The Walking Dead – Season 3, Episode 13: “Arrow on the Doorpost”

AMC’s The Walking Dead
Season 3, Episode 13: “Arrow on the Doorpost”
Directed by David Boyd
Written by Ryan C. Coleman

* For a recap & review of the previous episode, “Clear” – click here
* For a recap & review of the next episode, “Prey” – click here
IMG_0084Daryl (Norman Reedus), Hershel (Scott Wilson), and Rick (Andrew Lincoln) head to Woodbury. The former sheriff and resident crossbow expert go in, as the old man waits outside; equipped with a sneaky weapon on his knee’s stump. Tricky stuff. At a dark, quiet barn, Rick meets the Governor (David Morrissey). They’ve got a table and chairs setup for a proper meeting.
But can these men meet face-to-face like two people who’ve not been trying to murder one another and their respective people for the past long while? Hard to tell.
IMG_0085The situation’s tense, at first. Slowly but surely both of the men relax. Weapons go down, even as the egos stay up. Hershel and Daryl are on edge outside, which doesn’t change as Milton (Dallas Roberts) reluctantly shows up alongside Andrea (Laurie Holden) and Caesar (Jose Pablo Cantillo). Inside, Andrea hears a quick quip about something happening to Maggie (Lauren Cohan) courtesy of her dear Phillip, though he tosses it off fast. No good. She shouldn’t be on his side in any way, regardless.
Back at the prison Glenn (Steven Yeun) tries keeping the place going and organised, while Merle (Michael Rooker) wants to ride in on the Governor, hard and heavy. Especially with Daryl out in the shit. Michonne (Danai Gurira) and Glenn want to stick around their makeshift home, and nobody’s really thrilled with Merle running his mouth.
Rick offers boundaries – the prison and Woodbury each take their portions of land where they’ll operate. Only the Governor wants “surrender” and doesn’t need or want a deal. Then they shoo Andrea outside, to speak alone. There’s even a bit of whiskey. Outside, Daryl and Milton butt heads a little, as Caesar laughs. They all kill walkers together, too. Like an exercise in bonding. Well, Andrea kills them instead of listening to the men have a pissing contest.
A bit of tension arises when Milton inquires about Hershel’s leg. He wants to see the stump, the amputation and such. For medical reasons. “I just met you, at least buy me a drink first,” Hershel says and laughs it away. Little does the nerdy dude know the old guy’s hiding that weapon in case shit goes sideways.
IMG_0087Hashing out their issues Rick and the Governor speak of choice – destroy it all, or find a way out? The former Sheriff Grimes won’t back down, and the eye-patched villain won’t be perceived as weak by his people in Woodbury. The Governor tells a story about his wife dying in a car crash, how quickly life changes. They have loss in common, if only one thing. They haven’t killed one another yet. That’s something at least.
Glenn continues taking charge at the prison. He finds Merle packing up to head out on the road, not wanting his brother out there without him. A fight breaks out. Surprising enough, Beth (Emily Kinney) is the one to break it up with a gunshot in the air.
The Governor tells Rick he wants Michonne. That’s the deal. He gets her and the whole thing “goes away.” Rick is left with a tough, dark choice to make, or not to make. Is selling his soul worth keeping his people at the prison safe? I don’t think so. Speaking of Michonne, she and Merle have their own talk. About sneaking into Woodbury, ending the fight for good. She has no time for him, though. She has faith in the new group who accepted her.
Since their capture Glenn and Maggie have been troubled. It was a traumatic thing, especially when Glenn felt he couldn’t protect her. He finally admits he made it about him, not her and what nearly happened at the hands of that horrible man. Then they sneak off to make love for the first time in so long.
IMG_0088At the table, Rick questions why the Governor would be so petty over a “vendetta” when he’s supposed to be the big saviour of it all. He isn’t sure to trust the man at his word. Offer is good for two days. What will Rick choose? The groups part ways, but soon they’ll meet again.
Woodbury is poised to kill the prison crew. The deal is bullshit, though the Governor still wants Michonne alive. What we see now is Milton diverging from the path his master is setting forth, so he has his own choices to make. As does Andrea. Although she’s kept at arm’s length and doesn’t know the terms of the deal.
Rick tells his people the Governor wants them dead: “Were going to war.” Afterwards, he tells Hershel the full truth about Michonne. The old guy doesn’t like the sound of it, not after she’s done so much for them all.
But right now, Rick doesn’t see any other way.
IMG_0089An intense yet somehow laid back episode at once. Great build up to the chaos that’s coming, starting with “Prey” up next.

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The Walking Dead – Season 3, Episode 12: “Clear”

AMC’s The Walking Dead
Season 3, Episode 12: “Clear”
Directed by Tricia Brock
Written by Scott M. Gimple

* For a recap & review of the previous episode, “I Ain’t A Judas” – click here
* For a recap & review of the next episode, “Arrow on the Doorpost” – click here
IMG_0069On the road, Rick (Andrew Lincoln) is with Carl (Chandler Riggs) and Michonne (Danai Gurira). They see someone on the road, somebody alive. But they choose not to stop. Carl doesn’t really understand, or he does and would rather not. Further up the road they find a bunch of smashed up cars, zombies inside, stuck under wrecks, and so on. The trio get stuck in the car, then they ‘re crowded by a horde of undead.
Rick shows his son a few tricks to get a car out of the mud, in case he ever finds himself in that situation by himself. The kid is a bit of a nag, though it isn’t for nought. Rick explains their “common interests” and that it’s all only temporary, as Michonne listens sitting in the car. The man from the road gets near, so they get going, leaving him calling to them in the road.
You can never be too careful. Each time is worse when Rick & Co. find other humans. Easier to avoid any new ones altogether.
IMG_0071They head into town and start looking for supplies. The armoury at Rick’s old station is cleaned out. Like, licked clean. Barely a single bullet rolling on the floor. They’ve got to figure out something else. Either that or they go up almost naked against the Governor (David Morrissey) and his army of men, women, and children at Woodbury.
The whole place is rough. Charred bodies and tanks of gasoline. Markings, warnings, mantras on the walls and arrows pointing along the sidewalks guiding a path. In the middle of town there are a number of obstacles setup, wooden poles fashioned into spikes, more warnings spray painted everywhere. Someone highly prepared, and maybe unstable, is camping out there, someplace.
From a rooftop someone fires at a walker, alerting the trio to his presence. He calls down and asks for them to drop their weapons and leave. Rather than that Rick fires, he and Carl hide, and Michonne, she makes her way up towards the roof flanking. The man, disguised in a helmet, comes after Rick then Carl drops him with a hard shot. Another bad ass Grimes in the family.
And who is the mystery man, covered in body armour? None other than Morgan (Lennie James). He’s booby trapped that section of town, including his hideout. Since last Rick saw him the guy’s gone crazy, that much is clear. The entire place is like a piece of tribal land, pitfalls and other nasty bits await. They make it through and put the unconscious Morgan in his apartment. Moreover, they find all the stuff from the armoury.
IMG_0076But Rick pities the guy who saved his life. His son isn’t around, that much is obvious; he turned. Morgan snapped somewhere along the way. The walls are covered in mad ramblings, as if the apartment is more a cell than a place to live. Remembering their past, what the guy’s done for him, Rick opts not to take all his things and leave. He wants to wait for Morgan to wake up. And so he isn’t a danger, they zip tie his hands and feet.
Poor Carl. Lots of people shit on him, and for a point when I first watched the series through as it aired I didn’t like his attitude. The more I watch, the more I realise he and other kids don’t get to be kids anymore. If you were a kid, no matter how serious the zombie threat, you wouldn’t just automatically become a ruthless killer of the undead. Not even after you’ve had to kill your own mom, either. Takes an adjustment. So what we see here, particularly after Carl looks at a map Morgan drew of the town – including their house, which is now BURNT OUT according to the drawing – is the loss of innocence, the loss of his childhood and his past. Not only is Lori dead, so are the memories of her, literally. The only memories of family which exist now for Carl Grimes is in his mind.
The kid and Michonne go off to find supplies, hopefully baby stuff. He tries to take too much responsibility while she is looking out for his best interests. Most of all, he’s trying to make that adjustment, he doesn’t want to be a helpless kid for others to save or take care of; this is a boy who wants to do his part. Even if he’s a bit stupid about it at times.
Back at the apartment, Morgan’s got a sneaky knife hidden under the bed and gets himself free. Rick fights him off trying to get through his psychosis. He gets stabbed for his trouble, but then Morgan begs to die. That’s fucking sad.
Rick: “You know me!”
Morgan: “I dont know anyone anymore!”
There’s a goodness we see here shine through more than ever in Rick. Despite everything, he still tries getting through to the crazy bastard. Once he holds up the walkie talkie Morgan remembers. He’s pissed Rick wasn’t there when he needed him.
IMG_0077Carl gets mouthy with Michonne, but she won’t quit. She’s determined to help him on his quest for whatever he needs. So they work together, using skateboard critters to distract zombies. When things don’t go as planned Carl lashes out. Then we see that snagged what he wanted – a picture of his family, with Lori, so that his sister will know her mother’s face. Plus, Michonne needed a multi-coloured cat statuette that looks hilariously awesome.
Then there’s Rick, who wants Morgan to come with them. Only the guy doesn’t want to go: “I have to clear,” he says, as if called to it by duty. He’s taking the death of his son, extrapolating, and then sort of letting the world rest all on his shoulders. Punishing himself, in a way. He wants to clear his mind.
The trio get back on the road again heading for home, some things for the baby, weapons, and a stab wound for Rick. More than that we find out he and Michonne have things in common; she used to see her dead boyfriend, just as he’s been seeing Lori. The start of a strong relationship, in many ways. On the road they see the man they left behind, now only a reanimated corpse
Rick (re: Michonne): “Everything okay with her?”
Carl: “I think she might be one of us
IMG_0083Love this episode, and love Morgan as a character! Very important to the series, then, now, again in the future.

The Walking Dead – Season 7, Episode 12: “Say Yes”

AMC’s The Walking Dead
Season 7, Episode 12: “Say Yes”
Directed by Greg Nicotero
Written by Matthew Negrete

* For a recap & review of the previous episode, “Hostiles and Calamities” – click here
* For a recap & review of the next episode, “Bury Me Here” – click here
Pic 1Rick (Andrew Lincoln) and Michonne (Danai Gurira) are a great team, both in intimate relationship terms and also on physical ass kicking (etc) terms. They’re out on the road, finding supplies, scavenging what and where they can.
Michonne: “We gonna win today?”
Rick: “Oh yeah
Although they don’t find much there’s a positivity in them that didn’t exist before. Then they come across a couple guys whacking golf balls, making away with their stuff. Afterwards, Michonne wants to go back to Alexandria after being gone two days already. But Rick wants to stay on the road a little longer.
Pic 2At home in Alexandria, Rosita (Christian Serratos) stitches up a cut while Tara (Alanna Masterson) tries convincing her things will turn out fine. Rosita doesn’t buy that, she feels like it’s a losing battle. And who knows? Maybe it is, for some of them.
In the meantime, Rick and Michonne keep searching in the wilds of the apocalypse. They come across a deer in the woods, but it runs off before they can kill it. They track it and find an old high school. There also a military man, with a military gun and a bit of ammo. More than that a crazy event went down some time ago on those same grounds. Perhaps there’s “serious” guns and ammo laying around elsewhere. They get up on top of the school and discover a field out back, a carnival setup. Tons of walkers, as well as guns, lying in wait. Then Rick and Michonne have a few laughs, from falling through a roof to shooting down cans on a carny’s attraction.
But when they go through the roof, they stumble onto a few pallets of wrapped food. Score!
Note: Nicotero slips in a nice Creepshow reference with the zombie in the CASH ONLY ticket booth.

Pic 5Rosita can’t let go of all the people dead. She blames it all on listening to Father Gabriel (Seth Gilliam). He doesn’t have much time for her chastising. I don’t feel that it’s fair she takes it out on him. He’s come a long way compared to many of those in the group, having done a 180-degree turn from who he was in the beginning; no longer a coward, now a noble man and one who does whatever he can in his power to help the people around him.
Gabriel: “Anythings possible until your heart stops beating
Over a little dinner, Michonne asks Rick about what next – after they kill Negan (Jeffrey Dean Morgan), take their world back. She believes they’ll have to put the world back into order then, once Negan’s rule is finished. She also thinks Rick is the man to do it. He’d rather be “reordering things together.” And she’s just fine with that.
More and more, Tara struggles with telling Rick about Oceanside, all those guns. A tough decision. Based on the greater good.
In the field behind the school, Rick and Michonne go about clearing a path through all the walkers. She takes the bulk of the walkers, as he commandeers a nearby car to help with their plan. When a military zombie’s gun starts firing, she hops into the trunk of the car while Rick hides up front, and the vehicle is swarmed by the dead. They manage to crawl out through a sunroof, which gives them a few moments to kill a few until the fence they’re inside caves. Further they’re backed up, then ingenuity strikes, as it does so often. They go about slicing and slashing and crushing more heads; the fucking Dream Team, baby! What an awesomely edited sequence, just quick cuts between each of them killing, one after another.
Out of nowhere, the deer. Rick spies it feeding on some grass. Before he can shoot it, a bunch of zombies move toward it. Not before he takes a spill and lands right in their midst. Michonne runs to him, as his gun clicks dry. Then she thinks they’ve eaten Rick. But it’s the deer. Thus begins a beastly round of killing by the ever excellent duo.


