Fear the Walking Dead – Season 3, Episode 7: “The Unveiling”

AMC’s Fear the Walking Dead
Season 3, Episode 7: “The Unveiling”
Directed by Jeremy Webb
Written by Mark Richard

* For a recap & review of the previous episode, “Red Dirt” – click here
* For a recap & review of the next episode, “Children of Wrath” – click here
Pic 1Out on his own, Jake (Sam Underwood) heads out in hopes to talk with Qaletqa Walker (Michael Greyeyes) about their problems. On the way he hears noises behind him: it’s Alicia (Alycia Debnam-Carey). She tells him about the Trimbol family being killed, that it was Walker and his people. Except we know the nasty truth. Of course it shocks Jake, though he wants to keep going, to try fixing things.
They arrive to the Native land, “ten miles” around either side of a gas station where the tribe’s headquarters is located. The place is intimidating, certainly. Particularly due to the fact Walker’s butchering a hog and is covered in blood. What a time for them to show up.
Walker: “Youre 200 years too late for peace, Jake. But youre just in time for lunch.”
Pic 1AMadison (Kim Dickens) worries when Alicia isn’t around in the morning, though Nick (Frank Dillane) says to leave it be, she’s a grown woman. Then there’s Jeremiah (Dayton Callie), he isn’t so worried. And he’s egging Nick on, further towards a violent edge, in the same way of Troy (Daniel Sharman).
On Native land, Jake and Alicia talk to Walker about stopping any further issues between them. But Qaletqa makes clear “the days of the white mans courts are over” now that the zombie apocalypse has commenced. It is the time for the “First Humans verdict” and time for the white people to get the fuck off their land. Oh, guess who’s kicking around with the tribe? Ofelia Salazar (Mercedes Mason). Whoa!
Alicia’s not that happy to see her, seeing as how she left them for near dead. Moreover, when the two talk Alicia discovers Walker and his people did not go out the night the Trimbols died. A deal may be worked out, a parley. This requires a swap of hostages, amongst other things. When Jake wants to send Alicia back to the ranch, she’d rather stay.
Sad when Alicia has to see the chopper that was shot down, being repaired by the tribe. The event which killed Travis. She confronts Walker with this fact. But he tells her “magnify that hate a thousand times” and you’ve got what he feels for the Ottos. Yet it’s still murder. She won’t accept his bullshit, either. Calling him a murdering hypocrite. At the same time Jake talks with his father about what to do, the deal they’re trying to work out with the Natives. Jeremiah isn’t keen on working with them.
Screen Shot 2017-07-10 at 1.47.42 AMWalker shows Alicia the bones of his great grandfather. He had to take them from his grave, so as not to be desecrated by the Otto family and their plans for the ranch. This gets the two of them into talking about the afterlife. The Native leader he believes there’s a “grand plan” and that the apocalypse is merely the “Great Unveiling” to him. He believes it’s the “dawn of a New Age” where the impure are shed like snake skin. The First Humans will once again inherit the Earth.
Madison is pressing Troy to go into Native territory, to get Alicia out of there. That’s bad news, though. I’m worrying that her manipulation of Troy’s getting out of hand already. If she lets him loose there’s no telling what could be the result. Simultaneously, Jeremiah’s trying to smooth things over quietly with Ofelia; remember, they stumble onto one another at the end of Season 2. What exactly happened? Something not good in the least.
On tribal land Alicia is surprised when Troy and some men show up for her under cover of the night. Nick and Madison waiting with a truck for the escape. This sets into motion a violent series of events, as gunfire explodes in the dark and bullets fly every which way. Not exactly the clandestine mission for which they’d planned. Things are about to get downright ugly after the parley’s been broken. Furthermore, I worry about Troy’s bloodlust, how far Madison is willing to let it run wild. What the consequences are of that down the road.
Jeremiah: “Them that dont listen have to be brought to heel someday
There’s more division between the Ottos, too. Specifically the brothers, while dad is getting drunk and letting responsibility fly to the wind. Troy warns that Jake might not come back from the tribe’s land this time if he goes. I’m beginning to feel there’s an ultimate showdown that’s heading for these two, in one way, shape, or form. Ofelia also warns Alicia not to stay at the ranch. She knows that some of the Ottos are really bad people.
Jake indeed does get an ass kicking back at Walker’s place. After that he’s set to be killed, scalped. If not for Ofelia; she talks the man down. He says much violence, brutal and unforgiving is headed their way.
Screen Shot 2017-07-10 at 2.06.59 AMBut Ofelia is cast out, as well. Beaten. She and Jake are dropped back home. Things are more unsure than ever before, for everybody. We also see the strength of Nick, saying he’s “suicide proof” and volunteering to stay behind to fight if things go haywire. Troy doesn’t dig that. It’s like he’s trying to create a whole new family, feeling protective over Madison and Nick, even if he sorta wanted to kill them at one point.
Alicia starts bringing her doubts about the Trimbols to Madison. I can only imagine how she’d feel if she knew Madison knows the truth of what Troy’s done. She might not be as forgiving as her brother.
One of the soldiers at the gate starts having troubles, his guts tearing him apart. Then another one. They’re throwing up, screaming in pain; dying. And they’re reanimating. The ranch is going wild, too. More people are convulsing, puking, until they’re dead and zombified. The place becomes overrun with the dead. Madison, Alicia, Nick, they band together, as do the militia men. But it may be a lost cause. The culprit of the whole mess? Ofelia, and she’s taking off into the shadows while hell breaks loose. Even worse is that Nick is sick, throwing up. Uh oh.
Screen Shot 2017-07-10 at 2.17.05 AMA solid episode leading up to the mid-season finale. “Children of Wrath” is next and there’s a war about to go down.

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Fear the Walking Dead – Season 3, Episode 6: “Red Dirt”

AMC’s Fear the Walking Dead
Season 3, Episode 6: “Red Dirt”
Directed by Courtney Hunt
Written by Wes Brown

* For a recap & review of the previous episode, “Burning in Water, Drowning in Flame” – click here
* For a recap & review of the next episode, “The Unveiling” – click here
Pic 1At the ranch, Nick (Frank Dillane) is doing a bit of shooting with his new buddy Jeremiah (Dayton Callie). In bed, Alicia (Alycia Debnam-Carey) worries about her mother Madison (Kim Dickens), not back from her search with Troy (Daniel Sharman) to find out who took down their chopper. Jake (Sam Underwood) assures her nothing will happen, his brother promised to take care of Madison.
Then the crew arrive, shoe-less, feet bleeding. Some of them worse than others. Some of them having witnessed things about Troy that are… troubling. Meanwhile, Troy and Jeremiah want to talk together, “in private” – doesn’t sit well with a few of the guys who were there, too. Neither do people at the ranch like this secrecy. Mike, brother to Gretchen (Rae Gray), the one most injured on the outing, won’t let it slide. He tells everyone what happened: “If we stay, we die.”
Things are shaken up, Jeremiah isn’t happy with his boy. Madison actually picks up for him, saying they were cautious. All the stuff about the land of the ranch being stolen from the indigenous people of that region comes out. Jeremiah chastises Madison for her “liberal judgement” when she speaks of Qaletqa Walker (Michael Greyeyes). The old man is full of piss and vinegar and misogyny. Starting to wear thin on Madison.
At least she gets to relax for now, not on the road anymore. Nick and Alicia take care of her, tending to her wounds. We also see the influence of the old fella on her son, he’s carrying a gun regularly now in a holster.
Pic 1AJake: “Most people here are libertarians, they dont take orders very well.”
Above all, I’m wondering how long until Jake completely breaks from his family. He isn’t like his brother, and it’s increasingly clear he isn’t totally like his father, either. He’s got the whole military stance, something bred into him by Jeremiah, he can handle guns and he’s partly, because of his upbringing, a survivalist. But that’s where the similarities end. His legacy is tied up in the ranch, his dad and the whole TEOTWAWKI philosophy. However, it’s evident with every scene he’s in that there’s a different destiny, a wholly other fate from that of his family towards which Jake is headed.
Gretchen talks with Madison, her family’s starting to feel the ranch isn’t safe anymore with everything that’s happening. Her dad knows of a “colony in Colorado” and thinks the Rockies are where they ought to be; them, along with others, anyone who’ll hear him out. Madison doesn’t like the sounds of that, she’s becoming a semi leader, though not openly. She wants to try keeping the good they’ve got.
Problem is, much as we want to believe it, one bad apple DOES spoil the whole bunch. And I think there’s more than just one bad apple at this place. That night, a fire starts; several fires on the horizon near the gates of the ranch. A message from Walker and his tribe. Yet ole Jeremiah’s dragging his feet. Still.
Pic 2Down in the storage room, Troy finds a couple of the Trimbol family looking to take a few things and leave the ranch. Things get tense, as Nick watches on. Although they defuse themselves, just barely. Outside, Gretchen’s dad Vernon (Hugo Armstrong) talks to Jeremiah about leaving. He wants to get out of there, Madison tries talking him out of it while Jeremiah couldn’t care less. More and more we’re privy to the real Jeremiah, as well. He’s getting a bit crazier.
At the same time he’s losing control of Troy, who’s refusing to let the Trimbols go. This puts the two Otto brothers at odds, they throw fists, and Jeremiah even punches Troy in the face. Holy shit, what a mess of a family. Finally, the Trimbols are allowed to leave, safe on their own terms. Everyone else left behind in ruins.
Jeremiah: “Some men have kids, turnsem into women.”
Madison is still watching Troy, keeping a close eye on him using trust to her advantage. The young man is damaged. Deeply. He has issues with people leaving, whether friends or family. Seeing Mike leave has him unsettled. Madison plays mother figure, trying to guide him to where she feels will be safest for everyone. Yet he’s unpredictable. Not sure how long this tenuous relationship will last.
We almost see a microcosm of the idea of open borders epitomised in this fictional apocalypse. Troy sees people leaving, those wanting to get in – even though the land IS native land, surely – and he feels cracking down, setting an “example” for everyone else, militarising further is the answer. I can’t be positive Madison’s able to control him past this point. He’s feeling power, a small army behind him. Could be a struggle seeing as how his father would rather the other brother in that position.
Pic 3Jeremiah’s back on the bottle, too. He fell off the wagon, hard. He’s real drunk, offering Nick some; the former addict refuses. This shows us how Otto is falling apart inside, the composed outer shell beginning to slip. Nick is sort of like a third son, from outside able to see inward where the other two have their heads wrapped up in other things. I wonder where their relationship goes, the endgame. Right now it’s friendly, a kind of comfort for the old guy.
When he wakes in the morning there’s a horse in the field, it belongs to Vernon. Uh oh. So he, Madison, and Nick head out in a truck. “Theyre dead, I know it,” says Jeremiah. Did Walker do it? Or just the ugliness of the post-zombie apocalypse life?
Simultaneously, Jake wants to go talk to the tribe, having known Walker for years because of the family’s legal battles with the tribe. This is where we’re able to see the attachment Alicia’s forming for the Otto brother, pleading for him not to leave.
Jeremiah, Madison, and Nick find the Trimbol vehicle; bullet holes in the windshield. They discover the whole family, zombified, several of them feeding on one of the horses. Old man believes it’s his son, as does Nick. Madison isn’t particularly sure. I would not put it past him. Not for a second.
They get back to the ranch, showing everyone the bodies of the Trimbol family. Madison takes a lead and implicates Walker, his tribe in taking down the chopper AND killing the Trimbols. This scares me. I worry for what this place is doing to Madison, urging trust in the ranch’s militia, siding with the Ottos in all their various ideals. And I know Nick isn’t so hot on it, regardless if he’s been playing with guns a bit more. I guess it’s mostly about staying safe, doing what it takes. She talks to Nick after, telling him it’s all just necessary. Problem is she isn’t trusting in her son enough. He wants her not to forget that Troy is a monster, despite how they might need him for the moment.
Later, the monster admits to his stand-in mother that he went out there and murdered the Trimbol family. She trusts he can control it, that she can from behind the scenes. Again: he can’t, nor can she. And there’s a strange psychosexual thing between them, coming solely from his side, that I worry about every step of the way; others say it isn’t implied, yet I’ve been scared of it since Troy first watched her sleep. He’s got mommy issues, and then some.
Nick: “How do you tell a lie that big and sleep at night?”
Pic 4Another fascinating chapter in Season 3. I mean, wow! I’ve loved this show since day one, but they keep on surprising me, making it deeper and more relevant and compelling all the time. Truly worthy of more praise than it gets. “The Unveiling” is next week, I’m wondering if something big is about to happen. I’d bet on that.

