Tagged David Morse

True Detective – Season 2, Episode 7: “Black Maps and Motel Rooms”

HBO’s True Detective
Season 2, Episode 7: “Black Maps and Motel Rooms”
Directed by Daniel Attias (Ray DonovanBloodlineMasters of SexHomelandThe Killing)
Written by Nic Pizzolatto

* For a review of the next episode, “Omega Station” – click here
* For a review of the previous episode, “Church in Ruins” – click here

DISCLAIMER: THIS IS SPOILER FILLED! BIG TIME! HUGE EVENTS GET SPOILED AT THE END SO IF YOU HAVE NOT SEEN THIS DON’T READ IT ALL OR ELSE YOU’LL BE RUINED!
IMG_0254 IMG_0255In the penultimate episode True Detective‘s polarizing second season, Ani Bezzerides (Rachel McAdams) is coming down off the Molly she was given at the weird sex party last episode. She’s in a motel room with Ray Velcoro (Colin Farrell), as Detective Woodrugh (Taylor Kitsch) is in another with the missing girl they retrieved from the fucked up white rich guy orgy.
Ray: “Want me to roll a joint?
Ani says she might have even went looking for it – killing that man with her knife – that she’d been waiting her whole life for something like that.
While trying to shake the buzz off, Ani relapses back to the trauma when she was young. She mentions that ‘they’ found her as she came out of the woods. Ray is confused. Then Ani gets in his lap and starts kissing him, rubbing him up, but Ray tries to be a big man.
Ray: “You’re too far out of my league anyway
I love it because even in the most serious of moments, Ray tries to tone things down with humour. Juxtaposed with the scenes between him and Ani later, this is Ray making a good decision not to pursue things any further; not only is it a bad idea, to make matters worse Ani is still under the influence of the drugs.
IMG_0257 IMG_0258 IMG_0260Things get going pretty damn quick. No letting up from the last episode and its tense action sequence at the end.
Now Woodrugh is receiving texts with pictures of him and his old army buddy, the one he’s sort of sweet on but won’t admit. He’s clearly shaken out of the blue, Ray knows there’s something not quite right. I’ve been waiting for pictures of Paul’s extracurricular denial to start coming out – ever since Detective Teague Dixon (W. Earl Brown) was snapping with his camera when the whole subplot with Paul/his friend began.

Paul’s pregnant, soon-to-be wife Emily (Adria Arjona) received a call saying “Ask Paul about the pictures“.
Emily: “Why did you get with me? Why did you ask me out?
All Paul can muster up to say is: “I was just tryin’ to be a good man
Emily: “Well you don’t try right
IMG_0263He’s got his mother and his pregnant fiancee in a motel room, pretending that it’s all got to do with beef over an undercover job he’d been working. There is a scary feeling to all of this with Paul. He is frenzied, cracking up like the masks he keeps putting on, so many of them, are all getting bound up, twisted, and ready to fall to pieces.
IMG_0261 IMG_0262All the while, Frank Semyon (Vince Vaughn) is playing cards with himself. Of course he’s the dealer, all the invisible people being dealt hands are just being controlled by him. It’s a perfect metaphor for how Frank’s life is, or at least how he would like it to be/seem. His wife Jordan (Kelly Reilly) makes an obvious poker assertion that pertains to their life: “We could just walk away from the table“. The two of them are still rocky, but she is always there for him; loyal as ever, though, every bit stern.
Then Ray shows up: “I, uh… had a bit of a strange night.
IMG_0264Of course, Ani used her sister Athena’s (Leven Rambin) name at the party, so the people there might possibly come for her. I knew this would happen as soon as Ani gave the name Athena before she got on the bus last episode.
Ani: “Maybe – and this is just a thought – maybe you were put on this Earth for more than fucking
Vera: “Everything is fucking
Though Ani wants to help her, the previously missing girl that she found at the party Vera (Miranda Rae Mayo) seems to not want any help at all. She says she has a good life, and doesn’t need anybody talking to her condescending-like, acting as if she needs to be saved. Ani struggles against it, but yet there seems to be a glimmer in her eyes, or a dulling more like it, that believes what Vera says.
IMG_0266Frank and his once main man Blake Churchman (Christopher James Baker) – the one Ray followed to find he was helping Dr. Pitlor (Rick Springfield) pimp girls out over to Osip Agronov (Timothy V. Murphy) – have a real rough confrontation. It’s clear, though, that Frank is a much tougher piece of work than meek little Blake. A bit of blood and skin later, Frank has a few answers. Only a few, though. Frank needs, wants, answers about Caspere, but nobody seems to know who did him. Outside of that, Frank discovers that people are trying to take everything away from him essentially. He’s just about been a lone wolf the whole time, outside of a couple helping hands; those are few and far between.
IMG_0267 IMG_0265At first, Blake is allowed to live for the time being at the mention of money. That doesn’t last long: Frank gives Blake the ole Reservoir Dogs gutshot and lets him bleed out on the carpet. Pretty vicious on his part, but as he said he wanted to watch Blake’s lights go out.

