From ABC

Dead of Summer – Season 1, Episode 2: “Barney Rubble Eyes”

Freeform’s Dead of Summer
Season 1, Episode 2: “Barney Rubble Eyes”
Directed by Ron Underwood
Written by Ian Goldberg

* For a review of the first episode, “Patience” – click here
* For a review of the next episode, “Mix Tape” – click here
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After a decently exciting first episode, Dead of Summer‘s second episode cleverly parodies “Bette Davis Eyes” (made popular by Kim Carnes) with “Barney Rubble Eyes” and I couldn’t be more intrigued to see how that plays out, even if it’s just a hilarious one-liner. I dig how they’re using ’80s songs – at least partly – for the titles in these first two episodes, something I hope continues on.
The second episode starts in the Soviet Union, during 1977, as a little boy named Alexi plays the piano and his family prepares to go to America. Before he heads out his grandfather warns that life needs to be taken, it won’t be given. He hands over a knife. In 1989, Alex Powell (Ronen Rubinstein) lives life as an American, even with all the anti-communist, anti-Russian rhetoric on the radio. He’s also very interested in freedom, naturally. Meanwhile, the campers have arrived – watching by the edge of the forest is The Tall Man (Tony Todd), waiting for his time to strike.
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The camp life has started, the kids are rolling in. Alex, Jessie (Paulina Singer), Blotter (Zachary Gordon) and the rest receive them all. When Alex hears a little boy get referred to as a Commie, a Russian kid named Anton, he flashes back to being in America for the first time with his father working in a dry cleaning store. He hears his father get called a Commie. Then he goes on to change his own name to Alex Powell, something all the dumb, prejudiced people can pronounce. In his present time, Alex is a fairly charming, innovative guy. He’s certainly interested in newbie Amy Hughes (Elizabeth Lail). Then he makes things messy by calling her a “Commie sympathiser” because she doesn’t dig the way he talks about the little kid. Sad to see an immigrant come to feel that way about another immigrant, forced into hating himself and then in turn others like himself. A sad comment on American culture, in some respects. Afterwards, he sees Blotter with a sketchy guy, getting a bag of something off him. Hmm.
When Anton isn’t at dinner, Alex finds him in the woods talking to The Tall Man – no one’s there, of course, but that’s his imaginary friend. Oh this is a creepy little moment. Loved it. In his bed later the kid is attacked in the night, in a dream, by The Tall Man; he sees FIND ME branded on his arm, at least in the fog of a nightmare. At the same time, Deputy Garrett Sykes (Alberto Frezza) is plagued with trying to figure out what happened to Dave. His mother worries about him and how the case will affect his mind, though Garrett’s trying to tough it out alone. He’s got Satanism on the mind, as too many officers did in the ’80s when Satanic Panic became a devious bout of hysteria.


Turns out Blotter has that name for a reason – he digs acid, and has his hands on some liquid stuff. Well, Alex tells him: “Couple drops and youll have Barney Rubble Eyes.” Ah, nice little line to go with the title. Then there’s Blair (Mark Indelicato), interested in Drew (Zelda Williams), whom he does not realise yet is a woman. Also, Jessie tries to urge Carolina (Amber Coney) into making “a move” on Alex. Seems the new girl is causing too much friction for a bunch of supposedly close friends. But that doesn’t matter, Alex still wants to get closer to Amy. He asks her out. Puts on some charm by showing how good he is with the kids. Yes, that lures her into a bit of a date in the staff lounge. C’mon, Amy. I mean, he seems like a nice dude. There’s something slippery about him. “Hell do anything to get what he wants,” Jessie warns Amy on the side; helping hand, or being a bitch? Cut to October of 1988. Alex goes back to the dry cleaning place where his father worked, trying to get a position there. He pretends not to know the owner. You can tell Alex is someone else behind his mask. In ’89, we’re still with Alex trying to figure out what Anton knows about The Tall Man; the boy has to find him, or else The Tall Man says somebody’s going to die. Uh oh.


