HBO’s The Night Of
Season 1, Episode 4: “The Art of War”
Directed by James Marsh
Written by Richard Price
* For a review of the previous episode, “A Dark Crate” – click here
* For a review of the next episode, “The Season of the Witch” – click here
Nasir ‘Naz’ Khan (Riz Ahmed) is finding that things are getting pretty rough at Rikers Island. The burning of his bunk makes clear, there are worse things to come. Like a declaration of intent.
At home, John Stone (John Turturro) is getting his ankles covered with Crisco, wrapped up in Saran. Headed to the jailhouse, as usual. Representing killers. Yet you can see there’s a sense of loss, something missing in him. There’s something clear and different about the people he usually represents and the young Muslim man in jail for murder/rape.
And at their home, Salim and Safar Khan (Peyman Moaadi & Poorna Jagannathan) have the media just about crashing down their door.
Their son Naz is having the worst time, obviously. He’s discovered that there are completely different rules for surviving on the inside than the outside. You’ve got to look but “not look” someone in the eyes. You have to constantly be on your guard and pumping up your masculinity. If not, you’re “fair game.”
Detective Dennis Box (Bill Camp) runs into Stone, as the latter is out trying to get a beat on what may or may not have happened at Andrea Cornish’s (Sofia Black D’Elia) house. Of course Box dismisses the sly lawyer. But Stone winds up seeing Don Taylor (Paul Sparks), stepfather to the deceased, lose his cool with another man at the girl’s funeral. So, he snaps a little video.
What I like is that it looks as if we’re starting to head towards a kind of redemption song for Jacky, I think. He’s now got further doubts about Naz’s guilt. He wants to know the truth, maybe for the first time. Instead of gunning for a big pay day. Morality’s tricky like that. It can make even some of the worst types change their minds. John isn’t terrible, though he is shady. Let’s hope that changes.
There are other troubles for the Khan family. Salim and Safar are finding their other son, Hasan (Syam Lafi), is discriminated against at school because of what’s going on. This is where the writing of Richard Price excels. Because he gets into the repercussions, the far-reaching consequences of when someone is in jail for murder and their family is left behind in the wake. Great depth to the story they’re telling.
Stone runs across a rehab facility linked to a picture from Andrea’s phone. He winds up talking to a guy named Edgar (Max Casella) willing to cough up information for a price. I guess if there’s any way John hopes to get ahead, cash is king.
Naz is getting schooled in jail by Calvin Hart (Ashley Thomas) on how to live by the code of the criminal behind bars. At the same time, I wonder what’s going to happen with Freddy Knight (Michael K. Williams); he keeps a watchful eye over the young Muslim. What exactly is Freddy’s interesting there? I feel like he’s a good guy, while the others – the vultures – soar around Nasir.
On the side, John brings what he got from Edgar to Chandra (Amara Karan), employee to Alison Crowe (Glenne Headly) now handling the Khan case. I suppose Stone isn’t changing too much. Not yet. He’s charging $500 for the information; a markup on what he paid Edgar.
Heading out on a prison transport, Naz gets a new, different coloured jumpsuit to put on. Courtesy of Freddy. Now, that’s interesting. Any meaning to that? I’m better there is, absolutely.
At the courthouse, the Khans are all but terrorised heading inside, as Box heads in relatively left alone, and John eats a hot dog in obscurity. Alison is busy readying Naz for his first appearance – she gives similar advice to that of Calvin, in that he should make eye contact, but not full-on. Intriguing little point that parallels nicely. Moreover, Alison says she’s glad they didn’t put him in an orange jumpsuit. Looks like ole Freddy’s a guardian angel after all, or so it seems. Better than that Alison proves herself worthy of taking on such a tough case. She drops “9/11 profiling” and “media pressure” and dances all over the place. Still, it doesn’t do anything for bail. So in Rikers he stays.
We also see the Khans struggling, as if they’re being suppressed, even by Alison. Salim wants to address people at the press conference, but it isn’t even entertained.