Hester finds out the truth about Arthur. Other dark secrets are finally revealed.
Mademoiselle Dianne remembers the day of the picnic, and has suspicions about Mrs. Appleyard's current intentions.
Secrets are revealed. A detective from Scotland Yard is being called. And more of Widow Appleyard's past is calling.
Irma is found at Hanging Rock. But the mystery of what happened to the others continues.
After seven days, the search for the missing girls is called off.
Foxtel’s The Kettering Incident
Episode 8: “The Homecoming”
Directed by Tony Krawitz
Written by Victoria Madden
* For a review of Episode 7, “Madness” – click here
Dr. Anna Macy (Elizabeth Debicki) is now a patient. She recognises the world around her, but continues having visions of Mother Sullivan’s Ridge, of Gillian Baxter in her red coat, of lights in the forest. The devious Dr. Fiona McKenzie (Kris McQuade) tells Anna she has lesions on her brain, and that her blood is changing. Just like her mother experienced. “I think I know who killed Chloe,” Anna tells the doctor. Although nothing she says is heeded. McKenzie reveals that someone or “something” tried running her off the road recently. She may not seem devious, but she is, certainly.
When Anna opens her little notebook, THEY’RE LOOKING FOR YOU is scrawled across it in bold lettering. Naturally, Anna’s breaking out of the hospital, not content with resting in bed while something strange and terrifying still lurks in their little Tasmanian town.
Can’t forget about Liza Grayson (Tilda Cobham-Hervey). She and Dane Sullivan (Dylan Young) were up at the ridge, last we saw them. She wallows in a big, dark hole below. Eventually, Dane is able to haul her out of a hole after searching all night to find her. “I think there are people down there,” she tells him in a state of shock. You can be sure with everything going on – secret tunnels below the ridge or not – you wouldn’t want to be around, now that state authorities are there, as well as Craig Grayson (Ben Oxenbould) and Max Holloway (Damien Garvey), and to a lesser extent Roy Macy (Anthony Phelan), trying to cover up whatever nastiness they buried there once upon a time.
Kettering, Tasmania is in a bad spot. Forget all the oddities, there’s a serious socioeconomic shift happening because of the quarantine. All sorts of work shut down, plus the mill’s being sold off. So the depth of what’s been going on becomes greater, simply for the human factor.
We start to see maybe Dr. McKenzie isn’t so bad after all. I guess she’s more so worried about Anna, and still in the dark as to anything Roy, for instance, might know. She further believes Roy is hiding something from his daughter.
Detective Brian Dutch (Matthew Le Nevez) and Constable Fergus McFadden (Henry Nixon) are still trying to get everything straight on their own heads. Fergus manages to actually impress Dutch, a little. He’s managed to figure out that Craig sent letters to Max, the threatening ones. Turns out he was trying to “teach him a lesson” for getting too close with the Greenies. I find it hard to believe Craig had anything to do with Chloe’s death, though. You can’t be sure. Not yet.
Renae Baxter (Suzi Dougherty) goes to her sister Barb Holloway’s (Sacha Horler) place. She lets her know that she’ll likely leave Kettering soon, what with her daughter never turning up and now Travis (Kevin MacIsaac) supposedly running away; except we know the difference in the latter. “I know my grief drives people away, no one can understand the pain,” says Renae. Then she reveals knowing about Barb and Dutch, even Chloe knew. Most of the town does, it seems. Yikes.
At home, Craig finds her daughter carving a moth tattoo into her arm. He’s also not pleased to know she has Chloe’s camera. Maybe I was wrong about him. He definitely has a temper. Just not so positive that correlates to murder.
Everyone is a bit on edge now. Anna’s looking for Dominic Harrold (Neil Pigot) and finds him dead, what looks like a gunshot to the face. Whatever’s happening, it is starting to get treacherous. She gathers up whatever information she can find in Dominic’s camper before heading off.
So Craig didn’t write those letters. It was his daughter. She freaks out on her father, Dutch, and Fergus. Following their altercation, Dutch notices strange markings on the girl’s shoulders. She almost has a strange strength. Afterwards, Dutch and Fergus flick through the pictures on Chloe’s camera. This leads to the detective confessing to his relationship with Barb; that’s where he was the night of Chloe’s death, having sex with her mother.