They collect a bunch of guns from the field, racking up a nice little collection, too. Then it’s on back to Alexandria. Poor Michonne’s been through a lot. I think it’s scared her, how devastating it’d be to lose Rick. She went through the emotions already in that moment. Then he admits to not sleeping lately, thinking of “everything we lost” such as Glenn, who saved him in the beginning and who he couldn’t save in the end. He reassures Michonne they’re going to fight Negan and his Saviors. He knows they’ll lose people, possibly even each other. “Even then itd be worth it,” he says. She doesn’t want to lose him. Although Rick makes clear they’re going to live from now on, not worry about just themselves, and that if he dies she’ll be the one to carry them all forward: “Its about our future.” A truly sweet, tender moment for them together.
Rick heads to see Jadis (Pollyanna McIntosh) with the guns – sixty-three, to be precise. She isn’t satisfied. They need more, about twice as much. A bit of haggling, then Jadis and Rick come to an agreement. Even if she and those garbage people are fucking weird as hell. I think they’ll prove to be helpful, ultimately.
Pic 10At Alexandria, Tara says she has something to tell Rick. Will she let on about Oceanside?
Meanwhile, Rosita is on a mission. She goes to Hilltop, to see Sasha (Sonequa Martin-Green). She wants her help: to kill Negan. Seems like everyone’s on the same page, some are just turning their pages to get there faster.
Sasha: “One conditionI get to take the shot.”


Whoa, man. I’m afraid one of them will get killed, though I’m simultaneously happy the women are taking charge. Not that I don’t feel Rick and Michonne have a good plan, they do. It’s simply nice to see a couple female characters taking the fight to Negan. He deserves it, and so much more!
Next up is “Bury Me Here” and I anticipate an intense chapter.

The Walking Dead – Season 7, Episode 9: “Rock in the Road”

AMC’s The Walking Dead
Season 7, Episode 9: “Rock in the Road”
Directed by Greg Nicotero
Written by Angela Kang

* For a recap & review of the previous episode, “Hearts Still Beating” – click here
* For a recap & review of the next episode, “New Best Friends” – click here
screen-shot-2017-02-13-at-1-46-30-amHere it is – the mid-season premiere!
Open on Alexandria. Father Gabriel (Seth Gilliam) stands on watch at the top of the gate, everything is dark. He passes time reading the Bible. But it’s getting harder to read, you can tell by the look on his face. Soon he goes back to one of the houses, starts piling canned food into a box and looking through the inventory, most of which is going to The Saviors. He packs what he can into a car, gasses up, then heads out into the night.
Is he bringing things to them? No, I think he wants to hide things from them. That could turn things awful tricky.
screen-shot-2017-02-13-at-1-49-37-amBack at Hilltop things aren’t so easy, either. Gregory (Xander Berkeley) argues with Rick Grimes (Andrew Lincoln) and his people, he isn’t so convinced the group can do what they say and take out Negan (Jeffrey Dean Morgan) or his Saviors. Maggie (Lauren Cohan), Tara (Alanna Masterson), and the rest try convincing Gregory, but he’s simply not buying it. “Youre either with us or you aint,” Daryl (Norman Reedus) reminds him.
After they’ve gotten nowhere with the fearful leader, Enid (Katelyn Nacon) brings a few people to speak with Rick and the group. One woman named Bertie (Karen Ceesay) tells Maggie that they’re willing to fight, long as they’re shown how to fight and defend themselves properly. This is a good turn of events, they don’t need Gregory when the people at Hilltop are ready to be part of the resistance. Jesus (Tom Payne) also says it’s time that the gang meets King Ezekiel (Khary Payton). Yes!
They go to the Kingdom – Jesus, Rick, Daryl, as well as Michonne (Danai Gurira), Carl (Chandler Riggs), Tara, Rosita (Christian Serratos) and Sasha (Sonequa Martin-Green). And there they meet a couple guys on horses, one of whom is Richard (Karl Makinen).
It’s amazing to see Rick and the group when they witness the Kingdom. Even better once Morgan (Lennie James) strolls out to see greet them. He tells Rick and Daryl about Carol (Melissa McBride) wanting to be left alone, too. Afterwards they meet the King and Shiva, and it’s a big of a culture shock. Although Rick jumps on in for a chat. He brings up The Saviors, wanting to band together and bring them down. Everybody discusses Negan, his brutality, why he must be stopped. Jesus also chimes in to say that he once thought their deal was something they could all “live with” but that’s all quickly, horribly changed. On top of that we already know Richard doesn’t like The Saviors, he’s on board to get shit done.
Ezekiel: “And what plans have you, Rick Grimes of Alexandria?”
What comes out is Rick talks about his mother telling him a story when he was a boy, about a road to a kingdom. A little girl and her family went along the road, losing all they had after their wagon hit a rock in the road. The girl, determined never to let the rock hurt another, dug at it until eventually finding a bag of gold. Negan is the rock in the road, and if they’re able to dig him out then at the end of the line is their gold: a world at peace.


Out on his own, Benjamin (Logan Miller) runs into a gun-toting Carol. They talk about general badassery. They also talk about Ezekiel, a little. In this brief exchange, Benjamin instils a tiny smidgen of hope in Carol, somewhere deep down. The fact that this young man still holds hope for mankind, wanting to help others, it sort of goes against everything she’s started believing about the new world.
I love that we get a guy like King Ezekiel, too. Because for so long we went from either Rick’s group and their various people, some good and some bad in the end, then there’s The Governor, all those battles, and then it was Terminus, and so on. Once Negan turned it up you start to wonder, if you haven’t read the comics like many of us, if only the big baddies are kicking around. Finally, we get a guy who’s pure, or at least his intentions are of the purest sort. A little later Benjamin actually becomes the voice of reason for the King, in regards to helping the people of Alexandria: “My dad always said that if youre asked to be the hero, be a hero.”
We find out that Ezekiel has regrets about once sending some of his people into battle, which yielded many dead, many children orphaned. So this is part of why he’s so altruistic at this point in time. He wants to right his wrongs. But Rick has been there, as well. We’ve seen all that. He has demons, he also isn’t a total saint. In the end, Ezekiel won’t agree to help, though offers Daryl asylum from The Saviors. Hmm. Something needs to happen to change the King’s mind. Richard’s on the side of Rick and his friends. That’s not enough. At the moment Daryl’s left at the Kingdom with Rick asking him to try his best on swaying Ezekiel.
screen-shot-2017-02-13-at-2-19-34-amOver the radio Negan’s voice is heard eulogising Fat Joey. Meanwhile, Rick and Co head onto the highway where they find a bunch of cars blocking the way. They move them with their vehicle while Michonne keeps her eye on the horizon; she spots a strange device. It’s a rope across the road rigged to an explosive device. Now, they’ve got to disarm the thing. Rosita has her hands into the trap’s inner workings, as they hear Negan call out over the radio for men to go searching for Daryl. Following that, Rosita gets the main component of the trap disarmed, and they all go about carefully unwrapping the dynamite and other explosives, watching the road for Saviors or walkers.
And sooner than later the undead come shambling from a distance. The group packs up what explosives are in good condition, scrambling to put the cars back in place on the road. A massive horde of zombies works its way up the highway faster than expected, forcing Michonne and Rick into a quick plan.
We get one of the coolest zombie killing scenes EVER, as Michonne and Rick use the wire between the cars from the trap to clothesline tons and tons of the walkers before climbing in with the rest of the crew and scooting to safety. Behind them an explosion goes off blasting more meat into the sky.
Michonne: “Were the ones who live


Once Rick makes it back to Alexandria they’re greeted by a Saviors convoy. Simon (Steven Ogg) arrives, coy as ever. They’re trying to find Daryl, of course. Simon wants to search the entire place and they go about their business, all the while trashing everything like pigs. The Saviors also come across the empty shelves in the storage garage, the stuff we saw Father Gabriel take in the opener. But they don’t care, not until pickup day. When the group is left on their own again people believe Gabriel ran off with their supplies. But what’s the truth? Rick, Tara, some of them don’t believe he’d do that to them.
Turns out they were left a message: BOAT. Mysterious how he knew where Aaron (Ross Marquand) and Rick had gone. So, another journey is at hand. When the crew make out for the boat on the lake they find footprints. They follow them to an old factory in a field where they encounter people with guns, many others with weapons; MANY.
But Rick smiles in the face of it all. Literally. A big shit-eating grin. Is it a ‘bring it on’ smile, or a ‘these people can help us’ grin?screen-shot-2017-02-13-at-2-41-24-amA great mid-season opener after the break. So many things to look forward to, and lots of character development going on, especially when we get a conversation between Aaron and his partner Eric (Jordan Woods-Robinson). We see that everyone has issues, everyone has worries. This will only continue in the next episode “New Best Friends” and I’m excited.

The Walking Dead – Season 6, Episode 12: “Not Tomorrow Yet”

AMC’s The Walking Dead
Season 6, Episode 12: “Not Tomorrow Yet”
Directed by Greg Nicotero
Written by Seth Hoffman

* For a review of the previous episode, “Knots Untie” – click here
* For a review of the next episode, “The Same Boat” – click here


This episode begins with Carol (Melissa McBride) in the civilized society of Hilltop, getting food ready, looking through what food they’ve already got on hand. In the woods, she keeps her killing game strong. When she sprays herself with blood – no worries, there’s a bunch of fresh shirts at home. She brings some cookies to Tobin (Jason Douglas) made from beet and acorn: “Theyre amazing,” he tells her after being coaxed into one.In pulls Rick (Andrew Lincoln), Michonne (Danai Gurira), and the others. When Carol asks what’s happening, Rick only tells her: “Were gonna have to fight.”
Out comes Morgan (Lennie James). He and Carol have a chat about what he did, re: the last Wolf. She’s obviously more concerned about what Rick said than anything. The time for baking cookies is over.
Screen Shot 2016-03-07 at 9.05.03 PM
Rick holds an Alexandria town meeting. He lays out the problem with The Saviors, including their run-in with Sasha (Sonequa Martin-Green), Abraham (Michael Cudlitz), and Daryl (Norman Reedus). Along with him is Jesus (Tom Payne). Rick talks about the deal, the food they’d receive. Nobody seems to object. Yet Morgan alone stands up and asks if Rick is “sure” whether or not they can beat this Negan and The Saviors. Democracy prevails, as Rick says it’s everyone’s choice. Aaron (Ross Marquand) says he’ll do whatever it takes to prevent another massacre in their town.
Carol sits alone with a book she keeps. Recorded with how many people she’s killed; she circles the number 18. We’re starting to see the other side of Carol we’ve not seen in a long time. One who is remorseful and pensive. Carol talks with Tobin who believes her strength comes from being a mother, taking care of others and capable of doing anything necessary; things he says “terrify” him. He cares for her, and they share a kiss.


Rick: “We kill them all
Screen Shot 2016-03-07 at 9.06.17 PMScreen Shot 2016-03-07 at 9.07.00 PM
Abraham and Rosita (Christian Serratos) argue, as he walks out on her. Harshly, he ends their relationship; clearly in love with Sasha. So sad Abraham handled it this way. Meanwhile, Tara (Alanna Masterson) says the three magic words to Dr. Denise Cloyd (Merrit Wever), and they’re simply afraid to lose each other with the upcoming journey and mission towards Negan.
At the same time, Glenn (Steven Yeun), Maggie (Lauren Cohan), Daryl and Rick get a map drawn for them into Savior territory. The plan is set. Or is it?
With the group out on the road, little groups are splitting up to canvas the area. Rosita and Carol have a chat about the Wolf situation. But we know Rosita has other issues happening. Glenn and Heat (Corey Hawkins) talk about “killing someone“, getting more of the sense of how humanity changes the further people get into the zombie apocalypse.
Soon, Rick outlines what they’re about to do, and they agree to just have a look, check things out. If things look ripe for the taking, they go: “This is how we eat,” says Rick. To the side, Carol tells Rick that Maggie ought not be out there with them; at all. Probably a good point, Carol.
The plan involves bringing The Saviors the head of Gregory. They find a proper walker head, which Rick has to punch a good deal to make look appropriate. Then they’re off. We get a glimpse of The Saviors. Creepy, intimidating dudes. That is until Daryl slits one of their throats, and the operation really gets underway.


The savagery of this episode is incredible. Between the macabre Johny Depp-mold they used for  one of the fake Gregory heads, to the sequence where Rick and the others bust into the territory of The Saviors – tons of knives to the head. Everything is gruesome, yet so much is offscreen horror. Brutal and vicious, but not in the sense of showing everything. Worst of all is seeing Glenn first put a knife through a guy’s head, the look on his face is devastating. But like the man he is, prevents Heath from having to do the same, and takes another one for the team.
Abraham and Sasha get ambushed by a man. They kill him, but not before he throws the switch to an alarm. Out on watch, Carol refuses to let Maggie go and help; is this a different side of Carol emerging? One dedicated to life?
Inside the complex a gun battle erupts. Rick and his crew fight for their lives. Blood and bone flies. People are shot, stabbed, beaten to death. Corpses litter the corridors, blood stains everything.
In Alexandria, Morgan is busy building what looks like a cage. Is he going to do what was done to him? Will he try putting Rick in there? Or is possibly for Negan, intended to be a better alternative to murder? We’ll see.
Once the smoke clears, Michonne wonders “which one was Negan” and Rick sort of shrugs. One last person a motorcycle clues the group into someone watching, talking on a radio. And they’ve got Carol. Maggie, too.


