The manhunt for Cunanan comes to a dramatic close in Miami
We see the unsettling earlier years of Andrew Cunanan, as well as the tragic story of his father, Modesto.
The beginning's of Andrew's trouble starts with a moment between him and his mother, as well as witnessing a horrible act of violence.
A year before his killing spree, Andrew Cunanan's life starts spiralling out of control.
The story of Jeff Trail reveals more about that of Gianni Versace's murder, as well as the motivations of Andrew Cunanan.
Architect David Madson's fate becomes linked to killer Andrew Cunanan months prior to the murder of Versace.
Marilyn & Lee Miglin cross paths with Andrew Cunanan.
The aftermath of Versace's assassination plays out, as we watch the journey of Cunanan toward his eventual murderous fate.
In Miami, Gianni Versace is shot in front of his villa by a young man, Andrew Cunanan.
FX’s American Crime Story
Season 1, Episode 10: “The Verdict”
Directed by Ryan Murphy
Written by Scott Alexander & Larry Karaszewski
* For a review of the previous episode, “Manna From Heaven” – click here
Finally, the last episode of American Crime Story: The People v. O.J. Simpson has arrived!
We begin as O.J. (Cuba Gooding Jr) gets dressed for the big day. Johnnie Cochran (Courtney B. Vance) advises him how they’ll proceed from here. In court, Judge Lance Ito (Kenneth Choi) is faced with letting O.J. address the court. Marcia Clark (Sarah Paulson) is not happy with that, believing the defense is trying to get facts to the jury improperly. Everybody watches on, as O.J. speaks awhile. Until Marcia shuts that shit down.
In the defense camp, death threats are rolling in for Johnnie – twenty and counting. He’s not concerned, though. Too busy rehearsing and writing his famous “if the glove doesn‘t fit you must acquit” speech that, as we all know now, was so Cochran-like. He love rhymes and alliteration, he had an almost theatrical quality.
Over in court, Marcia’s doing the best she can to convince the jury, one last time, that her sides is the right side. She pleads that the testimony concerning Dt. Mark Fuhrman (Steven Pasquale) not poison the well entirely. With her in court she has a nice board made up stating its UNREFUTED EVIDENCE that Simpson is the murderer. The jury is swayed, back and forth. Clearly many of them, especially the African-American citizens, are on the side of Cochran and Simpson. But Marcia makes a good case. She does, indeed. As much as Johnnie can talk the talk, Marcia can, too. She can walk that walk, as well.
More of Christopher Darden (Sterling K. Brown), also pleading their case for the jury. He is another man whose passionate and plain way of speaking is an evident advantage as a prosecutor. But it’s the whole racial angle around the trial that’s interesting when considering Darden. He was faced with being a supposed Uncle Tom-like figure, when he was simply there on the side of justice: “This case is not about the N–word. It is about O.J. Simpson and the M word: murder.” Darden brings up many great points about Nicole Brown and her relationship with Simpson; his jealous, his anger towards her, the previous domestic abuse and the fact she filled up a safe deposit box with pictures of her injuries from those incidents, and so on.
Johnnie proceeds to stand on the high horse about domestic abuse. Ironic? Well, he moves on and gets loose, he orates like a man onstage reading Hamlet. Moreover, he again uses this as a chance to slag on the LAPD. He’s not only trying to get O.J. off, he wants to use this as a soapbox for the things he already fights against. He pops off the infamous glove line, then finishes up, the whole place hushed.
So now, they wait.
F. Lee Bailey (Nathan Lane) is off to Laguna Beach, Johnnie has a flight to catch. Then Bob Shapiro (John Travolta) rambles about Oscar De La Hoya, and everyone leaves him all alone, almost without a word. They’re done with him and his bullshit, I suppose. Who wouldn’t be?
The jury starts to deliberate. Not Guilty keeps coming out, over and over. Out of the whole lot only two jurors claimed O.J. as Guilty. More of the black v. white stuff happening. Also there’s plenty of doubts about the trial itself, the weird things going on. But some of the Africa-American jurors are unwilling to budge, particularly because of racist Fuhrman and his absolutely despicable testimony.