Anna has Dutch meet her. She tells him about Dominic’s death. She shows him the pictures of the Dyatlov Pass Incident-related deaths, a picture of a strange orb with markings like those over the skin of people in Kettering. Worse, Dutch reveals the murder weapon used on Chloe found in Anna’s car. “Someone‘s setting me up,” she tells Dutch. The detective further explains to Anna that her father Roy took money in the ’90s from a company dealing in radioactive waste.
Up at Harrold’s camper, Fergus and Dutch investigate. Turns out Fergus used to talk with the man about his own father’s disappearance, the tides; I suppose that’s why he’s always out kayaking in that one area. Could Fergus’ father still be somewhere out there? Maybe up at Mother Sullivan’s Ridge? Either way, they may be getting somewhere.
In a big warehouse owned by Amber Arrow Industries, source of that triangle we keep seeing, Anna makes her way illegally down into the bowels of the structure. There, she comes in contact with one of those spiked orbs, like from the picture Dominic had and the same type of one Jens Jorgenssen (Damon Gameau) was seen burying last episode. It sits behind a pane of glass, surrounded by little glowing orbs. She also finds Lofty Sullivan (Nathan Spencer), along with Jens. She confronts him about being David Owen, the fingerprint. A moment later Jens offers up some information. He found Chloe dead, so he moved her. In order to “protect” people; like himself and Anna, so Jens claims.
The mysteries deepen.
Jens, a.k.a David, shows Anna bits of what he studies. There are x-rays of lesions on the brain. Many more things. Then, Anna sees a woman she believes to be a grown up Gillian who disappears quickly. “I want to know who I am,” Anna explains desperately, but only gets more cryptic answers.
Meanwhile, Fergus finds a clue at Renae’s place: a lipstick. It was the last photo on Chloe’s camera the night of her death, laying in the grass. There’s a letter left behind signed by Renae, describing the pain and torture she suffered after the disappearance of Gillian.
Oh, my. “Chloe had to pay the price for you all,” writes Renae in her letter.
What I find most interesting is how there’s all this nasty business going on Kettering, and the death of Chloe in particular has dredged the swampy hearts of the residents, brought out the secrets, turned over many stones that might have gone un-turned otherwise. So while Chloe’s murder might have been this big mystery that felt connected to a larger mystery, it was a mere catalyst for all the dirt to be uncovered in their little town.
At Chloe’s funeral, the word gets out about Renae, even though Fergus and Dutch try keeping things quiet. When Barb finds out she nearly collapses, as one would. Then the constable and detective receive word of gunshots up on Mother Sullivan’s Ridge.
But still, the mystery of Gillian Baxter’s not been solved. Despite now understanding who killed Chloe, that old disappearance has yet to be figured out.
In the forest, Dutch takes a bullet from Dane. Surrounding them are a bunch of people with guns, including Adam Holloway. Up at the ridge, Jens is taking Anna down below. To find her answers. Amongst the dark Anna meets: herself. It is a frail, pale, emaciated version of herself. But her, nonetheless. Has someone been cloning up on the ridge? Lots of instances of doubles. Even Jens, a moment earlier, references the King’s lomatia, which is a self-cloning species of plant. The two moons in the sky.
However, does this mean Gillian’s still out there? Obviously Chloe died. But maybe the weird behaviour from Adam and others can explain the concept of clones wandering around Kettering.
Wow! I understood this was a mini-series, but now we need a second series. Come on! This was fucking brilliant. It kept me guessing until the very end, even while I had so many theories bouncing around my noodle. What a great instance of writing throughout, always keeping people on their toes.
Could the Greek goddess of duality, Nephele, have inspired parts of this series? Or maybe Lamia, the mistress of Zeus, whose grief and envy of others turned her into a literal child-eating demon (similar to what Renae has become)? There are plenty of ways to tie this into Greek mythology. At least we do know that the clones are roaming Kettering. So it’s now plausible how Jens could be David, among other mysteries. No wonder Anna can barely remember anything, as she’s been cloned, and the effects are untold.
