Author Lisa Moore is supervising the writing of this thesis. I'm already looking towards doing a dissertation for a PhD in 2019, focusing on early modern print culture in Europe and the constructions of gender identities. - I'm a film writer, author, and a freelance editor. My short stories have been printed in Canada and the U.S. I edited Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I. Aside from that I have a short screenplay titled "New Woman" that went into post-production during early 2018. I was part of a pilot episode for "The Ship" on CBC; I told a non-fiction story of mine about my own addiction/alcoholism live for an audience with nine other storytellers. - Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I used to write for Film Inquiry frequently during 2016-17. I'm currently contributing to a new website launching in May 2018, Scriptophobic; my column is titled Serial Killer Celluloid. Contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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