Everyone’s surprised by the mere four hours the jury deliberated. Everyone’s worried, too. Naturally. Because it isn’t clear, at all, at any point what’s been about to happen in the trial. Meanwhile, Shapiro and Cochran are at each other’s throats again, as the latter has involved Louis Farrakhan and the Nation of Islam in their protection because of the volatile nature of the trial and its surroundings. For their part, Marcia and Chris try keeping a positive spirit, hoping the quick deliberation means the best for the prosecution.
In jail, Simpson preps for the “big day” – “biggest,” as he says. Even signs a ball for one of the guard’s kids. The guard also seems to give up a bit of good news from a friend guarding the jurors. Uh oh.
Everyone sits, waiting, hearts in every throat, pulse throbbing. Every single person looks stressed, both figuratively and literally on the edge of their seats. The verdict is handed over. Time slows down from O.J’s perspective. Each person watches the verdict pass over to the jury from the bailiff. Everything is by the book. This sequence is super tense, very well filmed and written, so as to draw things out. Even while knowing the verdict already it is still thrilling. The editing even cuts things to a higher level of intensity, too.
When the verdict is read out loud, everyone reacts in amazingly different ways. The racial tension is completely obvious. The editing cuts back and forth between jurors, family members, friends, the streets. An impressive little montage of edits within this scene that made the impact even more weighty. When one of the jurors holds up the Black Panther sign it comes as a whopper to both O.J. and Marcia; especially the former, who finally sees it wasn’t his supposed innocence that got him off, it was the fact he’s black. Therefore, nothing will change, people – some of them – will still see him as a cold-blooded murderer.
In the bathroom, Robert Kardashian (David Schwimmer) loses his lunch, clearly doubting his old dear friend’s guilt. So many reactions that it’s just a gumbo of different opinion all over the place. But even those closest to Simpson have their doubts. Hell, Shapiro was never sure to begin with, so it’s not surprising.
The fallout of the trial is different for everyone, as well. Gil Garcetti (Bruce Greenwood) feels his career will be defined by their loss. Marcia says she’s “ashamed” of herself. Darden wants nothing to do with going out and facing the press. But they stick together. Gil even compliments lark on her class, for not stooping to the level of the press, nor that of the defense and their tactics. Obviously, though, she feels the weight of the decision against her. Amazing acting in this scene, Sarah Paulson gives us more of her excellent portrayal of Marcia Clark; some of the highlights of the series as a whole in this first season.
Many are devastated by the jury’s decision. The Goldmans, The Browns, Garcetti and his entire team, many in the community. They can only pick up the pieces and move on from there, learn from their mistakes and errors in judgements. Clark and Darden do their best to give a press conference, under all the emotion they suffer. Another emotionally charged moment out of this great finale. Then from the crowd someone asks: “Gil – you gonna look for the real killer now?” Whoa. That is a big one, and it hits Garcetti off guard.
On the streets people celebrate. But so many, like The Goldmans, are left wondering how to move on. How can they reconcile what they feel they know deep in their hearts with the verdict? And after so much madness throughout the course of the trial.
Very interesting is the meeting between Cochran and Darden. The faith Chris has in the law doesn’t waiver, yet he has no faith in the theatrics of Cochran and his tactics. But Johnnie is able to sleep at night knowing he’s slightly changed things. When he sees President Bill Clinton on the news talking about the LAPD, the black experience, he knows things may shift. If only he were still alive today, he’d know nothing ever fully changes. Not when it’s embedded like racism.
Darden: “This isn‘t some civil rights milestone. Police in this country will keep arresting us, keep beating us, keep killing us. You haven‘t changed anything for black people here. Unless, of course, you‘re a famous, rich one in Brentwood.”
Marcia and Chris lick their wounds together. Neither of them is totally sure how to process what’s happened, even if it’s something they understand, how it came about, what went on during the trial. We get some insight into Clark, though. She reveals to Darden her rape, years ago, in Italy at the hands of a waiter. She tells him how there’s a “thing” in her seeking “vengeance for victims“, and that is her idea of justice, to get the justice those victims deserve, that they need. Although, the Simpson trial is really shaking her to the core, her beliefs wavering in the face of such injustice for Nicole’s murder after all the domestic abuse, the fighting, et cetera. Sad to see a strong person like Clark beaten down by a major case.