Let’s hope there’s a second season. If not, that’s fine, too. I just dig that we were given eight amazing episodes. Anybody who finds themselves let down at the end, you should go back and look through everything that’s already been given. Plenty of clues to add up and lots of mysteries are unravelled through their information.
Foxtel’s The Kettering Incident
Episode 7: “Madness”
Directed by Tony Krawitz
Written by Victoria Madden
* For a review of Episode 6, “Roy” – click here
* For a review of Episode 8, “The Homecoming” – click here
Kettering, Tasmania has become a disaster area. The recent nasty shellfish has led to the discovery of toxic waste flooding into the water all over.
Simultaneously, Dr. Anna Macy (Elizabeth Debicki) is stuck in questioning with Constable Fergus McFadden (Henry Nixon) and Detective Brian Dutch (Matthew Le Nevez). Although she is not well. She slips into a daydream or a vision of sorts. They’re worried about her fingerprint up at Mother Sullivan’s Ridge, at the crime scene. Outside, Roy Macy (Anthony Phelan) tries to find out more information on what’s going on, as well as shows concern for his daughter for once. At the same time, Fergus is starting to see how Anna’s changed over the years: “She isn‘t the Anna I used to know,” he tells Dutch.
Anna’s all mixed up. Her mother is dead, she’s been hauled into questioning, everyone is suspicious of her for what happened to Gillian and now Chloe. There is too much going on in her head. But she forges on. She also doesn’t know about Dr. McKenzie flying off the road, either.
Out at the quarantine area they’re taking peoples blood, checking the water, starting to shut down the supply for the town. This means they’ve got to get up past the ridge. Ahhh.
At the mill, Max Holloway (Damien Garvey) is giving his employees the harsh news over the place being sold. Everyone’s out of a job. Then when his son Adam (Brad Kannegiesser) arrives, they have a bit of a scuff. I’m worried about the young man. He is having serious troubles after his time in the woods.
Dutch and Fergus keep on piecing together the murder of Chloe, the events surrounding it. They whittle down a number of people that don’t have an alibi for the night of Chloe’s death. They come down to a fingerprint of a man that supposedly died in ’98; a fingerprint on Chloe. That can’t be any good, can it?
There’s something quite wrong with Adam. He goes home and starts weirding out his mother Barb (Sacha Horler). He doesn’t speak, he only lurches toward her silently. That’s fucking unsettling, even if it isn’t sinister. He’s full of strange marks, moss growing from cuts in his skin.
Fergus keeps trying to nail Dutch, although Dane Sullivan (Dylan Young) isn’t keen on giving information. He’s getting cold feet. And that’s going to throw a wrench into the whole mix.
Anna searches for Dr. McKenzie at her office and lab. All she finds are pictures, a few reports. Then a tape concerning her mother Wendy made by the doctor – the doctor speaks about a “pathogen of unknown origin” among other things. When Anna puts her own blood under the microscope, it looks odd and gives her more to go on.
Craig Grayson (Ben Oxenbould) gets a visit from the State Health Authority working on the quarantine. They’ve requested to go up on Mother Sullivan’s Ridge. Now what’ll happen?
And what about Jens Jorgenssen (Damon Gameau) up in his high perch? He sees many things. Many people. I’d like to know what purpose he plays. It doesn’t frustrate me, the mystery. It intrigues me to no end. He knows there’s something different, or special about the forest out there. I’m eager to find out his secrets.
A confrontation between Fergus and Dutch occurs out in the woods after the former brings his accusations forward. Dutch plays it cool, but there’s no denying he has it in for the detective. So he should. The guy is out of control and a criminal. Worse than that they find themselves stranded on the road once their vehicle refuses to start. Overhead, a strange noise emanates from the sky and starts shaking everything underneath. Afterwards the engine starts fine. Strange, no? Oh, the things that go on in Kettering.
Jens chops a triangle into a tree. We’ve seen this before. Both in the visions of Anna, as well as the van Jens drives. The symbol is a curious one.
For whom or what is that symbol?