The Walking Dead – Season 5, Episode 4: “Slabtown”

AMC’s The Walking Dead
Season 5, Episode 4: “Slabtown”
Directed by Michael E. Satrazemis
Written by Matthew Negrete & Channing Powell

* For a recap & review of the previous episode, “Four Walls and a Roof” – click here
* For a recap & review of the next episode, “Self Help” – click here
IMG_0265A change of pace in this episode, as we segue into where Beth (Emily Kinney) was taken after she and Daryl (Norman Reedus) were holed up in the funeral home. She wakes up in a clean room. An actual working clock counts through the hours. Although she’s locked inside, unable to get out. A woman named Officer Dawn Lerner (Christine Woods) and a man called Dr. Steven Edwards (Erik Jensen) show up, saying some of the other police came across her on the road; “surrounded by rotters” and now in the debt of these people, supposedly.
Yikes, I don’t like the look of this place one bit. Don’t dig that officer, either.
Note: One of my favourite minor things about the series is how everyone has their own term for zombies, such as walkers, biters, now rotters. Some people think it’s dumb to not say the word zombies. I think it’s perfect, because this doesn’t take place in a world where zombie movies are part of the zeitgeist, as many films usually don’t. So shut up complaining, dummies.
IMG_0266The hospital still runs with power, machines pumping, clocks running. They’re taking care of people. But there’s also a sinister undercurrent. The remaining police force in the city seem to be running the place, under commander of Lerner, of course. There are other normal people, too. Such as Noah (Tyler James Williams), mopping floors and doing various jobs; other patients in rooms, none of them seemingly eager to say much about their life in the hospital.
Beth: “If you feel safe enough to be bored, youre lucky.”
Beth’s finding out that living at the hospital is a give and take situation, of the worst kind. Eating food, you’ve got to pay in work; or worse, if some of those male officers had their way, I bet. I fucking hope nothing nasty happens. Else there’s hell to pay.
That’s the last of things. Officer Lerner and Dr. Edwards have a contentious relationship at times. He takes pity on Beth in private, though plays the part in front of the boss. He’s also more stable than her. When he knows he can’t save an injured man she slaps Beth across the face drawing blood, like a psychopath.
In general the hospital’s not a nice place. Other than Noah, who leaves Beth a lollipop and tries explaining how things work there. It’s not exactly how Officer Lerner paints the picture. You’ve got to escape to get free. Right now our girl is feeling the pressure from Dawn as she acts like the saviour only doing good for others.
IMG_0267Later, Joan – a woman who’s had an arm amputated after a bite – makes clear to Beth there are bad things going on. The men there, they are devious. Scary. And the boss lady feels it’s easier not to keep them on too tight a leash. Officer Gorman starts harassing Beth, clearly an animal, and Dr. Edwards steps in. This cop is doing awful shit.
The doc tells Beth about a guy named Hanson, Dawn’s previous boss; he went a bit nuts, before she took things over. Beth can’t accept that staying there is better than anything else. She’d rather be on her own than in that hell, especially if she could find her sister and the others again.
Beth gives a patient an injection, helping Dr. Edwards. The guy ODs, after which Dawn has to put him down for good. Noah covers, saying he accidentally unplugged a machine. Beth gave him the wrong drug – did she? – but he took a beating for it. Dawn knows, either way. This woman is over the edge, though. She thinks they’re going to rebuild the world while many others are merely trying to survive the next day.
Dawn: “Some people just arent meant for this life
Now, Noah and Beth are planning on leaving together, getting away from the hospital. They start enacting their plan to leave. But she gets found by Officer Gorman as she sneaks where she shouldn’t be sneaking in Dawn’s office. Looks like the cop wants to get nasty, he’s a true predator. She pretends momentarily, as Joan – lying dead on the floor behind the desk – reanimates and chews into his throat. CHRIST! Great practical makeup effects here.
IMG_0269Beth sends Dawn unknowing to her office while she and Noah head for the elevator shaft to flee. He lowers her down; at the bottom in the basement is a pile of corpses. Both of them reach the floor, though he does so with a fall. On through the darkness the pair goes, slow and steady. They finally make it outside, only to find more of the dead wandering free.
As Noah manages to get away, Beth’s take back by Officer O’Donnell (Ricky Wayne). They’ve, of course, found Gorman, gutted in the office. Beth calls out Dawn for letting bad things happen while she pretends things are fine, like they’ll all be saved soon. All for nothing, these horrors. This woman is fucking insane, too.
How long can Beth last here? How long can she stay alive?
Well, there’s a familiar face that just came in on a stretcher: Carol (Melissa McBride), of all people.
IMG_0270Nice to catch up with Beth, I can’t imagine what’ll happen next. If Noah somehow comes across her people, it might lead them to the hospital. “Self Help” is the following episode, hopefully showing us more of Beth’s situation, as well as pointing towards a way out for her, somehow, some way.

The Walking Dead – Season 5, Episode 3: “Four Walls and a Roof”

AMC’s The Walking Dead
Season 5, Episode 3: “Four Walls and a Roof”
Directed by Jeffrey F. January
Written by Angela Kang & Corey Reed

* For a recap & review of the previous episode, “Strangers” – click here
* For a recap & review of the next episode, “Slabtown” – click here
IMG_0259The Terminus cannibals are juxtaposed well visually with the zombies, tearing human flesh between their teeth. These people were essentially just waiting for the world to end, so that they could become who they were; I don’t care what happened to them at Terminus, they didn’t have to eat anybody. It’s just how they chose to deal with the post-apocalypse landscape. They weren’t strong enough, they’re weak and nasty people.
Gareth: “You join us, or feed us.”
Bob (Lawrence Gilliard Jr) is minus a leg from the knee down. He has to listen to Gareth (Andrew J. West) go on about what type of people he likes to eat; most people like women best. Gross. “I think pretty people taste better, too.”
But suddenly Bob erupts in laughter at them, cackling in mockery. He’s officially getting the last laugh in this situation. Back at the food back last episode, he was in fact bitten. They’ve been eating his “tainted meat.” And this evacuates some of their stomachs pretty fast. Whoa.
IMG_0260Sasha (Sonequa Martin-Green) worries about her man, so she goes looking. Tyreese (Chad Coleman) and Rick (Andrew Lincoln) meet up with her, also worried about wherever Daryl (Norman Reedus) and Carol (Melissa McBride) took off. They go back to have a talk with Father Gabriel (Seth Gilliam), wondering if he has something to do with the disappearances. They want to know what he did, what secrets he’s hiding. Turns out he wouldn’t let people from his congregation inside, leaving them to the walkers outside his door.
Then they find Bob, leg gone, lying out in the grass, left alone. He tells them of the cannibals. As well as shows them his bite. More tragedy. Meanwhile, Abraham wants to get gone, to get Dr. Eugene Porter (Josh McDermitt) to Washington. Rick and the rest won’t go, not yet. It’s a bit of a clash between the two, until Glenn (Steven Yeun) negotiates a bit more time for them to stay together.
Sad to see Sasha having to let go of Bob already, as he’s one foot in the grave. They were only starting to get into their relationship, falling for one another. While the others are preparing to go out, she wants to go. But Tyreese suggests she stay, take what time she has left with Bob. Except she tasks him with staying, putting Bob out of his misery when the time comes. I tell ya, poor Ty gets roped into some shit, man. He’s expected to be tougher than others, simply because they know he can; that he is tougher.
IMG_0261So off goes Rick & Co, looking for the cannibals to dole out revenge, some real justice. However, Gareth and his people are watching closely, and they slink out of the forest when the crew leaves. Oh, fuck me. Only a few people remain, one of which is Carl, along with Rosita (Christian Serratos) and a couple more.
Judith’s crying alerts Gareth, but quickly Rick and the others are back. Silenced pistol shots blasting through heads, before he commands the cannibals to drop their guns and kneel. “We used to help people,” Gareth pleads like any cowardly monster would in his position; blaming his transformation on others. A couple seconds later Rick and Abraham and Sasha are murdering the cannibals, viciously, taking out what revenge they can in a few strokes of gun handles and machetes. Oh, and Michonne (Danai Gurira) gets her sword back! Yeah, girl.
On his deathbed, Bob thanks Rick for assuring him there are good people remaining in the world. Thankful for being taken into the group. Terminus offered salvation and sanctuary, whereas Rick and his people genuinely deliver survival. Afterwards, Sasha must watch Bob slip away. Then her brother offers to put him down, so that she doesn’t have to be responsible.
IMG_0262Abraham, Rosita, Eugene, Maggie, Glenn – they’re heading out on the bus for Washington. Although Rick and the rest confirm they’ll meet them again. Somewhere down the road. For now it’s a goodbye, or a see you later.
One important look at the humanity remaining in the survivors is how Rick and Tyreese dig graves outside for the dead. They’re still keeping to tradition, to the old way of things. And I think within these small rituals there’s a way to remain in touch with oneself, hopefully something that will help these people retain their humanity for a long while.
That night, Daryl comes back. Without Carol, or so it seems. Where is she? What’s happened?
IMG_0264Another great episode, especially seeing as how we’re privy to the revenge against the Terminus cannibals. That’s a refreshing thing to see, instead of any further terrorising. Makes that villain plot quick, succinct, rather than dragging it out too far. Perfectly written, this arc.
“Slabtown” is next, where we get a glimpse of a familiar face we haven’t seen for some time. And we get the scoop on whatever’s going on with Daryl and Carol.

The Walking Dead – Season 5, Episode 2: “Strangers”

AMC’s The Walking Dead
Season 5, Episode 2: “Strangers”
Directed by David Boyd
Written by Robert Kirkman

* For a recap & review of the Season 5 premiere, “No Sanctuary” – click here
* For a recap & review of the next episode, “Four Walls and a Roof” – click here
IMG_0251Terminus has fallen. Our survivors are out on the road like before, though they’ve certainly discovered some things about themselves. Rick (Andrew Lincoln) is back in the saddle, he and Carl (Chandler Riggs) reunited with Judith. Tara (Alanna Masterson) ends up talking with Rick, who says he talked to her at the prison because he knew she didn’t want to be there. So the group’s getting bigger, more cosy. Trusting one another better. Carol (Melissa McBride) and Tyreese (Chad Coleman) bond further, as he pushes for everyone to accept what she did to Karen and David at the prison. But they decide on not saying anything about Lizzie, Mika, what happened at that cabin: “I need to forget it,” Tyreese says.
Moreover, Rick tells Carol he owes her his life. All the same he admits not totally liking what she did, likewise admitting she knew things he didn’t at the time. Plus she’s proved herself as one of the ultimate survivors, she was out there alone for a long while with only herself to rely on. Daryl’s (Norman Reedus) glad to have her back. They share an intimate connection, both the victims of abuse in their own right. It’s nice to see them sharing the same space again.
The group doesn’t realise, though… someone is nearby, watching them.
IMG_0252Daryl picks up on this and tells Rick in the morning while they move onward. This pleases Abraham (Michael Cudlitz), he’d like to get back to the streets and out of the woods. When they get further they come across a priest, Father Gabriel Stokes (Seth Gilliam), being attacked by a group of walkers. They dispatch the dead and save him. He’s scared out of his wits, even pukes a good one. Not armed: “Word of God is the only protection I need.”
They’re all naturally sceptical of the priest. Although he has a church; something that could prove useful, for shelter at least. Rick gives him the three questions, it appears Father Gabriel follows the Bible to the letter and hasn’t killed anyone; or anything.
When they make it to the church the group inspect the place, finding no one else. Nothing but scripture, the holy word in its various books transcribed by hand. THOU SHALT NOT KILL in boldest of letters. There’s something strange about it all. They’ve got one particularly good thing to use – a short bus to fix. Plan is to gather food, water, any ammunition possible. Abraham’s itching to leave, except for the fact most everyone else would rather follow Rick.
The priest tells everyone about a place nearby where there may still be supplies. A group, along with Father Gabriel, are heading out; dad leaves Carl behind with Tyreese to look after Judith. He explains to his boy that he is “not safe” despite wherever they may be, whoever’s there, any of that. There’s never safety in this new world.
IMG_0253At their destination, Rick & Co discover a building and its storage area flooded, zombies water logged and bloated. The gang get down into the flooded area to scavenge, using shelves to block the dead. Father Gabriel panics when one of them come for him, freezing. Rick manages to get to him before he’s chomped. Poor Bob (Lawrence Gilliard Jr.) nearly gets a bite, too. Barely coming out unscathed. All in all, they make off with a bunch of goods.
Back at the church, Carl’s found scratches on the outside windows. Somebody trying to get inside. He also found found a message left for the priest by some angry people. That night they’ve all got full bellies, eating better than they have in a long, long time. The Sarge makes a toast to “the survivors” leading into a speech about going to Washington.  Will they all go? Or choose to stay and take their chances long as they can in that church? “Were in,” Rick says after Judith leads.
IMG_0255 Afterwards, the former sheriff speaks with Father Gabriel. He knows the priest is hiding something. He doesn’t want his secrets to hurt their group. At the same time, Carol and Daryl run into each other. They wind up seeing the car that took Beth (Emily Kinney), so off they rush in a vehicle to give chase.
Worst is that Bob is knocked out while in the woods by himself. He wakes to Gareth (Andrew J. West), a still living Martin (Chris Coy), and a few others. They’re still eating people. This time, they’ve taken a portion of Bob’s leg. A good campfire meal.
Gareth: “If it makes you feel any better, you taste much better than we thought you would.”
IMG_0258This was a solid follow-up to the premiere, a deafening blow. Lingering on the Terminus cannibals, now out in the wild, is a treat. Because it’s some of the most vicious stuff we’ve seen the survivors up against.
“Four Walls and a Roof” is next, continuing the stories of the cannibals, our survivors, and the new addition Father Gabriel.