Modern medicine man, or 1960s Encino Man, Eliot Bezzerides (David Morse) shows up again.
He and Ani have a serious chat about who took her away – Eliot says he wandered the forest four days after what happened to her. We get some tiny bits of background about Eliot, little pieces. Nice to fill in at least small cracks here. We don’t need a huge amount of exposition. I think Nic Pizzolatto really does well with these sorts of things; wet the beak, don’t give us too much but enough we can chew on.
Eliot: “God damn everything
Ani: “That’s what I say
IMG_0269 IMG_0270Because of the last episode and the events at the party – as well as Ray finding the contact for their little off the books investigation District Attorney Katherine Davis (Michael Hyatt) murdered in her car – Ani and the rest are going into protective mode. Everyone in Ani’s family is going into hiding. There’s an epic sense to things, as if the air is electric, and the tension has really started to mount. I predict the last episode will be highly explosive and thoroughly satisfying. That’s just me, who knows.
She, Ray, and Paul close in more on the diamonds in the pictures they found, from the pawn shop, the ones tied with Dixon somehow. They start to sew up some things involving Ben Caspere and Mayor Chessani, the whole lot.
IMG_0272 IMG_0273 IMG_0274Paul meets his friend from the army Miguel (Gabriel Luna), the one from those torrid night(s) together, and it turns out things with Black Mountain, or a bigger group, are the reason they’ve run into one another again and gotten back in touch. He leads Woodrugh to a stairwell, down into the darkness, then they’re gone for the moment. The tension gets thick.
Once Paul is brought downstairs, out comes Police Chief Holloway (Afemo Omilami) who explains they found pictures in Dixon’s apartment after he died, and they know Paul has documents they need. Incredibly sinister moment, I found. Perfectly executed. I didn’t see this scene coming, though, loved every last second.
Paul begins to try and get himself out, giving up Ani and Ray saying he couldn’t give a shit about them. That’s disappointing to say the least. Only he grabs Holloway, wrestles away his gun and puts it to the man’s head. Woodrugh manages to get away through the underground tunnels, darkness covering all in sight. The military men that were with Holloway and Miguel follow him, trying to make sure he does not escape.

Frank: “Here we are – under the bright lights
There’s no doubt, after this scene between Frank and Jordan as she witnesses the dead body of Blake on the floor in her husband’s office, that the two of them are as close as they can possibly get. She affirms “I love you” and asks what she can do. Frank, like Ani, is sending those he loves into hiding.
He is preparing himself – for fight, or flight?
IMG_0271Frank – apparently – is setting fire to the casino. Because why not? he’s got some ideas about what to do now that he knows everyone is out to get him. He looks calm, collected as he walks away from the smoking building. Slick, badass stuff from Frank.
Turns out, he’s setting fire to it all. Everything. As far as Frank is concerned, his whole life is going up in smoke anyways. Might as well set fire to the lot of it.
IMG_0277 IMG_0280My favourite scene of this episode is just about at ten minutes left, when Ray and Ani are talking with one another at the motel. They’re both trying to talk anyways, but not every little thing comes out. Though, Ray does acknowledge he knows that something happened to Ani, somewhere along the line, whatever it was – she replies that she doesn’t like to talk about it. He tells her it’s what he admires most about her. There’s just such an incredible exchange between two gifted actors. So much ability going on that it blows my mind. Such subtly passionate, quiet moments without any real physical contact outside of the touch of their hands; I was just WOW’d by the scene. Powerful stuff, in my opinion. Both Farrell and McAdams have been doing spot-on jobs this season with their characters. I hope, regardless of how others feel about the story/plot, people recognize how great the acting has been all around.
These are two broken souls trying to find someone as broken as themselves to whom they can reach out.

