A great film is marred by issues of race that confuse Benson and Moorhead's otherwise brilliant story.
Two men, who've been best friends for many years, discover a new relationship through a VR video game.
Not usually a fan of Marvel movies, this one thrilled me with exciting action & a surprisingly well-juggled ton of characters.
Triple 9. 2016. Directed by John Hillcoat. Screenplay by Matt Cook.
Starring Casey Afflec, Chiwetel Ejiofor, Anthony Mackie, Woody Harrelson, Aaron Paul, Kate Winslet, Gal Gadot, Norman Reedus, Teresa Palmer, Michael Kenneth Williams, Clifton Collins Jr, Michelle Ang, Terence Rosemore, Terri Abney, & Alexander Babara. Worldview Entertainment/Anonymous Content/MadRiver Pictures.
Rated 14A. 110 minutes.
Ever since I saw Ghosts… of the Civil Dead, director John Hillcoat was someone I found interesting. 17 years later, he made The Proposition, which is my personal favourite Western ever, and definitely one of the best contemporary Westerns of the past 20 years. Since then he pulled out a near perfect adaptation of Cormac McCarthy’s The Road and also did the solid, fun Prohibition dramatic thriller Lawless. He is an interesting talent as a director, whose talent lies in getting down to the nitty gritty of his subject matter, whether that be prison, the end of the world, Prohibition heroes, or even the law.
Which is where Triple 9 comes in. Tackling a lot of different subplots at once, this is a pretty solid crime movie. Although, there are definitely a few faults. For one, the usually wonderful Kate Winslet is present giving us a Russian-American accent that is once or twice solid, then for the rest of the picture a truly abysmal element. But even with the few missteps, the screenplay from newcomer-screenwriter Matt Cook is interesting, it is suspenseful, and above all the world of dirty cops feels impressively real. The terror of being in the midst of renegade lawmen is very real in Triple 9. A good cop flick for our current times.
A gang of corrupt cops and criminals including Michael Atwood (Chiwetel Ejiofor), Marcus Belmont (Anthony Mackie), Gabe Welch (Aaron Paul), Russell Welch (Norman Reedus), & Franco Rodriguez (Clifton Collins Jr) all find themselves indebted to the Russian mob. Particularly, because of Michael’s son with Elena Vlaslov (Gal Gadot), he’s stuck with her sister Irina (Kate Winslet), big time mobster, over his shoulder. After a bit of a botched heist, they’re expected to do one more job. A high stakes job, which will require them to pull a Triple Nine; code for when an officer is down. This will pull all units away, allowing others in the crew to infiltrate their target.
With a new cop in his precinct and as his partner, Marcus offers him up as the one to take down – Chris Allen (Casey Affleck). Only problem is that his uncle Jeffrey (Woody Harrelson) is a big name around the city in the Police Department. And with too many loose threads, a plan, no matter how good, is bound to go wrong somewhere down the line.
The action sequences are absolutely the film’s highlight. Right from the start, the opening robbery is super exciting. Especially after you see things going wrong for these guys, then figure out they’re cops. It’s a real whopper to start off the movie. Halfway through there’s a nice sequence where the police raid a Mexican gang and the action is stellar. Lots of great shots, very kinetic. On top of that, I love the film’s score from an awesome team including Bobby Krlic, Atticus Ross, Leopold Ross, and Claudia Sarne. A nice electronic, subtle score that bubbles and boils up, bouncing around just like the action. Fits things well.
The cinematography overall is fantastic, from action sequences to the lower key scenes in various locations, all framed so beautifully, so dark and vibrant. Cinematographer Nicolas Karakatsanis is a favourite of mine. He is responsible for the look of a top film in my books, Bullhead, as well as The Drop and recent horror Cub. His eye is good, and the texture of his camerawork is so rich. Whereas the action scenes are definitely best, some of the others where the camera is very still, exquisitely framed, fill out the other portions of the film in a nice tapestry that takes us from the dangerous streets to dingy strip clubs, secret meetings under overpasses, to alleys and crack houses, and everywhere in between. The whole movie is atmospheric. It has a dark tone, a deep moodiness about it, most of which comes from Karakatsanis and how he captures everything. As the film wears on and we hit the climax, the cinematography is much more personal, close-up, and it hones tight on everything. Whittling down much like the characters do in number.