The Walking Dead – Season 5, Episode 1: “No Sanctuary”

AMC’s The Walking Dead
Season 5, Episode 1: “No Sanctuary”
Directed by Greg Nicotero
Written by Scott M. Gimple

* For a recap & review of the Season 4 finale, “A” – click here
* For a recap & review of the next episode, “Strangers” – click here
IMG_0236In that railway car where last we saw Rick (Andrew Lincoln) and the gang, we see Gareth (Andrew J. West) and his own friends. They hear the sounds of screams outside somewhere. Obviously, their standing changed. Drastically.
Now we hear our survivors talking, Abraham (Michael Cudlitz) telling of what happened when they arrived at Terminus, Daryl (Norman Reedus) speaking of the car which abducted Beth (Emily Kinney). As they prepare with anything possible – belts, a scrap of metal, whatever’s near – to fight off the people who’ve taken them captive.
But they’re ambushed, taken into a building where bodies are being cut up. Bins marked FEED, BURN, WASH. Blood. They’re cannibals. Rick and his people are lined up on their knees in front of a trough. This is where they crack people in the head with a baseball bat before slitting their throats, draining the bodies. The first? The young man, Sam (Robin Lord Taylor), who Rick ran into while he and Carol (Melissa McBride) were scavenging together.
Before Glenn (Steven Yeun) can meet his comic book death, Gareth interrupts with menial numbers, counting shells they’ve used up. Then he questions Rick about the bag he buried. The former sheriff tells him straight: “Theres guns in it.” He even lists the various weapons in there, too. Telling Gareth there’s a machete in there with his name on it. Terminus runs on a tight schedule, in order to appear welcoming, as sanctuary. So the killing needs to be finished.
Only it doesn’t get done. An explosion sounds outside, the building shakes. Somebody’s attacking Terminus.
IMG_0238Carol and Tyreese (Chad Coleman) are on their way up the tracks with Judith. We see how much more used to surviving Carol is juxtaposed with everyone else, simply because she had to survive an abusive husband. Although I’d argue she and Tyreese are a good pair; he’s had to survive being black in America, now all this shit. Soon, they hear gunfire up ahead, which luckily draws away a horde of walkers that was heading for them.
They bump into a man named Martin (Chris Coy) and take him hostage, he says they’ve got the “boy and the samurai” and the group attacked their people. Carol is prepared to go killing while Tyreese is left with Judith, watching over their captive. She prepares to head on by covering herself in a zombie’s guts. Meanwhile, Martin chips away at Tyreese, taunting that he and the baby are “going to die today.” But I wouldn’t be so sure about that, despite the guy making a couple good points. No reason to keep him around, and that’s the difference between Tyreese and these people at Terminus. He’s not willing to kill indiscriminately. Not yet.
At the Terminus fence, Carol sees Rick and the others bound, carted off elsewhere. She readies her rifle, scoping out the surroundings. Locating a large propane tank, a group of walkers closing in on the compound. She blows a hole in the tank, then sets off a firework to light the blaze. This was the explosion we heard.
Now the fence is open, walkers are headed inside, and she’s given her friends a fighting chance. Carol moves in, covered in guts, like a goddamn bad ass.
IMG_0240Terminus is falling, fast. Inside, Rick cuts himself free then opens up the remaining men. He gets the others loose, though in the railway car the rest of the gang are worried, hearing the madness just beyond the doors. Although Maggie (Lauren Cohan) and Carl (Chandler Riggs) assure the group they’ll be okay, long as they’re ready to fight when the time comes. And Michonne (Danai Gurira), she looks ready as ever!
Glenn makes clear to Rick they have to save people locked in a shipping container in the yard: “Thats still who we are. It has to be.” They do, and only one insane man is left inside. He ends up bitten by walkers. Seeing Glenn insist on keeping their humanity, coupled with Tyreese’s mindset, there’s rays of hope throughout the violence and the insanity. To know human beings CAN keep themselves, despite it being a hard battle.
Rick commandeers an assault rifle, as he and Daryl make their way across the yard to Glenn and Bob at the container. In the compound, Carol finds Daryl’s crossbow and other items, as well as the shrine-like room with all the names of the dead written in a circle. As well as one of the leaders, Mary (Denise Crosby). The two women end up fighting tooth and nail, until Carol gets the drop on her; Mary tries explaining herself, but fuck that. She’s left with a bullet in her and some zombie friends.
Mary: “Youre the butcher, or youre the cattle.”
IMG_0241At the cabin, Martin gets his hands on Judith while Tyreese looks out the window at a pack of walkers. He forces Tyreese to go outside. Holy fuck. Soon enough our man busts open the front door, crawling on top of his captive with a knife. Choosing to beat him brutally instead. To death.
Those left in the railway car prepare, and they’re also curious about Dr. Eugene Porter (Josh McDermitt), his information about the possible cure. He says he was involved with the Human Genome Project, knows how to take out “every last dead one ofem.” And this gives them all a boost, a feeling of wanting to survive. Just as Rick opens the door for them to lead the escape. They get themselves over the fence, into the woods. Safety not guaranteed anymore, as if it ever were before. Rick wants to kill the remaining people at Terminus, though the others want to leave; I say kill anyone still breathing.
Then, a reunion – Carol comes out of the trees, into the arms of Daryl. She and Rick making amends for all that’s behind them. And the best one of all? Rick and Carl find Judith again with Tyreese, who has his own moment with Sasha (Sonequa Martin-Green) after so long. More of the beautiful light left in this ugly, new world.
Now it’s on the road again, onto the tracks. Anywhere but there. Before they go Rick makes sure to write NO SANCTUARY for anyone who might happen to pass. We also get another look at long ago, when Gareth and Mary and their people were surviving the monsters at Terminus; the people who turned them into the monsters they later became.
IMG_0243Intense episode, a great way to start off Season 5. Assures that along with the character growth and the tense plots we’re also going to witness more of the gruesome side of the post-zombie apocalypse, again exemplifying how the humans are worse than the walkers.
“Strangers” is next and moves us into the next phase for Rick & Co.

The Walking Dead – Season 4, Episode 15: “Us”

AMC’s The Walking Dead
Season 4, Episode 15: “Us”
Directed by Greg Nicotero
Written by Nichole Beattie & Seth Hoffman

* For a recap & review of the previous episode, “The Grove” – click here
* For a recap & review of the Season 4 finale, “A” – click here
IMG_0206Dr. Eugene Porter (Josh McDermitt) rambles on about how you never know if the zombie apocalypse is what actually did the dinosaurs in; very strange comment from a scientific man. He and Tara (Alanna Masterson) bond a bit, chatting. She also talks later that night with Sgt. Abraham Ford (Michael Cudlitz), he’s a man dedicated on getting the doc to the capital. He figures out that Tara likes ladies, too. He’s keen. She’s also dedicated, to proving herself after falling for the Governor’s shit and being part of what went on at the prison. She needs her own personal redemption.
Tara: “What do you do when the missions over?”
Glenn (Steven Yeun) gets more hope when they find the GO TO TERMINUS sign left by Maggie (Lauren Cohan), Sasha (Sonequa Martin-Green), and Bob (Lawrence Gilliard Jr). But fools rush in, and he’d rather run straight the whole way without much more thought.
IMG_0208Ah, we see the Claimers once more at one of their makeshift camps. They’re a rough n’ tumble bunch. They’ve got a new member in Daryl (Norman Reedus), too. At least for the time being, as he reels after the loss of Beth (Emily Kinney), taken in the night by some stranger. We see Daryl adjusting to life with the Claimers, they must speak the word “claimed” in order to secure what goods they want in this new world. Either way, he clashes with one of the men before Joe (Jeff Kober), the leader, on the “rules of the road” within their ranks.
Daryl: “Aint no rules no more
Carl (Chandler Riggs), Michonne (Danai Gurira), and Rick (Andrew Lincoln) are making their own way along the train tracks. And things are well, for the first time in so long. Being back together is a nice feeling. No telling how long it’ll actually last.
With Glenn tearing off to Terminus, Abraham decides the group needs to stop. Tara winds up hurting her leg when the Sarge pushes her out of the way to save Eugene from a walker. So, Glenn makes a deal to pad the doc with his riot gear, then they head out sooner than later.
More of Joe and Daryl, as the latter doesn’t jive with a group whose rules are antagonistic. All the same he’s breaking down. He wants to be with a group, and fearing the worst, fearing everyone will eventually leave or die, he’s staying currently with this bunch. No matter if they don’t seem right.
IMG_0209Abraham, Glenn, and their crew come upon a dark tunnel, filled with walkers. The husband wants to go on through, to find his wife, though the Sarge can’t go in there with the uncertainty of what’s inside. It’s an amicable split, with Abraham giving over a few supplies, including a nice, big flashlight.
Goodbye. Or, see you later? Sarge takes his remaining crew on to try finding themselves another vehicle, leaving Glenn and Tara for the tunnel. When they do, Eugene pulls a tricky one on Abraham and Rosita (Christian Serratos) by getting them to stop at an entrance to the tunnel further down the tracks.
Glenn: “Im sorry I hit you in the face
Abraham: “Im not. I like to fight.”
Further on inside, Tara and Glenn find a blockage near the end of the tunnel, full of boulders and walkers everywhere. It was a collapse, only recently. The two move carefully around the zombies, the debris, silently killing the ones they can. And Glenn checks to make sure neither of them is his wife. Once they get over the blocked entry they find walkers swarming the tunnel. No place to go. There’s even a Bub-like zombie calling to mind Day of the Dead; Greg Nicotero directs this episode, and of course he was in the film.
The whole CLAIMED thing isn’t sitting so well with Daryl, he doesn’t like their system. He sleeps on the floor while they stop for the night as the rest of the men claim themselves a more comfortable bunk. He has more problems with the same guy from earlier, when he’s accused of taking the rest of a rabbit they were made to halve. Turns out the dude planted the thing to get Daryl in trouble, backfiring. Makes Daryl look better in the eyes of the Claimers, for not lying.
IMG_0210When Tara gets her leg stuck between a rock and the tunnel wall, she tells Glenn to leave her when they can’t force it off her. He refuses, unwilling to let his humanity go to get himself out. He fires his gun, killing the walkers he can.
And just as they’re nearly chomped to bits, a vehicle pulls up, Sgt. Ford and his crew unleash bullets, taking out the rest of the horde. Someone else is there, too: Maggie. Along with Bob and Sasha. Together again! Now, rather than head to Washington, everybody decides on going to Terminus, at least first. When they get up to the end of the tracks, they find the fabled place. They’re welcomed in with smiles, good intentions. Could this be sanctuary after all this time?
On the road again, Daryl heads forward with the Claimers. But it’s obvious he’s different from these men, and they’ve killed one of their own over something not exactly that bad; even if the guy WAS a dick. The Claimers are heading someplace special, to find a man who killed one of their men and escaped. They’re headed for Terminus, only because they’re on the man’s tracks.
We know who he is; they’re looking for Rick.
IMG_0211Great episode leading into one of the wildest of the series. The Claimers and Rick are headed for a confrontation. Boy, it is ever something. “A” – the season finale – is next.

