USA’s Mr. Robot
Season 2, Episode 11: “eps2.9_pyth0n-pt1.p7z”
Directed & Written by Sam Esmail

* For a recap & review of the previous episode, “eps2.8_h1dden-pr0cess.axx” – click here
* For a recap & review of the Season 2 finale, “eps2.9_pyth0n-pt2.p7z” – click here
Pic 1Hes always a step ahead of me, because he is me.”
Elliot (Rami Malek) is still trying to solve the puzzle of his father, Mr. Robot (Christian Slater). Despite all he’s figured out, there’s so much more to unravel. His mind is an enigma. It’s not an easily life, being him.
Mr. Sutherland (Jeremy Holm) once again shows Joanna (Stephanie Corneliussen) the location of where the calls came from, and it seems she knows something more, obviously. Just from his reaction in the previous episode, this location is a place they know. But where the hell is it? Whose house is it?
Somewhere else, stuck in the back of a van, Angela (Portia Doubleday) is transported by two silent people in the front seat, a cage dividing them. They turn up the radio to drown out her protest, so she eventually gives up and sits back down.
Pic 1APoor fucking Dom (Grace Gummer). She’s lived through another shooting by the Dark Army, men around her telling her she’s “in shock” and that she needs time to decompress, blah, blah, blah. When you know if it were a male agent he’d be frothing at the mouth for revenge.
Even as a high-profile FBI agent, Dom deals with misogynist bullshit. Plus, she blames her superior, Agent Santiago (Omar Metwally) for not believing her. She considers this “an act of war.” He likewise brings up the fact China bailed out E.Corp, a $2-trillion no-interest loan. Highly suspicious, certainly. In light of this, Santiago is more inclined to start believing Dom.
Angela’s taken to a house, by the man and woman in the van. She’s led inside through a very upper class, modern kitchen, living room. Down a hall with some creepy photos on the wall; they look like certain faces are cut out, or scratched off. She’s brought to a dark room. In it is a desk by a fish tank. She’s locked in there alone. On the desk is a lot of old technology, like an office ripped out of the ’80s. Soon, a little girl arrives and begins typing on the computer. After that she asks: “Have you ever cried during sex?” Good lord! She reveals marks on her side, saying that if Angela doesn’t answer she’ll receive more of the same treatment. One question gives way to another, each morbid, weird, out of context. What’s going on here?
In his ivory tower, Phillip Price (Michael Cristofer) is angling to make eCoin the new currency, wanting to leave the old dollar, and Bitcoin, behind. This is all just a way for him to get richer, it isn’t about helping anybody, not even the economy. It’s about making sure he’s able to survive in whatever new world comes out of this fucked up revolution. He’s just another capitalist trying to save his skin.
Screen Shot 2017-10-08 at 1.19.51 AMFurther and further, Angela is led through questions until the little girl hands her the red phone after it rings. More instructions from a computerised voice, similar to the early type-and-play games from the early days of computers, like Hugo’s House of Horrors and others. She has to answer more questions, guiding the game along. But no answers yet. After a little more she figures out the game, to an extent, and this at least moves things on to the next step.
A scene between Dom and her personal assistant Alexa highlights the loneliness in the former’s life, seeing how even the computer PA doesn’t comprehend loneliness, being utterly alone, without anybody. Whereas Dom must suffer through it, coming home after nearly dying in a shootout to nothing except an empty apartment and old takeout boxes.
Soon, Angela gets a visit from Whiterose (BD Wong). And, as usual, they only have an allotted time. Whiterose is prompt. Plenty of cryptic conversation to start, centring around the Chinese woman’s concept of doors and locks. All comes around to her not wanting Angela to give up her “sensitive information” and not wanting her to die, either. If it isn’t necessary, anyway.
Later that night Angela goes to her lawyer, telling her to forget about their latest legal chats. She also tells her to stay away, no more calls.
Mind awake. Body asleep.”
When Elliot comes to, he can’t remember how long he’s been out. And dad is back, as if nothing ever happened. It’s like they’ve switched places, too. Like Mr. Robot is the one of flesh and blood, and he’s the invisible counterpart. Dad has a cypher, somebody is trying to get in contact with him. Hmm. Now he’s going about decoding the message.
Screen Shot 2017-10-08 at 1.26.51 AMA man in a cab is waiting for Elliot. They get going, but quickly Elliot is going nuts, wanting to know if the guy sees someone next to him. He’s falling apart.
Out of the blue, he’s dropped off and sees Tyrell (Martin Wallström) on the street. They’re ready for Stage 2, supposedly. Big things are happening. Is this real? Or is our hacker just hallucinating more? Hard to tell these days.
Screen Shot 2017-10-08 at 1.50.30 AMGod, this series gets better with each episode. Leading up to the finale, this is all so tense, so exciting. Sometimes you think Mr. Robot has reinvented itself already, its not going to happen again. And yet, it does. Time and time again. A big reason why it’s such a fantastic show.
“eps2.9_pyth0n-pt2.p7z” – the finale – is next.

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I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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