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BOOK OF SHADOWS: BLAIR WITCH 2 is the Epitome of Wasted Potential

Blair Witch 2: Book of Shadows. 2000. Directed by Joe Berlinger. Screenplay by Berlinger & Dick Beebe.
Starring Jeffrey Donovan, Tristine Skyler, Erica Leerhsen, Kim Director, Lanny Flaherty, Lauren Husley, & Raynor Scheine.
Artisan Entertainment/Haxan Films.
Rated R. 90 minutes.
Adventure/Fantasy/Horror

★★
posterYou’d almost expect Joe Berlinger to have done more with the concept for this sequel to Eduardo Sánchez and Daniel Myrick’s groundbreaking horror, The Blair Witch Project. By this point in 2000 he already did two of the HBO Paradise Lost documentaries, another great (and equally as tragic) doc called Brother’s Keeper. With the screenplay from him and co-writer Dick Beebe, I imagined Berlinger could spin his documentary style into an interesting sequel for the story Myrick and Sánchez began.
That’s not the case, unfortunately. I’m sure that even this movie has its fans, a cult following. But whereas other cult films feel justified in their love, often due to the project released at the wrong moment in time, Book of Shadows stinks not only of a cash grab, it’s also one majorly wasted opportunity.
Parts of what I feel Berlinger aimed at work. So much of it doesn’t, and falls into cheese; not even the good kind. You can watch this as a biting, murderous, supernatural satire re: diehard fans of the first film. Not well written. Although definitely, at least partly what Beebe and Berlinger tried to get across. It didn’t come too quickly after the original, that isn’t the reason this did poorly. Plain and simple, this falls well short of being a good movie. The dialogue is brutal, to the point of cringing in many a scene, then it gets far too expository to take seriously. If only the screenplay were tighter, the acting better, and most of all: if only it were found footage. That’s one of my biggest gripes. Beyond that Berlinger tried doing something that would’ve otherwise been good. Somehow he stumbled, fumbling just about every last drop of potential.
screen-shot-2016-12-22-at-1-21-48-amThere are a few genuinely unsettling images, I must admit. An early dream sees one of the women having a dream about drowning her unborn baby in a river, blood bubbling up from the water. It’s jarring because we enter the dream seamless, no indication, and then a nice smash cut out of this nightmarish image to see her lying in a tent. A great scene that always gets me.
These gnarly moments are few and far between.
One scene that particularly pisses me off is when the group first wake up to find all the paper essentially snowing down on them. I never judge people TOO much on the decisions they make because they don’t know they’re in a horror movie. But fuck, man. This one chaps my ass. When they’re rationally trying to figure out what’s gone on, they never once question WHY AND HOW THE HELL IS THE PAPER SNOWING DOWN ON US? It’s clearly dropping out of the sky, and they don’t make one reference to maybe looking in the trees to see if anyone is playing tricks on them, et cetera. I mean, I can forgive a lot of stupid stuff screenplay-wise in horror. I love the genre, though I know sometimes the writing isn’t perfect, even in movies I actually enjoy. This screenplay is chock full of garbage writing; glaring omission, poor and unbelievably character decisions, amongst more mistakes. Too bad because, as I mentioned, the concepts alive in the script die on the vine instead of blooming to make the sequel a worthy successor.
screen-shot-2016-12-22-at-1-26-41-amI can’t help but be mad at the writing. And I do know that, against his will, the studio shot some scenes to make this more a straight-forward horror, whatever the hell that means. So part of this isn’t totally Berlinger’s doing, regardless of his co-writing the script. Maybe one day we’ll get a version that shows us what Berlinger originally wanted, which would be nice. Either way, this version ends up with bad writing choices dominating everything.
So much wasted potential. Even down to Erica Leerhsen’s witch character and her worry about The Blair Witch Project reflecting negatively on actual witches, such as her and fellow Wiccans. This, along with the satirical eye towards die hard lovers of the first film insisting on the Blair Witch is real, wound up as fodder.
And that’s the frustrating part. Berlinger could’ve made this into a horror containing social commentary, satirising modern film culture, fanaticism, and other big ideas. Instead of following the first film with a powerhouse, this falls just about entirely flat. The original worked because of its reality angle, the rawness and the gritty qualities of the mainly improvised script. This one should have been capable of improving, and yet with a fully formed script this never comes close to achieving any of the goals it lays out theme-wise.
screen-shot-2016-12-22-at-1-32-14-amscreen-shot-2016-12-22-at-1-41-22-amMaybe giving this two out of five stars is even too much. But there’s enough to keep me watching Book of Shadows, so I don’t feel too guilty; though a bit of guilt exists, all the same. Don’t get me wrong: this is a bad movie. Especially when you consider The Blair Witch Project and how great it was, in many ways. Berlinger deserves better, I’m sure there is a better cut of the movie somewhere in existence, or at least pieces of which that can be assembled into sequel worthy of what Sánchez and Myrick started.
A handful of scenes, or more so moments, does not a movie make. When I compare this with Adam Wingard and Simon Barrett’s recent Blair Witch, it’s easy to see what works and what doesn’t, at all. This is a huge mess. It’s a good one to throw on when you’re bored, doing something else, or for a night when you want to watch something foolish with a group of friends. And if you’re all fans of the original, it’s even more fun to laugh as you watch.
Nevertheless, you might find a couple things that appeal to you. Or, maybe it’s a total trash bin. I don’t disagree, no matter how you feel. I’m going to rally behind anyone who wants to see a Berlinger-approved cut. Behind the mess a Book of Shadows worth the time and worth carrying the Blair Witch name may exist. If the latest entry in the series spawns a sequel, themes from this failed sequel would be exciting to revisit, if they were better written and more extensively explored. Here’s to hope!

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate with a concentration in pre-20th century literature, although I've studied everything from Medieval literature onward, and especially an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. Right now, I'm waiting for acceptance as a competitive master's degree candidate at MUN in hopes of doing a creative project in lieu of a thesis; this will likely be my debut novel. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. A soon to be released book from Newfoundland author Earl B. Pilgrim was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@yernotgoinatdat) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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