Tagged Crimson and Clover

The Kettering Incident – Episode 4: “The Mill”

Foxtel’s The Kettering Incident
Episode 4: “The Mill”
Directed by Tony Krawitz
Written by Louise Fox

* For a review of Episode 3, “The Search” – click here
* For a review of Episode 5, “The Forest” – click here.
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With the body of Chloe Holloway found right underneath her father Max’s (Damien Garvey) nose at the mill, things are looking bleak for Kettering. Most certainly for Dr. Anna Macy (Elizabeth Debicki). Constable Fergus McFadden (Henry Nixon) and Detective Brian Dutch (Matthew Le Nevez) are on the scene. They go to let Max and Barb (Sacha Horler) know, as well as inform everybody, anybody who was at the big party recently in the woods needs to come in, get themselves cleared, help out.
Now the investigation is on, and I feel we’re about to start seeing more of that ugly underbelly of Kettering, Tasmania. Just you wait.
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You can see that Dt. Dutch is reticent towards Fergus. He doesn’t, obviously, reveal his dealings with Chloe, nor Dane Sullivan (Dylan Young). So we’ll eventually begin to discover more about Dutch. Surely his secrets will also start to unravel. Liza (Tilda Cobham-Hervey) tips the cops off to Chloe and Anna having a physical fight of some sort up in the forest. Here, we further discover Dutch is continually harbouring ill will towards his fellow lawman for his willingness to defend Anna, or at the very least give her the benefit of the doubt. And speaking of Dane, he’s devastated at home when he hears about Chloe on the radio. Terrible to see him impacted so deeply. They were clearly close.
Finally, Fergus has to take Anna in. Bit of questioning. He does so reluctantly, though Dutch is much more happy to do so. Back at the station, Anna reveals the drug “packets” that Chloe had on her that night. The discussion is getting a bit too close for the detective’s own comfort, so he veers the conversation elsewhere. Smart man. Bad man, too. At the same time, Roy (Anthony Phelan) shows up. He’s much more concerned about her now than last we saw them together. He doesn’t like that Anna’s being questioned. Begging further questions: who is Roy, really, as in who is he to the town, and what sort of secrets is he hiding? Most interesting is the almost hook up between Dutch and Anna, as he’s more threatened with the knowledge she has, that necklace she found.
A bombshell some may have seen coming – Gillian Baxter is a half-sister to Anna. Well, remember: Roy and Renae Baxter (Suzi Dougherty) had an affair. One thing leads to another, you’ve got two girls very close, close as sisters, but never officially. “Guess it wasnt something he was very proud of,” Anna says of her father’s little secret. But is that the only thing Roy is masking?

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Then there’s Renae, whose life has all but been obliterated by the disappearance of Gillian. She continues on trying her best. You can just see that sadness sitting right below her skin. In other news, everyone in Kettering is out to the bar, drinking. In mourning collectively. Liza and her mother Sharon sit together, even her ex Craig (Ben Oxenbould) shows up for a moment. A really awkward one. At the bar, Renae worries for Barb; now we know this is her sister, that’s their connection. Wow. Two kids that went missing in the same family tree. Sad. Tragic. However, I feel that Renae has a much different perspective, as we’ve already seen her interest in… otherworldly ideas.
Fergus goes over to talk with Dane. He wants to figure out more about Chloe, the drugs, and obviously this is the young man with whom he needs a chat. Eventually, Dane lets a bit slip. Yet the big fish is still swimming around. That’ll be a tougher bit of information to figure out for Constable McFadden.
Chloe has broken bones, a burn, possibly poisoned or completely blitzed on drugs. She died just after the witching hour. Some blunt force. Then Fergus notices the strange marks on her arm. The same type Anna had seen on the little boy at the hospital. Hmm. Curiouser and curiouser, down the rabbit hole.
The Holloway family is a fractured one. “Do you want a hug?” Max asks his son Adam (Brad Kannegiesser) out of the blue, feeling inadequate as a father because of his own boy finding solace in Craig’s arms after the body of Chloe was discovered. There’s a lot more to the family. Hopefully we’ll see more about Max come out in the coming episodes, maybe it’ll unravel some much needed backstory.
When Liza goes to see her father, Craig is surprisingly tender. At first, anyway. She needs a place to stay after Chloe’s death. Unfortunately, she’s on her own. And sadly it’s as if Craig actually cares more about her than Sharon does. Afterwards, Liza tries to go to her mother’s and only gets driven away into the darkening, ready-to-rain sky. So she only has sleeping in a car to which she can look forward. Hers is one of the more sad character arcs in the series, as she literally has no one else except for Chloe, and now she’s gone.