The Walking Dead – Season 4, Episode 14: “The Grove”

AMC’s The Walking Dead
Season 4, Episode 14: “The Grove”
Directed by Michael E. Satrazemis
Written by Scott M. Gimple

* For a recap & review of the previous episode, “Alone” – click here
* For a recap & review of the penultimate Season 4 episode, “Us” – click here
IMG_0197Even though Carol (Melissa McBride), Tyreese (Chad Coleman), baby Judith, Lizzie (Brighton Sharbino), and Mika (Kyla Kenedy) are together, things aren’t well. There’s something decidedly wrong about Lizzie, whose treatment of the walkers is something beyond misunderstanding. She is fundamentally flawed, in some way. Mika understands the walkers, but her sister doesn’t seem to see the world in the same light.
For now they’re headed for Terminus, wondering what they’ll find at the end of the tracks. Hope is what it gives them at the moment. Poor Tyreese needs it, he can barely get a proper night’s sleep. Luckily he has Carol around to tend to his wound with some tree sap, help his fever. Still doesn’t know what she did, though. Could cause incredible problems later on.
IMG_0200Carol compares herself to “the Widow Douglas” from Tom Sawyer, as the girls debate which one of them is Tom, which is Huck. A sweet scene in the midst of all that ugliness. Love when the writers toss that in. Maybe some people feel it’s like a soap opera with zombies. Fuck those people; this is a great character study of humanity, that’s what this show does best.
When they’re alone, Carol and Mika talk about being able to kill. The little girl knows her sister is “messed up.” She just doesn’t want to have to kill people; she gets the walkers, but her morality won’t let her, under any circumstances, commit murder. Not ever, not in retaliation or anything else. What Mika illustrates to us is how humanity has changed. She recognises people who murder, for whatever reason now in the post-zombie apocalypse, many of them “werent like that before.”
The group come across a cabin in the woods. Carol suggests they rest a couple days before heading on the road longer to Terminus. On the horizon they see smoke rising, far away, some kind of fire. So they play it safe, checking the grounds thoroughly to make sure they can stay there a bit. Outside the cabin Mika puts down a zombie to save her sister and Judith, sort of proving herself. Meanwhile, Lizzie’s falling deeper into her own mind. And everyone around her, Mika included, can see it getting so much worse.
Mika: “Just look at the flowers like youre supposed to
IMG_0201At night they all settle down, in an actual house, in a warm living room. Even a doll for Mika to play with, a comfy chair where Tyreese can relax, as Lizzie helps Carol shell pecans. Could be longer of a stay than just a few days the way it looks.
The opening scene returns now, in context, with Lizzie shambling around in the yard with a zombie. “She wanted a friend,” the girl screams when Carol puts it down. The girl’s mind can’t handle this world. She’s all but broken in two psychologically. It’s actually horrifying to watch, some of the more emotionally straining moments of The Walking Dead as a whole. So different from the experiences of others we’ve seen thus far.
Tyreese talks about the trust he has in Carol, wanting to live in that cabin the four of them. But you can just see the look in her eyes, she knows that without telling him what she did to Karen then later on it will only be worse if it comes out.
Also, we finally discover – for certain, anyways – Lizzie is the one who was feeding the walkers the rats at the prison. We see more of the girl breaking down, her sister Mika trying to snap her out of it. Then a horde of burned up walkers breaks through the trees, roaming from wherever the fire’s raging. The group fight them off with guns, and even Lizzie starts shooting them. Although afterwards she has a bit of a cry. Maybe a turning point?
IMG_0202Lizzie: “I know what I have to do now
Later on, Carol and Tyreese bond together on a walk. When they get back to the cabin they find a shocking mess – Lizzie has killed her sister, leaving the brain untouched. She wants her to reanimate. To show the adults what she’s been talking about this whole time. Such a disturbing thing to watch, especially considering Judith is lying feet away. One of the most hardcore things we’ve seen on the series to date.
Tyreese and Carol discuss their options. She says maybe she ought to take Lizzie and leave. They can’t keep her around Judith. Tyreese doesn’t want that. Then they realise “she cant be around other people.” There’s only one way out of this predicament.
Out into the woods, Carol takes Lizzie to pick some flowers, for when Mika comes back. And she tells the young girl to look at the flowers, as her sister did before. She raises her gun, firing, putting the girl out of her misery while Tyreese watches tearfully from the window. Definitely the hardest thing Carol’s ever had to do, even above suffering through her marriage to an abuser. Her character is amazing, put through so much and she continues to survive, to thrive.
That night Carol and Tyreese sit quietly in the cabin together, and she reveals to him she killed Karen and David. She slides him the gun, telling him to do what he must. Instead, he forgives, choosing not to forget. But he knows she feels the guilt: “Its a part of you now. Me, too.” Then they decide it’s time to leave that place, to go on towards Terminus.
IMG_0204What a spectacular episode. So intense and emotional all around. One of my favourites of the series, definitely. A chilling chapter in the whole journey. “Us” is next and we’re coming up on another one of the most tense, brutally thrilling episodes of the whole show.

Fear the Walking Dead – Season 3, Episode 4: “100”

AMC’s Fear the Walking Dead
Season 3, Episode 4: “100”
Directed by Alex Garcia Lopez
Written by Alan Page

* For a recap & review of the previous episode, TEOTWAWKI”” – click here
* For a recap & review of the next episode, “Burning in Water, Drowning in Flame” – click here
Pic 1We see the journey of Daniel Salazar (Rubén Blades), after escaping from the massive fire where he and the group were staying awhile back. So glad to see him back. Although not without struggle and pain. He didn’t simply escape the fire, he barely made it out. His hands and neck and legs burned. Walking through the streets, he winds up stalked by one of the dead. He barely makes it away from it when a dog draws the thing away.
One thing I fail to mention each episode is how much I love the low-key, subdued opening. I also dig the original series’ opening sequence, the music. But something about this series is more unsettling, very creepy, an ominous sound leading us into every episode.
Pic 1ADaniel comes across a man named Efrain (Jesse Borrego), he seems like a bit of a religious man. He kills the dead like an old school vampire hunter, only putting his version of the stake – a long nail – through the zombies’ heads. Either way, it’s another human to help Daniel, at least for now. He aids the old man in getting someplace safe; our friend isn’t well, and definitely parched. They get a bit of water from a nearby fountain, it looks like it only comes on at certain times a day. Each Tuesday, 5 PM. Ah, the water wars we saw last episode, a situation into which Strand (Colman Domingo) has put himself. Looks like Daniel may wind up there, too.
Daniel: “What are you?”
Efrain: “Me? Im the fifth Beatle. You?”
Efrain is a wild dude. He bottles water when he can, then heads out on a bicycle cart with a speaker shouting AGUA in the streets to alert the thirsty people. At the same time men patrol the streets in vehicles with guns, not wanting a black market on water to crop up.
Our water dealer takes Daniel to a woman named Lola Guerrero (Lisandra Tena). She assess his leg, that it’s starting to rot. Either scrape away the pants burned into the wound, or it’s possible he’ll lose it. Poor old lad, he’s got to take the pain in order not to draw out the dead too much. He and Lola sing a song together in Spanish, as she goes about scraping out the wound. Lucky for him it works, and he’s only relegated to a crutch for awhile until it heals.
Pic 2Something is rotting in you far worse than your leg
When Efrain and Daniel bond, the former learns more about the latter. Mainly the fact Daniel has killed “ninetysix” people, that he feels he isn’t a good man and has to pay a debt, to redeem himself for his sins. He tells Efrain about leaving El Salvador, coming to Los Angeles to become a barber. He also cuts his new friend’s hair; an intimate and powerful gesture in its own right.
Now the old guy’s biggest worry is for his daughter Ofelia (Mercedes Mason), wondering where she is, how she is, if she’s safe, or what is the case. Even after nearly burning alive he’s still hard on himself. Because he believes he possibly burned his own daughter to death in that fire. He seeks forgiveness, but Efrain isn’t the one to give it to him.
I only hope Daniel doesn’t push himself too far. He’s determined to find redemption. So he prays. And out from the sky comes a lightning bolt, crashing into the head of a walker that nearly chomps down on him. A sign, if there ever were one. Still, Daniel ends up washing away in flood waters with the zombie. He winds up at the Gonzalez Dam, and by a stroke of luck he’s located by Lola. Dante Esquivel (Jason Manuel Olazabal) runs the operation, “distributing water” in his own fashion. A man named J.C. (Ricardo Chacon) confronts Lola when she brings the old guy around, though they cover, saying he was desperate for work. They put him out around the drainage area, hauling bodies. Where he’s able to get a good look at the dam’s entrance, where Strand soon winds up.
Daniel starts to see what daily life is like there, a far cry from where he once was and yet troubling. Everyone stands for Dante as he walks into the lunch hall, except for our man. It’s like a cult, ruled by authoritarian hand. This guy J.C. has got it in for Daniel, too. A fight breaks out when he tries acting like an asshole a bit too much. This gets the boss’ attention. Turns out, Dante knows a bit about Daniel, at least what he can gather from knowing the old man lived in El Salvador, the capital in fact.
He’s got a lip tattoo which reads SN, prompting the boss to speak the words “Sombra Negra“; in reference to the Black Shadow, a death squad in Salvador that targeted criminals and gang-bangers for execution in a form of government-backed vigilante justice. Now we see more of why Officer Salazar feels how he does about himself, why he’s in a sort of moral prison in his mind. He’s done some seriously bad fucking shit.
Pic 3With this revelation, Daniel’s ingratiated himself into the inner circle of the dam. Dante wants him on their team. Although our guy is mostly just concerned with finding a way to search for his daughter. So he’s out on patrols with the boss’ boys, they’re looking for sneaky people stealing water where they shouldn’t be. Daniel watches the clock, worried Efrain will show himself at 5 PM. Afterwards he leads them right to his new friend. What a cold move. He tries telling Lola that it was to protect her, that they’d find out sooner than later. Same kind of bullshit he used to convince himself while working on a Salvadoran death squad years earlier.
Lola: “This place is perfect for you. You are a thug. Go get your prize, thug.”
Finally, Daniel watches Strand stroll past the gates. Taken to see the boss. And later when Victor is placed in a cell, Daniel goes to see him with water. A meeting after so long apart. He hears that Ofelia made it out, she’s alive. This gives him hope, for the first time in forever. However, the old guy won’t believe him, believing this is all lies. Oh, christ. He’s going off the deep end. This is not good, at all.
Not to mention Daniel’s called int to torture information out of Efrain. This is ugly. Maybe some of the ugliest stuff we’ve seen so far on Fear the Walking Dead. As if he didn’t have any farther down to fall, after the death squad reveal. He’s being pulled back into that old, hideous life he fled in Salvador. If he even does make it back to Ofelia, he’ll never be the same person. And redemption can’t ever really come.
For Efrain’s sake, Lola throws herself on him. Before Daniel can kill him. Just a tragic situation altogether. You know where they’re being taken, too. Out to the damn, to face a fall. Strand, Lola, Efrain, and more are faced with execution for their crimes against Dante. Instead of tossing them all over, Daniel turns on Dante, pulling a gun and putting a bullet in his head. Saving the remainder of the people from a nasty fate. This is a start to redeeming what he’s done. He offers Lola a gun, a chance to do him in; he begs forgiveness. And it’s that she gives him.
Pic 4WOW, this is a stunner of an episode! One of my absolute favourites. Because Daniel Salazar was always interesting to me, this only upped the stakes. His backstory, his history is vile, and with the fall of society, the fall of civilised men comes another moment where he must face the ugliness of his past.
“Burning in Water, Drowning in Flame” is next week. Haven’t been this excited for a new episode in awhile.

The Walking Dead – Season 4, Episode 12: “Still”

AMC’s The Walking Dead
Season 4, Episode 12: “Still”
Directed by Julius Ramsay
Written by Angela Kang

* For a recap & review of the previous episode, “Claimed” – click here
* For a recap & review of the next episode, “Alone” – click here
IMG_0179On the road together, just the two of them, Beth (Emily Kinney) and Daryl (Norman Reedus) face harder times than a lot of their friends. They seek refuge wherever and whenever they can, walkers everywhere outside. It’s never easy, though this is a new level even for them.
Beth is giving it her all. She’s come a long way from the girl who once wanted to kill herself and be done with the world. She starts her own fires, rigs a line of hubcaps to use as a signal for intruders. Daryl kills a rattlesnake for them to eat for dinner; he’s a bit more eager to chow down than she is, and I don’t blame her.
She’s getting restless. She wants to go have a drink, like in a bar. He doesn’t pay much mind to it, believing she’s just rambling. But she’s serious, and she is going with or without his help. He tries bringing her back to their camp. She just won’t have it, sitting around doing nothing except surviving. It’s hard to take, especially for young people who’ve barely lived their lives outside a farm.
Beth: “Im not staying in this suck ass camp!”
IMG_0180They find a golf course and head into the country club attached. Inside is dark and full of walkers. Beth is almost chomped by one before she stabs it in the head. Daryl scavenges anything and everything he can find. In the pro shop they find new clothes among other things, including a female zombie, bloody, dressed in clothes with a sign reading RICH BITCH across her chest. Beth insists they cover her up, for dignity’s sake. Long after dingnity has ceased to walk the Earth.
Further on they run into a grandfather clock that starts sounding; not a good sign, as it draws walkers to their position. They move on, fighting off a few of the dead while they go. Daryl messes up Beth’s brand new white t-shirt when he whacks a head to bits all over her. They manage to get to the bar, where she finds a bottle of peach Schnapps. Shitty booze, but you take what you can get! Daryl says fuck that, they need to find a better drink for her first one.
IMG_0183He knows the backwoods, he’s a hunting, tracking machine. They head out into the woods in search of a cabin, one Daryl found before with Michonne. Inside he knows there’ll be moonshine, somewhere. Just like back home with daddy. This is where things start to take a little turn. Because we already know Daryl Dixon didn’t have it easy, we’ve sen the lash marks on his back, dug deep in his skin. He’s been to a terrible place as a boy, lucky to have escaped, I imagine. Being in a place reminiscent of home, drinking shine, it brings up emotions he probably didn’t plan on experiencing.
Before Daryl can go over the edge as their drinking game goes wrong, he sees himself clearly. He takes pleasure in killing the already dead. Then she points out that not everybody is like him, they can’t shrug it all off. She doesn’t think he cares about those they’ve lost.
He doesn’t want to be that man. He feels responsible for what happened at the prison, for Hershel’s death, for the place going to ruin, and he feels that their friends are all dead. And Beth can only think to hug him, hold him close.
Beth: “Killing them is not supposed to be fun
IMG_0184 The two of them get closer, they talk more about life before the turn. Daryl talks about a stupid situation with Merle at a tweaker’s house, and he reveals he didn’t have a job before everything went to hell. He and his older brother were drifters, essentially. He was just “some redneck asshole with an even bigger asshole for a brother.”
Their bonding helps them feel better about the world. And they’re becoming better friends, as well. Later, they decide to burn the little cabin down. To leave the bad memories with it, to start fresh and let the fire signal a new beginning. In a way, it’s Daryl leaving part of his ugly past behind, a way to symbolically tear down that part of his life that’s useless to keep around even in memory. They head onto the road, again, and the cabin burns behind them. Flipping the bird as they go.
IMG_0186A quiet, more subdued episode. I did enjoy it. First time I saw this one I didn’t find it as engaging. This time around, I pick out more nuance than before. It’s a great look at Daryl, as it is Beth, too. They’re both on show in their own respects. Love it.
“Alone” is next and we’ll see more of our survivors trying to get down the road in one piece.

