Akecheta of the Ghost Nation explains the tribe's history, and his own personal journey towards truth.
Season 2, Episode 10: “Palindrome”
Directed by Adam Arkin
Written by Noah Hawley
Here we are, the finale of Fargo‘s Season 2. You betcha.
So, ramblers – let’s get rambling!
“Palindrome” begins with a view of Rye’s body back in the Blumquist freezer, another look at a dead Otto Gerhardt shot at his kitchen table, Dodd (Jeffrey Donovan) dead on the floor in that little cabin, as well as Simone out in the woods, Floyd where Hanzee Dent (Zahn McClarnon) left her, and even in Bear (Angus Sampson) in the parking lot where Lou Solverson (Patrick Wilson) blew his brains out.
Then, the shot fades into Betsy Solverson (Cristin Milioti) lying in bed with daughter Molly at her side. Apparently she had a bad reaction to the pills she was given, they were no good. Noreen Vanderslice (Emily Haine) is by the bed looking after Betsy, trying best to get her to follow doctor’s orders. We watch Betsy dream, seeing Molly grow up in the modern world – the world of Costco, one where Lou gets older by his daughter’s side, one without Betsy anymore. She sees into the future where we see the grown Molly (Allison Tolman), Lou (Keith Carradine) and the happy gang from Season 1. Quickly we cut back to Hank Larsson (Ted Danson) shot in the motel, Lou wrestling Bear, the face of “chaos” a.k.a Hanzee. All to “War Pigs” by Black Sabbath – so god damn fitting.
This whole intro starts with a split-screen, right at the beginning of last episode. It gave me chills with Sabbath playing over top. Ed and Peggy Blumquist (Jesse Plemons/Kirsten Dunst) run off, as Hanzee follows, shooting anyone in his path. Lou boldly goes off after the renegade Native, while Ozzy, Iommi and the gang keep rocking. One of my favourite openings of the season, such a perfectly executed start to the episode. Especially once we find “War Pigs” playing in the vehicle with Mike Milligan (Bokeem Woodbine) and Gale Kitchen (Brad Mann), as they pull up at the Gerhardt ranch: “People of Earth – I‘m home,” says Milligan while walking in through the front door. The two settle in and hear nothing but silence in the big house. Of course, they saw some of the massacre at the motel, so I’m sure they didn’t expect much of a greeting.
Meanwhile, Ed and Peggy stumble into a grocery store, shooing off an employee as Peggy tells him there’s “a bad man coming here“.
On the street, Hanzee is still lurking closer towards the Blumquists. Yet trusty Lou Solverson hasn’t given up on Dent, either. A few shots get popped off here and there. Out of nowhere, Ben Schmidt (Keir O’Donnell) shows up, almost getting a bullet from Lou out of surprise.
Ed and Peg end up hiding in a meat locker. Either way they’re out of the way of Hanzee and his warpath for the time being; only problem is Ed took a bullet on the way, and tells her “Peg… I don‘t think we‘re gonna make it.” She wants to fix everything, as Ed says, but some times things aren’t broken. They have a bit of down to earth conversation, even at such a rough and tumble time. But I can see why, Ed only wants to “get back” to what they had after being hauled into all this through the unstable actions of his wife. Will Hanzee find them, as they try and wait things out in the cooler?
At the Gerhardt ranch, Milligan and Kitchen find an old native woman cooking, obviously a housemaid for the Gerhardts. Then some lights pull up to the house, a car arrives. It’s Bear’s right-hand man Ricky G (Ryan O’Nan). He heads inside, ready to fleece the Gerhardts of anything he can take in a bag. But Milligan is still kicking around, and no one close to the Gerhardts is getting away too easy. A shotgun blast takes Ricky to meet his maker, staining the Gerhardt flag – suspiciously Nazi-esque – with a good deal of blood and gore. Nasty stuff.
Hanzee has found his way into the grocery store, the lights flickering and shadows everywhere. Ed and Peggy are still trying to survive. Then the door to the meat locker starts shaking. After the door won’t open, smoke starts seeping in through the fan near the ceiling. Hanzee sure knows how to track and hunt, that’s for sure. But Peggy starts remembering the movie she was watching, before Dodd untied himself, claiming it’s exactly like their own situation. Is she working towards something? Or is she wasting time? Ed’s gone unconscious in the meantime and Peggy can’t wake him up. With Hanzee right outside the door, buck knife in hand, how is Peggy going to escape? Knife sharpener against buck knife?