The next episode, “The Same Boat”, is bound to be exciting. There could be some trobles ahead. Some very terrifying troubles at that.

The Walking Dead – Season 6, Episode 11: “Knots Untie”

AMC’s The Walking Dead
Season 6, Episode 11: “Knots Untie”
Directed by Michael E. Satrazemis
Written by Matthew Negrete & Channing Powell

* For a review of the previous episode, “The Next World” – click here
* For a review of the next episode, “Not Tomorrow Yet” – click here


Abraham (Michael Cudlitz) and Sasha (Sonequa Martin-Green) give us a bit of enjoyable banter to start this new episode. Their relationship is a whole lot of fun, two very different yet like-minded individuals. A new watch post is starting, with Eugene (Josh McDermitt) taking Sasha’s place alongside Abraham. He doesn’t appear to want that at all. Then we cut to him waking up next to Rosita (Christian Serratos). Everything with the zombies going on, and then they’re all still dealing with real life issues from before: love, relationships, jealousy, falling out of love. The zombie apocalypse makes life shit, but even worse is the fact that humans are the worst part about it all, deep down.
In the garden, Maggie (Lauren Cohan) and Glenn (Steven Yeun) do some gardening. They’re hoping crops will grow. Meanwhile, there’s a panic on the street.
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Cut to Jesus (Tom Payne) sitting on the steps outside Rick and Michonne’s (Andrew Lincoln/Danai Gurira) room. Then Carl (Chandler Riggs) pulls a gun on him. The kid also learns about his “mom and dad” hooking up. Uh oh. Well, everyone shows up now, Rick shirtless, Michonne, Daryl (Norman Reedus) and the rest arrive.
We find out now that Jesus is from a settlement. They grow crops, and they’re a lot like Rick’s group. Turns out they trade… with other people.
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Jesus: “Your worlds about to get a whole lot bigger
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Preparing to head out and see what Jesus has to offer, Rick tells Carl about him and Michonne, that he would have said something regardless, only it literally “just happened” that night. But Carl’s fine, like any understanding young fella.
On the ride out, Abraham asks Glenn, roundabout, whether or not him and Maggie were intending to make babies. Glenn tells him: “Were trying to build something.” Along the road, the crew find an overturned car, zombified corpses already hanging out the side, screaming. Rick immediately holds Jesus at gunpoint. Nobody is playing around at this point, not in any given situation. They’re always on guard. Although, Jesus looks worried for his people; Maggie stays behind holding a gun on him, hands tied behind his back, as the others investigate further inside a nearby building.
Inside, Rick, Abraham, Glenn, Daryl and Michonne find several people who they help out and into the R.V. The people have medication which they’re bringing back. One of them happens to be a doctor. This group also has their sad stories. Soon enough, though, Jesus brings them to their community: Hilltop. The perimeter is lined by large wooden posts, almost like an old pre-18th century settlement. Very cool.
Except at the gates, those guarding it get antsy about Rick’s group having weapons. Jesus calms the situation. Even convinces Rick to trust them, allowing them to keep their weapons rather than giving them over. Inside, it’s very much like a 1700s settlement, with a few modern touches. Supplies from a power company made things a little easier. Barrington House sits in the middle of it all, a historic house preserved, which they built Hilltop around. They’ve also got trailers on the land. We meet Gregory (Xander Berkeley), the boss of the whole operation. He tells them to wash up, then they’ll meet. On the way to get clean, Rick tells Maggie to go first then talk with Gregory – when she asks why, he advises: “I shouldnt.”


When Maggie does meet with Gregory, he talks about the museum, the historic site of the house. She grills him about how they’ve managed to survive. Jesus told Gregory about the group’s situation. Gregory comes on a little too strong, treating her like she’s got nothing to offer. Unfortunately, it seems like Gregory doesn’t want what they’re offering – mostly ammunition.
Jesus hopes to help the group. He wants “a few days“, which they agree to.
Then there’s problems with Negan. Gregory’s people come back, without a couple friends. Then one of them stabs Gregory. Hell breaks loose. Daryl breaks an arm. Abraham is almost choked to death. Rick has a knife to is throat, but manages to stab the guy holding it through his neck. More guns are drawn on Rick. Yet Jesus diffuses the situation.
Later Rick asks more about Negan – head of “The Saviors” and a nasty dude. Appears there’s no messing with Negan, a man who beat a 16-year-old kid to death in front of Jesus and their group, to make them “understand” immediately. Hilltop is forced to give half of their supplies (et cetera) over to Negan. Daryl is more than willing to go find and kill Negan, after meeting some of those bikers on the road. If done, Jesus agrees they’ll strike an agreement with their group.
In his bed, Gregory calls for Maggie. She tries to convince him they’re fit to do the job on Negan. He isn’t so hot on making a deal with them. But Maggie stress they’re “willing to work for it” and Gregory finally decides to go for it. She wants half, though, which Gregory wasn’t prepared to hear. She’s got him figured out.


Gregory: “You want anything else? Kidney, maybe?”
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Rick and the others seem to be taking this lightly. They feel invincible, almost. They’re willing to go up against a man about whom they’ve got no idea. Anyone who’s read the comics is aware. For those uninitiated, Negan is a terrifying individual. Michonne knows “its gonna be a fight” – Rick assuages her doubts: “Well win,” he tells her.
At the same time, Maggie and Glenn have Dr. Carson (R. Keith Harris) do an ultrasound. They see their baby for the first time. A rare gift in the post-zombie world. Everyone gets a glimpse as it’s passed around the R.V. There’s a certain light in Abraham’s eyes, looking to Glenn in understanding now.
Everyone drives off into the sunset. But rest assured, their world will not be sunny much longer. The approach of Jeffrey Dean Morgan as Negan is coming. And there will be blood, no doubt. Plenty.
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Next episode up, getting closer and closer to the end of the 6th season, is titled “Not Tomorrow Yet” and I cannot wait.

The Walking Dead – Season 6, Episode 10: “The Next World”

AMC’s The Walking Dead
Season 6, Episode 10: “The Next World”
Directed by Kari Scogland
Written by Angela Kang & Corey Reed

* For a review of the previous episode, “No Way Out” – click here
* For a review of the next episode, “Knots Untie”  – click here
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This episode begins with everything settled in Alexandria. Rick Grimes (Andrew Lincoln) and Michonne (Danai Gurira) are getting ready for the day. Carl (Chandler Riggs) is up on his feet, bandage over the new hole in his right eye. Outside, Daryl Dixon (Norman Reedus) is preparing for a run, while Dr. Denise Cloyd (Merritt Wever) asks him to pick up a few things.
Off go Daryl and Rick, as they hit the road in a nice car. “Todays the day,” says Rick. They’re going to find food, maybe people, too. For his part, Daryl isn’t so sure finding people is a great thing. For now Rick throws on a bit of Ronnie Dee and they travel.


Daryl and Rick go to look at an agricultural depot that Eugene (Josh McDermitt) marked on the map for them. The “law of averages” works out after Daryl and Rick find a truck filled with supplies, which they then head back with towards Alexandria. They stop at a rundown gas station where they find a vending machine tipped on its front. After they turn it over, a man runs out of nowhere and slams into Rick. Guns are drawn. The man says he was “running from the dead“. He introduces himself as Paul Rovia a.k.a Jesus (Tom Payne), asking if they’ve got a camp somewhere. But he doesn’t seem interested in them, taking off behind the station. When Jesus creates a distraction, they realize he’s leaving with the truck. Now, Rick and Daryl are left with no supplies, as well as no wheels to get themselves back home.
Spencer Monroe (Austin Nichols) is out in the woods walking, shovel in hand. Michonne notices him from the lookout and follows. She helps him discard of a walker coming at him. They talk of his mother a little, but Michonne mostly wants to know why he’s out there. So she keeps on going. Meanwhile, Carl and Enid (Katelyn Nacon) are out in the woods, too. It seems Carl is going back to wanting to be a kid, after his injury. Although, Enid scoffs: “Were not kids.” She knows the difference.
But kids they are, at least for a moment, eating and reading comics. Enid says she doesn’t want to go out to what looks like their own little spot anymore. Carl agrees and walks off back towards town. On their way, they come across a zombie Deanna (Tovah Feldshuh) in the trees. A terribly unfortunate turn of events.


On the road, Daryl and Rick finally catch up to Jesus, who stops to fix a tire. They sneak around flanking him then Jesus breaks some mad karate out on them. After a brief fight, Rick and Daryl both draw their guns. They tie Jesus up and get the keys back. Then they plan on leaving him in the road, heading for Alexandria again; finally.
A ways down the road, they discover Jesus made it onto the roof of the vehicle. They toss him off when Rick stops hard, then Daryl chases him down through a field. One thing leads to another and the truck ends up in a lake, sinking to the bottom. However, interesting to note Jesus saves Daryl from an oncoming walker, before he gets himself knocked out by the truck’s door. Daryl doesn’t want to help him, but Rick suggests they ought, seeing as how Jesus never drew a weapon on either of them the whole time.
Michonne is still busy following Spencer, who wants to have a new life in Alexandria yet has things to do first. In the woods, Michonne ends up spotting Carl being pursued by the undead Deanna. This is what Spencer came out there to do, he needs to put her to rest. A difficult, emotional scene, as Spencer puts a knife into her brain. He only wants to bury his mother, which is obviously why he brought a long a shovel for his walk. Michonne helps carve a D on a nearby tree where Spencer buries her in the soil.


Daryl and Rick go home. With Jesus in their care. Rick says he “finally listened” to what Daryl, Michonne, all of them were saying as they first reached Alexandria, so it’s only natural he now wants to try faith instead of fight at every turn. For those of us who’ve read the comics, you’ll know who Jesus turns out to be, but for those who haven’t? Stay guessing for now.
Michonne scolds Carl for not leaving or killing Deanna. He doesn’t like that, though. He says it had to be someone close to her who killed her once and for all, a person who loved her. For all that’s happened to him, to his mother and his family, Carl still has a lot of humanity. He tells Michonne: “Id do it for you.”
In Alexandria, Rick and Daryl bring Jesus in to be cared for, leaving him a little note and a glass of water. Lots of comedic bits here in this episode, which is fun after the intensity of “No Way Out“.
Perhaps most interesting of all is the final scene. Michonne and Rick sit together in the lamplight on the couch, chatting about their day like normal people might; like a family. Their relationship has progressed a ton since first they met, back when Rick almost sent her to The Governor, to a certain death. Now here they are together – and I mean together. They embrace one another, holding hands and kissing passionately. Maybe they’re exactly what the other needs, especially at this point in time.


Jesus has gotten out and broken into Rick’s place. He says he needs to talk.
Excited for the next episode and what will come after. Jesus is going to prove to be an interesting character, hopefully leading us further and further towards our date with Negan (Jeffrey Dean Morgan).

Beautiful Black Cinema in Mother of George

Mother of George. 2013. Directed by Andrew Dosunmu. Screenplay by Darci Picoult.
Starring Danai Gurira, Isaac de Bankolé, Anthony Okungbowa, Bukky Ajayi, Yaya DaCosta, Klarissa Jackson, Ishmael Omolade, Roslyn Ruff, Chinaza Uche, Florence Egbuchulam, Mutiyat Ade-Salu, Atibon Nazaire, Da’Vine Joy Randolph, & Susan Heyward. Parts and Labor/Loveless/Maybach Film Productions/SimonSays Entertainment/Fried Alligator Films.
Rated R 107 minutes.
Drama