For the most part, Cook’s screenplay is good. There’s a hole or two now and then, which is fine. Nobody’s ever made an objectively perfect movie, and even the greatest screenplays all have little messes in them. But best of all, the plot and story come together with all their various threads nicely. For a film that has a lot of focus in different directions, Cook manages to keep our attention in the right spots. Never does one subplot ever overtake the whole film’s main plot because the whole thing shifts from one act to the next until we’re left with the aftermath of these cops and their decisions. Things weave around quite a bit at times. Without spoiling anything, the cops find their plans don’t exactly work out as they’d hoped. And once things begin spinning out of control there’s no turning back – the plot will whisk you away towards a violent finale.
Triple 9 is able to stay so interesting despite its few flaws due in large part to the well rounded cast. Someone I’m huge on is Woody Harrelson, so to see him here in a nice little supporting role is great. Even his voice is fun, but the character itself is great; he is kind of sleazy, yet he’s one of the better of the lot. Just little bits make him so fun: meeting with a transsexual, played wonderfully by Michael K. Williams, and slapping her ass; picking a joint out of the garbage; snorting some drugs in the backseat of a cruiser.
Someone I love while not actually loving a whole of the movies he’s in is Anthony Mackie. I’m always rooting for him to get better roles. Here, he plays a dirty, dirty police officer. All the same, he’s not completely worthless, as his character’s at least partly conflicted sometimes. You can see him wanting to like Affleck’s character, they bond a little, and Mackie plays that role so right, with faint hesitation and plenty of emotion. On the other side is Casey Affleck, another actor I personally enjoy. He has this laid back sensibility about him, some take it as disaffected or boring, but to me it’s just his attitude. His behaviour works proper here because he’s supposed to feel apart from the other cops in the film; he’s sort of cocky, but not in a disingenuous way. Him and Mackie have nice chemistry together, as well as with Harrleson in their few scenes.
Aaron Paul is great, too. Part of his character is similar to Jesse Pinkman from Breaking Bad, but not the entirety. This character, Gabe, was a cop who fell off the track, like crazy. He’s a hardcore addict. And still, there’s a tiny drop of humanity in him. Paul is the perfect casting for this role because he’s able to be a dirtbag drug head and simultaneously play the character as sympathetic, honest, raw.
In addition to these solid performances, the cast is filled up with other great actors. Ejiofor gives an uncharacteristically menacing performance, proving he is not only a nice guy actor. In his brief performance, Reedus is, as usual, charismatic in his rough and rugged way. Clifton Collins Jr is another guy I always love seeing, and here he puts off his gangster cop persona just the right amount. And yes, Williams as Sweet Pea, the glamorous transsexual, is a welcomed addition even if he’s only onscreen for about a single minute. The cast makes this movie what it is. Kate Winslet adds nothing with her bad accent because she doesn’t feel menacing to me – not like Ejiofor, who strikes the right amount of scary bastard. But if it weren’t for the rest of these actors, Triple 9 would be highly mediocre crime-thriller fare.
Some reviews I’ve seen are unfair. This is definitely not one of the best crime-thrillers I’ve seen as of late. At the same time, this is still solid. The action is exciting, it will push your adrenaline in certain scenes. It is tense and rarely, if ever, lets up. Also, you have to admire some of the methods these criminals/cops use in their robberies. A few nice, innovative little pieces to add into the movie lexicon. Any decent movie about criminals, especially ones where the criminals are cops and ex-military, so on, is going to have some nice tidbits of criminal activity. For instance, just some of the small moments where they tried covering their tracks, even the fact they spoke Spanish during the first heist and those types of things were nice inclusions. One absolute positive – Hillcoat does a fine job directing here and offers up more with this feature than others will have you believe. Don’t expect the next Heat, but don’t write this off as mediocre. It’s better than that. For all its mistakes, Triple 9 is dark and engaging. Maybe in a day and age where dirty cops are all too prevalent in real life some don’t want for this type of movie. Doesn’t change the fact it’s enjoyable.