She pushes out the door and there is Lou Solverson, along with Ben Schmidt, guns drawn. Peggy is gone crazy. There’s no smoke or anything. Inside the cooler, Ed is seemingly dead. Yes, I think Peggy has finally lost it for good. Her husband is gone now, too. Even worse. For all her faults, I feel really bad for Peggy right now. I also feel bad for Lou, even Schmidt; Hank is in critical condition at the ICU, Schmidt’s boss is dead and gone, as well are a bunch more police officers due to the Sioux Falls Massacre.
Again, Noreen is reading Camus and The Myth of Sisyphus. Love all the philosophy worked into this season by Noah Hawley and the writers. Betsy is still in bed with Molly, Noreen watching over her. They have a bit of a morbid conversation on cancer and Betsy’s pain, though, she says there’s nothing bad yet. Best of all is how Betsy balks at the Camus philosophy, she has her own view on life. Excellent use of split-screen again, now with Betsy talking and her husband Lou riding along in his squad car, each in their own half of the screen. Nice, brief little bit.
Then we’re back to Peggy, in back of Lou’s car, musing on where she might like to serve her sentence. It’s amazing, though, how Peggy is fairly loopy, yet she can snap into being so sensible, practical, even if it’s still a bit crazy of her. I love her character and I think Kirsten Dunst has done such a wonderful job in the role, she was a great addition to this season. We get a nice conversation between Lou and Peggy, mostly as Lou tells her about being at war near the end; a sad story involving a helicopter pilot, and also a baby being dropped by his mother, but caught by a fellow soldier.
Peggy: “And when you can‘t they say it‘s you – you‘re faulty, like you‘re inferior somehow.”
Part of Lou plays into the Camus reference, and Sisyphus. Lou says protecting one’s family is like a a rock all men have to push. Lou, as it appears, is happy with pushing that rock. Part of the philosophy of Camus in regards to his reference of Sisyphus is that, instead of viewing Sisyphus as unhappy and tortured by pushing the rock constantly back up the hill each day, we must see him as happy, content with his lot in life, and as having embraced the absurdity of life. Therefore, Lou is like the ideal view of Sisyphus here.
In other news, Hanzee receives a new identity in the form of a Social Security Number and such. He also tells the man who brought it for him he needs a “face man“, in order to fix the damage, and possibly transform him into someone entirely new. Dent sees life as “kill and be killed“. He is still very ominous and very scary, I expected him to die but he did not at all. He becomes Moses Tripoli, leader of the Fargo mob in Season 1. Hanzee suggests facial reconstruction, and so now we know the past of Moses. Some say a bit of a stretch. Really? In the Fargo universe it’s perfect. Hanzee goes from an active, merciless killer, to a slovenly older man who dies like a punk later in life. Fitting end for a villain. Even further, the kids Hanzee heads to help out in the ball field last we see him are indeed the young Mr. Numbers and Mr. Wrench, as evidenced by the use of sign language. Amazing, amazing. I can’t say it enough.
Then, director Adam Arkin shows up as a head of the Kansas City racket, slick and bald-headed. Milligan is being congratulated slightly, and the new “oversight” is being explained. Now, the gangster Mike Milligan is being given his own office, a 9 to 5 job, and so on. He goes from street level thug, in the blood and guts, to a guy who has to start wearing pinstripes, cut his hear, and get right of the whole “cowboy thing“. He doesn’t seem happy about it all. But the boss explains it’s all about money, “ones and zeroes“. There is nothing else anymore. Officially, Milligan is out of his element and in an entirely new world: the future, apparently.
Hank Larsson, thankfully, is okay. He’s back welcomed at the Solverson home where Betsy and little Molly are happy to have him back. They get a congratulatory beer each and some nice family time happens, after all that mayhem. Then we finally have a brief mention of the spacecraft at the motel; very brief, but still there. Lou mentions he’ll obviously leave it out of the report, “in subtext” says Hank. Finally some smiles are infecting them all, and Hank gives a beautiful quote quickly, trying not to heavy things up too much. A great scene with three excellent actors, all of whom seem to have good chemistry together.