★★★★1/2
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We all – meaning those of us with any sense – know that the mainstream Hollywood system largely ignores stories about people of colour, apart from the civil rights pictures and slave narratives. It’s obvious, if you take the time to look at it. Rarely do we just simply get to look inside the culture of others aside from the perspective of white people, at least when it comes to the mainstream films in the West. Even more rare is a film starring solely black people.
So Mother of George is a unique piece of cinema for a film set in the U.S. Although, it is most certainly a Nigerian film. The story is all about the cultural expectations within a Nigerian neighbourhood in Brooklyn, involving a married couple. Plus, Nigerian director Andrew Dosunmu leads the movie, as well as adds his unusual style to the mix. It is a refreshing story, Dosunmu presents it gorgeously with the added help of cinematographer Bradford Young, and the main performances of Danai Gurira and Isaac de Bankolé root the drama in such a wonderful yet tragic humanity.
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Ayodele (Isaac de Bankolé) and Adenike (Danai Gurira) are married in a grand traditional Nigerian ceremony. Ayodele has been in America a little while, whereas Nike is newer. She’s still trying to adjust, stuck in the old school role of wife at home her husband works during the day. She tries to get a job cleaning, though, this angers Ayodele whose culture demands of him masculinity; part and parcel of which is providing for his wife and not needing her to work. Between the culture clash and her marriage, Nike has a million different things on her plate.
Meanwhile, her mother-in-law is pressuring her – in their culture it is proper for a woman to get pregnant soon after the marriage, and unfortunately Nike and Ayodele can’t seem to get pregnant, though. When the situation becomes more and more dire, with Ayodele refusing to go against traditional, conventional methods, and his mother insisting he take another woman, Nike soon makes a decision which will have huge repercussions for her, her husband, and everyone around them.
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The first thing you’ll notice is the extremely rich, vibrant colour palette of the film. Bradford Young brings a unique and beautiful look to Mother of George. Some of his other work includes Pariah, Ain’t Them Bodies Saints, as well as most recently A Most Violent Year and Pawn Sacrifice. Young’s visual flair through the lens adds a true gorgeous quality to every single frame of the film. Added to that, Dosunmu has a different style of direction, which I’ve seen some people say detracts from the performances and the screenplay. Not at all, I say. In fact, the way Dosunmu and Young capture everything together in their respective ways it draws me tight. I felt as if I were right next to Nike (Gurira), going through the motions. The tight frames on the characters helps their world absorb into you, the colours reach out and touch you. There’s never a moment where I felt outside of the story, or the characters, even if the film moves at a slow pace much of the time.
Brings me to another portion of the movie I love: the screenplay. The script doesn’t have much dialogue throughout, which places a special significance on the performances. At the same time, the lack of massive pieces of dialogue lends itself to a film with a main concern for aesthetic and tone. With a lot of subtle, quiet scenes, the actors are left carrying so much of the weight – like a complete counterbalance between style and performance.
Isaac de Bankolé, whom I knew originally from Jim Jarmusch films specifically (as well as the impressive White Material from director Clair Denis), plays a very strong, if not fairly flawed character in Ayodele. He portrays the vulnerability and masculinity, both tied together most of the time, with such an ease. You feel for the man while also wishing he might let go of a little of his boisterous pride, instead it pushes his wife to a point of no return. Bankolé is a reserved and thoughtful actor whose presence is large in this film.
But mainly, it is Danai Gurira I love here. She is a strong and powerful actor. Her presence is equally enormous, if not more so than Bankolé. Gurira is tough, she is also flawed, but above all she bears the weight of a relationship on her shoulders. The way she has to navigate the trappings of her Nigerian culture, stuck between what she wants and what is expected of her, it is a difficult life. Gurira brings out Nike’s pain, her desire, everything with such a subdued and commanding performance. She and Bankolé work very well as a couple onscreen, their chemistry helped their relationship seem natural. Further than that, Gurira presents a woman who struggles to both adapt to living in America and adapt to marriage, plus its requirements, all the while – even in her rash decisions – making us feel for her every step of the journey.
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There are not enough films set in the U.S. which celebrate the other cultures among Western culture. It is a melting pot, even if the cities become, at times, broken into ethnic enclaves. Still, this is a beautiful and heartbreaking story of two worlds coming together, as one woman tries to hold her own together. A 4&1/2-star film that succeeds because of Bankolé and Gurira acting their hearts out, as well as the combo of director Dosunmu and Young’s cinematography. Everything in this film speaks volumes, from the wonderfully sparse screenplay to the vibrancy of the visual style. All these elements are so important to Mother of George. This is not the conventional black narrative we’re offered in mainstream Western films, but as I said, this is totally a Nigerian film regardless of its Brooklyn, New York setting. We need to see more of this, and hopefully with all the talk of diversity re: Oscars in 2016 we may see a shift; somehow, some way. Studios need to take the chance and tell more stories like this one, affording different cultures a look, giving them an avenue to touch peoples hearts and minds. This is a piece of art, not simply a movie. Mother of George should be seen by everyone, especially those who love powerhouse acting and a unique sense of visual storytelling; all of which you’ll find here, in spades.

The Walking Dead – Season 3, Episode 8: “Made to Suffer”

AMC’s The Walking Dead
Season 3, Episode 8: “Made to Suffer”
Directed by Billy Gierhart
Written by Robert Kirkman

* For a recap & review of the previous episode, “When the Dead Come Knocking” – click here
* For a recap & review of the next episode, “The Suicide King” – click here
IMG_3334 The mid-season finale starts off with a new, small group of survivors. They make their way through trees and forest, walkers, everything. Tyreese and Sasha Williams (Chad L. Coleman/Sonequa Martin-Green) lead the way with a couple others, one injured, following behind. Soon, they come across the prison and make their way inside. Will they come up hard against Rick Grimes (Andrew Lincoln) and the others inside? Let’s find out.


In Woodbury, The Governor (David Morrissey) is further drawing Andrea (Laurie Holden) into his world. Aside from the world he doesn’t tell others about. The one with Penny, his dead, zombified daughter. He still shuts himself away in a secret room trying to get her to return to something normal, something human again. Somehow. Only she runs at him like any other piece of meat. He keeps her hooded and stuck in a caged, chained at the neck. But he still holds her and hugs into her as a child he loves. It is a tragic, sad, disturbing scene to watch. The little girl is a rabid undead monster, and still he tries to bring her back to something she’ll never ever be again.
Michonne (Danai Gurira) leads Rick and Daryl (Norman Reedus) into the town under cover of darkness. At the same time, Merle (Michael Rooker) tries to ensure The Governor’s plan to infiltrate the prison and kill anyone inside doesn’t get his brother killed.
Soon enough, the streets of Woodbury come alive. Glenn and Maggie mount their own escape, as gunshots blow up. This prompts Rick and Daryl into action, as well. They work their way through the town until coming across the place where their friends are being held. A tense few seconds see Maggie and Glenn being hooded, carried off, before Rick and the gang tear gas everybody and extract them to safety. On the streets, gunfire still pops off in the night. Andrea is trying to help, as The Governor scrambles to get things done: “You shoot to kill“, he tells a group of people. In the whole hustle of things, Michonne is cut off from the group, which doesn’t bother Rick as he’s mostly just concerned with getting Glenn and Maggie back to the prison. Glenn tells Daryl about what Merle did, that he’s a sort of “lieutenant” to The Governor; obviously the younger Dixon wants to try reconnecting with his brother, though, the others are eager to get out of Dodge.


Michonne sneaks her way into The Governor’s apartment and sits to wait for him, sword drawn. A confrontation is brewing. Whereas the comics had The Governor doing terrifying things to Michonne, their rivalry in the series is not near as heated. But nonetheless, their eventual stand-off is going to be something of epic proportions.
At the same time, Rick and Daryl and the others try to escape Woodbury. Bullets fly from every gun on the street, smoke covers the ground. One intensely hallucinogenic moment comes after Rick sees the vision of Shane (Jon Bernthal) walking up from out of the mist, a menacing, animal look in his eyes. Shooting him dead, Rick naturally finds it was only a dreamy image of his damaged, guilty mind. But an effective dream moment we don’t usually get from The Walking Dead.
Taking care of things at the prison, Carl (Chandler Riggs) tries to be the big tough man. While Hershel (Scott Wilson) and Beth (Emily Kinney) insist otherwise Carl goes down into the tombs. He hears voices far off somewhere. When he finds the source, it’s Tyreese, Sasha and their group. They try to fight off a pack of walkers, saved by Carl’s expert pre-pubescent gun skills. He brings the group back up near their cellblock, but smartly refuses to let them in where Hershel and Beth are staying.
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Finally discovering the worst, Michonne comes across Penny. At first she thinks the girl is being held captive. Then she figures out Penny is a little zombie. The scene is interrupted by The Governor who holds Michonne at gunpoint begging for his daughter not to be finished off. Our confrontation begins. And when Michonne ignores the pleas – “Dont hurt my little girl” – and puts a sword through her mouth, The Governor attacks. They fight one another brutally, as he first tries choking Michonne to death, to which she retorts with a chokehold of her own.
The fight is a savage one, even seeing Michonne’s face smashed through the tanks holding walker heads, still chomping. A close call or two like that sees us hoping Michonne makes it out alive. Then she palms a shard of glass and puts it right through his eyeball. Right then and there, Andrea shows up holding a gun to Michonne; gun against sword they circle each other briefly. “What have you done?” asks Andrea, not knowing the kind of man she’s been bedding anyways. Eventually, though, away walks Michonne and Andrea goes to tend to her lover.
Watching Andrea look at the carnage, the walker heads and The Governor crying over his little girl, it is a strange sight. She can’t be stupid enough to keep drinking his Kool-Aid now. If you can imagine it, The Governor is now about to be more dangerous. His calm, thin veneer is drawn back and he is exposed to the world. Having one less eye has finally turned him into the monster he was inside, only this time he is that monster for all to see.
With Daryl separated from Rick and the others, Michonne offers to be the best help possible. Problem? Daryl’s been taken by the people of Woodbury.
The town gathers together, as The Governor gives them all a little speech about hard times, the old days, how rough things were once so rough when they sat “huddled scared in front of the t.v.” He truly is one of those Ronald Reagan types, spouting to the masses, acting and being a prop for all the bad things happening underneath. Now Merle is being called a traitor by his boss, the attack pinned on him, a perfect scapegoat. We’re further revealed the Dixon Brothers will face something nasty in the arena, for entertainment, for punishment, and for the sick mind of The Governor.


Next episode is “The Suicide King”, which originally picked up after mid-season break. Stay tuned, as I watch it over again and bring you another review.

The Walking Dead – Season 3, Episode 6: “Hounded”

AMC’s The Walking Dead
Season 3, Episode 6: “Hounded”
Directed by Daniel Attias
Written by Scott M. Gimple

* For a review of the previous episode, “Say the Word” – click here
* For a review of the next episode, “When the Dead Come Knocking” – click here
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Merle Dixon (Michael Rooker) is leading the charge searching for Michonne (Danai Gurira). He’s got a couple people from Woodbury with him, including a young guy he calls Neil (Dave Davis). Out of the woods Michonne comes killing the others, leaving Merle and Neil alive. After the confrontation, Merle stands defiant: “Are we having fun yet?” he calls out into the forest, as she slips away after their fight.
Back to Rick Grimes (Andrew Lincoln) in the tombs of the prison, among the dead walkers, in the place where his wife dead. He received a phone call from someone who won’t say where they are, who they, who is with them. Rick pleads with them for help, but the woman on the other hangs up. Meanwhile, Daryl Dixon (Norman Reedus), Hershel (Scott Wilson) and the others eat together. When they do see Rick again he’s slightly better. But not near well. Glenn (Steven Yeun) talks about making a run for supplies, Daryl gives Rick an update on other plans. Yet off Sheriff Grimes goes again, by himself. Into the tombs.
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In Woodbury there’s a better relationship brewing between Andrea (Laurie Holden) and The Governor (David Morrissey). She wasn’t impressed with their big show the night before, having Merle give off a big three-ring circus style act with walkers. Although, she wants to stay, and to contribute. The Governor agrees to have her.
Rick continues to talk to other voices on the phone. This time, a man. Again he gets hung up after a bit of conversation. Frustrating, no? Or is it all in Rick’s head?
Andrea proves her worth in the new town by taking down a walker, jumping over the Woodbury wall to get it. Only the girl she’s on guard with doesn’t seem too impressed. “This isnt a game,” she tells Andrea, who only looks confused. And she ought to be, having turned the world outside into just as much of a game, a “release” as she put it, as the circus Merle was putting off the night before.
Hershel finds Rick in the prison tombs. He tries to talk with the distraught father and widower. Rick reveals the call he received and Hershel tries listening to the phone; we don’t hear any dial tone, does he? Either way, Rick sends Hershel off and wants to stay alone.


Coming across Michonne, the team of Merle and Neil find Michonne. Then a zombie attack breaks out. Everyone fends for themselves, as poor Michonne slices one walker open and its guts pour onto her stomach, chest, face. Nasty, and amazing makeup effects done by the KNB wizards.
At the prison, Daryl talks with Carl (Chandler Riggs), as he and a couple others explore the tomb-like tunnels. We get the story of Mama Dixon burning herself to death in bed after falling asleep with a cigarette. Then Carl tells Daryl about having to kill his mom: “I ended it. It was real. Sorry about your mom.” “Im sorry about yours,” replies Daryl.
Meeting with The Governor, we hear Andrea admit to enjoying the fights, as opposed to her earlier sentiments. He seems to have her pegged, to know what she’s all about. He also believes he’s “growing” on her. In other news, Merle is trying to get Neil back to Woodbury. The younger guy is giving Merle a bit of hell over what they have to tell The Governor re: Michonne. She’s been shot by Merle, and he’s sure she’ll die. Nevertheless, the oldest Dixon puts a bullet between Neil’s eyes and leaves it at that. Always a survivor.
Michonne is covered in the walker guts after crossing paths with Merle. Lucky for her: the zombies don’t even notice her.


While on their run, Glenn and Maggie (Lauren Cohan) end up being watched from afar by Michonne. For her part, Andrea’s lounging in a lush green garden drinking booze with The Governor. They’re becoming closer and closer with each passing scene.
The most interesting is when Merle shows up where Glenn and Maggie are scavenging, Michonne still waiting in the wings. When Merle starts a fight things get tense. He makes Glenn drop his gun, Maggie at gunpoint in his own grip, all with Michonne watching. When they drive off she’s left alone, shot, and wondering what to do next.
Another call for Sheriff Grimes. He picks up the receiver and hears a familiar voice – Lori (Sarah Wayne Callies). The whole time he’s been talking to Amy, Jim, Jacqui. All their dead friends. This is a devastating scene for Rick, as he sort of compounds all his failures, crying and telling Lori: “I couldnt put it back together.” His breakdown is tough to witness. He’s meant to be that never-wavering alpha leader. But that’s also why Rick is a well written character, whose faults and stumbles are present, always. Yet further he soldiers on in the hardest, most trying times of this new life in the post-zombie apocalypse world.


