Legion – Chapter 4

FX’s Legion
Chapter 4
Directed by Larysa Kondracki
Written by Nathaniel Halpern

* For a recap & review of Chapter 3, click here.
* For a recap & review of Chapter 5, click here.
pic-1We open on Jemaine Clement playing Oliver Bird, husband of Dr. Melanie Bird (Jean Smart). He paraphrases Friedrich Nietzsche’s quote: “Under peaceful conditions, the warlike man attacks himself.” He speaks about the fear of the unknown, and violence as ignorance. Everything around him’s cold. Very, very cold. Then he mentions empathy v. fear in telling stories to children. Ought to remind us of David Haller (Dan Stevens) being told the story of that angry boy.
Back to present events. Syd Barrett (Rachel Keller), Ptonomy Wallace (Jeremie Harris), Dr. Bird, they’ve been sucked into the world of David, the one trapped in his head. There’s no telling if anything is real, at any point in time. At Summerland, Cary Loudermilk (Bill Irwin) tells them there’s no medical explanation for why David’s in a coma-like state now. Neither he nor Ptonomy can figure it out. He’s stuck between dreams and reality, somewhere. They’ve got to discover what happened to David before he wound up at Clockworks Hospital, what damaged him so bad.
pic-2Off they go, searching for answers. They go to the places where his memories took them. First, the office of Dr. Poole (Scott Lawrence). Ptonomy and Syd discuss what happened in David’s memories, the abnormal “tear” in the physical space where they experienced those moments. They find a recording device from the doctor’s sessions, beaten, bloody hand prints on it – using their powers, it comes back to life and tells them of a possibly brutal, violent crime. Poole was beaten horribly with savage force. But, did David actually do that? Or was it the dark entity, The Devil with the Yellow Eyes? Did he break into Poole’s office originally to steal things for drugs? Was it something else? We’ll see.
What did the stars say?”
Poor Amy Haller (Katie Aselton) is still being held captive, too. She’s not faring well, psychologically. Although she discovers there’s someone else nearby locked in a cell just like her: David’s former doctor at Clockworks. She laments not realising sooner there was something different about her brother, since he was young he moved from “room to room” and even further at times. He talked to people frequently, such as their dog King. Only they never had one.
Everyone around the man’s been affected. Amy is in a cell, alongside the doc. Meanwhile, Syd, Ptonomy, and Kerry Loudermilk (Amber Midthunder) are searching for the clues that will lead them to the answers. We get the story about the Loudermilks, or, well… the one Loudermilk. They share a body, Cary and Kerry. Two people in a single body, though the experience for each of them isn’t entirely identical, Kerry exists in a sort of spirit state while Cary is the more corporeal form on a regular basis; she comes out to play when necessary.
In her office, Dr. Bird has a vision of a person in an old school-type diver’s suit. She tells Cary of the incident, hoping it’s a sign David may be coming back to the land of the living. The guy in the suit is Oliver. His physical body is kept frozen in a chamber downstairs.