When Joel (Eli Goree) goes looking for camp counsellor Deb (Elizabeth Mitchell), he finds himself in her cabin, snooping, and she catches him. I wonder how this quasi-sexual relationship is going to play out? Makes things unsettling almost. Out looking after the kids, Alex and Blotter keep one another’s secrets. We also zip back to ’88, as Alex works in the dry cleaning store. He shares a sad look with Nadia, a Russian woman working there, before heading out. When he heads back in he finds the owner having sex with Nadia, and he turns on the security tapes the owner had previously turned off, then leaves once more.
Back to ’89 – Alex and Amy have their date. A romantic little evening, it seems. Until they head out into a dark bit of woods to an old cabin. One with a piano. Ring any bells? Well speaking of The Tall Man, he lures the little Russian boy to the trees where they walk off, hand in hand.
Blotter and Carolina are getting close, too. Or Blotter wants to get close to her. He says he doesn’t believe the things written about her on the cabin walls, not realising what we know to be the truth: she’s written at least some of them herself. Out at the old cabin, Alex plays piano for Amy. On that damn creepy set of keys. That can’t be good, can it? The Tall Man’s already afoot. Playing his piano certainly won’t help anything. First, though, we get another flash to ’88 in the dry cleaning store. Alex puts a plan into motion with Nadia. Back to ’89, the spectre of his actions, his grandfather, it all lingers on him. Things finally get serious when Blotter alerts Alex that Anton is missing. All the while, Deb sits with Joel. She tells him she’s a private person. He thinks that means she harbours a secret. She responds coyly, but then they discover the news about the Russian boy. In the trees they hear a scream. The cops arrive later and then their search begins. Nobody’s certain what’s going on, only that a child is somewhere alone, possibly not safe. When Alex finds him he’s sitting in a strange place reminiscent of the drawing he’d been etching out earlier. Deb believes there’s a prowler. Alex and Amy saw him talking to nobody, an invisible friend. Jessie acts like a bitch. Ah, just the perfect stew for a slasher sub-genre trope of the botched investigation.


In ’88, Alex quits his job. He confronts the owner of the dry cleaning shop about having a sex tape with him on it. He’s gotten the job at camp, he wants to project an image of success for people, et cetera. Really, he’s a criminal getting over on another bad dude. A big load of extortion. So the guy we see, the one the people at camp think they see, it’s not who Alex is truly. He’s wearing that mask and it soon slips. Then he does a nasty little thing: he drops liquid acid into Blotter’s drink, all to manipulate his current situation. Oh, Alex. You’re becoming more unlikable by the minute.
Deputy Garrett confronts the guy from the diner, one he thinks may have Satanist aspirations, who’s trespassing on camp property. He decides the dude matches the description of a tall man from the Russian boy’s outing. Back at camp, Blotter is taking a harsh trip down the rabbit hole. He literally watches his own face melt, he sees Alex spew out a terrifying hand. The Russian boy rambles at him. You can see Alex already regrets this dumb, possibly fatal mistake. Out at those stones where the kid was found, Blotter digs up a set of bones: The Tall Man? Has he actually “found him“? When he brings Deb out to the site the bones are gone. All that’s left is Blotter holding the bag, for the drug dealer lurking around, for taking acid, so on. Another harsh move due to Alex’s nasty behaviour. In other news, the biker guy is let free, not held on any charges. And he’s the one now holding the bones of The Tall Man: “It has begun,” he gives as a prophecy to his crew. Maybe real Satanists, or some occult worshippers after all?
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As Blotter leaves, to Amy he repeats what Jessie previously said: “Hell do anything to get what he wants.” This leaves a bad taste in everyone’s mouth, particularly Amy. Yet Carolina’s happy to see that. Y’know, typical teenage camp sort of stuff.
Alex goes to see Anton. He speaks Russian, suggesting exactly what that owner told him long ago, to change his name. He’s becoming exactly who he didn’t want to be, or shouldn’t have become. No wonder the ghost of his grandfather is kicking around. Oh, and The Tall Man warns of things to come through Anton.
And before the finish, leaving camp Blotter comes in contact with The Tall Man, who points to something we can’t see. We end on Blotter, totally terrified by whatever is approaching, and then it cuts black while the terror unfolds in screams and rotten sounds. Deliciously horrific.
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A nice follow-up episode to the first one. I honestly dig the show. Maybe not perfect and there are bits that could certainly be improved upon, though I find there’s enough to make it interesting, and surprisingly there’s a good bit of horror. Nothing crazy, but I think it’s lots of fun. Tame compared to anything wild. Still enjoyable and has lots of places to go from here. Look forward to the next episode titled “Disposable” – could it be named after the Bill Nelson song? Let’s hope, that’d fit perfectly with the atmosphere and tone of the series. Keep up with me if you’re into the show.