With Andrea in bed, The Governor’s successfully conned her into his life. Sad, as she’s one smart character. Usually. At the door Merle tells his boss about losing the three people in his search party, or, he lies about what happened. He says Michonne is dead, claiming the head and her sword were “torn up” in the scuffle. Things are lightened when The Governor is made aware of the new hostages, Glenn and Maggie. Merle is apparently getting ready to extract a little info.
Finally, Rick goes back to his son, his daughter, and the rest of the group. He looks long at his new child before picking her up out of Hershel’s arms. The light slowly returns to his eyes and brightens his soul a bit. We can sense a change in that moment, more of the incredible acting talent Andrew Lincoln brings to the role.
In the tombs, Daryl holds the knife belonging to Carol (Melissa McBride). He gets angrier and angrier, opening the door they’d noticed earlier was pushing open slightly and finds Carol herself, right there. A happy reunion in all of the bitter brutality. Outside, Rick notices something off in the distance. He gives the baby to Carl and heads down to the fence where he finds Michonne, carrying formula in a small handcart Maggie and Glenn were stocking up. They lock eyes before the episode cuts to back.


Next up is “When the Dead Come Knocking”. Stay with me.

The Walking Dead – Season 3, Episode 5: “Say the Word”

AMC’s The Walking Dead
Season 3, Episode 5: “Say the Word”
Directed by Greg Nicotero
Written by Angela Kang

* For a review of the previous episode, “Killer Within” – click here
* For a review of the next episode, “Hounded” – click here
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We start by seeing The Governor (David Morrissey) with a small girl, a walker. Her name is Penny. He’s obviously caring for his daughter even after death has come for her, then brought her back. It is a creepy, unsettling sight. Then, from his window, he sees Michonne (Danai Gurira). She is always watching now, waiting. She knows something is rotten in the town of Woodbury.
Over at the prison, Rick Grimes (Andrew Lincoln) is having a tough time dealing with the loss of his wife. Carl (Chandler Riggs) handles it like a tough young man. Everyone else is trying to help the new baby. Hershel (Scott Wilson) says they need baby formula soon, so Daryl (Norman Reedus) and Maggie (Lauren Cohan) agree to go on a run. Glenn (Steven Yeun) tries his best to take charge.
But Rick goes back inside the prison on a warpath, chopping down zombie after zombie. He is loosening at the seams, no doubt. And who wouldn’t be at that point?


The Governor’s busy not worrying much about other things in the new post-apocalypse life. He toasts his town on the doorstep, reminiscing on times of “Spam and saltine crackers“. Upstairs, though, Michonne slips into his apartment to get her samurai sword back. She finds a book with a bunch of names marked down. The final one? Penny, underlined. Followed by pages of small ink strokes. By the hundreds. She has to hide away before slipping out of the apartment as Merle (Michael Rooker), Milton (Dallas Roberts) and The Governor come in to grab a few supplies. Seems there’s a big party of some sort planned for that night, although Milton isn’t impressed; his experiments need power these little shindigs are leeching.
We see Michonne out investigating other areas of Woodbury. She finds a big cage locked up and full of walkers. Letting them out, one by one they fall by her sword. A bad motherfucker. This puts her in trouble with The Governor, as he scolds her for “poking around other peoplesthings“. Their moments get tense after she brings up Penny, nearly stopping his heart cold. Only that leadership attitude and demeanour comes out, he fawns like some zombie apocalypse Ronald Reagan, smiling for the cameras and doing quite another thing behind closed doors. Maybe even more like a Nixon. Or any number of nasty U.S. Presidents. Either way, he is a politician. Just a different kind in the new wasteland. He and Michonne have their confrontation, which puts strain not only on her whole existence but also her friendship with Andrea (Laurie Holden), who still remains consistently blind to what The Governor is underneath it all.


Digging graves, Glenn is busy working. He and Hershel mourn the life of T-Dog. They also worry for Maggie sharing a beautiful moment together, embracing hands through the prison yard’s fence. It is sad to see them always having to lose someone. The new life of the wasteland is unfair and cruel.
Andrea and The Governor are having a few words now. She doesn’t necessarily see eye to eye with the man, but there is a part of her which doesn’t fully trust Michonne either. Even though Andrea owes her life to that woman, for saving her among the vast loneliness of the forest. Michonne knows there is something else behind the facade of Woodbury, and Andrea won’t simply leave. She says “I think we need this“. “This place is not what they say it is,” replies Michonne.
In the tomb-like tunnels of the prison Glenn searches for Rick. Only walker bodies lay strewn along the floor. He finds Rick standing in the dark, bloody axe by his side. Blood everywhere. Rick looks terrifying. Glenn tries talking to him, reasoning, to save the man from any further grief. But when Glenn touches his arm Rick loses it for a second and throws him against a wall. Actually frightened me for a second. He tosses Glenn aside before heading back into the dark hallway nearby.
Merle has Milton out hunting for new walker specimens. They take one down, then start pulling out its teeth. What’s the deal here? Are these just for experiments, or what were all those “captive biters” for earlier – the ones Michonne found?


On the road, Maggie and Daryl find a nursery with some supplies: bottles, diapers, all sorts of things. Even a possum for dinner.
In Woodbury, we watch as Michonne and Andrea begin to leave. Only they aren’t on the same page. Then there’s Merle trying to sweet talk them into staying. Andrea says she’s tired, she doesn’t want to go out on the run surviving like they did. Their dream once upon a time was “a refuge”, but Michonne knows there are hideous things lurking beyond the periphery there in that makeshift town. The Governor is a dangerous man. Michonne leaves saying “Youd just slow me down anyway“.
When Daryl and Maggie return to the prison they bring formula, which calms the baby down. He even cradles the child, feeding her. Carl suggests naming her Sophia, maybe Andrea, Jacqui, Patricia. Only Daryl suggests “LilAss Kicker” sounds better.
At the same time Rick is down in the spot where Lori died. His mind is unraveling. He finds a a walker, shoves his gun in its mouth and pulls the trigger. It’s a real visceral, nasty kill.


Finally, some of the dirty undercurrent of Woodbury comes out when The Governor takes Andrea to a large arena style show they’ve got going on. Music is playing, fire blazes and everyone is sitting in stands clapping, yelling. Then the lights come up on several chained walkers. Out comes Cesar Martinez (Jose Pablo Cantillo) and Merle Dixon. They’re fighting, surrounded by the zombies. In the stands a man hoists his little boy up on his shoulders to watch the show. Merle and Cesar square off in the ring looking like they’re having the time of their lives. When Andrea is sickened by the spectacle The Governor says it’s how they “blow off steam” in Woodbury. He reveals it’s all staged – that is what the teeth pulling earlier was, as if ‘sports entertainment’ is a required part of their camp. Maybe it is, but the whole thing seems a tad morbid to me.
In the boiler room where Rick sits by the dead walker he brutalized, a phone begins to ring. It’s sitting nearby and Rick goes to it, confused. “Hello?” he answers, as the episode cuts to black.


Interesting development. Next up is “Hounded” where we’ll see Michonne more, as well as the new state of mind in which Rick finds himself.

The Walking Dead – Season 6, Episode 9: “No Way Out”

AMC’s The Walking Dead
Season 6, Episode 9: “No Way Out”
Directed by Greg Nicotero
Written by Seth Hoffman

* For a review of the previous episode, “Start to Finish” – click here
* For a review of the next episode, “The Next World” – click here
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Back from the midseason break, we begin as Daryl (Norman Reedus), Sasha (Sonequa Martin-Green) and Abraham (Michael Cudlitz) meet a group of bikers who claim all their things “belong to Negan” as of now. The three survivors are disarmed by the bikers, otherwise known as The Saviours. Of course, Abraham doesn’t immediately hand over his weapons, but after a tense moment he relinquishes his handgun. The Saviours don’t actually give up any information about themselves right away. Mostly they’re concerned with who Daryl, Sasha and Abraham are, what they have to give over, and so on. “Ding, dong, Hells bells,” taunts the main biker after Abraham asks “Whos Negan?”
This scene passes by slow and steady, until Daryl finds an RPG and blows the whole crew into the sky with one of its rockets. It almost appears an act of God at first before Daryl steps from behind their truck. A good save. But are they safe for long with Negan clearly scouring the Earth, or his proxies that is, looking for people, their guns, their things?
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Biker: “If you have to eat shit, best not to nibble: bite, chew, swallow, repeat. Goes quicker.”


Cut to where we last left Rick (Andrew Lincoln), Carl (Chandler Riggs), Jesse (Alexandra Breckenridge), Michonne (Danai Gurira) and most of the others – covered in guts, blood, wandering through the walkers and hoping to make it through. As you remember, Jesse’s son Sam (Major Dodson) wasn’t doing so well mentally in “Start to Finish“, but none of them are particularly doing so hot now. Rick tries to get a new plan in order, as they cross through Alexandria, packed full of zombies, every which way. Father Gabriel (Seth Gilliam) offers to do his best on his part and takes little Judith: “I want to. I have to.” Everyone else sticks to their guns, even young Sam, and Gabriel promises Rick sternly he will keep the baby safe. However, Rick is terrified, no matter how strong he appears on the outside.
They all forge on in a new direction, but the zombies are too thick. Tara (Alanna Masterson), Rosita (Christian Serratos) and Eugene (Josh McDermitt) are still stuck inside, as well as a banged up Carol (Melissa McBride) and a knocked out Morgan (Lennie James), the latter of which wakes up not long after.
They’re all worried for Dr. Denise Cloyd (Merritt Wever) who was taken at the end of the last episode by the Alpha Wolf (Benedict Samuel), who moves her along through Alexandria, headed who knows where; a sinister air surrounds these two making Denise’s time alive a fickle thing at this point.
Meanwhile, Glenn (Steven Yeun) and Enid (Katelyn Nacon) end up at the church to take a moment and try regrouping their strategy. Enid’s trying to hold herself together and be strong, as Glenn tries keeping her hope up. They end up on the same page soon enough; I love the chemistry between Yeun and Nacon, they make a great and unlikely team.


With Rick, Carl and their small group heading past hordes of walkers in the streets, the group is no closer to safety than they were. Each corner there are more and more lining Alexandria. In the mist of it all, Sam sees a small child walking, zombified. Everyone tries to make him move, only a walker bites into his arm, another munches on his skull. Then the screams begin, as Jesse wails for her dead son still holding his hand. It all devolves. Jesse is taken next, as the zombies swarm. The rest of them try staying silent, but it is a tough thing to do. With Jesse’s dead hand still gripping Carl, axe in hand Rick is forced to chop her arm off to get them going.
Then Ron (Austin Abrams) pulls a gun on Rick. But before he can shoot, Michonne kills him with her sword. Everything’s fine. Or is it? Carl turns mumbling “dad” – his right eye shot out, blood spurting. He falls to the ground and Rick picks him up, as he and Michonne run for safety; somewhere, anywhere.
Everybody is in hiding except for Rick, Carl and Michonne. In a basement, the Alpha Wolf looks longingly out the window at the zombies crowding, pushing towards the gunfire. He seems pretty confident about himself, though, Denise reminds him their group is the reason why his “friends are dead“. Every moment that passes I worry for Denise. There’s no telling what this Wolf will do with her or to her after they escape; if they even do. Except right after that he gets bitten. And Denise tells him: “Come with meIll save your life.”


With Alexandria falling faster every frame, the group is in tatters. Carol and Morgan are inside debating the situation concerning the Alpha Wolf, how Morgan didn’t do anything to benefit the group, but only thought of himself. In turn, Carol believes she should have killed Morgan. These are two hard characters, each in their own right. They’ve both lost children, lots their loved ones, and now they are confronted with one another, at opposite ends of the spectrum.
Carol ends up saving Denise, shooting the Alpha Wolf in the streets and allowing her to get inside one of the houses where others such as Aaron (Ross Marquand) are hiding. Finally, Rick makes it inside with Carl and Denise begins to start makeshift surgery, doing the best she can to save the boy. At the same time, poor Rick Grimes constantly loses people in his life; he and Jesse were just starting to get close, now she and both her boys are gone. Worse, though, is the way Rick always handles these chaotic moments. He goes out on the street with an axe and starts mowing down walkers, one after one, no concern for anything or anyone, least of all himself. Soon, Michonne, Ross and a few others storm the street to help Rick try clearing out the hordes of undead. More people run out and Rick assures everyone: “We can beatem. We can beatem.”
I waited for an episode like this, in terms of a few things. For one, I wanted Father Gabriel to do something to redeem himself – first, he takes Judith to safety; second, he takes up a machete and tells the others God wants them to save Alexandria themselves, he has given them the strength. I mean, I don’t believe in God, but I love that Gabriel takes this stand! Also, the deaths in this episode were pretty damn wild. Even Morgan gives up his “life is precious” bit to put the zombie Alpha Wolf down.


Enid and Glenn do their best to try and save Maggie (Lauren Cohan) stranded up on the wall. However, Glenn finds himself backed into a corner with walkers bearing down on all sides. He fights and fights, pushing them away, firing off rounds.
Out of nowhere, Abraham and Sasha appear at the top of the wall. They gun down the walkers in front of Glenn. Daryl picks him up then things start to take shape. On the streets, Rick and the crew continue fighting. Tara, Eugene and Rosita are out, too; ole Eugene does his damnedest to redeem himself like Gabriel.
Daryl empties a ton of gas out of the army truck and sets a massive blaze with an RPG. The flames start drawing walkers away from the inner part of Alexandria. Rick and Co., with Carol and Morgan in addition, keep killing and killing. The editing in this sequence is absolutely incredible. We go back and forth between walkers setting on fire in the blaze, to all the survivors hacking, slashing, stabbing, slicing, to more walkers pushing through the streets. One of the greatest sequences ever on this series as a whole. Really impressive.