Renae Baxter (Suzi Dougherty) has the police come question her about the whereabouts of Travis (Kevin MacIsaac), still missing after being tied naked to a tree and left by himself. Dutch pockets a wallet from the shed before Fergus can have a look. Sneaky, sneaky.
That triangle turns up once more amongst the medical equipment and vials of blood at the quarantine. Curiouser and curiouser, Alice. That’s because Sandra (Katie Robertson) brings it all up to a clandestine meeting with Jens. Y’know, for his little experiments. Oh, my. The triangle is most likely a communication device for the drop offs. Been going on a long time, if so.
At the bar, Dutch questions a few of the old mill workers about Travis. They, of course, do not give up much. Only cocky statements about what they actually did.
The electrical anomalies are raging in Kettering. Lights are flickering everywhere. Some shut down. A tawny frogmouth perches looking into the darkness.
Dutch has weird dreams of night vision goggles before being woken up by Anna. Their relationship, tenuous as it may be, isn’t something I understand quite yet. Dutch maybe tries keeping her close to see what her deal is, but I still can’t tell for sure. She tells Dutch about being sick, possibly even “dying.” Again, they embrace. Dancing together, Roy and Renae listen to “Crimson and Clover” while Dutch and Anna get more physical.
Meanwhile, Barb takes a handful of pills in her daughter’s old bedroom before going to sleep. This is devastating. I hope she’s not doing herself in, even if that’s what it looks like. Max finds her and makes her throw the pills up, saving her. She blames herself for Chloe dying. It’s clear both Barb and Max need each other to keep surviving, despite all their own personal demons.
After sex, Dutch asks Anna about the night vision goggles. He can’t rid himself of those images. When Dutch gives up the info about a fingerprint from a scientist, the one who died in ’98, this seems to catch Anna’s attention intently.
Something we’ve seen before – Fergus out in kayak. This time, he sits above an aeroplane sunk to the ocean floor. A bit of an unnerving moment. I’m still waiting to figure out the connection, those broadcasts on the radio, and so on.
Anna tracks down Dominic Harrold (Neil Pigot) to find out about the scientist, David Owen. There’s “no chance” he is alive. What I enjoy most is that the infamously unsolved Dyatlov Pass Incident is brought into the plot (see here if you’ve not heard of it before). Dominic says that what happened to those people is the same fate which Owen met.
Grayson and Max are out near Mother Sullivan’s Ridge trying to determine how to deal with the State Health Authority. They find bubbling, nasty stuff seeping out of the ground. Craig thinks they should bury it further. However, I don’t think they appreciate the magnitude of whatever it is they’ve done all those years ago. When they stumble on the moss covered body of Travis, all bets are off.
Even though Dutch is a piece of shit, I still worry about him sometimes. Like when he decides going up on the ridge by himself is a good idea.
Out amongst the trees, Roy finds Jens. They struck a deal when toxic waste was piled into the ground out there. But I guess Jens wasn’t totally forthcoming about the effects. Still, the old man worries for his daughter, he doesn’t want her involved any further. He thinks about exposing Jens, what’s he doing up there making people ill and so forth. That would mean putting himself in the line of fire, as well.
Dutch discovers Max and Craig trying to deal with Travis’ body. They’ve uprooted him and haul his corpse off in a tarp, hoping to get it buried.
The new theory of Anna is that Jens is actually David Owen. She brings this to Fergus. Is it too crazy to be taken seriously? Anything’s possible after seeing this episode’s events. Well, Fergus comes back with Roy, who says he has something to show her.
In the farmhouse at Mother Sullivan’s Ridge, Dane and Liza (Tilda Cobham-Hervey) start hearing strange noises. They end up finding a room below the floor. Slipping down, Liza hears an echo of her voice come back when she calls out. An image in the dark looks similar to one of the visions from Anna’s daydream earlier.
Roy was, at one point, trying to help his daughter. At this point, he’s committing her to the psychiatric hospital where her mother was confined. Seems Dr. McKenzie is there, too. She’s a part of it.
Whaaat? Poor Anna. Although I saw that coming a mile away. Dirty bastard, that Roy.
This was a weird and wild, awesome episode. I’m very curious what the final episode of this fantastic mini-series holds for us.
What surprises will see in “The Homecoming” I wonder?