Dead of Summer – Season 1, Episode 1: “Patience”

Freeform’s Dead of Summer
Season 1, Episode 1: “Patience”
Directed by Adam Horowitz
Written by Ian B. Goldberg, Adam Horowitz & Edward Kitsis

* For a review of the next episode, “Barney Rubble Eyes” – click here
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I’ve anticipated this one. Good or bad, I’m rolling with the reviews for this season.
Our first episode opens in Stillwater, Wisconsin during 1871. The Tall Man (Tony Todd) plays a piano in candlelight, as a bunch of men come for him. They tie him. At the same time, there are flashes, visions of dead bodies floating in the water.
With that we’re transported to the summer of 1989, three days before Camp Stillwater opens up. There’s a camp reunion of people going back, though Amy Hughes (Elizabeth Lail) is a newcomer. The rest of the gang seem to know one another, from camcorder-wielding Joel Goodson (Eli Goree) to Blair Ramos (Mark Indelicato) and more. They’re all fairly welcoming. Although we can already see the archetypal slasher horror characters set up. That’s not a bad thing considering the writers are going for that type of atmosphere. I dig it. Later when everybody gathers with the head honcho at camp, Deb Carpenter (Elizabeth Mitchell), another straggler appears – Drew Reeves (Zelda Williams). There’s a nice ’80s feel to everything so far, as well, and best part is that I don’t feel it’s forced. They don’t overdo it.
We know the place closed down in ’84. That’s our first clue to something having happened there. I wonder what the eerie secret is?
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Well we’ve got the new girl in town, Amy, so that’s a nice setup. She has to navigate high school and being new around the place, which is of course not always easy. At camp, she has a bit more of a safer place to be herself, as Deb preaches to them. Maybe she’ll be able to open up and have some fun instead of being judged constantly. Around the campfire they all start to immediately talk about creepy stories, so much so it gets a bit too real. We get the obligatory jump scare from one of the crew sneaking around in the dark. Further than that we get more of Amy. In the woods, she comes across Dave (Darren Moore) the gardener, who prophetically tells her that she needs to leave: “You dont know what this place is,” he bellows.
The next morning things get going, from camp activities to recounting giving handjobs at the age of thirteen; ahhhh, camp! A semi-sexual moment happens when Joel is filming with his camera and catches Deb in her window, only a bra on – she doesn’t close the window, smiling slightly, as Joel wonders what the hell’s going on. Yowzahs. This summer is definitely going to get wild.
When a couple of the girls find a gutted deer in the nearby woods everybody’s a little disturbed. Amy tells Deb about Dave’s scary warning the previous night. We’re cooking with gas now. Already the paranoid suspicions typical of the sub-genre have begun.
Flash to Amy back at school when first arriving. We get more of her personality. She isn’t the type to get roped into anything bad. But there’s always something sinister lurking, at high school or at camp. Back at Stillwater, they’re all doing some nighttime swimming. There’s a brief moment where we see a bit of Carolina Diaz (Amber Coney), how she doesn’t want to take her shirt off and go in a bra; will that lead to some character development? Either way, when Amy finally goes in her luck ends up with a discovery of a dead body: Dave.