Once the smoke clears, both figuratively and literally, the group remains standing. Zombies lie smashed, chopped, lifeless (again) in the streets. At one of the houses, everybody waits to see how Carl is doing. Rick sits by his side, his son bandaged and resting asleep. The father talks to his boy about “rebuilding the walls, expanding the walls” and he realizes “everything Deanna was talking aboutits all possible.” He realized the potential of the group in that town; they are not weak, they are in fact strong, they can band together. “I wanna show you the New World, Carl,” says Rick. “I wanna make it a reality for you. Please, Carllet me show you.” And then Carl’s hand curls around Rick’s hand, he wakes up. For now everything is fine.


Let’s see how things go in the next episode, titled “The Next World”.

The Walking Dead – Season 3, Episode 4: “Killer Within”

AMC’s The Walking Dead
Season 3, Episode 4: “Killer Within”
Directed by Guy Ferland
Written by Sang Kyu Kim

* For a review of the previous episode, “Walk with Me” – click here
* For a review of the next episode, “Say the Word” – click here
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This episode starts with a dead deer carcass being dragged off by someone also holding a jerrycan. Two walkers end up coming across bits and pieces of the deer. Then across the concrete someone runs, axe in hand. They chop the lock from a gate then lay a fresh heart on the ground before running off. Mysterious, eerie. Foreboding.
Rick (Andrew Lincoln), Daryl (Norman Reedus), Carol (Melissa McBride) and T-Dog (Irone Singleton) are doing some work in the prison yard. They need help, but Glenn (Steven Yeun) and Maggie (Lauren Cohan) are busy having sex up in the guard tower. Lighthearted moment when Daryl calls out to them, breaking up their little time alone. But things get back to seriousness, as prisoners Axel (Lew Temple) and Oscar (Vincent Ward) come outside. This breaks their previous pact. But the two men are sick of being stuck inside with all their dead former friends. It’s tough with bodies everywhere, blood, guts. People they were locked up with in there for years. Most of them don’t want to let the prisoners in with them. Although, T-Dog is a little more willing to work on it instead of essentially letting these men die. A bit of talk happens before things are settled.


Back at Woodbury, we find Michonne (Danai Gurira) checking the place out. She investigates everything. Including one of the National Guard vehicles, which still has blood on it. The Governor (David Morrissey) appears, constantly trying to sell the place: “We could use a soldier like you.” She is not at all impressed or convinced. Further than that, she’s suspicious already of what exactly happened with the National Guardsmen. Also, Michonne points out the bullet holes in the vehicle. Of course The Governor has an answer for everything. He’s a sly, greasy man. We know that there’s something wrong, underneath it all, having seen his virtual wall of floating walker heads. Nasty stuff. He’s all about the surface – appearance, identity. Whatever works is The Governor’s game.
The prison is stable for the time being. And so is Hershel (Scott Wilson). Inside, Carl (Chandler Riggs), Lori (Sarah Wayne Callies) and Beth (Emily Kinney) try to help the older fella adjust to his new situation on one leg. Things aren’t exactly peachy, though, they could be far worse. That group, Rick, Daryl, all of them, they are a special breed of survivor.
At the same time, Andrea and Michonne are both survivors in their own right. It seems like Andrea is sliding into believing Woodbury might be a good place to stay after all. Michonne does not agree. Are they going to reach an agreement somehow? They’re better together, not apart.


Rick, Daryl and Glenn are leading some improvements on the prison yard. The plan is to, someday soon, plants crops in the soil; first, the bodies must be cleared. Getting fresh air Hershel admires their latest home. This is a refreshing sight to see. Not only does Maggie enjoy watching her father up on his own, there’s also a reaffirming look between Lori and Rick.
Then behind Carl and his mother, Hershel and Beth, a pack of walkers appear. Out by the fences, Daryl, Rick and Glenn rush fast as they can to help the others. All of a sudden, as is in the new zombie wasteland, a normal day has turned into the savage fight to survive we see now. Never can a day just go by without having to fight for your life, which is a brutal lesson these people are learning all over again. Worst of all? T-Dog gets bitten in the shoulder trying to secure a fence. His fate is sealed.
Meanwhile, there’s Merle trying to get information out of Andrea. He makes The Governor and Woodbury out to be the be-all end-all of human civilization, of course, but that’s to be expected. He rags on Daryl for becoming a part of the other group, following Rick, yet there Merle is sucking up to The Governor every chance he gets, to his face or to someone else.


The prison’s become a mess. Chaos and tragedy. In the tomb-like tunnels, T-Dog shuffles along bit promising to get Carol out of there, one way or another. Simultaneously, Carl manages to protect his mother for a little while with Maggie helping. But Lori’s pregnancy is about to make things fairly difficult.
Stark contrast with The Governor back at Woodbury, up on one of the walls cracking golf balls into the road down the way. One ball smacks a zombie in the face. Merle admires The Governor’s drive, again puckering up. Merle also suggests a scouting mission: he wants, needs, to find Daryl. Only the leader doesn’t find it that attractive of a plan. He doesn’t want to spare the men, nor does he want Merle gone either when a solo trip is suggested. Is this really under the guise of protecting Merle? Or is it selfish? The Governor feels threatened, thinking maybe Merle would run off and leave Woodbury. Shows how fragile of a leadership there is in him. A little later, The Governor meets privately with Andrea. Though she says they’re leaving, definitely. Goodbyes are said. Only I don’t feel like the two women are going anywhere. Not Andrea, anyways.
Rick is trying to track down his family. Him, Daryl, Glenn and the two prisoners rush through the prison to look for a way to shut down the alarm, ringing loud, drawing walkers from out of the woods towards the building. And Lori is stuck in a boiler room, Maggie and her son alongside, ready to give birth. The oldest Greene daughter is now tasked with helping to deliver a baby, a partially traumatized Carl trying his best to stay strong, on watch with his gun in hand. This is one of the most intense and rough scenes in The Walking Dead history. Quickly, things start to go wrong.
A sacrifice is made by T-Dog as he and Carol try getting through the prison tunnels. He suppresses several walkers, taking bite after bite in the arms, then the neck, all for Carol to run free and make it back outside. Always tragic character deaths in this series. Sad. I loved T-Dog; Irone Singleton does a great job with him, even if he doesn’t always get enough time onscreen. Either way, too bad to see him go.


Rick finally tracks down the culprit of all the mayhem in the prison – the prisoner he’d told to run after their confrontation with Tomas ended bloodily. After a bit of wrestling and fighting, Oscar ends up with the gun. Instead of shooting Rick, he shoots his former friend then hands the gun over to Sheriff Grimes. Unexpected, yet excellent. They’ve developed at least a tenuous bond to stay alive, as long as they’re in the same walls.
Troubled times ahead for the Grimes family, though.
Things aren’t going well for Lori and her birth. She needs the baby saved, there are complications, and insists on it, to Maggie’s dismay. It looks as if the mother may not necessarily make it out of this alive. She tells Carl “you take care of your daddy for me“, telling him he’s “so brave“. An emotionally terrifying scene to watch a young son and his mother in this situation. The advice she gives him breaks my heart. I don’t actually love Lori as a character, but these moments will kill you, unless you’re dead inside. Their goodbye is tender, full of tears. Lori doesn’t want Rick to have to kill her when everything is over, as she once said to Hershel; she asks Maggie to do the deed. And then Maggie cuts into her stomach, opening it up to get the baby out. It is a bloody, visceral minute or so before the baby starts to cry, alive and well.
Even worse is afterward when Carl has to shoot his mom in the head. He flashes back to when Rick told him about death, and “no more kid stuff“. The shot rings out while Maggie is around the corner, then Carl walks away emotionless. Such a savage world in which to grow up.


The mangled body of T-Dog is found by Rick and Daryl. They find Hershel and Beth safely, assuming Carol might have been killed, as well. And just as they stop talking, Rick hears a baby crying. Out Maggie and Carl come with the newborn child. No Lori. This prompts one of the most emotionally devastating scenes in the entire series; to date. Rick breaks down, literally crumpling on the ground. Everyone is shocked to their core. The end, for another chapter.


Next episode is “Say the Word”. More blood, death, despair. And what else?

The Walking Dead – Season 3, Episode 3: “Walk With Me”

AMC’s The Walking Dead
Season 3, Episode 3: “Walk With Me”
Directed by Guy Ferland
Written by Evan T. Reilly

* For a review of the previous episode, “Sick” – click here
* For a review of the next episode, “Killer Within” – click here
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We start out with a military helicopter chopping through the sky; it’s in trouble. The serious kind. With soldiers inside the thing goes down hard into the forest.
Cut to Andrea (Laurie Holden) and Michonne (Danai Gurira) on the road, miles away. They see it crash, then begin to make their way into a field out towards the site. Of course, Michonne has her two pet zombies on a leash with them. When they get to the crash, Andrea has to rest a minute, still not feeling top notch after her bout of the flu, or whatever. Michonne goes to see if there are any survivors, but mostly it’s just death. One soldier is cut in half completely by the chopper’s remaining blade.
And then in the road a little further comes a truck. Michonne and Andrea hide, checking out the people who emerge from the vehicles. They’re a crew of men there to investigate the crash, as well as see if there’s anything worth scavenging. A few walkers come out of the forest and are quickly dispatched by this new group, with bow and arrows, baseball bats. The men discover a soldier in the helicopter is still breathing, so they get him out. They only end up killing more people, the dead coming back. Essentially putting people out of their misery, yet there’s still something about these guys that feels… military. Strongly so, and in the wrong sense.


But out of the woods behind Michonne and Andrea comes a familiar face, to us, and Andrea, too. It is “your old pal Merle” – Mr. Michael Rooker himself. After all he’s been through, the older Dixon brother survived. He now has a nice little rig on his arm, extending out into a blade. Good for the post-zombie apocalypse.
Now the two women are being shuffled off, blindfolded in the night. Brought to some place where they have no idea how to get, or get back from. Although, once they’re in this new camp Andrea’s being cared for with medicine. Merle shows up and explains a few things. Shows off his bloody, nasty stump. He has a few choice words, particularly about Rick Grimes (Andrea Lincoln). Their reunion is not exactly cheery, but Andrea doesn’t seem in danger. For now.
The man who runs the community is called The Governor (David Morrissey). He also gives Andrea and Michonne some knowledge – no matter how people die, they turn. Shocking for these two to learn it, especially from a man neither of them know. But either way for the time being they’re welcomed into the quaint, walled little town named Woodbury.
The place is almost too good to be true. Neither Andrea nor Michonne is too keen on staying, though, eventually they’re convinced to stay a while. Their streets are protected, men always on guard and others making runs for supplies, et cetera. A few people with obvious medical experience take care of the sick and unhealthy. Walkers never make it inside the town walls, but are shot by lookouts posted around Woodbury. Seems as if The Governor has everything all figured out, right?


In a makeshift laboratory, Milton Mamet (Dallas Roberts) is doing a few experiments. He and Merle aren’t really pals, they don’t work well together. But Milton gets on with his tests. The Governor is interested in the previous relationship between Merle and Andrea, from their old group; he wants more information, specifically asking if Andrea knew anything about his brother Daryl (Norman Reedus).
Milton dissects and studies the walkers Michonne was hauling along with her on the leashes. Turns out, if you take away the zombie’s ability to eat eventually it stops wanting to, or caring for food. As we know they were used as repellent, to help Michonne walk among the dead without much attention paid to her. The Governor has Milton fairly wrapped around his finger, as it seems the rest of Woodbury’s citizens are, too.
The next morning, Andrea and Michonne have breakfast with Milton and The Governor. Not totally without unease. Michonne eyes her samurai sword placed in a cabinet in the apartment where they sit. All the while, tea is served and things are as if nothing ever changed. Except every single thing has changed. Personally, the idea of Woodbury and trying to make things seem normal is almost too forward a step. Too forward thinking, at least for the time being. While most of the world is overrun with living corpses.
The soldier saved earlier gives The Governor a location for the rest of his men, a National Guard convoy. He heads out to meet them waving a white flag to make sure they don’t take it as an assault. He tells the men about their survivor, but soon things turn into a bloodbath. The Governor initiates an all-out one sided gunfight, kill the soldiers and commandeering all their guns, ammo, vehicles. It is a chilling moment. To watch this Governor go from being a friendly leader welcoming new citizens into his safe haven suburb, to a cold blooded killer who takes down a bunch of military men who were probably willing to become part of their larger group, perhaps help with keeping things safe. A very defining scene, which will resonate further.
So back to town goes The Governor and his men, new vehicles and other goods in tow. Just another day out scavenging the wastelands. He boldfaced lies to everyone in Woodbury, saying the National Guard soldiers were taken down by “biters”, as they call them in this camp. Is this how things usually go, will always go? Probably. He seems like a two-faced sort already within the first episode of his appearance. Those who’ve read the comics know all about his danger.
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Andrea: “So whats your real name? If its not asking too much.”
Governor: “I never tell
Andrea: “Never say never
Governor: “Never


But it’s the final couple minutes of the episode which tell the full tale. The Governor, with a naked woman splayed on his bed sleeping, slips into a secret room he keeps. He drinks and sits in his big leather chair, thinking. Watching. In front of him stands a large encasement of aquarium tanks, all of them holding dead walker heads, including the National Guard soldier who survived; at least until he arrived in Woodbury. More will come. Let’s see how this new town affects both Andrea and Michonne.
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Stay tuned. Next episode is titled “Killer Within”.