The Walking Dead – Season 4, Episode 11: “Claimed”

AMC’s The Walking Dead
Season 4, Episode 11: “Claimed”
Directed by Seith Mann
Written by Nichole Beattie & Seth Hoffman

* For a recap & review of the previous episode, “Inmates” – click here
* For a recap & review of the next episode, “Still” – click here
IMG_0169Sergeant Abraham Ford (Michael Cudlitz) and his people have picked up Tara (Alanna Masterson) and Glenn (Steven Yeun) on the road; they’ve got a large military truck. The Sarge is a tough motherfucker, a real slick talker, too. Tara finds it strange that he was smiling while he killed. His response? “Well, Im the luckiest guy in the world.”
Oh, he’s a treat! Not only is Abraham a solid character, Michael Cudlitz is a fantastic actor whose role on Southland is one of the all-time greats on television. A welcomed addition on The Walking Dead.
IMG_0170In a house together, Carl (Chandler Riggs) and Michonne (Danai Gurira) sit together at a table eating cereal. They have a nice morning, until he remembers Judith, imagining the worst. Nice that we know the truth, though painful to watch them not know.
Michonne is more committed to staying with people, she knows the depths of depravity to which her own mind sinks when she’s isolated; as we saw recently. At the same time, Rick (Andrew Lincoln) is worried, faltering in his own confidence. He doesn’t know what the best pay forward is anymore. This is perhaps his lowest point yet, and he’s seen some shit. But there’s much more at play at this juncture, after the war with the Governor, the fall of the prison. He’s got some personal development to do. And Season 4 takes him to an extraordinary place. Starting with his day at home alone while Carl and Michonne go out scavenging together.
The pair head off through the neighbourhood, they get to know one another more than before. I like seeing them together because they’re friends. He also sees her, slightly at times, like a mother figure. She’s super bad ass, so it’s only naturally he feels comfort in being around her. She agrees to answer questions about her old life after they’ve cleared a room in the house; on they go, as he discovers her boy’s name was Andre, among other tidbits. They also stumble upon an ugly end to a once happy family in their home.
IMG_0176Then suddenly Rick wakes in his bed to voices downstairs. A bunch of men. Dangerous sounds. WHO ARE THEY? He can’t find his gun, so he rolls out of bed and hides underneath it. A man with a gun walks through the upstairs hallway, searching the rooms. Then into Rick’s room. The man lays down on the bed.
How the fuck is our sheriff getting out of this one? The man falls asleep and another one comes in, angry, wanting to lie down. They fight, the man in the bed sees Rick under it but is choked out by the other. Still not getting anywhere fast.
Once Glenn wakes up, again, he’s riding on the truck with Tara and their new friends. He isn’t exactly thrilled, he wants to be searching for Maggie (Lauren Cohan). Abraham is on his own mission. He doesn’t particularly want to let Glenn leave, either. He says they’re on a mission to get Dr. Eugene Porter (Josh McDermitt) to Washington, he knows what started the zombie plague. They want Glenn’s help, he’s a fighter. But he needs to find his wife. They wind up having a proper fist fight before anything else happens. Like walkers coming out of the trees. We also see Dr. Porter’s uselessness, too. He puts a hole in the gas tank firing at walkers.
More importantly, back to Rick – he waits until the latest man in the bed sleeps, then crawls out slowly. He makes it to another room before Joe (Jeff Kober) walks by, tossing a tennis ball around leisurely. Rick tries to find a way out, hearing that they’ve found evidence a woman’s been staying in the house. The men start gathering downstairs. In the bathroom, Rick runs into a man on the toilet, whom he strangles to death.
IMG_0173Abraham can’t figure out how to fix the truck, the tank is busted. Rather than stick around Glenn leaves, and Tara can’t leave his side. The Sarge doesn’t want to leave, though his friend Rosita (Christian Serratos) decides they’ll go, as well. Nowhere else to be, right? A destination is a destination, you can’t stop for long on the road in the post-apocalypse world.
Rick gets himself out the window before anyone can find him in the house, down to the ground and in time to meet with Michonne and Carl, so they don’t walk into a house of horrors. They get away without anyone knowing they were there. Except, is the gang’s dead buddy in the bathroom reanimating? Yikes, that’s brutal. Could mean trouble if they were able to track Rick.
On the train tracks, Rick, Carl, and Michonne come across a sign pointing to a destination further down the road. A sanctuary, a community, directions on a map. They decide to head onward. Will it be what they hope?
IMG_0178A great episode, introducing more stories and characters. As well as sets up a few different things we’ll find coming back into play the more we get towards the end of Season 4. “Still” is next.

Fear the Walking Dead – Season 3, Episode 3: “Teotwawki”

AMC’s Fear the Walking Dead
Season 3, Episode 3: “Teotwawki”
Directed by Deborah Chow
Written by Ryan Scott

* For a recap & review of the previous episode, “The New Frontier” – click here
* For a recap & review of the next episode, “100” – click here
Pic 1We start with a survivalist, anti-globalist rant by patriot Jeremiah Otto (Dayton Callie). A video of him at Broke Jaw Ranch. “This is the end of the world as we know it,” he tells us: “Teotwawki.” This is something Trump voters would definitely buy into with buzzwords like “urban hordes” and other xenophobic rhetoric.
A bunch of people are gathered for Charlene, in her memory. The Otto brothers – Troy (Daniel Sharman) and Jake (Sam Underwood). Although people seem to blame Madison Clark (Kim Dickens), Nick (Frank Dillane) and Alicia (Alycia Debnam-Carey) a bit. Some of them. Madison makes clear they’re only there to help. Mostly people want to know who took down the plane, to see justice for what’s happened and to prepare for anything worse. What’s clear is there’s a division amongst the ranks of the Otto family. And the camp as a whole.
If you plan for the future, plan for a better one.”
Pic 1ANick’s busy trying to nurse Luciana (Danay Garcia) back to health. She wants to leave, soon as she’s healthy enough. He wants to be able to be safe, to feel protected. He’s kicking himself constantly and feeling as if he’s the one responsible for so many things. But Luciana tries making him realise he’s not a bad person. He’s not a killer, either.
I worry about Troy. He’s clearly a psychopathic person, he has… tendencies. He keeps lurking around Madison, talking about Travis (Cliff Curtis). He asks about her past, so on. In a very unsettling manner. He even admits to having certain issues with social behaviour. The guy’s got a problem with her son now. First it was Travis, now Nick. He is deranged. Wants a woman and a mommy.
Back with Strand (Colman Domingo) we see him trying to find his way. He drives up past a load of Mexicans travelling, stopping at a sort of makeshift border crossing. Strand says he’s looking for a man named Dante, though nobody wants to entertain him, even after offering up his car. Lucky for him Dante (Jason Manuel Olazabal) comes out to say hello.
The Clark family are all worried, for different reasons. Nick says they ought to think of other options than staying at the ranch. Madison would rather stick with what they have, what they know. Also, she feels if they go it was a waste of Travis’ life. Regardless, none of them are on the same page.
Madison goes to talk with Jake and Jeremiah, wondering if they can “keep a leash” on Troy and quell all the resentment from everybody around the place. The old guy doesn’t seem to have much time for hearing about what his boy’s done. This gives me pause. He and Madison will have it out, one way or another.
Alicia: “Its all just different circles of Hell. Why not this one?”
Pic 3Jake goes to his brother, telling him to stay away from the Clarks. We see the resistance of Troy to follow any orders, no matter who’s asking. If people at the ranch figure out what the guy is, WHO he is, they might not be so keen on following his lead. These brothers are coming to a head, too. There’s a confrontation of epic, tragic proportions in their relationship, I feel.
When Alicia goes to hang out with some of the young people, supposedly for Bible study, it turns out they’re actually going to smoke pot, drink booze, and enjoy life as it once was for youth. I actually thought for a moment they were plotting on doing something nasty. They only wanted to bring her into the fold. They’ve even got a zombie head kept in a bird cage: Jeff. Sick, but when you’re high? Hilarious!
In a room by herself Madison sees the outtakes of those Otto family videotapes. Jeremiah wasn’t a great dad. Handsy with mom. Not so sweet and kindly as he seems. The old fella strolls in while she’s watching, admitting he’s not perfect. They talk a bit about their past lives, his past wives. She tells of her alcoholic father, noticing the signs from Jeremiah’s former wife; Troy took care of her at the end when she was dying awfully.
Strand and Dante catch up, clearly having known each other quite a long time. They talk about Thomas briefly, a sore spot for Victor to bring up. Yet I feel something, not quite right here. Perhaps he’s rushed into something quickly without thinking it all through. Well, Dante has been busy. He’s killing people who displease him. Turns out they’re not exactly old friends; just business. Strand pleads his case, asking to be of help. To negotiate deals and organise things for him. Except it’ll be more of a forcible situation than he wanted. Stuck in servitude to Dante. Sort of fitting when in Hell, no?
Pic 3Headed out at night, Troy asks Nick to go for a boar hunt with him: “Earn your keep.” Don’t like this! Don’t like this at all! Not even because of Troy, I almost worry that if the situation arises Nick would take a chance to kill him. Who knows. Back at the ranch, it seems like Jeremiah is warming to Madison, they continue bonding while the boys are gone. She really wants them to find a home somewhere, a place where they can fit in. She tells the old man about Nick being an addict. Both the Otto and Clark family have their respective demons.
Jeremiah takes her down to see “the pantry” where they’ve stockpiled guns, supplies, many things they have for prepared for a Revelations-style apocalypse. He wants to rebuild society, basically. She’s in, too. She wants to feel safe again in a community.
Although I’m still scared. Nick is out on the hunt and he takes Troy to the ground, gun on his throat. FUCK! This ain’t good. He only fires a shot next to the guy’s face and tears up the notes in his little journal. A bonding experience?
Troy: “I need to know why we spoil
Screen Shot 2017-06-12 at 2.15.15 AMThings seem better at the ranch in the light of day. Nothing’s ever perfect in this post-apocalypse landscape. Now they’re preparing for possible trouble, looking for volunteers to head out on a search party to scout what’s happened with the helicopter. And Madison offers to go with them, surprising many. Tough woman. After that she goes and sits with Troy for breakfast. Because she knows if she plays mom that’ll keep her in his good graces.
And Strand, oh he’s facing a hard time ahead. In a prison work-like situation. Shit, he’s had it rough lately. One good thing? Daniel Salazar (Rubén Blades) watches over him: “I told you Id be your guardian angel.” I KNEW HE’D BE BACK EVENTUALLY! FUCK YEAH. Love his character.
Screen Shot 2017-06-12 at 2.21.15 AMI loved this episode all over, it opened many new things, expanding on those new stories we’re seeing. Plus there’s a return of a character whom I hoped was not wholly gone. We’re about to see so much happen starting in “100” next week.