Moreover, Betsy brings up the room she found at Hank’s place – the one with all the alien related stuff. Hank fesses up after his wife died, depression set in. When he took time off, the senseless and violence of life started to get to him, which Hank describes as due to “miscommunication“. He became interested in the “universal language of symbols” because “pictures are clearer to my mind than words“. Hank says he was sort of making up his own language, in a way. It started from there then grew into an obsession. But his daughter loves him, his son-in-law obviously cares a good deal, and it doesn’t matter. He isn’t crazy, just a man with “good intentions“, how he puts it himself.
Fittingly, the season ends on Betsy and Lou in bed, coming to rest. A great and spectacular end after all the wild madness which preceded it. Loved this finale. I’m very excited that Fargo will, of course, be coming back next year for an additional season. Apparently it’ll be modern day, too. So a change of pace is always fun, as it was for this season going back into a kind of prequel. Noah Hawley and the entire team are amazing, this is one of the best shows on television as of late. Season 2, for me, is even better than the first, but that is NOT knocking the first season at all. They’re both incredible.
Stay tuned with me for other reviews, and I’ll see you back around Minnesota somewhere next year, don’t ya know!
Season 2, Episode 8: “Loplop”
Directed by Keith Gordon
Written by Bob DeLaurentis
* For a review of the previous episode, “Did You Do This? No, You Did It!” – click here
* For a review of the next episode, “The Castle” – click here
This episode begins with some nice tribal sounds with “Bashi Mwana” by Musi-O-Tunya playing. More split-screen montaging here, as we go back to the Blumquist house. Peggy (Kirsten Dunst) sits, head in her hands on the stairs. In the basement is a tied up Dodd (Jeffrey Donovan). Only Peggy seems to be hallucinating, seeing a man – who I’m assuming, because of his slight likeness, is meant to be Albert Camus; he’s listed in the credits as Albert – asking questions like “Do you understand the difference between thinking and being?“. Very strange yet sort of fitting. I mean, Peg is fairly nutty. First of all, look at the basement! She is a hoarder by the state of the place. Not to mention, she’s the one who snowballed all this into the mess it’s slowly, bloodily become. A real philosophical chat between the two. Until Ed (Jesse Plemons) shows up and shakes her out of it. Dodd is freaked out, I can’t blame him even if I don’t like him or care if he dies. I’m worried most of all for Ed, because having his wife go truly off the deep end is only more to add to the pile of shit that is his life.
Chief Hank Larsson (Ted Danson) along with Officer Lou Solverson (Patrick Wilson) find their way back to the Blumquist home discovering the dead man at the foot of the stairs. As well as another corpse further in. Poor Hank’s head injury from his previous run-in with the Gerhardt clan has him wheeled into an ambulance, after he valiantly tries to push on with his son-in-law: “This is just embarrassing,” he says being brought out on a stretcher. Hilarious moment they threw in.
Meanwhile, Hanzee Dent (Zahn McClarnon) is snooping around still. He finds a note from Constance, as well as her location at the Southnik Hotel. I’m waiting for something big to happen with Hanzee. Either he’s going to do some more crazy stuff, or else some sort of craziness is going to come for him.
The Blumquists are out on the road. Peggy seems happy, smile on her face and shouting stuff like: “See it then be it!“, and things like “We’re actualized” riffing off her little daydream with the armchair philosopher in her basement. Crazy lady. What I love about their situation is that I consistently find myself surprised by what they do. Even further, Dodd gives Ed a kick on the way out of the trunk, but Peg quickly jumps in with the cattle prod for him again prompting Dodd to almost bite his tongue in half. When they get him inside a little cabin in the woods, he talks pretty tough for a man tied to a post.
Now we’ve almost made it to the end of the previous episode, where Ed is at a payphone. There’s a cop snooping around outside at the gas station. Great score with a nice thumping brass sound to it, which comes out here and in other solid moments throughout many episodes. Jeff Russo does really interesting work on Fargo overall.
But the most interesting, and nasty, thing happening right now is Peggy stabbing Dodd a few times. She snaps him out of his rudeness, at least temporarily. All he needed was a couple stabs. Just goes to show how on the edge of craziness Peggy is. Dodd is certainly no one to care for, as I mentioned already. But how easily she sinks the knife into Dodd’s chest is kind of scary, an unsettling addition to her already twisted personality. And right afterwards, she serves him up a bit of food, feeding him like an infant. Having some herself, too. Such a weird scene, but a great one. Typical of what I’ve come to expect in this season. Some seem to think it’s quirky for the sake of being quirky. I disagree. To me it fits very well.