The Walking Dead – Season 6, Episode 8: “Start to Finish”

AMC’s The Walking Dead
Season 6, Episode 8: “Start to Finish”
Directed by Michael E. Satrazemis
Written by Matthew Negrete

* For a review of the previous episode, “Heads Up” – click here
* For a review of the next episode, “No Way Out” – click here
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After last episode, we’re all eager to see how the Alexandrians band together once the wall came crashing down.
This episode begins with young Sam (Major Dodson) up in his room, listening to Tiptoe Through the Tulips on a vinyl, as tons of ants crawl around the window and down to food he’s left rotting. Strange, though, the fact he lays an empty plate at the top of the stairs.
Meanwhile, outside the tower has fallen into Alexandria and torn one of the walls down completely. Rick (Andrew Lincoln) is on the frontline, alongside Deanna (Tovah Feldshuh) who seems determined to help him. Then there’s Maggie (Lauren Cohan), she manages to climb the ladder up to one of the watch posts, but halfway up the dead almost take her. She gets there, though.
Eugene (Josh McDermitt) almost gets eaten, except for Rosita (Christian Serratos) who blasts him out of it. Even Rick and Deanna, plus others, get saved by Jessie (Alexandra Breckenridge). After they’re all inside, what’s meant to happen next?
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Watching on in horror, Glenn (Steven Yeun) continually has to try and talk Enid (Katelyn Nacon) into not leaving. But Glenn goes on regardless, whether or not she does too is left to be seen.
I’m wondering what’s going to happen with Sam. As the carnage comes back to his house, Deanna injured and general chaos boiling over, the poor kid looks messed up. He’s barely been outside, let alone seen any of the “monsters“, as he calls them.
Morgan (Lennie James) and Carol (Melissa McBride) end up back at his place during the onslaught. She does not particularly trust him, and wants to find out what’s happening in his basement. Downstairs, with Morgan staving off Curious Carol, there’s Dr. Denise Cloyd (Merritt Wever) having an eerie conversation with the remaining Wolf (Benedict Samuel). He’s pretty much at their mercy, but doesn’t appear to care about any of them. Still, Denise starts out to help him.
Michonne (Danai Gurira) is tending to Deanna’s wounds at the Anderson house when she and Rick discover a bite on her waistline. All Deanna has to say: “Wellshit.” Sad to see her go, honestly. Some may not enjoy her character. I liked the way she was envisioning a future for Alexandria, whether or not its entire structure survived ‘whatever comes after this’. There’s a great little scene with Deanna and Michonne, which gives more depth to Deanna as a character, even on her deathbed(/couch). You can see how much she cared, as the life literally slips out of her.


In the Anderson garage, Carl (Chandler Riggs) goes to talk to Ron (Austin Abrams). As always, dickhead Ron comes on with aggression. He tries to go for his gun, but Carl smartly counters before anything can happen. They wrestle for a bit until Rick and Jesse make their way inside. All the noise makes the zombies take notice, and Ron has doomed his own house. The dead come crashing through the gate and into the garage. Even after all that, though, Carl lets it slide. But he speaks plainly to Ron in private, after taking his gun: “Look man, I get itmy dad killed your dad. But you need to know somethingyour dad was an asshole.”


Deanna and Rick have a very intense, deep conversation. She explains a few things to Rick, about how they’re all HIS people out there. He is them, they are them together. It’s a hard thought for Rick, I think. Because he’s already shouldering everything, all the time. It’s almost as if Deanna places the survival of society as a whole on Rick.
Back at Morgan’s place, Carol pulls a little bait-and-switch tricking him. She runs downstairs to find out what’s going on. But we quickly cut to the Anderson house, as Rick, Michonne and everyone else are pushed upstairs. They bar off the stairs while Rick starts getting a couple zombie corpses to smear themselves with to get over to the armory. We cut back and forth between the people in the Anderson house to a showdown between Carol and Morgan – he will not let her kill the last Wolf, he keeps spouting off how “life is possibility” and so on, all those things he was indoctrinated into while captive a long way back on the road. It’s a tense situation.


Deanna: “Someday this pain will be useful to you. They need you: go.”
Michonne: “Thank you
Deanna: “For what?
Michonne: “For believing
Deanna: “I still believe. I cocked it all up, but I figured it outwhat do you want? Now you figure it out
Michonne: “I will
Deanna: “Good. Giveem hell.”


The final Wolf keeps telling Carol and the others: “You’re not supposed to be here.” We all know he needs to die, Carol knows that. However, Morgan’s not willing to let that happen. He and Carol have a fight, he knocks her out. Then the Wolf knocks him out, pulling a knife off Carol and holding Denise at the end of his blade. As the others at the Anderson house smear dead human blood and meat all over themselves, the Wolf is interrupted by Tara (Alanna Masterson) and Rosita with their guns drawn. He now has Denise as a hostage, backing out into the nasty zombie apocalypse. That’s a bummer, I really like her. I hope she gets away from him.
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Then we get another scene where Rick and the survivors make their way out of a horde with zombie guts all over them. A really great montage with excellent music from Bear McCreary. Very inspired sounding stuff, as well as ominous; great electronic sound happening, fitting for the vibe intended. Plus, we also see Deanna take a final stand upstairs, opening the door to willingly face the walking dead down with her gun instead of committing suicide.


The end of this episode is sort of low-key. While the last montage is pretty intense overall, we end with Sam calling out to his mom before things go to black. Sort of a bittersweet ending, as we barely saw any of Glenn/Enid, nor did we get ANY look at Daryl (Norman Reedus) & Co. Either way, I loved this episode, and I don’t think it’s deserving of people whining saying nothing happened, et cetera. Lots happened. Also, what do you expect in the post-zombie world? Mostly struggle ahead. Nevertheless, the teaser for the second half of the season wets our appetite Jeffrey Dean Morgan’s Negan and hard times ahead for the group. Lots to look forward to! And we do at least see Daryl, Abraham and Sasha run into some of Negan’s crew, an ominous tease for the second half of Season 6.


I’ll see you all again on Valentine’s Day, when The Walking Dead returns in all its horrifically oozing glory.

The Walking Dead – Season 6, Episode 7: “Heads Up”

AMC’s The Walking Dead
Season 6, Episode 7: “Heads Up”
Directed by David Boyd
Written by Channing Powell

* For a review of the previous episode, “Always Accountable” – click here
* For a review of the next episode, “Start to Finish” – click here
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Finally we’ve made it to “Heads Up”, where hopefully things unresolved start to come together, such as where is Glenn (Steven Yeun)? And what about Enid (Katelyn Nacon)?
Starting off, we hear “Thank you“, and this episode commences as Glenn slides under the dumpster he fell off. Meanwhile, Nicholas (Michael Traynor) is eaten alive by zombies. I always knew this was the case, now I don’t have to keep saying YOU’LL SEE.
Funny enough, though, as this tough beginning plays out there’s an almost beautiful piece of music overlaying everything. Watching Glenn struggle underneath the dumpster, seeing the dead eyes of Nicholas staring back at him, undead arms clawing to get at his flesh, it’s very intense. But once the smoke clears, so to speak, we get to rejoice a little. Sure, you can worry about Glenn more and more. For now I’m happy to enjoy this brief moment in time where Glenn survives. Moreover, Enid shows up to toss a bottle of water down to the poor dude. She doesn’t seem so interested in him, nor does she come across as particularly pumped to go back to Alexandria. Judging by the food on the floor, opened cans and empty wrappers, she’s been camped out there more than once. I feel even worse for Glenn because he doesn’t know what’s going on back in their little suburb, he isn’t even totally concerned with himself at a time when he almost just died. Goes to show how determined of a man Glenn is, how caring and loving he is no matter what personal trials he’s having to endure.

Enid: “What happened is what always happens: people died.”
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In Alexandria, Rick (Andrew Lincoln) is walking the walls, making sure everything’s secure. Morgan (Lennie James) does his martial art stuff, looking uneasy when Rick says they need to talk later. Then there’s Maggie (Lauren Cohan): she’s never giving up the faith. Nor should she, as we know already. Another damn good man, Rick tries to talk with her, to make her feel a little better in the meantime. They even talk about little Judith, and how she looks like Lori. Nice touching moment there between these two.
Out in the wasteland, Glenn finds the note to Betsy lost in the struggle. Such a heartbreaking thing to watch him come across, as it resonates deeply with his and Maggie’s relationship.
Rick is still teaching Ron (Austin Abrams) how to handle himself, how to draw a weapon, load it, et cetera. Carl (Chandler Riggs) gives Ron the business while watching on, sort of adding in little quips at the end of each lesson Rick gives. But while it may seem snotty, Carl knows how to handle himself. He’s proven that, time and time again; no matter if you want to hate him as a character. There’s something about Ron, though. Something I don’t like. I feel as if he might try and do something to Carl or Rick, in attempting to misguidedly avenge his father. Or maybe I’m completely off base. There is a weirdness, a shaky sense to the way Ron talks and acts with the Grimes family.
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Morgan and Rick finally sit for a chat together. They talk about the Wolves, and how Morgan wouldn’t kill any of them. In fact, Carol (Melissa McBride) and Michonne (Danai Gurira) are at the table, too. They all want to know what’s happening. Morgan feels on edge, yet there’s a humanity left inside him. After the Morgan-centric episode “Here’s Not Here“, we know there is a part of him which refuses to die, even after all the terror, the blood, the horror. Morgan keeps believing “all life is precious” and that “people can change“. However, I don’t know if I believe him. No matter how easily the man can break it down, the world is not like it once was. Carol, Michonne and Rick all understand that in their own ways. We’ll see what happens re: Morgan’s long-term status in Alexandria. In the immortal words of Joe Strummer (slightly re-arranged): should he stay, or should he go?
Deanna (Tovah Feldshuh) is optimistic there’ll be an Alexandria, after everything. She brings her new plans to Rick, who doesn’t quite share her enthusiasm. Though, I think he’s happy to see Deanna snapped out of her rut. In the mean time, Rosita (Christian Serratos) is teaching the town residents how to properly handle a machete, even Eugene (Josh McDermitt); he’s having a tough time himself. At least for the moment, even if it’s the briefest, tiniest respite from a constant world of struggle, nobody is dying, nobody is attacking, and things are at a standstill. Nevertheless, people will always have problems. Even if it is the zombie apocalypse.
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While Glenn tries to get Enid to go back to Alexandria, she ends up pulling a gun on him. He insists she ought to go, but she’s not having it. Quickly, he disarms her: “You point a gun at me and I’m the asshole?” They end up as a reluctant team, heading out on the road together. Back towards their walled suburban oasis. Seeing the two of them on the road together, it’s actually kind of comical now and then. They’re like an odd couple situation. Although, I can understand why Enid is so withdrawn and standoff-ish; the way she arrived at Alexandria, what happened to her before, as a young person that must be devastating. If there were ever anyone to be stuck with, though, it’s Glenn Rhee. He has a way of talking to people, no matter who they are. Part of why I dig his character so much after all these seasons.
Rick’s busy beefing up sections of the wall, and out of nowhere Tobin (Jason Douglas) starts to help. Will they finally accept Rick, just as they would one of their own? It feels like a community starting to come together, finally. Too bad it took a lot of blood and guts to get there. But regardless of all that, I like seeing Rick meshing with Tobin in this scene. He talks about how scary Rick was when they first saw him, the beard and the look in his eyes, and then relays the message clearly: “But don’t give up on us.”
Troubling development: dickhead Ron sneaked into the armory room, got himself some bullets. I knew this kid was going to be trouble.
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Watching Glenn and Enid come up on Alexandria was a great scene. There’s a big huge shot of all the walkers shambling around just outside the walls of Alexandria. It’s a gut punch of a shot, compounded with how hopeless Enid feels. Again, though, Glenn to the rescue. He convinces her to forge on ahead.
But inside the walls, Spencer (Austin Nichols) is acting like a crazy person. He’s got a backpack, a gun. Then there’s the fact he’s out shimmying across a grappling line over the wall. What is he thinking? Now Rick and a few hands inside are trying to save him, putting others in danger. The minute you start feeling Alexandria has learned its lessons, one of the dummies starts proving that theory wrong. Turns out Spencer wanted to get out and find a car, to draw the walkers away. What an idiot.
Morgan’s lurking around the local doctor. He needs to “dress a wound“, but as he reveals to her: “It’s not my wound.” Carol catches Dr. Denise (Merritt Wever) walking a ways behind Morgan, both on their way over to his place. We know where they’re going. But will this begin to cause fallout among Rick and Morgan/Morgan and everybody else? Carol’s primed to figure it all out.
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All of a sudden, out beyond the walls, a cluster of green balloons goes up into the air. Maggie is sure it must be Glenn. Then, before Ron can sneak up on Carl with a gun, before Maggie and Rick can be happy about the possibility of Glenn’s survival, the rickety tower-like structure just outside the wall come crashing down against it, right where Rick/Tobin were reinforcing things. Oh, fuck.
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Very, very excited to see the next episode, “Start to Finish“. Stay tuned with me, Walking Deadheads!