pic-7David, in one of his mindfuck landscapes, meets Oliver. Not really, he just gets a wave from the diving suit-clad dead guy. To follow him elsewhere. So, they head into the great unknown together, as David follows him to a ladder. Up, up, up. This leads to that place where first we saw Oliver, talking to us. That freezing place. There, Oliver sits for a drink and a chat with his new friend. “Whats real in this space is whatever you want it to be, so, my feeling is: why not wait in style?” he quips to David.
Bad news – David’s lost. Good news? Oliver has himself a bit of company. And someone to bounce beat poetry off when the mood strikes. They get to talking about David and his powers, the monster waiting for him around every corner. Now he’s intent on getting out of that cold place. He plunges back into the “vast subconscious” in order to make his way back to real life. If possible. Oliver certainly doesn’t assuage any fears, warning him things get tricky out there, outside of that protected place.
Ptonomy and Syd go to visit David’s ex-girlfriend. To scan her memories. They need to find more of his past, from wherever it comes. Back through a few of them, Ptonomy watches a dinner with the formerly happy couple and Dr. Poole. Then he finds traces of another memory within it: they know where Poole lives. Ah, and more comes to light! Lenny (Aubrey Plaza) was actually a drug pusher named Benny. Plus, the ex tells Syd and Ptonomy ominously: “Tell him theyre watching.”
Oh, my. So many questions. Implanted memories, hidden secrets.
What is real?
pic-8They track down Dr. Poole at a lighthouse, who’s reluctant to speak about David. Soon he tells them about the good and bad sides of his former patient. He says he’d actually like to see David again. Because he needs answers, after having his entire life ruined. Afterwards, they find themselves trapped by The Eye (Mackenzie Gray). Nothing is real. Armed men lay siege to the lighthouse. The trio run upstairs, but Kerry’s ready to take the offensive to their attackers. A fight breaks loose, where Kerry fights (and Cary goes through the motions back at Summerland), and we also see The Eye in action for the first time, he has his own powers. Unfortunately, Kerry’s taken down. But Syd, she touches The Eye with her bare hands. You know what THAT means!
Note: This is one of the best sequences of the series so far in these first four episodes. So powerful, exciting. Gives us awesome insight into the Cary-Kerry dynamic, as well.
David’s brought into another headspace with/by Lenny. She has things to talk about with him. She chastises him for going with Dr. Bird, ending up in Coma Land. He only wants the truth, even if she’s intent on her own designs. She riles him up into an angry, terrifying state.
Lenny: “Uncle Fiddly with the glasses and the angry girl inside him, they could be fingering you right now.”
Then suddenly, David is in the woods. He runs a truck off the road containing Syd and the others; he doesn’t realise there’s been a switcheroo. This starts up an awkward chase, as David urges Syd – The Eye – to run. When they switch back, The Eye puts a bullet into Kerry, sending Cary back at Summerland into a bleeding tailspin. Not so sure anymore that Lenny’s there to help David, not at all. Seeing as how she appears on his shoulder, while her hand looks suspiciously like one belonging to the Devil with the Yellow Eyes.


Another fascinating Chapter in Legion! Wow. Every one gets better visually than the last. I don’t doubt we’ll see the momentum charge forward in Chapter 5. Lots of weird and wild action afoot.

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Quarry – Season 1, Episode 4: “Seldom Realized”

Cinemax’s Quarry
Season 1, Episode 4: “Seldom Realized
Directed by Greg Yaitanes
Written by Michael D. Fuller & Graham Gordy

* For a review of the previous episode, “A Mouthful of Splinters” – click here
* For a review of the next episode, “Coffee Blues” – click here
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On the dirty floor of a bathroom, Suggs (Kurt Yaeger) strips off his clothes, covered partly in leeches hanging off his wounds. He manages to cut them free with his buck knife before having a little laugh. Like you would.
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Poor Mac (Logan Marshall-Green) is worried about the whole situation, after Joni (Jodi Balfour) spent time under the thumb of Suggs, who’s loose out there. Mac tells Karl (Edoardo Ballerini) over the phone that things need to get sorted, so he can go home. I love this part because we see Mac hiding out in a little motel, one with a dirty, closed pool. Yet he has a swim anyway; it’s in his bones, swimming. I wonder if we’ll see more on that because it’s obviously a big part of his life.
For now he tries to keep under the radar. To keep his wife safe, no matter their differences. A knock soon comes at their motel door. Joni readies a gun, just in case. Looks like it’s only housekeeping. Who can blame her? She was abducted, terrible things nearly happened to her. Things aren’t easy between the married couple, though. She cheated on him a bunch as he served in Vietnam; he returned the favour after getting home and discovering this fact. Mac’s involved with the Broker (Peter Mullan), doing bad things that got his buddy Arthur shot, stuff that Joni has no idea about. So the secrets between these two are thick enough to choke a horse. Plus, who knows what else Suggs will get up to now.
Speaking of the one-legged bastard, he’s made himself at home – in Mac and Joni’s house. He takes a shower, looks around. This is going to get ugly. Interestingly, Detective Tommy Olsen (Josh Randall) and his partner Detective Verne Ratliff (Happy Anderson) happen by the place. Tommy wants to talk with Joni, although after a couple knocks they get pulled away on a call. Fate almost pulled a good one.