Ray: “Do you miss it?
Ani: “What?
Ray: “Anything?
IMG_0281 IMG_0282SPOILER ALERT! HERE THERE BY SPOILERS!
Paul ends up blasting his way out of the tunnels, his friend and gay lover Miguel is shot in the process. This was an awesome action scene, with a lot of suspense. Finally, we get to see Woodrugh climb up out of the tunnel and away from the gunfire, back to some semblance of safety. For awhile there I honestly did not see him coming out of that sticky situation. He has some true guts. I was sure, even when I first saw Miguel waiting for him, there was about to be something nasty happen to Detective Woodrugh. Glad that I was wrong on that part.
IMG_0283A great piece of music from the score in Season One comes back here, as we see brief images of Ray and Ani together (nothing gratuitous – tasteful stuff I must say), Paul running away from the scene behind him.

Then the kicker….

MORE SPOILERS! HUGE HUGE SPOILERS AHEAD!
Heroic Paul Woodrugh is gunned down, from behind no less, then shot dead by Lieutenant Kevin Burris (James Frain) who runs off into a car, speeding away.
IMG_0284 IMG_0285 IMG_0287 IMG_0288 IMG_0289 IMG_0292 IMG_0291 IMG_0295Unlike Ray Velcoro’s apparent death at the end of “Night Finds You”, this one is not like that at all. Paul is completely finished. Done for. Goodbye, Woodrugh. Even though he was so knotted up as a person, I cannot say I wanted to see him go. Especially not like that. It’s so sad that he was on the phone with Ray before Miguel brought him down to that basement. Right on the cusp of telling Velcoro everything, maybe to get some help with it all. True tragedy.

Not only that, we glimpse how deep the law enforcement rabbit hole truly goes with the murder of Paul Woodrugh.

What a hard hitting episode. Solid writing, lots of tragedy, heart, and just tons of movement in the plot. Dig it – hard.
Next week, we’re going to see “Omega Station”, and this will truly be the beginning of the end.
I can’t wait to see what will happen after the fallout from Detective Woodrugh’s death, where Ani and Ray will go as professionals after their night together plus how they’ll punish themselves no doubt for not being there for Paul, and how Frank is going to react/what he’ll do to those who have been taking his lifeblood away from him.
Stay tuned and we’ll see how everything goes down in the finale of True Detective Season 2!

True Detective – Season 2, Episode 4: “Down Will Come”

HBO’s True Detective
Season 2, Episode 4: “Down Will Come”
Directed by Jeremy Podeswa (Game of Thrones, Boardwalk Empire, The Walking Dead, American Horror Story)
Written by Nic Pizzolatto