Renae goes to help and be with her sister Barb. They talk of death, grief, the “vampires” who feed off that sort of thing. “Theres nothing, theres just shit,” Barb explains to her sister. Like the fact Chloe is dead, headed for the grave is worse than never knowing where she is really. Not sure if that’s true, but she does make a good case.
When Anna listens to an old tape of her and Gillian singing, she finds her mother yelling, kicking her friend out. At this point we all know exactly why. That’s a heartbreaking kind of thing.
Simultaneously, Anna finds out more information re: the boy with the strange marks on him at the hospital. This leads her out into the forest to a lot of land where she soon comes across a bit ofa shanty house and its inhabitants. When she meets the boy Anna asks if he ever loses time, if he wakes up in strange places, all those things. The boy even says he wakes up at the Sullivan place, where the lights are. Then he leans in and tells Anna: “Theyre looking for you, you know.” She’s got a blood sample to boot.
Dutch and Fergus try figuring out more with the Holloways, to find out if there were any enemies, any family fights, threats to Max, et cetera. Their son makes a point to mention the “Greenie” group always poised to try making life hell for the mill. Max goes on to reveal the letters he received. Are these really the letters, or did Max replace them with others to suggest the environmentalists have a part in it? I’m inclined to believe there’s a little foul play.
Over the radio, Anna hears strange broadcasts as she gets further to Mother Sullivan’s place. She hears about a “military aircraft” and then other strange readings come up on her odometer. Adam Holloway also sees lights in the sky while he drives someplace else along the road before slamming into a bunch of trees off the side. Anna then hears “Crimson and Clover” hum through the radio. And horror strikes Adam at the same moment – a piece of wood he chainsaws away from his vehicle hits him in the eye, prompting him to slice a part of his thigh open. While he lies there a hooded figure appears above him, obscured slightly. Anna hears Adam’s cries from the trees and soon gets to him, as he bleeds out more onto the road. She strips her shirt to make a tourniquet. The doctor is a great one, that’s for sure. She ties off the wound, washes his eye out, but Adam soon passes out. This will be great, won’t it? Another Holloway in a terrible predicament and here she is, as usual, right in the midst of trouble. Luckily, Jens Jorgensson (Damon Gameau) comes along to help cart them out of the wilderness.

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In the hospital, Anna gets thanks from Barb. The grieving mother wants to know more, too. She wonders why Anna was curious about Chloe having nosebleeds, and this begins to play on Barb’s imagination. Right now it’s grief. Pretty soon it may be more, as the secrets and lies of Kettering, of which she is a part don’t forget, slowly come out, piece by piece.
Why are we being punished like this?” Barb asks her husband, as they stand over their wounded but alive son. He has no answers. Or does he? I’m starting to believe, more and more, that he has some devious skeletons hiding in his closet. Bigger ones that Barb and her affair with Dutch.
Not long later Max goes to see Roy, saying that somebody “knows what happened,” about what “theyve done.” He believes it’s Craig, though Roy isn’t so sure. What are they hiding together?
And Anna, she goes to see her mother Wendy (Sarah Wood); she’s deaf and blind, hasn’t moved in years sitting in a psychiatric nursing home. Been quite a long time certainly. Even a Mother’s Day card there despite Anna’s insistence she did not make it. Intriguing. Regardless, she talks briefly with her mother, even if the woman can’t hear. A whisper of ANNA comes out; from her mother, or something else we don’t know. Strange noises emanate from the hallway, from out the window. More than that we see Wendy isn’t as catatonic as she lets on. So eerie.
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What a fabulous episode! One of my favourites yet, and it continues the deepening mystery with each step of the way. Next episode is titled “The Forest” and I hope we’ll start finding further clues to lead us down the path.

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The Kettering Incident – Episode 1: “Anna”

Foxtel’s The Kettering Incident
Episode 1: “Anna”
Directed by Rowan Woods
Written by Victoria Madden

* For a review of Episode 2, “The Lights”, click here.
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In August of 2000 we find ourselves in Tasmania, in the midst of the Kettering Forest. Young anna (Maddison Brown) rides a bike with her friend Gillian into the trees, down a quiet path. Soon the forest emanates odd sounds, not quite human or animal. Followed by lights flickering around the woods. When Jillian disappears, Anna is left alone and calling out into the darkness.
Cut to the present day and things have changed a good deal. Dr. Anna Macy (Elizabeth Debicki) is drunk and laying against a dumpster in London. Whatever happened sixteen years previous obviously shattered her proper.
Love the opener, as well as the title sequence and theme. Excellently eerie, subtle. Excited to see what’s in store.


Anna’s life isn’t too organised. Someone named Tim Edwards (Nathan Lovejoy) calls, leaving messages and waiting for her to show up at some meal that likely won’t be happening. She writes in her journal about all sorts of details. I assume those are related to maybe losing time, or something similar, all tying into that event back in 2000. Either way, Anna is an interesting character. She struggles privately with what appears as addiction, though she’s also the type to ride a bike to work. And then she spends her day trying to help others instead of helping herself. There’s a patient in treatment to whom Anna feels especially drawn, a little blond girl; she buys her things, reads her books.
We watch Anna suffer a nosebleed out of nowhere. She gets her head checked then reveals she’s lost 7 hours. Ah, yes, the lost time. This starts to bring us back to 2000, the last time she lost any time that way. Later, she meets with Tim and gets some bad news, on several fronts. Especially when he produces some security footage; the kind she ought to watch privately.
Then Anna sees herself, walking into the hospital, tap dancing in the hallway. It shocks her. Everything is disoriented and she flashes back and forth to various events of her life.