The Walking Dead – Season 6, Episode 4: “Here’s Not Here”

AMC’s The Walking Dead
Season 6, Episode 4:
 “Here’s Not Here”
Directed by Stephen Williams
Written by Scott M. Gimple

* For a review of the previous episode, “Thank You” – click here
* For a review of the next episode, “Now” – click here
IMG_2245This is an episode I’ve looked forward to, unlike some – a nice long look at who Morgan Jones (Lennie James) has become, where he’s been and how he got back to Alexandria.
We open with him talking to the unseen leader of the Wolves (Benedict Samuel), but then quickly it transitions from NOW to THEN. Back at the house where Rick (Andrew Lincoln), Michonne (Danai Gurira) and Carl (Chandler Riggs) last saw him before their reunion.
Morgan is having a fairly animated conversation with himself. He’s pissed, ranting, raving. A fire starts and burns the place down. So out into the world he goes, once more. Honestly a lot of people complained about this episode because it’s so Morgan-centric. Me, I dig it. You can’t just explain away a guy going from a lunatic to zen so easily as to re-introduce him; they had to do this episode. I think it’s actually keen of the showrunners to do it this way. Everyone is dying for answers about Glenn (Steven Yeun). Me too, I can just wait – I like the slow burn.
Also, something many people forget: Morgan is the one who saved Rick’s life, all those seasons, all those days ago. So why wouldn’t we get to see more about him? I get it, the timing is what threw people. Again I say it’s a smart move on behalf of the show. Much as people will complain and gripe, which they already did all over social media last night/today, they’re going to hang in there, they’ll talk about it constantly, until the next episode come Sunday.
IMG_2246For the first little bit while Morgan is out in the woods, it’s zombie effects time. A couple real nasty looking customers wander out of the trees, another right through the fire. But then we see him murder two men, who seemed to be following him. He screams at one, strangling him with bare hands: “You know, you don’t!
Yet there’s still a reasonable aspect to him, under the madness. He builds himself a protective cocoon of trees whittled into spikes. Morgan survives somehow, on his own, all alone in the wilderness. He waves a big stick around at the voices in his head. There’s some tragic stuff happening. Lennie James is someone I’ve enjoyed long before now. He really does great stuff with the character of Morgan.
After a little while, though, Morgan comes across a cabin. Refusing to put down his gun – like you and I probably would in his situation, be honest – a man named Eastman (John Carroll Lynch) whacks Morgan a good one across the back of the head. Thus begins the cruel tutelage of Eastman.
IMG_2248 IMG_2249 IMG_2250 IMG_2251Something I wondered ever since Morgan first started to reappear, almost right at the heels of Rick & Co. – why does he all of a sudden fight with a staff, like a ninja or a samurai or whatever? Well, now we start to get some explanations.
I’ve long enjoyed John Carroll Lynch, ever since The Drew Carey Show. Always found his character on the show to be fairly progressive, in a way; say what you will. He’s been awesome in other things, most recently American Horror Story (playing Twisty the Clown in Season 4 + John Wayne Gacy in Season 5 for an episode) and he had a nice turn on Carnivale near its finish. So it’s pretty fun to have him here, if only for a one-off episode in Morgan’s storyline. Either way, he’s important, and he was absolutely the right fit for this character.
The exchange between Eastman and Morgan, once things settle down, is fairly interesting. Eastman happens to be a doctor, specializing in mental health. Such an intriguing perspective to see out of during the zombie apocalypse. Plus, Eastman is so damn chill. Even with all the shit Morgan ends up giving him, starting a fight when the guy’s only trying to be a good man, Eastman continues to give him a chance. Essentially what this man provides Morgan is a way to recognize the humanity in himself again. Much like Rick lost a lot of his humanity, Morgan has gone off the deep end. Worse than Rick ever did; seeing the ghost of Lori, and more, Rick still held it together when it mattered most, he still retained his foundational human spirit. Morgan is a broken man. What Eastman provides is a way to start admitting that, as well as the possibility of coming back from it and living again – some way, somehow.
IMG_2253 IMG_2255 IMG_2256Eastman: “That was Aikido. That’s how I kicked your ass earlier. Well, that’s how I redirected your ass.”
IMG_2257Through the teachings of Aikido, slowly Morgan begins to learn “all life is precious” again. Like it was before. It’s naturally a part of the post-zombies world, to begin feeling as if life means nothing any longer. So many of the survivors still on the show and living have fallen into the despair of this line of thinking. Morgan just happens to be the epitome of that feeling, he lost himself completely after his son died.
But it’s the story Eastman tells Morgan about his family which really breaks the heart. It’s right then I feel Morgan truly switches his mindset, he sees how vicious the world was even before and remembers that it’s human beings who are the worst of all, not even the zombies. It is us. And maybe he does not want to be that us anymore. This scene between Eastman and Morgan at the dinner table, the low light, the soft spoken dialogue, it’s one of my personal favourite scenes on The Walking Dead out of its entire run; definitely at the top. There’s so much going on within this scene and the situation between these two, a great bit of writing.
IMG_2259Very sad to see Eastman take a bite, stepping in to try and help Morgan after he begins to trip out while a zombie shambles towards him. Then, they have a fight with their staffs, which is pretty damn bad ass. Morgan is not fully in the zen zone as of yet, after he falls in their scuffle he once more begs Eastman: “Kill me – kill me!
Even after the bite, though, Eastman continually keeps in the zen perspective himself. Morgan heads back over the edge a bit, or totally, yet the big guy just sticks to his Aikido guns and doesn’t seem to be worried much about his current predicament. But DAMMIT – right as I was starting to love Eastman, he goes and has to get bit. Not like I expected him to be more than a one-time character, I just wanted more of him and didn’t want to see him go out like that.
IMG_2261 IMG_2262However, it’s through this event Morgan finally comes back around to himself. He briefly encounters a couple, one of them wounded, and he doesn’t kill them, or attack them, as he would have before meeting Eastman. Then he rushes back to his teacher. Eastman also reveals he starved the man who killed his family to death – it gave him “no peace“, putting him Morgan was all alone and raving mad, so then he vowed not to kill again. Touching stuff, really. So many well acted scenes between these two.
IMG_2263 IMG_2264The episode closes with Morgan again talking to the leader of the Wolves, who has a fairly nasty, infected wound. He believes he’ll die, but if not plans on killing Morgan, killing everyone in Alexandria even the children. So will Morgan continue with the all life is precious mantra? Or how will it work? He already let this guy live once and look what happened. If Morgan can’t break with the idea of killing another person, it could mean much more trouble than has already come down.
IMG_2265 IMG_2266Very much excited to see the next episode, “Now”. We’ll get back to all the main action in Alexandria, but there’s no guarantee we’re going to immediately find out about Glenn. Though, I have a sneaking suspicion he is very much still alive.
See you again for another one next week, Walking Dead-ites!

The Walking Dead – Season 6, Episode 3: “Thank You”

AMC’s The Walking Dead
Season 6, Episode 3:
 “Thank You”
Directed by Michael Slovis
Written by Angela Kang

* For a review of the previous episode “JSS” – click here
* For a review of the next episode, “Here’s Not Here” – click here
IMG_2192Back at it again, we’re coming round to see where Rick Grimes (Andrew Lincoln) and his gang are on their way home to Alexandria from the quarry.
He and Glenn (Steven Yeun), plus a bunch of their crew, run through the woods frightened for what is coming behind them, all the walkers loose from the quarry. Rick radios back out to the road where Daryl (Norman Reedus), Abraham (Michael Cudlitz) and Sasha (Sonequa Martin-Green) are slightly unaware of the trouble at hand.
Naturally, former Sheriff Grimes has a plan. He makes it very clear they need to only worry about themselves. Problem is the original Alexandrians are a bit uneasy about things. Michonne (Danai Gurira) does her best to quell the fears, though, Rick is fairly vocal about things and many of the others, such as Heath (Corey Hawkins), are pretty worried for their safety. Off Rick goes on his own like the superhero he is, or wishes to be. Everyone else heads back towards home.
IMG_2193In the woods, Glenn and Michonne try leading everyone back. Unfortunately a couple people are overcome by zombies, bitten or otherwise. An errant shot by a scared group member hits someone else creating more mayhem.
Back out on the road, Daryl has a plan of his own. Always thinking, always ready. He speeds off leaving Abraham and Sasha driving in the car. “I’ll be back,” he yells driving up the road.
It’s too bad David (Jay Huguley) was bitten. He and Michonne talk on the road, he tells her about the woman he’s with – Betsy – and how they met, so on. Touching moment made even worse by the fact we know he’s going to turn, or die before that happens.
Then Glenn tells Michonne how badly he has to get home. I feel bad because something is going to happen, all due to Nicholas (Michael Traynor). Earlier on there’s a moment when he almost goes into shell-shock, PTSD, something; he quakes and his vision went blurry. Each time he comes into the frame I can’t help wonder: how will he fuck the group over this time? I hope he proves me wrong, in the best ways, but I doubt it. Highly.
Super creepy scene when Glenn-Michonne group stumble into a pet store. All the animals are dead in their cages, starved and likely dehydrated. One of those strange hit you in the chest moments. You imagine all the different little situations people (and animals) found themselves in after the zombie apocalypse came raining down. Sad, tragic, chilling.
IMG_2194 IMG_2195 IMG_2197Glenn has a plan, and I do not like it – he wants to go light a building on fire. Can’t get any worse? Nicholas offers to draw a map to a feed store, something best fit for a blaze. I’m just not at all sure of this guy, I know he’ll eventually either die or cause death because of his messed up mental state. When Glenn pulls out Hershel’s watch, I cringed a bit. A bad, bad omen. Off on his own and everything, like some ritual.
Another lone wolf on the road, Rick meets up with a small crowd of walkers. He pulls out a knife, nonchalant, then the animal Rick is back in his eyes. He takes them down bloodily, easily. I love Rick Grimes.
Heath and Michonne have a confrontation. Out comes the truth for Heath, the hard reality. She impresses on him the fact sometimes you have to do things which “make you afraid of yourself“. And it’s true, Rick and Michonne, most of their group, they’ve all had to terrible things, awful and unspeakable actions that changed the very fiber of their DNA. None of them are the same, and those people in Alexandria have not experienced anything close to that.
IMG_2198Gunfire starts to ring out back in Alexandria. This sends Glenn and Nicholas, who tags along despite my best hopes, on the run a bit faster. Meanwhile, walkers are on the move down the street, so Michonne and everyone in the pet store have to stay put at least for the time being. But soon enough a few zombies appear in a closet, Michonne chops them and causes a bit of noise. Outside, a wall of walkers keeps lurching towards them literally covering the entire street. They begin a fight to move forward, blasting out the doors and heading down the street. One of the girls gets nabbed by the living dead, her guts chomped into and fed off eagerly, zombie after zombie.
Rick made it back to the big camper near one of the sheet metal walls. His intensity is unmatched in “Thank You”. Even when he bit into that man’s neck near the end of the fourth season, even in many of the insane moments he’s found himself, Rick has never been so primal. Each time we see him, he’s getting more and more vicious. Might as well be frothing at the mouth.
IMG_2199The intensity in the episode rises further, as the separate groups – Michonne and friends, Glenn and Nicholas – rally to corners of the small town they’re in, trying to discover some way, any way out.
Glenn and the idiotic Nicholas end up trapped in an alley, backed up against a fence and awaiting the onslaught of walking corpses. They each fire into as many brains as possible, then haul out their knives for close combat. Can it get ANY SWEATIER? Shit, man. The suspense and the tension had my heart racing. Not to mention their moments are inter-cut with Michonne nearly getting swamped and bitten. Though, luckily she makes her way up and over a fence. The already bitten David is eaten alive by the horde and everyone else makes it out alive.
IMG_2206But Glenn and Nicholas have to get up on top of a dumpster in order to keep away from the rabid walkers. It’s at this moment when the PTSD swells up inside Nicholas, everything slowing down, his hearing just about gone – he tells Glenn, “Thank you“, and shoots himself in the head. They both topple into the zombie crowd and immediately find themselves engulfed.
It’s tough to tell exactly because there’s a possibility it was Nicholas… but the scene as it stands makes us see/believe Glenn is being eaten. Blood spurts out, guts are ripped with hungry hands into hungrier mouths, and Glenn screams into the air. Heart wrenching scene. I almost couldn’t take it. Is this truly the end for Glenn? If so, I don’t know… I’m pretty broken, honestly. His character has been great, amazing dynamic with several of the others, and it’ll be sad if this is his fate.
IMG_2207 IMG_2209 IMG_2210 IMG_2213Later on, Rick calls on the walkie back to Glenn, not knowing what’s happened. Of course, he gets no answer. In fact he gets no answer from anyone, except for Daryl and the road crew. He tries instilling them all with more courage, telling them not to be afraid; Abraham confirms over the radio they indeed are not. Tough bunch of people. They basically have to trust, as Rick says, the fact everyone back at Alexandria can handle themselves properly in such a situation.
Out of nowhere Rick is attacked in the camper. Two men are on in him, after wild gunshots he knocks them down, pumping two shots of his own into them respectively. He finds a jar of baby food on one of them in a sort of bittersweet moment. Then up along the side of the camper he spies people sneaking. Firing an assault rifle through the sides he annihilates them, presumably anyways. In the side mirror, it looks to us like at least one of the dead people is a kid. Things get mentally worse for Rick before the vehicle won’t start, and out of the forest come a ton of walkers.
And then, with zombies coming from every which way, an aerial shot shows the scene from way above, we come to an end.
IMG_2216 IMG_2219So god damn excited for the next episode, titled “Here’s Not Here”. Head back over here next week and I’ll have a review queued up. Until then, Walking Dead-ites!