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Life at the motel moves slowly. Mac talks about back in the day, Joni looks disillusioned with everything. They end up arguing a bit about starting a family. “Like you woulda made such a great fuckinmother, huh?” Mac spits at her before walking away. He winds up helping the motel owner, Harlowe (Bill Irwin), to try getting the pool back in working shape. At the same time a man in a nice car shows up, spooking Mac. Meanwhile, Suggs is posing as a Memphis detective looking for Joni at the newspaper where she works.
In the background at the motel, Olympic coverage plays. A swimmer named Spitz competes heartily. At the same time Mac hallucinates, seeing that Asian mask draped over the television; cutting to a vision of him in combat boots, falling in the water and reaching for the same Asian mask floating nearby. Then Joni gets back with beer, acting very unfair towards Mac by bringing up his military service. Seems that nowadays he has nobody on his side, not even her like it was first when he got home: “I needed you,” she tells him when he tells her that his men needed him (re: his 2nd tour of duty). There’s an in-depth look at how combat changes people. Particularly vicious combat, as it was during the war in Vietnam. He tries to explain it to her, about how swimming in a pool at home wasn’t comfortable for him while his “brothers” were over there, getting killed and brutalised. He also wanted to do something to make her proud.
Well, on her way for ice Joni bumps into the man in the nice car, the one who showed up the last time we saw the motel manager. He starts asking Joni questions, about where she and Mac are headed. Hmm. Back at the room – after getting a joint from a lady named Shaynie (Ariadne Joseph) – Joni gets high and relaxes a bit, remembering better days (“Mac nJoni nCheese“), before her husband cleans the wound on her back and patches it up again. They come together a bit, but Mac can’t face their harsher realities just yet. He heads to hang out with Harlowe again for a while.
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Suggs has a kid named Billy (Joshua Mikel) tracking down numbers for him; he’s trying to figure out where Joni called in sick from to keep tracking her. Tricky, tricky. And he’s cold blooded, too. Instead of paying his pal, he shoots him right between the eyes – there’s your service charge, ya bastard!
At the motel, Mac watches live on television as word from the Munich Olympics in ’72 comes on about the massacre perpetrated by Black September. Mac’s so desensitised he barely takes time to contemplate the implications of what’s happening. But he does have other things to worry about, such as: who’s driving that fancy car? He pokes around a bit before the guy notices. He asks Harlowe a bit about him, though nothing big comes of that. Then while the motel manager is running around doing a few things, unbeknown to him Suggs calls and finds out the location of Mac and Joni. They’re caught up arguing in the room. Gets fairly rough. “You have no fuckinidea about over there, you understand me? You have not a fucking clue,” Mac screams at her after she accuses him of banging Vietnamese prostitutes. Afterwards, she drops a bit of nastiness about him being “too busy killing women and children” to do anything else over there. His paranoia boils over when he runs to the fancy car man’s room and nearly tears the place apart, believing it’s somebody in cahoots with Suggs. What a doozy of a scene.
Finally ready to talk, Mac asks about Joni and Cliff. Simultaneously we see Suggs pulling up outside the motel. Just as Joni asks her husband about whether he killed Cliff, a knock at the door – it’s Suggs, who kills Harlowe before pistol whipping Mac brutally. An amazing, quick gunfight breaks out when Joni fires a bullet into Suggs’ face, skimming him. Then the woman Mac kept seeing around the motel steps in, putting another couple right in the bad dude to put him down; a headshot to be sure. Turns out the Broker’s had her sitting on the place. A great, unsuspecting choice. Love it. She tells the married couple to flee, and flee they do indeed.

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Back safely in their house Mac explains his relationship with the Broker, how Arthur got into business with him awfully fast. So, above all else, the truth comes out between he and Joni. I mean every last little morsel of honesty. He confesses to the murder of Cliff, her former lover. I wonder how this will ultimately affect their relationship going forward? Joni doesn’t appear overly surprised, though that doesn’t mean she’s happy, either. “How did this become our life?” she asks, exhausted by it all. Mac can only try and apologise, for everything. He’s a gentleman about it all. Offering to leave if she wants, explaining he’ll understand if she calls the police. But really, he wants them to move on. To live life and rekindle their love. Can they ever actually do that?
One thing’s for sure – for all that’s happened, Joni loves Mac. Let’s hope they can make it after all. Because you know there is a lot more struggle to come.
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Another spectacular episode. One of my favourites out of the quartet so far.
Next up is “Horla” and I’m excited to see more of the Broker, Buddy, Karl, and the crew.