Hanzee ends up at a bar, outside of which is a plaque commemorating the slaughter of 22 Sioux Indians; underneath is a pile of shit, or possibly vomit, and piss. Inside he asks for a glass of water, and it comes back with spit in it, so he requests a tequila poured in front of him with the bartender quipping “Here you go chief“. Bad, bad attitudes. After some more idiocy from the guy, Hanzee shoots back referencing his service in Vietnam and says: “You’re welcome.” A confrontation outside with three other racists ends excellently with Hanzee immediately firing on two of them, the other running of, and then back he goes in to shoot the bartender in the heart. When the cops show up? He pulls an assault rifle out of his truck’s front seat and pops two of them off with single shots to the head. Is this the beginning of the end? Seems like Hanzee is either going to war for the Gerhardts, or going a little crazy.
In a romantic hotel room, Constance (Elizabeth Marvel) awaits someone else than who actually shows up. When she answers the door it’s Hanzee, and he does not look friendly. Eventually, we get a split-screen scene where Hanzee has Constance hostage calling Peggy – turns out the whole seminar thing was going to be some sort of lesbian love affair instead of much concentration on anything else, at least that’s what Constance had planned. Peg is obviously not leaving to head out there. But Hanzee just needs some information, he only wants to find out where they are. Constance tries so hard to get an address, however, it doesn’t work too well for the most part.
Peggy wastes away some time watching a WWII-themed film on television. She pays too much attention, though. After a few minutes she looks over and – surprise, surprise – Dodd is gone.
Cut to Ed in the payphone booth. He spies the name Mike Milligan (Bokeem Woodbine) in a newspaper sporting a headline about the big war going down between the Kansas City guys and the Gerhardts. Now, we’re finally at the previous episode’s close. Ed calls Milligan, alerting him to the situation. Only now we know more; that maybe he doesn’t exactly have Dodd anymore, or perhaps it’s not as cut and dry as it was earlier when Dodd was still tied up tight.
As Ed leaves the phone booth, we also catch glimpse of another newspaper piece: MANHUNT UNDERWAY FOR NATIVE, alongside a picture of Hanzee’s mean mug. And immediately after Ed ships off, Hanzee pulls into the gas station. He’s hunting Ed down right to the last, asking questions of the kindly cashier at the station with whom Ed had a pleasant little chat earlier. Luckily, this guy gets to live unlike a lot of the people who cross Hanzee’s path of destruction – he notices the paper too, then calls the cops. Is this going to result in a MASSIVE shitstorm? You betcha.
Milligan: “Sir – if I were to kiss you when we meet, would that be inappropriate?”
When Ed gets to the cabin, discovering Dodd gone, Peggy nowhere to be found, he walks in a little then immediately gets strung up by Dodd. Ed’s literally hung by the neck from a beam. Then Dodd goes on to talk about Ed and his “woman problem“. He’s a super chauvinistic sort who believes “Satan is a woman“. But once more Peggy proves to be a resourceful type of woman. Not only does she stab Dodd in the foot and break the knife’s handle off, she manages to cut down her purple husband and save his life. One of the more tense scenes yet this season, as I actually wondered if Ed was going to die or not. So, as much as I constantly say Peg is the cause of all their problems, she ends up doing a ton to help. Even if they ended up where they are mostly on account of her foolishness.
Then, out of nowhere, Hanzee breaks in. INSANITY!!!!!!! Instead of saving Dodd, Hanzee puts a bullet right in his forehead. All he wants is a haircut from Peggy, possibly to change his look and make the heat on him cool off. Real strange (and awesome) scene between the Blumquists and Hanzee, after Dodd is left dead on the floor. Such an interesting progression in the plot. How much worse will things get? Milligan isn’t going to get what was promised to him, so is that about to make more problems for Ed and Peggy?
And in the woods just outside the cabin, before Peggy can cut a single hair, Ed sees Hank and Lou. And Hanzee quickly pops a shot at them. Peggy stabs him in the shoulder, he dry clicks the gun in Ed’s face, and then the renegade Native is out the door. In burst Hank and Lou to find the Blumquists, arms raised.
WOW! I mean, how good can it get? The next episode “The Castle”, no doubt named for Kafka, is no doubt going to be something intense and wild. Only two more left now. Stay tuned with me, fellow fans!