Cops arrive at the camp. Deb doesn’t seem too put off, though is clearly concerned with the camp counsellors. Nobody’s overly beat up about Dave’s death. That night when Amy goes to get some water she runs into an off-duty Deputy Garrett Sykes (Alberto Frezza) who wants to have a better look at things in Dave’s old cabin. He walks Amy back to camp. He endears himself to her, talking about his “first everything” and so on. Could this guy have sinister intentions? You’ll never be sure. For now, he seems perfectly on the level. Yet even the very earth and the trees itself seem to drip with evil.
Amy and Garrett go into the gardener’s cabin – stupidly, a police officer brings someone in there, in the dark at that. Nevertheless, these are tropes of the sub-genre. And they do find some goodies – fermenting appendages, a skull, strange old photos including one of the Tall Man from a little over a century ago. Either Dave was up to some strange shit or somebody’s planted it to look like he was a Satanist, or something eerie. Then a fire breaks out, nearly trapping the pair. Amy gets out, managing to chop out some boards from the side of the cabin to get Garrett out. A-ha. There’s definitely SOMEONE pulling greasy tricks behind the scenes. The supposed claim is that the fire was electrical. Garrett knows better than that. Even better he managed to slip an old map out; it points to the centre of a beast-like shape where the camp is located. Back at the other cabins, everybody speculates as to what happened with Dave. And more creepy little moments happen – Drew sees a little girl with a red balloon outside, before she then disappears quickly. Inside, the crew talk about movies from Rosemary’s Baby to the original The Wicker Man. At least before some cattiness goes on, Jessie Tyler (Paulina Singer) leading the way, as usual. Poor Amy, yet again, is tasked with going out into the dark, always on the losing end of the teenage call of NOT IT. Well, she and Alex Powell (Ronen Rubinstein) kiss, anyway. Not sure if that’s a good or bad call. What I enjoy is the cutting between past and present, that helps expand Amy’s character. Right after that we’re shocked when she sees a ghostly presence behind her and Alex. Then she gets sucked into a closet where dead hands grab at her everywhere. A terrifying vision.


The morning after, Amy sits by the lake. She flashes back to her and Margot (Morgan Taylor Campbell), preparing for a party, prior to the latter’s mother freaking out; one of those uptight mothers wanting their child to go to a certain school. They’re sneaking out for a party: “Sometimes you have to do things that scare you,” being their mantra. Back to the lake and Amy is confronted by a faceless, dark shape in the night. It stalks her before she runs into Garrett. Only she can see what’s coming for her, and this automatically puts her at odds with reality. Unfortunate for her. Back to when she and Margot go to the party, Amy drinks, she dances, as her friend feeds her shots. This is a great instance of writing and editing put together, which goes from the party to the lake and back again. On a wharf she finds hands grabbing her; hands that aren’t there. At the party, police officers arrive at the house and Margot panics trying to get out, which results in her tumbling out the window and hitting the ground – the only thing left after Amy tries holding on is the charm bracelet she still wears at camp. This is what drives her psychosis in the present timeline. Garrett helps calm her then they talk a bit more about the Dave case, albeit cryptically. Then more nighttime swimming. Camp goes on, right? Jessie isn’t happy when she sees Amy close to Garrett. And then Guns N’ Roses plays, the titular “Patience” of this episode. Everyone swims, has fun.
Up in her cabin, Deb pulls out a little box from under her bed. She also finds Joel taping her again, except this time she shuts the blinds. Mysterious. We start getting a look behind the mask of all these characters, each and every one of them with their own secrets, their own pasts and mysteries. This begins filling things out for us, even within the first episode, so that hopefully the writing will build off this good stuff. Finally we get a look at Drew, who is actually a woman if anyone wasn’t able to tell. More of a look at Jessie, too, as she reveals herself to be the Braces to Garrett’s Townie. Ah, so that’s why she looked so bitchy.


The end of the episode reveals, through the camcorder, an entity standing in the background while everybody swam earlier – is that The Tall Man? Or someone else equally as ominous?
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Let’s find out together. Next episode is titled “Barney Rubble Eyes” and you can expect a recap/review very soon. Digging this first episode. There are silly moments, but I’m almost assuming those are meant to feel typical to the slasher sub-genre. Still, I’m willing to keep giving this a shot. I liked their first episode. Here’s to hoping the writers and directors can keep up the pace, the excitement, all tinged with some blood and horror. Who knows what’ll happen.