Simultaneously, O.J. gets out of jail. Funny enough, the only person waiting is Kardashian. He can’t even hide his feelings, almost weeping right there. But they head home, bringing Simpson back to his place in Brentwood. Big party, a “rager” is about to happen ’cause O.J. wants to get down. Only the reception is not what he’d expected. People in his upper class neighbourhood aren’t happy. So he’s experiencing the many-edged sword of race. The predominantly white neighbourhood of Brentwood isn’t exactly impressed with the verdict, not like the reactions in the inner city.
There’s a neat juxtaposition of things at the end here in this finale. We inally see O.J. back at home – the first time we’ve really seen him free the entire series. But he is alone. He cries to himself. Even he doesn’t know exactly how to go on after everything.
At his party afterwards things are even more telling. The only person on his defense team that’s present is Kardashian, who doesn’t even stay too long. A moment with a waiter is also pretty interesting, revealing more racial undertones to every relationship which O.J. engages in. Also, his last look with Kardashian is extremely heavy, as Simpson can tell his good friend no longer has faith; at least in him ,anyways.
In the backyard, O.J. stares up at his statue, long and hard. A larger than life figure, both him and the statue. In his head are the sounds of his old days on the field, the crowd roaring. How far he has fallen.
An impressive series that I loved, start to finish. I look forward to seeing what they’ll do for next season, which is rumoured to be centered on Hurricane Katrina. Also dig the end where they showed everyone with their real life counterpart side-by-side. Lots of great writing, acting, editing, the whole thing was nearly perfect, only a couple rare missteps. I see some awards in this series’ future.
FX’s American Crime Story
Season 1, Episode 9: “Manna From Heaven”
Directed by Anthony Hemingway
Written by Scott Alexander & Larry Karaszewski
* For a review of the previous episode, “A Jury in Jail” – click here
* For a review of the Season 1 finale, “The Verdict” – click here
The penultimate episode of American Crime Story has arrived.
We begin with recap of the trial via television. The tapes of Detective Mark Fuhrman (Steven Pasquale) are being tracked down. Meanwhile, in court Christopher Darden (Sterling K. Brown) is doing his thing, asking his witness whether someone “sounded black“, which prompts Johnnie Cochran (Courtney B. Vance) to go off. It gets so heated that Judge Lance Ito (Kenneth Choi) calls a recess. Of course, Marcia Clark (Sarah Paulson) is pissed herself because the racial nonsense distracts from anything truthful.
But the defense are jumping all over Fuhrman and the supposed tapes. Bob Shapiro (John Travolta), Robert Kardashian (David Schwimmer) and the rest try to get things in order. “We must get them,” orders Johnnie re: the tapes.
Johnnie: “God brought us these tapes. There‘s something much larger at play here. This, is Manna from Heaven.”
The prosecution are variably worried in their own respects about Fuhrman; Darden more so. Yet Johnnie and his crew are moving along to the beat of their own drum. We’ve got F. Lee Bailey (Nathan Lane) touting his influence in the boardroom, offering to head up the whole Fuhrman angle in North Carolina, where he and Cochran are headed for the tapes and transcripts. And so the two dig in on Fuhrman and his extremely complicated racist background. Unfortunately, the NC judge is not happy to have a flash, proud, strong black man like Johnnie in his court. So, Bailey has to take over. He placates the Southern racists, managing to slip out those tapes and transcripts for their case in California.
Bailey: “Mr. Cochran take a good look where you‘re standing. We‘re in the South. Haven‘t you noticed the scent of mint julep and condescension in the air? Right behind you is a statue of a Confederate soldier holding a rifle. With all due respect, I don‘t know if you play as well in Dixie.”
Back in Los Angeles, Marcia is getting even more worked up, as the tapes make their way further towards their trial. Ito won’t let them in yet, but the teams are allowed to review them. There’s an ominous tone to this episode. All the looming racism of the past connecting with Fuhrman and the ongoing racism, that sadly still burns today in the U.S. The entire opening 10 minutes or so are incredible.