The Walking Dead – Season 4, Episode 8: “Too Far Gone”

AMC’s The Walking Dead
Season 4, Episode 8: “Too Far Gone”
Directed by Ernest R. Dickerson
Written by Seth Hoffman

* For a recap & review of the previous episode, “Dead Weight” – click here
* For a recap & review of the next episode, “After” – click here
IMG_0162The Governor (David Morrissey) is bringing his vengeance to the new group which he’s been leading. He tells them all about the prison, that they’ve got to go and get themselves a new place to live. Mostly, he wants to kill Michonne (Danai Gurira), to take everything Rick (Andrew Lincoln) has done for his own. He makes the group out to be monstrous. Like it’s their duty to go and take the place.
We also see the Governor get a jump on Michonne and Hershel (Scott Wilson), taking them hostage. People get worried when he tells his group, this is all very new to them. He makes clear: there are no rules anymore, not in this war to which they’re headed.
IMG_0164The Governor makes himself out to be a saint, mutilated and ruined by those people at the prison. He talks a good game. Although Tara (Alanna Masterson), Alisha (Juliana Harkavy), they’re reluctant at first, they all come around fast. Ready to follow him into a battle of which they know nothing. Lilly (Audrey Marie Anderson) doesn’t like this side of the man she knows as Brian. He’s blinded by both vengeance and a want to relive his old life anew with a defacto wife and child.
Lilly: “Killing people?”
The Governor: “Killing killers
Michonne only threatens to kill the Governor, not willing to talk with him like a regular chat. For his part, Hershel offers to work together. To live as communities side by side. This is not an option, though. This man is set in his ways, he will not back down.
At the prison, the flu has finally passed. Glenn (Steven Yeun) is doing well, nursed back to health by Maggie (Lauren Cohan). They have no idea what’s coming. They’re merely living their lives, one day at a time. Daryl (Norman Reedus) is livid with Rick over what he did, without consulting anyone, with Carol (Melissa McBride). I knew this would cause grief between them. Except I agree with Rick on what he did. Then they’ve got to talk to Tyreese (Chad Coleman) and tell him, though he’s got other worries – he’s found a disturbing scene, an animal torn open and displayed in a dark hallway. Psycho shit.
Bob (Lawrence Gilliard Jr) sees Sasha (Sonequa Martin-Green) for the first time since getting back. There’s a connection between the two. She thanks him for helping with the medicine. But Bob doesn’t feel worthy, for having put people in danger over the booze he wanted so badly. Maybe he’ll get a chance to prove himself soon.
IMG_0165Bigger fish to fry now for all of them. The Governor’s arrived with reinforcements, and that tank is just waiting to tear the walls down if things go wrong. When Rick sees his nemesis has Michonne and Hershel, he’s pissed. Everybody is, they don’t want anything nasty to happen. Meanwhile, the one-eyed bastard is leading people into a battle they never started, never were a part of, and the consequences will be dire.
Rick goes down to talk with the Governor, as Daryl rallies the others on their side. The sheriff asks for his people to be released, his enemy states they must leave. Or else die. “We need this prison,” he tells Rick. The other people with him slowly start wondering if the monsters they heard of were mere fiction created by their new leader.
Waiting for her people to come back, Lilly sits watching the woods letting Meghan play nearby. A walker starts making its way across the river towards them making mom nervous. It falls into the undertow and washes away. Soon, her little girl digs up a walker in the ground where she’s playing. And you can guess what’s coming next… a big chomp!
IMG_0166So what will happen at the prison? Rick pleads for them to “live together” in harmony, no matter what went on before that moment. But that’s not going to fly. Rick tries giving them a good speech, explaining they took in people from Woodbury who’ve become leaders in the prison. The Governor decides on a different course of action than he’d originally planned – he slice Hershel’s neck open wide. This begins an all-out battle.
Michonne runs for cover, as does Rick, and bullets fly every which way. Hershel crawls for cover, but doesn’t get far until the Governor hacks his head clean off like a neanderthal. Right then is when Lilly shows up, dead daughter in her arms. There’s no human left in this man now. Tara throws down her gun, unwilling to fight anymore, and the others charge the prison, tank leading the way.
Rick’s crew start retreating a little while the Governor gains ground. People head for the busses to start fleeing. Everyone gets split up – Glenn, Maggie, Beth, Bob, Sasha; all separated. Tyreese ends up with Lizzie and Mika after they save him from certain death.
Out on the fields, Rick fights with his nemesis, fist to fist. They beat the living shit out of one another, headbutts and punches and kicks and all. As the Governor gains the upper hand, Michonne puts a sword right through his heart helping Rick to his feet.
IMG_0167Beth and Daryl take off together. Rick looks all over for his boy, finding Carl (Chandler Riggs) safe and sound with a gun in his hands. But what about their little girl? Where’s Judith? They find her car seat on the ground empty, fearing the worst. However, last we saw Lil’ Ass Kicker she was with Lizzie and Mika, so there’s hope yet that she made it through with them. For now, the Grimes’ mourn her as if she’s gone forever. Enough to break your fucking heart in pieces. And on they go, headed away from the prison.
Fittingly enough, the Governor is shot in the head by Lilly instead of left to die in the field. We see a familiar face, Clara (Kerry Condon), wandering through the field; the one Rick left with her husband. A sort of sad testament of the dead taking over the prison, just as they do with the rest of the world.
IMG_0168What an impressive mid-season finale! Such an intense bunch of moments, particularly with the death of Hershel, and in such brutal fashion.
The season returns with “After” next. And boy, have things ever changed.

The Walking Dead – Season 4, Episode 7: “Dead Weight”

AMC’s The Walking Dead
Season 4, Episode 7: “Dead Weight”
Directed by Jeremy Podeswa
Written by Curtis Gwinn

* For a recap & review of the previous episode, “Live Bait” – click here
* For a recap & review of the next episode, “Too Far Gone” – click here
IMG_0151New man Brian (David Morrissey) has found himself back with old pal Caesar (Jose Pablo Cantillo), who’s moved on to other places, made new friends himself. The one formerly known as the Governor reveals bits and pieces of himself to young Meghan. Speaking briefly of his father, playing chess together.
But how will he survive in this new place, with all that Caesar knows about him? Long as he goes along, they’ll get along. So in the name of helping Meghan, Tara (Alanna Masterson), and Lilly (Audrey Marie Anderson) he agrees to make things work.
What’s scariest? There’s a tank involved now. If he wanted to obliterate anything, he’s got the fire power to do it. Yikes. Let’s hope he can stay satisfied with this little slice of life.
IMG_0153Brian has to go on a supply run with Caesar and the Dolgens – Mitch (Kirk Acevedo) and Pete (Enver Gjokaj). They’re army boys, which is obviously where the tank came from; I wonder if they’ll butt heads with the former Governor. Out in the woods the group looks for a survivalist’s camp, to hopefully locate supplies he might’ve left behind. They come upon a decapitated body with a sign strapped across the chest: LIAR.
Back at the camp another army girl named Alisha (Juliana Harkavy) gets into the military talk with Tara, who’s eager to get a bit of romance going wherever she can. I love her character, and want to see more already.
There are more decapitated bodies with signs – RAPIST, et cetera – along the path as Caesar leads his men to the cabin for which they’ve been searching. The owner blasted his brains over the front of the place. Inside, more walkers to put down. Later when they’re alone, Caesar tells Brian he wouldn’t have let him in if it weren’t for the girl and the sisters. He wonders if the old Governor has changed.
They sit around and drink beer, like back before the fall. Brian avoids talking too much about himself, as the others chat about what happened before the apocalypse came down on their heads.
IMG_0157Things go on as if they were normal at the camp. Over dinner, Caesar tells the women about how he wanted stability, like they had once in Woodbury. Tara and Alisha go off together for a bit of fun. Awhile later, Caesar and Brian go for a few more drinks, smacking golf balls out in a field. We see and feel the resentment, for what the Governor did before.
Not everything changes, no matter how hard he’s tried to turn into somebody new. When Caesar expresses a desire to have him take a bit of leadership, Brian whacks him on the head and tosses him to the walker pit.
The Governor: “I dont want it
Things get nasty when Pete decides to take leadership, he and Mitch are pretty forceful; the latter most of all. But it doesn’t sit well with everybody, others want to vote for who leads. For now it’s left as is, and the day proceeds as usual. Out on a run, Brian faces more pressure to help lead, as well as to abandon his morality like he did as the Governor. It’s not the life he wants to be living. Luckily, Pete is more of a good guy than his brother who doesn’t have many morals left himself.
Afterwards, Brian tells Lilly they need to go. He starts packing in a rush, he knows they’re not safe with the brothers. They head into the night, along with Alisha. Not far, though. On the road out they find a muddy pit of walkers blocking the way. A hideous and crushing sight. They have to turn back, find another way out of their predicament.
IMG_0159Lilly: “What are you doing?”
The Governor: “Surviving
Brian goes to see Pete for a talk. Or rather, to kill him. When that deed’s done he goes to see Mitch with a gun. They talk a bit. We see the old Governor slip out of Brian’s skin, the lack of morals and his ruthlessness. He reveals more of his past, about his father and brother. Those tiny morsels of his character come to us in the strangest of ways, which I love. Great writing.
At this point, Brian takes over. He offers Mitch the chance to be at his side, to not worry about doing the “right thing” any longer; to just do what needs to get done in order to live. The brother agrees to cover up Pete’s death, using a noble story of his saving them on a run. A nasty guy, two nasty guys. Maybe even the NASTIEST.
Life continues at the camp, as Brian exerts his influence and Mitch plays along. Everything goes smooth. But essentially, he killed Caesar for nothing. He’s now in power, which he could’ve had with his former friend. Instead he’s chosen another dark path. No surprise. It’s gonna get darker.
We end as the Governor wanders up to the prison. His eye set on Rick (Andrew Lincoln) and the group, their home like once before. More so it’s trained on Michonne (Danai Gurira). He hasn’t changed one goddamn iota.
IMG_0161As I said before, don’t like the Governor. His character is excellent, though; as a brutal villain. David Morrissey plays him well, and seeing parts of his backstory, as well as character development in him is awesome.
Mid-season finale “Too Far Gone” is next. BE prepared for something shockingly intense.

The Walking Dead – Season 4, Episode 6: “Live Bait”

AMC’s The Walking Dead
Season 4, Episode 6: “Live Bait”
Directed by Michael Uppendahl
Written by Nichole Beattie

* For a recap & review of the previous episode, “Internment” – click here
* For a recap & review of the next episode, “Dead Weight” – click here
IMG_0142The Governor (David Morrissey) is left with only a few men at his side, after the massacre following their failed attempt at taking the prison. He wakes in the morning to find they’ve left him now. He’s all alone in the wasteland. Rightfully so, considering they might’ve been next after a little bit of time.
He goes back to Woodbury, burning the place and watching it fall. He goes on the road for months by himself. Then he runs into others, to whom he tells his story; the abridged and heavily edited version.
Something’s changed in the man. Perhaps realising how much he needs others to survive, in more ways than one. What he sees ahead of him now is the possibility to start another life, to become another person.
IMG_0144The people he meets are the Chamblers – Lilly, Tara (Alanna Masterson), David, and Meghan. They reluctantly take him in and find he’s not huge on talking. Tara’s done some service in the army, this is clear. She does not fuck around having a new man kicking around, particularly a scruffy one with an eye patch.
He’s no longer the Governor, or Phillip. He’s Brian Heriot; new identity, fresh new life.
The Chamblers have been getting by well enough. They live in the little apartment, scavenging food, staying safe as possible. Lots of cured meat on hand after they raided an Italian food truck. Although their father David has medical problems – respiratory. And there’s only so long his oxygen tanks can last before a refill’s needed.
David asks Brian for a favour – a backgammon set upstairs. He wants his granddaughter Meghan to talk again, to feel normal. This strikes a chord with the former Governor; thoughts of Penny. So upstairs he heads to an apartment where a neighbour of David’s supposedly keeps a set under his bed. Brian also finds the old fella who owns the place, nothing but a living corpse in the bathtub waiting to be put down.
IMG_0145Returning with the backgammon set, he’s a hero to the Chamblers. Maybe not Tara, who remains suspicious. Really though, deep down there’s a sadness in this man. He’s done terrible things, for which he can never be forgiven. Yet there’s still something awfully tragic about his story. He can’t even look at his face in a family picture anymore, folding the corner over himself.
The next day Brian’s getting ready to head out. However, Lilly wants another bit of help – they need more supplies for her father, to keep him going until the last possible moment; if only for her daughter. Brian heads out to an old folk’s home nearby in search. He stumbles onto a cart of oxygen tanks. They make too much noise, and when walkers come for him he only gets away with one. Better than nothing!
Alone together, Brian and Meghan bond a bit. They do a “pink swear” and talk a bit. Telling secrets. Despite his being a monster as the Governor, this side of him is tender. Being around a little girl again like when he was with his daughter, ages ago. He decides on teaching the girl chess. He’s even decided to shave his beard, getting back to a more clean look, no longer a homeless man roaming the world.
Then the worst happens – David slips away into death, no longer able to fight the cancer. You know what has to be done, so that the man doesn’t turn. Can’t take long to mourn. He comes back fast, prompting Brian to smash his head in with an oxygen tank in front of the women.
IMG_0148Brian turns his back on is old life, even the memory of his wife and daughter. He burns the picture he’s been keeping. Now, he decides to leave the apartment building. But the Chambler sisters want to go with him, they don’t want him to go on his own.
When they do go on the road, all of them, Brian and Lilly begin getting closer. In the night, they hug close to one another. And they become intimate.
He also becomes an impromptu father again, to Meghan. He saves her from walkers, then they fall into a pit in a field full of them. Where he again saves her, brutally. But wait – we’ve seen this type of pit before. Oh yes, you guessed it. He’s come across his old friend Caesar (Jose Pablo Cantillo). Whoa.
IMG_0149I don’t like the Governor, though I dig seeing his story. Gives a humanity to his otherwise despicable character. He’s found himself in quite an interesting situation here. Next episode is “Dead Weight” and we’ll see how he plays things off now that he’s found Caesar.