Avengers: Age of Ultron. 2015. Directed & Written by Joss Whedon; based on the Marvel comics by Jack Kirby & Stan Lee.
Starring Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, James Spader, Samuel L. Jackson, Don Cheadle, Aaron Taylor-Johnson, Elizabeth olsen, Paul Bettany, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Linda Cardellini, Stellan Skarsgård, Claudia Kim, Thomas Kretschmann, Andy Serkis, Julie Delpy, and Stan Lee. Marvel Studios. Rated PG. 141 minutes. Action/Adventure/Sci-Fi
I’ll start off by saying, for those might doubt my allegiance, when I was growing up I absolutely loved comics. For me, I was always a huge X-Men fan, not particularly a lover of The Avengers. But still, I’ve always been into comics and lots of the characters. Even Thor himself I’ve enjoyed, just never been big on Iron Man/Tony Stark or The Avengers team. Separately from the group, as individuals I do like a lot of the characters. For instance, I think the concepts behind both Hulk and Captain American SO INTERESTING – for Hulk it’s this incredible duality between man and the beast within, ever since Stevenson’s Strange Case of Dr Jekyll and Mr Hyde this has been explored and I think in the comics this pans out to something even more fun; in Cap’s case, I think that idea of the “perfect American”, that ultimate patriot, is another compelling idea because it entails everything we want to believe in soldiers, that we want them to be this perfect warrior and patriot yet underneath they are STILL human, just like Steve Rogers underneath all the Captain America experimentation.
So when I say that I’m not really huge on either of The Avengers films, maybe you can chalk that up to me not being a fan of them in general. However, I can absolutely admit when there’s a good film, whether or not I’m into the source material.
For me, I just don’t get enough heart. Not saying there’s no emotion, not at all; there is plenty. What I mean is that there feels like, beneath the CGI and the star powered cast, there is ultimately nothing much going on. While the action sequences are wild, the inner headspace of some characters get explored, but in the end there’s nothing hugely impressive to me which puts this above any other blockbuster in the summertime.
Avengers: Age of Ultron has a lot going on. This is one of my first real problems with the film. When I first sat down to see this, I knew it would be long, but when I learned it was near two and a half hours the urge to leave struck. But I’m not afraid of a long movie, there are plenty of films I enjoy that run well past two hours (The Deer Hunter, Apocalypse Now, & those are just the classic ones). It’s just that, personally I can’t see how a near two and a half hour movie is necessary. Sure, there are lots of characters in here – The Avengers alone are too many to flesh out in a regular length film – but is there really any need for such length?
There’s a great part to this movie, which is that we get to see more of who The Avengers themselves are, as individuals. That’s something I do love because like I said in the beginning, it’s most the characters individually I like rather than the team as a whole.
And still, I think there could’ve been about 20 minutes yanked out of this screenplay without really hurting any of the character development, or the plot for that matter. I get it – there’s tension between the team, between certain members, even within themselves. There’s just no world in which I can see myself agreeing with the need for a two and a half hour Marvel movie. The complexity is there to work with, no doubt. Not enough to justify the length, though.
My other big beef with these Marvel movies, this one especially seeing as how I’ve watched it recently, is the fact everything is so drenched in CGI. I absolutely understand that a lot of what happens in these comic book stories WILL NEED CGI. Totally understandable. In opposition, even if you don’t like Christopher Nolan’s Batman Begins, The Dark Knight, and The Dark Knight Rises, you have to at least give Nolan the benefit of agreeing that he attempted to use practical effects wherever possible. Even with The Dark Knight, you actually get to see Bale as Batman on the edge of an insanely tall building, and other shots such as this; of course it’s not ALL practical, not even close, but there’s still effort to try and ground SOME of the movie in a tangible world.