* For a review of the next episode, “Other Lives” – click here
* For a review of the previous episode, “Maybe Tomorrow” – click here
Screen Shot 2015-07-13 at 2.48.35 AMPoor Frank (Vince Vaughn). He not only can’t deliver a child for his wife Jordan (Kelly Reilly), his avocado farm is having a rough go of things. Frank seems to be struggling, though, he hides it well beneath the calm exterior; in a weak moment, he slips into quasi-racism and berates one of his gardeners before Jordan tells him to stop.
One thing with Frank is, starting with Episode Three, we’ve really begun to see the animal side of him come out. The fight with his gangster buddy in the last episode was intense, so were the moments afterward when Frank collected the gold teeth out of the guy’s face. I hope Frank rages on, honestly, because I think he’ll become a force to be reckoned with.
I like the whole idea of dirty and semi-dirty cops versus the character of Frank, who is trying to go legitimate. Jordan argues with Frank about how they’re “back to this”, referring to the old ways of being a street-made man. He tries to instil the concept in her that present situations require serious measures. It’s clear, regardless, that Jordan and Frank have a lot of tension between them, from the hopes of having a baby to Frank’s business dealings. Still, their relationship is strong, yet nothing is ever rosy in the world of True Detective.
Screen Shot 2015-07-13 at 2.47.38 AMI knew right from the beginning Officer Paul Woodrugh (Taylor Kitsch) was closeted. It could’ve simply been erectile dysfunction for all I knew, but that first scene we saw him in during Episode One where he couldn’t stay hard with his girlfriend spoke volumes. Just in the way the camera closed in on him; he was concentrating, trying his best to stay interested and keep an erection. Now with this episode, Paul wakes up at his old army buddy’s place in bed. They’ve had a passionate night. Paul flees in a cab and then scolds himself on a city sidewalk – the pain of what’s going on inside him rages, and it’s actually painful (in the right way because of Kitsch’s acting) to watch.
Even worse, as Paul yells at himself and seems to fall apart right in front of us, then reporters swarm him asking about allegations against Black Mountain Security, and one reporter actually shouts out at him wondering if he has a history of violence against women. Very, very interesting stuff. I was interested before, but this episode really brought some heat for Paul’s storyline. I think Taylor Kitsch is doing a great job so far, though, I’ve liked him since seeing The Grand Seduction last year.
Screen Shot 2015-07-13 at 2.48.05 AMI thought the scene between Kitsch and Farrell early on in the car was fantastic. Two good actors playing off one another. Especially because Woodrugh reveals so much to Ray Velcoro, in a way. The whole angle of Paul’s sexuality doesn’t come out, so to speak, but Ray can see the pain inside the younger cop. First, Ray offers some hair of the dog for Paul to cure the hangover. Then Ray recognizes that Paul has “seen some shit”, and tries to lend a little support. But Paul is cracking at the edges, he tells Ray: “I’ve been listenin’ to them so long I don’t know who the fuck I am”.
Screen Shot 2015-07-13 at 2.48.51 AMMy feeling is that Paul represents a particular generation of young men nowadays, much like any young men from any time. Young men who have been fooled into believing everything the government tells them – be a good student, be a good soldier, be a good cop, be obedient… but most importantly, be obedient and be what we tell you. Young men who’ve been lied to, told they’re fighting for one thing when it’s really another; they are military men, young guys, going overseas fighting for causes to which they have no allegiance, for politicians sitting at home on their asses while real people die everyday in a desert on the other side of the planet. As Paul says, he’s listened so long that he has no real idea who he is, no true sense of identity. He is denying himself every step of the way and there’s maybe something dangerous brewing inside.
Furthermore, Paul and his girlfriend Emily (Adria Arjona) meet. They talk about how things were left between them. Then Emily reveals she is pregnant and is against abortion, so she plans to keep the baby. Paul, denying his true self worse than ever before, abruptly asks her to get married, to keep the child. There’s no telling what repercussions this will have throughout Paul’s storyline the remainder of this season.
Screen Shot 2015-07-13 at 2.49.13 AMWe get lots of Detective Ani Bezzerides (Rachel McAdams) hovering around her family in this episode. She talks with both her sister Athena and her father Eliot, the enigmatic cult leader. I like the juxtaposition of Ani’s family members; she wants to keep tabs on her sister, but does not like Eliot, they’ve been estranged quite some time. However, the case is bringing her into contact with her crazy dad, as well as with her sister – one simply business, the other personal and business simultaneously.

Now, Ani also faces heat at work for her relationship with the hurt cop. I can see how Ani has become a fighter. She lives in a man’s world, and having to become more like the men around her has lead to becoming more wreckless just like the other lost souls – Velcoro and Woodrugh. If anything, Ani stands to show men and women are no different; we all fuck up, we are all reckless.

One great bit happens while Ani and Ray are visiting her dad. Eliot looks over for a moment and says Ray has the biggest aura he has ever seen, that it “fills the room”. Then he tells Ray: “You must’ve had hundreds of lives.” Ray replies: “Well, I don’t think I can handle another one.”