The Walking Dead – Season 4, Episode 2: “Infected”

AMC’s The Walking Dead
Season 4, Episode 2: “Infected”
Directed by Guy Ferland
Written by Angela Kang

* For a recap & review of the Season 4 premiere, “30 Days Without An Accident” – click here
* For a recap & review of the next episode, “Isolation” – click here
IMG_0132Someone is feeding rats to the walkers by the fence. My bet? The empathetic little girl from last episode who believes the zombies are “just different.” Elsewhere, there’s romance. With Karen (Melissa Ponzio) and Tyreese (Chad Coleman) spending time together, falling in love. They take it slow, even in this post-apocalypse life; a really romantic gesture, if there ever were one.
And in the darkness of the bathrooms that sick, dead boy from the Season 4 premiere comes back from the dead. Ready to walk the open halls of the prison, ready to infect everyone else. He stumbles into one of the cells and starts feeding on an unprotected neck. Uh oh. It has begun!
IMG_0133Before the terror begins we get more romance. Glenn (Steven Yeun) takes a mini Polaroid of Maggie (Lauren Cohan), the morning after in their little tower together. She doesn’t like the photograph, of course. But he cherishes it, and will for a long time. Something tangible in this fucked up world to hold onto, to help remember the good in the times of bad.
Rick (Andrew Lincoln), Carl (Chandler Riggs), Michonne (Danai Gurira) – everyone’s going on with their regular day, none the wiser of what’s started happening inside the prison. Part of Rick’s not using his gun isn’t just for him, it’s for his boy. He wants him to be someone else, to not become a hardened killer.
Then everything inside goes to shit in the cell block. Gunfire blazes, people start running. Carl winds up taking a gun out to help Michonne when she’s in trouble; he’s a damn fine shot, too. She ends up injuring a leg, but no bites. And walkers are seriously crowding the fence with all the noise. The integrity of their home is starting to waver. Daryl, Rick, Carol, everyone tries protecting the kids and those in trouble. However, they can’t stop those already bitten. All that’s left for them is mercy.
In the aftermath there’s nothing but loss. Some people turn, others mourn. It’s a brutal experience for all involved. The two little girls – Lizzie (Brighton Sharbino) and Mika (Kyla Kenedy) – they lose their father, who asks Carol to look out for them: “Like theyre yours.” She promises to guard them. Such a heartbreaking moment. The girls are called to their father’s side to say goodbye, before Carol has to put him down before he turns.
IMG_0136Rick and the others find the young kid who died, which started everything in the cell block. They discover it’s a bad strain of flu, as Dr. Caleb Subramanian (Sunkrish Bala) and Hershel (Scott Wilson) ruminate on the cause, its effects, and what they need to do next to prevent a full-scale outbreak.
Right now all they know is those possibly exposed must be quarantined from the rest. A separation of the sick and possibly infected. The main crew aren’t showing any symptoms; yet. Precautions must be taken. So, they decide on putting the quarantined individuals in the death row cell block.
But there are other issues, such as the fence nearly caving in with the wall of zombies pushing up against it. Everybody’s got more work to do than normal. It’s nice to at least see Rick in ass kicking mode again, even if just for the moment. At the fence, Sasha (Sonequa Martin-Green) notices the dead rats someone’s been feeding to the walkers.
Beth: “When you care about people, hurt is kinda part of the package.”
IMG_0137Inside, we also see more about Michonne, that she has a sensitivity to the crying of children. There’s absolutely a reluctance in her to be near a baby, to hold one. With Judith in her arms she all but breaks down, then finally hugs the child against her. A sad story lies in Michonne’s past.
We start seeing the two worlds of Rick collide. He has to reconcile wanting to be a peaceful farmer with the other part of life in post-apocalypse living, the death and the killing. He puts a plan into effect, using his pigs to lure the walkers away. As they feed on the helpless animals, it’s like a metaphor for what needs to be done in this nasty world. That it isn’t about growing plants, nor is it about raising livestock and breeding new life; it’s about death, sacrifice, doing whatever they have to do in order to keep living another day. And the sacrifice of the pigs gives the others enough time to reinforce the fence.
Meanwhile, Carol is trying to prepare Lizzie and Mika for the real world, trying to get through to them about the realities they face going forward. She does so in an honest yet touching way.
IMG_0139Carl also tells his dad about what Carol’s been doing under his nose; dad isn’t mad, he’s beginning to realise the kids need to face things head on. He knows this for his own son, too. He can’t shield Carl from reality, or else it will eat him alive. So he gives him a gun again. Then he puts his holster back on, gun at his side. A new dawn for the Grimes family and the crew at the prison. Not that there aren’t tough times coming with the sickness lingering.
When Tyreese goes to find his lady, he only discovers blood. Trails of it leading into the halls. Out in the prison yard, he finds burned corpses. One of which is Karen. Who killed them? Who burned their corpses? All I know is Tyreese is going to rage.
IMG_0141Such a solid follow-up to the premiere of this season. Everything is messed up, and in the same vein there’s more hope again. Also, mystery when it comes to whoever’s burned Karen and the other dead body next to her. “Isolation” is the next episode. Lots of intrigue to come, many intense moments will happen.

The Walking Dead – Season 4, Episode 1: “30 Days Without An Accident”

AMC’s The Walking Dead
Season 4, Episode 1: “30 Days Without An Accident”
Directed by Greg Nicotero
Written by Scott M. Gimple

* For a recap & review of the Season 3 finale, “Welcome to the Tombs” – click here
* For a recap & review of the next episode, “Infected” – click here
IMG_0123Season 4’s premiere starts several months on from the finale of Season 3 when all hell broke loose, and the group lost Andrea. They’re still in the prison, still together. Trying to live whatever kind of normalcy is available to them. Rick (Andrew Lincoln) spends his day out in the garden tending to the crops. He finds a gun buried deep in the soil, like he’s tried to bury the violence with it. Is he just kidding himself? Yeah, I think so. If you’ve watched the series all the way to where it’s currently at, as of the time of this writing (end of Season 7), then you know pretending violence isn’t part of the equation is merely fooling oneself.
IMG_0124One thing that’s improved since last we left the group is the relationship between Rick and his boy Carl (Chandler Riggs). They do the farming together, looking after the field and their pig, Violet. Dad gives out an important lesson, though: don’t name the animals they’re preparing to slaughter for food.
Everyone else is doing well, a bigger family at the prison now with those they saved from Woodbury. Funny to see how people look up to Daryl (Norman Reedus), thanking him for the food he hunts, et cetera; he’s like a folk hero in their community. Carol (Melissa McBride) is taking on more and more responsibility, an active role in looking after their home. Glenn (Steven Yeun) and Maggie (Lauren Cohan) become further attached after their engagement; he worries worse than ever about her safety, the stakes somehow higher for the now. And new people like Karen (Melissa Ponzio), they’re adjusting to life and being productive members of the prison community. A man named Bob (Lawrence Gilliard Jr) ingratiates himself to the group, Sasha (Sonequa Martin-Green) particularly. Trying to make himself useful to them for giving him shelter.
Also, Tyreese (Chad Coleman) and Karen are clearly a full-on item, plus Beth (Emily Kinney) and Zach (Kyle Gallner) are together. Exciting to see because it means different stories for the group as a whole. One story I’m glad is continuing? That of Michonne (Danai Gurira). She comes back from a run on her own with comic books for Carl; she’s definitely staying as part of the prison crew. And as always, there’s a ton of work to do. Everybody has their thing, their chores, various responsibilities to make their tight-knit community work. Hershel (Scott Wilson) keeps assuring Rick that transitioning into a more farmer-like existence isn’t a bad thing. Although people worry he doesn’t carry a gun anymore: “We want you to be safe.” He doesn’t listen, and it’s because – as I mentioned – he is literally trying to bury the violence inside him, or at least he’s trying to pretend it doesn’t exist; out of sight, out of mind.
IMG_0128Later, out past the walls of the prison, Rick comes across a hungry woman in the woods. She’s found a deer carcass. She needs to get food back to her husband, they’ve been starving for days on end. Rick offers up food he has with him. Her name is Clara (Kerry Condon), she wants to know if he has a camp. Life’s been rough for her, it’s obvious by the layers of dirt caked onto her skin. Rick also mentions “three” questions he needs to ask the couple before they can possibly come back to his people. So she leads him on to wherever her husband is waiting.
Kids at the prison fence are naming the walkers. Carl finds some of them doing it, he chastises them as his father did when he was naming the pig. Moreover, we see the difference between him and the others. He’s grown in a way they aren’t yet. They’ve been relatively shielded from the horror of the world, while he’s had to shoot his own mother to prevent her from turning.
Daryl leads a group of people in town. One fun thing is watching Zach try guessing what Daryl “did before the turn.” Today, he guesses homicide cop, which gives Michonne a damn good kick. The group get into a store, only they don’t realise up on top of the building an army helicopter’s already crashed. And I’d be willing to bet that’ll cause a bit of shit. Doesn’t look like the roof is too stable.
Clara leads Rick on through the trees, explaining where she was when the apocalypse began and how she got herself to that moment. She talks of her husband, how he saved her life, so on. She talks of survival, by any means necessary.
IMG_0129In the store, Bob and others load up on supplies. He goes to the wine section. Above him, the ceiling leaks. Then a rack of wine tips over on top of him. Walkers on the roof notice the sound, walking further towards the helicopter. They start sinking through the weakened structure, falling inside one by one. A terrifying sequence, very unique! Lots of good blood and guts, too. An absolute shitshow. Bob nearly gets the chomp before Daryl saves him. Unfortunately, young Zach gets bitten and chowed down on by a nibbling zombie.
When Rick gets back to Clara’s husband, he finds something incredibly disturbing. First, she attacks him with a knife. After that she stabs herself in the gut, demanding to become undead. Like the husband she couldn’t bear to let go. She finds out the three questions, as well: 1) How many walkers have you killed? 2) How many people have you killed? and 3) Why? And we don’t see it, but the husband’s decapitated zombie head lays not far from the dying wife.
Carl finds that there’s not really any reading time for the kids. It’s a ruse, so that Carol can teach the kids how to use knives, to defend themselves. We also see one of them is feeling sick. Carl isn’t happy when he sees what Carol is up to, though she begs him not to tell his father.
IMG_0130Another taste of unhappiness comes to Beth, more loss as she finds out that Zach has died. “I dont cry anymore,” she tells Daryl. Glad for the time she had with him, rather than sad for not having him around. The two bond over loss, as he mentions he hates losing people. Something that won’t ever change in this new world.
Worse things are brewing in the prison’s darkness. That sick boy, he’s got something bad. And he ain’t doing so hot. As in death, and once he comes back there’s no telling how many others will get bitten, infected, sick, or who knows what.
IMG_0131Stellar episode. Love this one because it’s a solid season premiere, as well as the fact it leads into more stories, more intensity and emotion, more action, MORE EVERYTHING for the beginning bits of Season 4. Next is “Infected” and, you guessed it: there’s trouble!

The Walking Dead – Season 3, Episode 16: “Welcome to the Tombs”

AMC’s The Walking Dead
Season 3, Episode 16: “Welcome to the Tombs”
Directed by Ernest R. Dickerson
Written by Glen Mazzara