So everybody tucks in and listens to what Fuhrman’s got to say on the infamous recordings. The editing in this series is spectacular, as always. They cut both of the teams listening to the tapes together, back and forth between the two. Super intense sequence overall. Immediately, Fuhrman launches into a tirade about “niggers” and “Mexicans“, and talks about the right way to enforce the law, tough on the street. He says the word nigger about a dozen times in the first few sentences. Brutal. Each side realizes what this will do to their case; obviously, Marcia and Darden see this can crush them.
But they’ve got something “unexpected” for Gil Garcetti (Bruce Greenwood), an “O. Henry twist“, as Marcia puts it eloquently. There’s a bunch of talk from Fuhrman on the tape about Ito’s wife, the “highest ranking woman in the LAPD” – another nail in the whole Mark Fuhrman witness debacle. The entire thing becomes a massive shitstorm.
Gil: “This screams gross incompetence”
Both sides are pressed against the wall, though. Cochran and Co. don’t want a mistrial, while Darden suggests to Marcia that’s their best option, to start over without Fuhrman and his madness. Everything involving Ito spill out in open court, as he prefers it to happen. He even happens to give a little shout out to hardworking women in male-dominated environments.
Above all else, Ito determines another judge has to call whether the case should stay in front of the court. Yowzahs. So much happening on each side.
So Marcia and Chris go back to the drawing board. As do Johnnie, Shapiro, and everyone else. The whole court, really. Cochran suggests giving Ito the tapes with the parts about his wife edited out. Everyone seemed to find that suitable, but it’s up to a new judge now. Tempers flare in the meantime, with Shapiro blowing up on Cochran. Same goes for Darden – he chews Marcia out for not having listened when he advised they shouldn’t use Fuhrman to begin with, and this opens more cans of worms, relationship-wise amongst them.
Darden: “You put me on this trial because you wanted a black face. But the truth is, you never wanted a black voice.”
On his own, Cochran is running against the tapes, him and the Coalition with which he’s involved. They’re determined to root out racist LAPD officers. Everyone from Shapiro to Garcetti is worried about more riots like in Watts. The city is almost on fire with racial heat.
People like Ito, they’re caught in the middle. People like Johnnie are willingly in the middle o the storm.
In court, things get rolling again. Johnnie wants those tapes, and he is running with them. On the other side, Clark isn’t defending Fuhrman, but rather the victims of the crime at the center of their trial. Regardless, they’re both passionate speakers. Merely different breeds of thinkers, different strategists. And Marcia does her best to try and make sure the jury won’t hear the tapes.
It’s all down to poor Ito. He has to read through a ton of vile, racist trash, as well as contend with the backlash on either end of his decision. A terrible position in which to find oneself. Nobody would’ve wanted to be him during that time. Especially once he decides the tapes will be allowed, as they’re a matter of “national concern“, so says Ito. A huge blow-up comes out again between Darden and Cochran, with the former unimpressed how his old mentor is making a mockery of the court. This gets Marcia up on Chris’ behalf, each of them nearly held in contempt by the judge. One of the most INTENSE sequences of the entire series. Orderly chaos. Eventually it all calms down, but the dirty laundry is out on the line for all to see.
Finally, the court hears some of Fuhrman. The recording is played, his speech is spelled out in text. Damning stuff, as he goes on about police brutality. Everyone in court is horrified by some of the things he says. Openly admitting to hating black people, as well as the brutality that routinely goes on behind the scenes of the LAPD. Awful, vicious. A very creepy scene, hearing these things come out. Imagine what it must’ve been like in the courtroom that day. People like Fred Goldman (Joseph Siravo) are disgusted with the focus being taken off the murder victims, and everything honing in on Fuhrman, et cetera. At the same time, Darden and Clark are licking their wounds, attempting to figure out somewhere to move next. Marcia apologizes for not listening to Chris earlier. Too late, though, better late than never at all.
Ito rules on the Fuhrman tapes. Only concerned with “perjury” and not all the LAPD corruption. Cochran isn’t happy, neither is Bailey. As usual, Bob dances around not wanting to piss off the police. He doesn’t get why Johnnie is so inflamed. Because he’s white. He could never fully understand. Nevertheless, Johnnie blows things up and advises Los to “remain calm” – but does he want that, or would some riots help his cause? The enigma of Cochran is that he’s at once a theatrical act, a performer, a disguise, and simultaneously he’s a proud, tough man who does right by people, too. You just never know who you’re going to get at any given time.