Screen Shot 2015-07-13 at 2.52.08 AMI won’t go into lengthy details about the main plot’s path. Mostly, I think it’s pretty solid. Another sordid tale of sex and perversion and murder, with a few steady dashes of confusion to spice things up.
The element I enjoy about the main plot, concerning the investigation into the death of Ben Caspere, is how Detective Ray Velcoro truly straddles the middle of the line – he and Frank regularly meet, Ray gives over the information required, and at the same time he is still being bent under the thumb of the police department heads, forcing him to do what he does not want to do. Problem is, Ray is the reason Ray ended up where he is, ultimately. Though, I feel he sees some light at the end of his tunnel.
I still hope to see him break free of the ties which bind and I want to see Ray get some form of redemption. Maybe he’ll have to die by the time it’s all over. I think it’s heading steadily towards that conclusion for ole Detective Velcoro. He certainly doesn’t have much to live for – his own son, possibly the genetic son of his wife’s rapist, is slipping through his fingers. Ray meets with his son, out in the shadows of his ex-wife’s backyard, and gives the kid his own father’s police badge, set in an ornamental case after the old man’s retirement; the sadness in Ray is evident, as he backs off into the shadows while the boy’s mother calls him inside.
I imagine a world where Ray does get what he deserves – I like him, but I think the man has done extremely questionable things along the way believing they are true justice. He knows it, we know it. We’ll just have to wait and see how it plays out. Either way, I think Ray might intentionally throw himself into the fire for a good cause in the end simply because he is craving so badly a taste of redemption.
Screen Shot 2015-07-13 at 2.51.08 AMThe last ten minutes is a pretty thrilling bit of action. Detectives Bezzerides and Velcoro, along with Officer Woodrugh and other cops, go on a raid which quickly flies south. Gangsters with automatic weapons begin blasting out the windows of mid-sized building; soon, the gunfire makes the building’s top floor explode, sending everyone outside to the ground and no doubt killing everyone inside. More gangsters light the streets up, as Woodrugh, Bezzerides, and Velcoro each try to clear them out. It’s intense, and several cops take bullets – plus a bunch of criminals. As a gangster moves towards an ammo-less Bezzerides, Officer Woodrugh pops a couple rounds into him an takes the guy down.
I really enjoyed the climax of this episode because while the detectives and officer are all on different wavelengths, this massive shootout almost bonds them together. They’re all shocked with the end results, no doubt a departmental investigation will begin to sort out everything that happened, and as the episode fades out there’s nothing but a little awe; the frame freezes, the black crowds in and a song plays over the credits.
Screen Shot 2015-07-13 at 2.52.19 AMBasically, the aftermath of this shooting will cause some things to happen.
Velcoro is going to pressured into making it look like they’ve got their man in the big rampage at the episode’s finale. However, Frank is still going to know better than to believe that line of bullshit. So we’re going to see the criminal really step up and become the lead in the chase towards an answer to who killed Caspere, and who killed Frank’s man in the same way.
Rolling Stone has already criticized the ending’s freeze frame. I dig it, totally. Part of what I love is how Bezzerides, Velcoro, and Woodrugh each stand around baffled at what has happened – then the frame sticks, fades out. It’s perfect, it captures that moment and literally snapshots it, making it stick. Because you know it’s going to stick to each and every one of them. Certainly Woodrugh, no doubt he has seen enough while with Black Mountain Security to last a lifetime. Can’t wait to see the next episode.
There’s also something else Rolling Stone got wrong – keep this in mind. Detective Teague Dixon (W. Earl Brown) took a shot to the head. Now, the Stone would have you believe it doesn’t matter, as if Dixon was totally inconsequential. That is not the case. Do you remember when Woodrugh was first leaving from meeting his army buddy, back in Episode Three? Teague was sniffing around, even making a comment before that, and had been taking pictures clearly from a bridge above where Woodrugh and his army friend/lover were together. Could we perhaps have reason to believe maybe Detective Dixon was following Paul again? Maybe he followed Paul to his old buddy’s house – of course Paul wouldn’t know anyways, even if Dixon weren’t sneaky, because he’d clearly been wasted before heading over to have some secret sex with his friend.
Screen Shot 2015-07-13 at 2.49.50 AMWhat I’m wondering is: now that Dixon is dead, will someone find his camera, and if someone does will there be incriminating pictures of Officer Woodrugh on there? We shall see. I mean, it’s clear that Dixon looks at Woodrugh with a sense that he can see through that outer mask – he can tell Paul puts on an air of false masculinity, almost trying to overpower his true self, his true sexual orientation, by being foolishly macho and clearly pretending. I can’t believe that Nic Pizzolatto would lazily have Dixon being suspicious, even with his looks, and then doing all that secret detective work on Woodrugh without it leading somewhere.
Don’t forget – in the very First Episode, as Detectives Dixon and Velcoro quietly investigate Ben Caspere and visit his home, Dixon tells his partner that if anything happens to him, to go and clear his stuff out quickly. Right there and then, I’d wondered if that would have any significance. I think now, it really does.
Will Ray Velcoro go to Teague’s place, remove anything possibly damning, and come to find the camera – complete with pictures of Paul, possibly in compromising photographs?
I can’t wait for whatever happens. Next week should be wild with the fallout of the shooting and the deaths therein.

It seems like the title of this episode implies a few things – just like “Down will come baby cradle and all”, down will come everything on top of the heads of criminals, cops, and everyone in the path of the destruction unleashed.

See you next episode!