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When Anna comes to again, she’s back in Tasmania. She has her passport, a board pass for a flight. A terrifying loss of time. All the way back home she is now lost in her own head and the place of all her old fears.
Out in a boat, Chloe Holloway (Sianoa Smit-McPhee) and Dane Sullivan (Dylan Young) are out meeting another boat crew for some drugs. They see lights on the horizon, curious ones. Then after they get the drugs, Chloe starts having a nosebleed.
Cut quick back to poor Anna. A man finds her stalled out in the middle of the road, acting strangely. He helps get her into the town of Kettering, the old stomping ground. As she stands in front of a place called the FOUR LEAF CLOVER, only the letters OVER blink on and off. Also, we begin to discover there’s lots of stuff going on concerning the Greenies, those dedicated to environmentalism, so that’s likely to play into the story and various plots in some way. Furthermore, Anna runs into people that know her, and the mood changes swiftly. She’s uncomfortable, thrown off. Some people are less than welcoming while others try their best to be nice, such as Chloe. “You got a bloody nerve cominback here,” one man says ominously before Anna runs out of the diner.
We find that her father Roy (Anthony Phelan) is retiring. Anna goes back to the home of her father where relics of her old life sit around every room. Roy’s surprised to see her. Not exactly thrilled, but not altogether unhappy, at all. They embrace, albeit awkwardly. There’s so much history in their family and I’m looking forward to seeing all those little secrets and dark nooks to come to light.
Barbara Holloway (Sacha Horler) and her husband Max (Damien Garvey) have their own troubles. Mostly him. He receives a troubling letter suggesting he’s done something awful. Of course his wife has no idea.
Roy goes to see Renae Baxter (Suzi Dougherty) to tell her about Anna coming home, apologising for the sudden arrival. For her part, Renae says she’s happy for him. Is the mother of Gillian, the one who went missing nearly two decades ago? If so, there’s more to rear its head yet.


Anna begins trying to piece together bits of the past, in order to help her present unify and become more stable. In the garage of her father’s place she looks through Missing Persons cases, some of which involve strange lights. We also see a newspaper clipping that possibly relates to her own incident – a man arrested over a missing teenager in Kettering, is this perhaps some of what makes the town feel strangely about Anna? Well, she has another fit of sorts, flashes of events and weird images.
She loses more time, waking up in bed. Chloe’s there to pick her up. Again we hear “Crimson and Clover” playing, which Anna says reminds her of her mother. Moreover, she also doesn’t like to have her picture taken. We’ll see more of that, no doubt. For now Anna finds that her car is no longer where she left it. Chloe soon reveals she’s also seen the lights around their town. She has a tattoo of a moth because they go towards the light; similar to a moth Anna recently envisioned during one of her episodes. Such intriguing little threads all setup to pull apart and together eventually.
Now we meet Dt. Brian Dutch (Matthew Le Nevez). He receives Anna about the stolen car. She then comes across another familiar face, Fergus McFadden (Henry Nixon). They’ve not seen each other in many, many years. Simultaneously, the car turns up. Except not in the way Anna may have hoped. The Greenies are out protesting and her car’s ended up in the midst of it all, burning to bits. Max Holloway is out there – I expect he’s a logger, or something similar. The police are trying to get things under control, though the whole thing is gone pretty wild.
There’s a dark side to Mr. Holloway. He’s gotten more letters than just that one. For some reason, he keeps them. Although they’re hidden away nicely. What lurks in his closet with all the skeletons? Bits and pieces of the story come together in nice, slow burning methods. The exposition doesn’t slap us in the face, and in this way keeps things interesting. Many are comparing this to Twin Peaks, but it isn’t at all. Maybe echoes at times, but overall completely different. Though honestly, the level of storytelling so far is on par.
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Max and Roy are close friends. The former acts strangely like a creep around his buddy’s daughter: “Remember me?” he asks eerily. But Anna’s off with a bottle of liquor, staring up into the sky. She meets up with Chloe afterwards, asking to be taken to where she those lights. Meanwhile, a man named Dominic Harrold (Neil Pigot) is tuning into radio frequencies, headphones on listening in the darkness. What’s he up to? Oh, and Dt. Dutch, he’s banging Mrs. Holloway. All those small town lives are heading for collision.
And Anna, she’s out with Chloe, taking drugs – not the smartest thing in her condition – and heading to where the lights were, supposedly. It mostly turns into a rave, which is what the place is anyway: a massive rave in the woods around a fire. Until Anna and Chloe wander out into the forest. Is this the beginning of an unfortunate event just like that one 16 years ago? The lights in the woods come out again. Anna watches as Chloe heads towards them. Just like Gillian. Just like before.
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Wow. What an intense opening episode. This one aired together, so I’m finishing the recap/review here. I’ll continue Episode 2 shortly, so stay tund with me. I’m loving the show already, even in the first hour. What great suspense, mystery, tension. All the ingredients for a great 8-episode series.