Fuhrman is being brought to the stand. Outside the court it’s a circus, inside like a morbid auditorium awaiting some bloody dissection of a patient. And that’s sort of what’s about to happen. All his lies are poised to come out.
And before things get started, Darden leaves the courtroom. Wow, a powerful statement in itself.
Johnnie starts his surgical procedure in open court. Only Fuhrman asserts the Fifth Amendment for all his questions. Another wrench in the machine. The one question Cochran does go on to ask gets the same response, and casts further doubt on the evidence. Things are getting very rough from here on in for Clark and Co.
One ray of sunshine? Marcia got primary custody of her children. A small glimpse of hope after a terrible time in court.
Next and final episode, “The Verdict”, promises lots of interesting things. Let’s see how Ryan Murphy finishes things off along with his super talented crew of actors, directors, writers, and everyone else involved. An amazing series that’s giving us impressive insight into the events behind the scenes of such an infamous trial.
FX’s American Crime Story
Season 1, Episode 8: “A Jury in Jail”
Directed by Anthony Hemingway
Written by Joe Robert Cole
* For a review of the previous episode, “Conspiracy Theories” – click here
* For a review of the penultimate Season 1 episode, “Manna From Heaven” – click here
Only a couple more episodes left, as O.J. Simpson (Cuba Gooding Jr), Marcia Clark (Sarah Paulson), Johnnie Cochran (Courtney B. Vance), Robert Kardashian (David Schwimmer), and the rest of the various figures hurtle towards the trial’s finish.
This episode begins with the jury being chewed out for tardiness. The trial went from two months to eight months. Everyone in the jury’s a little pissed.
But wait, let’s skip back 8 months earlier. Everyone is happy to be on jury duty, away from home and on a sort-of-vacation. At least until they start to discover the rules of their jury duty for the trial of the century, or “The Superbowl” as one of them puts it. Not so fun anymore when the pool is “off limits” and when you can’t even skim a Reader’s Digest without it being approved.
Well Cochran and Bob Shapiro (John Travolta) are back together, laughing, toasting champagne. As Marcia and Christopher Darden (Sterling K. Brown) still aren’t too steady. And Gil Garcetti (Bruce Greenwood) is losing his god damn mind over the ill-fitting glove.
Over at the hotel with the jury, everyone’s arguing over what to watch. “What is a Seinfeld?” one of the women quips after Martin gets vetoed. Amazing to see the Martin versus Seinfeld showdown, more of the subtle racial angles within the writing of American Crime Story brings out.
Then we switch over to O.J. playing poker for Skittles in an interrogation room with a couple buddies, including Kardashian. What’s amazing is that O.J. is in the process of retelling a portion a Seinfeld episode, saying: “I‘m tellin‘ you they gotta give that Kramer his own show.” Never have we more evidently seen, directly in the writing and editing, an instance of where the perceived whiteness of Simpson comes out. Nicely written sequence all over.
What this episode gets into big time is how nobody, even just a little over 20 years ago, understood DNA. It frustrates Marcia, while providing fodder for jokes in Simpson’s camp. But when Clark has an expert break it down in layman’s terms, the jury, the defense, everybody in the court understands how damning this testimony is for O.J. Even Kardashian sees it, the look on his face almost ghostly. 1 in about 170-million; hard for Rob to get past.
Later, he and Simpson sit alone together talking of “the numbers” involved in the DNA found at the scene. Rob has a problem with Nicole’s blood being everywhere, disguising it as concerns of the jury. The faith of Kardashian is shaking in his old friend.
Simpson: “And this is them asking?”
Kardashian: “Yeah. This is them asking.”
More problems now; in the jury. One of the jurors was previously arrested for kidnapping, which Judge Lance Ito (Kenneth Choi). He plays it off saying “you know how ladies can get“, not worrying about Marcia’s presence in the room. Even with Cochran dancing his best dance, Ito dismisses the juror. At least now Marcia doesn’t have to put with even more sexism. For the moment.
In the jury room, some of the other black jurors worry about being dismissed because they’re black. So within all the racial things happening during the trial, within the jury itself, there is even a division between some of the black people who see things differently. So many perspectives, it’s mind boggling at times.