With Age of Ultron, there’s scene after scene of CGI madness, over and over. In between there are wonderful little scenes between actors, just straight up good writing/dialogue and story. Most of the time, however, Joss Whedon is just giving us a CGI show, everything is green-screened and any real, visceral emotion simply gets taken out of it. I think there’s definitely enough on the brainy sides of things – love the plot of this story Whedon gives us out of the comics – but to go with that there’s nothing here drawing me in, making me feel those emotions Whedon injects into his script, nothing hooking me other than “Wow that looked cool” or “Robot James Spader is wild”, or “LOOK AT ALL THOSE BUILDINGS AND CARS AND OTHER THINGS GETTING SMASHED”, or “Ooh pretty laser… ooh pretty laser… ooh pretty laser.”
I’m not saying I want the quote-unquote gritty version that everyone seems to crave after Nolan’s Batman. Frankly, I’m sick and tired of it all. Because in the end, so much of it is ultimately superheroes just flying around, beating each other up, with the tiniest bits of human drama and emotion peppered in for a scant flavour. That’s AWESOME if you’re a kid, or maybe if that’s your style – I don’t mean to knock you. For me, I need something more than Whedon and his Avengers seem capable of serving up.
While I don’t like this movie, not in the slightest really other than a casual admiration for the technical work and some of Joss Whedon’s screenplay, I’ll give it 2 out of 5 stars on those aspects alone. I cannot deny AT ALL that Age of Ultron is a technical marvel (see what I did there?). There’s a great deal of effort in so many areas which went into the making of this huge blockbuster film. I bet there are plenty, millions, of people out there who downright loved this! No doubt in my mind.
For me, and for others I’m sure, the amount of CGI smashing together and flashing all over the screen during most scenes throughout the enormously bloated runtime isn’t all that exciting. Visually there’s a feast of things to look at, but not a feast I’m starving for really. I like to see some interesting set pieces, costumes, effects as much as the next filmgoer. On the contrary, I like to see practical effects, and above all I like an emotional story that can entertain you with a bit of thoughtfulness while also sucking you into its intensity. Age of Ultron is, for me, too big and bright and it has no solid core. There are a TON of amazing actors here – I’m particularly a big fan of Mark Ruffalo and Paul Bettany – I just don’t think there’s enough time individually for any of them to make a real impressive impact.
See it and judge for yourself. I’m no one to listen to, surely. Objectively, I can’t agree that this is a great film. It’s mediocre at best, served up as near to the lowest common denominator of movies – a mindless bit of action. But whereas some action films get into you viscerally, put you right in the seat of the heroes matching up against the villains, there’s none of that here, in my opinion. Joss Whedon is a good writer and director, I’d rather see him take something else on other than his childhood love for comics. Might be great for some. Me? I’m worn out. As a lover of comics when I grew up, it’s still too saturated a market for me nowadays when it comes to superheroes, and it’s all the same as this: big, loud, flashing bright, but only to mask there’s nothing other than that to offer. Even further there’s the fact the Marvel movies always end the same way – heroes win, bad guys lose, another day they’ll find more bad guys to fight. You know from the get everyone will be alive at the end, no lives will be lost. Starting to get tedious, if you ask me. Maybe if the next Marvel film opts to kill off a big character, not for novelty but for a well-written reason in Whedon’s screenplay, then I’d be more inclined to take it in (this one doesn’t count because the ‘big’ character who dies in this one isn’t around long enough for me to or anyone to really care about).
Otherwise, it’s the same routine, over and over, where you don’t really have to ever worry because your favourites will ALL BE SAFE AND SOUND. No tears.