* For a recap & review of the previous episode, “This Sorrowful Life” – click here
* For a recap & review of the Season 4 premiere, “30 Days Without An Accident” – click here
IMG_0115The Governor (David Morrissey) is having his twisted fun. He’s got Milton (Dallas Roberts) at his mercy, beating him for burning up the walkers. And he has more than that planned. Much more. While he’s got Milton there, he admits to his love of war, of conflict. Like a thirst.
Then he brings his captive in to see where Andrea (Laurie Holden) is tied. He tells them both how he’s essentially lied to the people of Woodbury, to prime them for war with Rick (Andrew Lincoln) and his people. Before they leave, the Governor wants Milton to kill Andrea. When Milton tries to kill him instead he’s the one who’s stabbed to death.
And then he’s left to do the deed, once he dies and comes back to life again. To feed on her.
The Governor: “In this life now, you kill or you die. Or you die and you kill.”
IMG_0116At the prison, everyone is busy. Carl (Chandler Riggs) isn’t overly impressed with his dad, and they all notice. Although Rick just hopes he’ll forget; not so easy. At the same time he’s still seeing Lori (Sarah Wayne Callies) as a vision. Daryl (Norman Reedus) can at least rest well knowing that his brother Merle tried to do right for once in his life. Generally, there’s an air of unease but a glimmer of hope amongst the group.
Michonne (Danai Gurira) forgives Rick for thinking about taking the deal, she understands the complexities of life in this new world. She also knows he didn’t ultimately make the choice, Merle did before his change of heart. Now, she thanks Rick for taking her in that while back. He confesses it was Carl who made that call.
Meanwhile in Woodbury, the Governor amps everybody up to go to the prison. To end the war between their camps. Before heading out, Tyreese (Chad Coleman) and Sasha (Sonequa Martin-Green) make clear they won’t go. They’ll protect the kids until everyone’s home, that’s it; if they’re not need afterwards, they’ll leave. He accepts with a grim thank you, handing over a weapon. That could’ve went either way. He’s on a fucking warpath.
Thus begins the assault. Caesar (Jose Pablo Cantillo) and the other men open fire with the Governor, blasting away the walkers on the perimeter of the prison before heading in further on foot. Except all is quiet, nobody moving anywhere visible. They open up the gate and get themselves inside. They find not a soul, just empty cell blocks. The Govern finds nothing but a Bible. John 5:29 is highlighted, by Hershel (Scott Wilson). Minds games, son. Psychological warfare!
IMG_0118Back at Woodbury, Milton is dying. He dropped a tool for Andrea, though she’s still tied. She tries to get a pair of pliers nearby, dragging it with her foot. Trying to keep his morale up. But he only wants her to stab him in the brain: “Keep trying,” he cheers her on weakly while losing more blood by the second. He fades away, as she tells him of her regrets, having not killed that piece of shit Governor when she had the chance.
In the prison, the Governor leads his men into the tombs below. Ohhhh, god damn. Are they headed for what I think they are? All hell breaks loose. An alarm goes off, gunfire erupts. When people escape, Glenn (Steven Yeun) and Maggie (Lauren Cohan) – clad in riot gear – open fire on them, driving people out. Trucks take off, and soon the Governor runs, too. Tail between their legs. For the time being, anyways.
Out in the woods, Carl and Hershel come across a young man with a gun. He goes to put it down, and Carl puts a bullet in him. To the utter shock of the old man. Everyone regroups inside. Hershel expresses his worry that Carl “gunned that kid down” and it’s not something Rick wants to hear; but he needs to hear it.
On the road the Governor pulls his people over for fleeing. Then he does his own gunning, slaughtering all of those opposing him. This terrifies his own men, Caesar and the others. But when one dissents, he kills him, as well. Putting an end to any further rebellion. He’s gone full dictator, murdering anyone in his way. Only a single woman manages to escape his bullet, lying underneath another corpse.
IMG_0119Rick asks Carl about what actually happened in the woods. The boy thinks he had to do what he did, or else something else worse would happen. He’s disappointed, ultimately, in his father not doing what HE should have done, several times before. This time, Rick heads out with Daryl and Michonne. On the road they find the woman who escaped the Governor, alive and hiding in a truck. A-ha! I wondered how she’d come back into the action.
Time’s running out for Andrea, with Milton expired on the floor in front of her.
Fuck. She’s in a heap of trouble. He’s come back from the dead and is lurching towards her in that chair. She gets free as he opens his mouth to take a bite. But we don’t immediately see the result. EVEN CREEPIER!
Moving on Woodbury, Rick, Daryl, and Michonne encounter gunfire from Tyreese and Sasha. The woman, Karen, explains to them what the Governor’s done, so on. The two groups reunite, now with Rick in a better frame of mind than the last time. Rick likewise reveals Andrea never made it back to the prison, that she may still be held captive there somewhere.
And inside, they find her. Bitten, on the way to turning eventually. She asks to do it on her own, put herself out of the misery that’s coming. No matter if it’s tough for Rick, Michonne, and Rick to deal with the request. Michonne refuses to leave, wanting to be there while she goes. So Rick hands over a gun to mercifully let her commit suicide.
Andrea: “I tried
Rick: “You did
IMG_0122Another one of the more intense finishers of any episode in this series. I hated seeing Andrea go, and the way it was filmed, written, presented, it’s a quality chapter. Right up to that final gunshot. This season was a killer, in so many ways. As we head into Season 4, there’s hope. Yet it isn’t shining, glimmering hope as there’s been in the past. There’s a lot of darkness ahead for Rick and the group at the prison. One of those dark spots is which way Carl will head: will he become a force of good, or will he let this world taint him?
Their time at the prison is going to come to an end, one of these days soon. For now the group are back with more people, the good ones from Woodbury, adding to the population. And for the first time in so long, Rick isn’t seeing ghosts.

The Walking Dead – Season 3, Episode 15: “This Sorrowful Life”

AMC’s The Walking Dead
Season 3, Episode 15: “This Sorrowful Life”
Directed by Greg Nicotero
Written by Scott M. Gimple

* For a recap & review of the previous episode, “Prey” – click here
* For a recap & review of the Season 3 finale, “Welcome to the Tombs” – click here
IMG_0105Back at the prison, Rick (Andrew Lincoln) talks with Hershel (Scott Wilson) and Daryl (Norman Reedus). He tells them about the deal with Michonne (Danai Gurira), having to give her over to the Governor (David Morrissey) if they want to call a truce. The two of them don’t think it’s right. But they understand the stakes, too. A lose-lose, either way. This way they lose morality. The other way, they lose lives. It isn’t an easy choice, certainly nothing is in this post-apocalyptic landscape.
Rick then goes to talk with Merle (Michael Rooker). They need him to help out, coincidentally. Rick tells him the deal and how they need to keep their transfer of Michonne quiet. This makes Merle feel like part of the group, in a dark, dark way. At the same time he relays the savagery of the Governor, the sickness in him. If any of them’s good for this job though, it’s the older Dixon. He’s not quite THE bad guy, but he is certainly a bad fuckin’ guy.
Merle: “Youre cold as ice, Officer Friendly.”
IMG_0106So now it’s play along for everyone, particularly Michonne, until the dirty deed is done. Carol (Melissa McBride) starts questioning Merle: “Are you with us?” He doesn’t show any specific loyalty, only to his brother. Like she makes clear, though – Daryl’s one of them. It’s interesting to see Merle notice the change in Carol since last they were together as a group. She’s grown, for the better. She also knows everyone deserves a chance. Maybe Merle will have his; to prove he’s still human, unlike the Governor.
Nice moment with Glenn (Steven Yeun) as Daryl asks if his brother’s apologised. Yeah, like that’ll happen. When Glenn talks about what Merle did, not to him but to Maggie (Lauren Cohan), it’s clear the damage is much too deep for an apology to fix. Daryl is a good man and despite his brother being a pile of garage it can’t be easy to hear that from someone he considers a friend.
Merle gives it to Daryl hard when they’re alone, chastising him for going soft in his eyes. The younger brother’s not impressed with what Glenn told him, of what Merle did and nearly let happen to Maggie. “People do what they gotta do, or they die,” he tells Daryl. The older of the two sounds like a zombie king Scarface echoing “Say goodnight to the bad guy” as he takes credit for being the type of guy they need around to do the dirty work.
Although I’m not religious, whatsoever, I actually admire Hershel for the way he holds to his faith. After all he’s been through, what he’s seen close up, all they’ve managed to survive, somewhere deep inside him that faith clings. And there’s an admirable quality about that, because he still, even with one leg, kicks ass.
IMG_0107It looks like the plan’s in motion at the hands of Merle. He and Michonne are in one of the prison corridors alone, and he takes the chance to knock her out, tying then dragging her away. Back to Woodbury. When she’s awake he walks her toward death, through the barren streets of the wasteland. All the while he cackles, taunts, and tries out her sword for fun. At the prison, Daryl and Rick find out what’s happened. The brother insists he’s the one to go find them.
Glenn sits with Hershel and talks about the watch he was given.  He’s understanding the responsibility the old man is giving him, and asks for her Maggie’s hand in marriage. Of course, he gets the blessing. A bit patriarchal, if not still sweet.
On the road trying to steal a car, Merle sets off an alarm. This brings out a bunch of walkers. A tied Michonne manages to fight off a few before he notices. They get in the car before it’s too late and speed off together. But he’s still bringing her to a horrible fate.
She tries getting under his skin on the trip to Woodbury. She asks him question after question. Until he reveals a few of his genuine emotions, that he can’t go back to that prison. Then he cuts her loose, tells her to go back instead: “I got somethinI gotta do on my own.” So he IS a human after all. She walks on back over the road while he drives over the horizon, heading for his old pal the Governor.
IMG_0109IMG_0110Michonne runs into Daryl on her way, and he speeds on after his brother – who’s busy listening to some Motörhead and drinking a bottle of booze, sitting in a car surrounded by walkers. He drives slowly forward, stops. Letting them crowd the car again. He moves like this on and on and on until he reaches abandoned buildings. He hops out letting the car roll on with Ted Nugent’s “Turn It Up” playing loud on the speakers. This draws the walkers on further, as well as alerts Caesar (Jose Pablo Cantillo) and his men who find the zombies approaching. This lets Merle pick a bunch of the boys off from afar.
Then the Governor appears. The oldest Dixon tries getting a line of sight on him, but a walker stumbles in distracting him. Then the Governor and the lads find Merle, too. A fight breaks out. We see the viciousness of the Governor even more, as he bites off two of the digits on Merle’s good hand. Before putting a bullet in him.
In better news, Glenn pops the question to Maggie with a ring. She says yes, and at least SOMETHING is good in the world. Amongst death and tragedy and pain everywhere else. They all gather together in the prison where Rick tells them about the Governor’s deal, if they gave over Michonne. He admits to wanting to take that deal for their safety. He tells them what Merle did, that Daryl went after him.
Rick: “I couldnt sacrifice one of us for the greater good, because we are the greater good.”
IMG_0112Daryl gets to where all the carnage went down after Merle showed up, finding walkers and blood and guts everywhere. Worst of all, he finds his brother. Reanimated. Eating a corpse. Such a horribly tragic moment for Daryl, as dead Merle walks toward him. He pushes the zombie away, not wanting to have to put one in his head. But he does, he takes out all kinds of aggression, stabbing him in the head, weeping as he does it. So goddamn sad. Poor guy.
IMG_0113Such an intense ending, one of the most emotionally shattering things character-wise that comes along. Daryl is a great character, and just as Merle was turning a corner, in such a selfless, brave way after all he’s done, he meets his end. Nicotero directs some of the best episodes! Next is “Welcome to the Tombs” and it’s the finale for this season. Prepare for a life changing episode to follow this heart breaker.

The Walking Dead – Season 3, Episode 14: “Prey”

AMC’s The Walking Dead
Season 3, Episode 14: “Prey”
Directed by Stefan Schwartz
Written by Glen Mazzara & Evan T. Reilly

* For a recap & review of the previous episode, “Arrow on the Doorpost” – click here
* For a recap & review of the penultimate Season 3 episode, “This Sorrowful Life” – click here
IMG_0095We see Andrea (Laurie Holden) and Michonne (Danai Gurira) in the forest, before, when they were travelling together. Andrea starts asking about the leashed walkers, asking if she knew them, which Michonne confirms: “They deserve what they get, they werent human to begin with,” she says.
Back in Woodbury, the Governonr (David Morrissey) prepares his own chains, to hold and keep someone firmly in place. For some of his darkest plans yet.
IMG_0096Caesar (Jose Pablo Cantillo) is doing his boss’ bidding, assembling weapons and people to head for the prison. Milton (Dallas Roberts) thinks it’s a “show of force.” For her part, Andrea believes otherwise. She knows there’s something not right. But then again, so does Milton. He sees the Governor falling apart in terrifying shambles. Likely with no way to stop it, either.
What Milton discovers is that Michonne is slated to be put in that chair, and much worse. When Andrea finds out she’s rightfully shocked. Milton shows her the room, the chair, all the nasty tools prepared for her friend. He asks her to go tell the people at the prison to get away. She’d rather kill the Governor, when she’s had so many chances before.
Andrea winds up slipping past Tyreese (Chad Coleman) and Sasha (Sonequa Martin-Green) while they watch the wall, shooting walkers. They’re good people, which is already clear, so they don’t give her too much grief; they’re not the authoritarians in Woodbury. When the Governor finds out Andrea’s gone he tries making out he’s only concerned for her, though he worries she’s up to something else. He tries not to worry Tyreese and Sasha. It’s clear they know Woodbury isn’t all it’s cracked up to be.
Alone, Andrea makes her way for the prison, as she hears vehicles scouring the road to locate her. If anybody’s good at surviving on her own, it’s her.
IMG_0097Tyreese and Sasha find out more about Woodbury when they go help Caesar. They see a pit of walkers in a field. A preparation for when they head for the prison, apparently. More to release upon Rick and his people. “This is sick,” says Tyreese. He refuses to take part while one of the others from his group hops on board real quick. The two men end up fighting and Tyreese nearly feeds him to the pit, before letting him go. More and more, the brother and sister pair see things they don’t like in their new camp.
Out on the plains Andrea is nearly found by another patrol. She hides as best she can before anyone sees her. But the Governor comes a-callin’, trying to stop her from running back to her former group. She makes away into the trees before he can catch up. After another while she comes to a set of buildings where she hides. He almost finds her, he begs her to come back to Woodbury, pleading in the dark. I don’t see that working, buddy. Instead of wait patiently he smashes anything he can find to try flushing her out. They come face to face after not too long. She doesn’t decide on going home. She locks him in a room with a horde of walkers, leaving him behind.
IMG_0101After so much bullshit, Andrea gets back to the prison. In the tower Rick (Andrew Lincoln) almost spies her, before the Governor sneaks up. He’s caught her, and so close to where she was headed. Meanwhile, the walker pits near Woodbury are scorched, the zombies melted in a pile. Someone’s been naughty.
The Governor arrives back at Woodbury to hear Tyreese and Sasha are under suspicion. He also curiously doesn’t tell Caesar he found Andrea. He heads over to talk with Tyreese and their group, smoothing things out, placating with lies. For now, they agree to stay and not cause any trouble. Because they didn’t cause any to start. Hmm; my guess is Mr. Milton Mamet.
The chair, lacking Michonne, has now been occupied by Andrea. Oh shit.
IMG_0104A gritty, creepy, intense episode. Love it. Next is “This Sorrowful Life” and there’s a ton more intensity to come as we get closer to the Season 3 finale.