So on goes court with a new juror in place. The defense bring up questions about missing blood belonging to O.J. and there becomes a doubt; in the minds of the jurors, those looking on. It gives Simpson confidence, Rob pause, and Marcia a look of terror. All of a sudden their explanation on the DNA becomes near redundant. Even wilder is the fact the expert, when off the stand, shakes the hands of everyone – the prosecution, except Marcia who refuses, and then the defense. Uh oh. That ain’t good.
Back in her office, Marcia loses it and tosses the place a bit. All that pressure has got to be getting to her. Wouldn’t be human if she brushed it off without any worry.
More juror worries. A woman on the jury accused her husband of abuse, but lied about it.
F. Lee Bailey (Nathan Lane) outright drops some highly sexist shit in front of Marcia, already bringing more of that nonsense on her. But again, a black juror is dismissed. Hmm. Even Judge Ito recognizes there’s some ridiculous racial foolishness happening behind the scenes. And this is what American Crime Story brings out beautifully, the things we know about after the fact but couldn’t see during the original trial. So many racial games, from jury to prosecution to defense.
Marcia and Johnnie have a head-to-head outside. She proves time and time again how tough her mettle is, despite any of the sexist bullshit she has to suffer.
Marcia: “Toughen up, Cochran. This is the smoker‘s lounge. Daycare‘s on the first floor.”
The problem jurors are being sussed out on the defense side. Meanwhile, the prosecution has their own ideas. And some of both sides clash. So now with Queen’s “Another One Bites the Dust” we’re getting the battle of the races amongst the jurors, the prosecution and defense going back and forth. Amazing little sequence, even before Queen kicks in. We see how what was on the surface of the trial was truly only scratching it, barely. All the games behind the scenes made things much more volatile. Even some of the jurors are upset about racial treatment, the divide in the room: “They treat us like we‘re second class,” one woman yells at the judge in his quarters.
Ultimately, Ito has to step in and stop all the madness after accusations against jurors and all kinds of things. He’s experiencing his own skewering in the media, from jurors to people on television.
Now we’re back to the beginning of the episode. The jurors’ guards are switched up, the environment in the lunch room is vastly different, everybody speculating on the mindset of others. A real mess. Then they refuse to come into court, which throws Ito into a furor threatening to have them all arrested. When they do come in, many of the jurors are dressed entirely in black. So Ito suspends testimony and Public Enemy’s “Fight the Power” plays loud, proud with jurors smiling proud.
Dominick Dunne: “It just gets curiouser and curiouser”
Cochran and Co. are all worried about what’s happening in the courtroom. Worst of all, Simpson is losing his mind. He wants on the stand, and definitely doesn’t want a mistrial. Bailey thinks it’s a good idea because “people love him“, Johnnie seems open to it, yet of course Shapiro resists at first. Bob is worried about Marcia cross-examining O.J. and so Cochran decides they’ll do a “rehearsal” for their client.
Over with the jury, one of the women goes absolutely nuts and tries to flee before the deputies catch her. She’s almost gone absolutely mental.
More alone time with Clark and Cochran. He brings her a coffee, the way she likes it apparently. Greasy, Johnnie; real greasy.
So the defense rustles up a Marcia lookalike. They have her press him with Clark-like questions he’ll encounter on the stand. Everyone watches O.J. do his thing, charming, joking a bit. Kardashian looks almost filled with fear. Bailey and Cochran aren’t sure of what to make of it. Shapiro’s not happy at all. It’s a whole new ballgame if they intend on putting him up there with the real Marcia.
Most of all, Kardashian’s taking things incredibly hard. He believes they might “get him off“, but it is clear he doesn’t believe fully in his friend’s guilt. His ex-wife Kris Jenner (Selma Blair) urges him to just get up and go. Kardashian admits, unfortunately, that would essentially convict Simpson if it happened, and it would all makers things worse for their family. An emotional scene. Schwimmer is awesome in the role, loving his performance.
But the finale is the most damning. Someone gets a call – it’s about Detective Mark Fuhrman (Steven Pasquale). And it is not good.
The next episode, penultimate season finisher “Manna From Heaven”, promises to be a whopper. Stay tuned with me, fellow fans. Dig this series so much, it is all around 5-stars.