Tagged Eve Hewson

The Knick – Season 1, Episode 7: “Get the Rope”

Cinemax’s The Knick
Season 1, Episode 7: “Get the Rope”
Directed by Steven Soderbergh
Written by Jack Amiel & Michael Begler

* For a review of the previous episode, “Start Calling Me Dad” – click here
* For a review of the next episode, “Working Late a Lot” – click here
IMG_2661
The Knick‘s seventh episode keeps on pumping, as the opening scene brings us back in time with Dr. Thackery (Clive Owen) and Dr. Christiansen (Matt Frewer) meeting Dr. William Halsted (Michael Cerveris). This is a time before all of the madness which took Thack along his path. Christiansen calls John a “comet in the sky“. We see how uneasy Thackery is before heading into the operating theatre. Then Christiansen shoots up his cocaine, implying Halsted is where he first learned to take the drug in order to keep his energy up. In fact, William Halsted is who Dr. Thackery is modeled after, so watching this scene is very intriguing. The meeting of two men: one fictional, the other his real life counterpart. The surgery goes on in the theatre, as Drs. Christiansen and Thackery attempt to make progress heading towards the 20th century.


Cut back to 1900’s present moments. Thack is woken up from his drugged sleep to find that Ping Wu (Perry Yung) is having medical troubles. In an instant, John has a tracheotomy performed and Wu can breathe once again. He saves the day then has a fresh bowl of opium loaded. Y’know – for victory.
In other news, a young black woman is accosted on the street by a man belonging to Bunk Collier (Danny Hoch). He assumes she is a prostitute, but it appears she is higher class. Out comes her man and things get wild. A fight in the street begins. As you can imagine, people aren’t too pleased about “the nigger“, and not long after a stabbing victim – Phinny Sears – arrives at The Knick – Tom Cleary (Chris Sullivan) says a “dirty coon” got him. Then there are crowds of people at the hospital doors, pressing inward. With Dr. Everett Gallinger (Eric Johnson) and Cornelia Robertson (Juliet Rylance) arriving to work, everything is almost riotous.
Dr. Algernon Edwards (André Holland), Dr. Bertie Chickering Jr (Michael Angarano) and Dr. Thackery are all working on the man, along with the help of Nurse Lucy Elkins (Eve Hewson). The medical table is crowded after Everett arrives; he isn’t happy about Edwards being there, nor is he thrilled to see the pump Edwards invented working so incredibly well in the hands of John. Outside of the hospital, the stabbing victim’s wife is calling for something to be done. She wants the man who stabbed him strung up. I wouldn’t doubt they’d all take the first African-American who came by to be hung. When Dr. Edwards arrives to check the patient, he is treated just like any other black man at the time. Sad and hideous behaviour.


Sears is in a bad way, and the situation around him, as well as outside, is not improving. He perishes from the wounds with his family and fellow officers at his side. The grieving wife and mother wants all the “fucking darkies” brutalized. A mob is out looking for blood now, attacking people on the streets. Witnessing this, Thackery rushes to the road. He may not have been totally into Edwards being at the hospital first, but now he is seeing the ugly side of racism rear its head. The consequences of allowing lax, subtle racism go without punitive measures. New York City comes alive with people beating black men and women alike. The streets burn with the hate of racist mobs. African-Americans limp down the street and make their way through the back doors of The Knick. All of a sudden inside Everett inadvertently causes some fighting, a man insisting there are “no niggers allowed“. A boy sees where the black patients are heading then goes to alert the crowds and the police outside: “Get the rope,” an officer says which prompts the door at the hospital’s front to be ripped off.
Chaos reigns after the doors are open. White men everywhere with clubs, knives, bottles, looking for the nearest, blackest individual. Herman Barrow (Jeremy Bobb) is running around trying to get everyone safe, he even discovers Algernon’s makeshift clinic downstairs. Thack starts to get everyone on the move, intending to take the African-American patients elsewhere for treatment. He didn’t want to lead the charge on equality at his hospital. Although, now it’s out of his hands and he takes the lead running.


Transporting patients literally undercover, Thack and the others start to bring patients to a safer destination. Even Cleary, without horses to haul his ambulance, pulls the thing himself. Algernon hides under a stretcher, as patients are wheeled along under sheets like dead bodies. It is a tense, suspenseful moment. Especially once they’re stopped briefly by a very thick Irish-voiced individual. Nurse Lucy makes a sly remark about leprosy and a man’s testicles falling off, which helps them keep heading down the road. There’s also Sister Harriet (Cara Seymour) who commands the crowds away, damning them all to Hell if they touch any of the African-Americans. What a wild and frenetic few scenes together. Funny when Barrow hears about all the prostitutes out on the street uptown, no police around to do anything; he’s worried about his little mistress, that maybe she might be in trouble or simply that someone else is fucking her. Who knows. Either way, there’s too much going on to be worried about Herman.
Arriving at a negro infirmary, Thack, Cornelia and the rest bring their patients to a Dr. Williams (Stephen Tyrone Williams) – an old friend of Dr. Edwards from Harvard. Great little moment, as we get peeks of more racism, and a Dr. Thackery willing to work with anyone now. He is changing, slightly. Maybe this event is something that will spur on his working better with Edwards, seeing exactly what he and his people have to go through every single day of their lives. Over at The Knick, young Bertie is left to do his own surgery from pictures alone, but looks to be doing fine.
IMG_2674IMG_2675
With everything clearing out, Cornelia heads back to the hospital, as do Algernon and Cleary with the ambulance. Thack offers to see Nurse Lucy home safely.
But when Cornelia and Algernon arrive at the basement clinic, their relationship heats up intensely. She is highly impressed by Edwards, his setting up of the makeshift clinic, his resolve in the face of crisis during the riot, everything after. They are a long, emotionally charged kiss in the fading light. They hold one another close and, no doubt, will soon take one another right there.
Thack and Lucy experience their own romance. She invites him into her boarding house, then further into her room. They’re alone. Dark and shadowy. All the tension between them before now comes to a head, culminating between the sheets of Lucy’s bed. Where will this take them? Does Dr. Thackery have a new confidante? Or is this only going to become a source of betrayal re: Bertie?
Will it hurt?” asks Lucy before Thack undresses her. “I can make it painless and perfect,” he replies. In the morning, a crushed vial of cocaine is on the floor, the room a mess. And John nowhere to be found, only a disheveled, tired Lucy. She remembers their previous night’s tryst in bits, pieces, little edits, as we come back to her getting ready in the morning. I suppose it turns out cocaine isn’t only good for taking the edge off surgery. Thack finds a use for it just about anywhere.


The next episode, “Working Late A Lot”, brings us closer and closer to the end of Season 1. Only a couple more left. It’ll be interesting to watch where things progress from here, heading into the second season. Stay with me, fellow fans.

The Knick – Season 1, Episode 4: “Where’s the Dignity?”

Cinemax’s The Knick
Season 1, Episode 4: “Where’s the Dignity?”
Directed by Steven Soderbergh
Written by Jack Amiel & Michael Begler

* For a review of the previous episode, “The Busy Flea” – click here
* For a review of the next episode, “They Capture the Heat” – click here
IMG_2407
The Knick‘s fourth episode starts with Tom Cleary (Chris Sullivan) playing darts, betting, drinking. He ends up making a bullseye and the place roars. Then from the corner, Tom has a little lookout boy signal him to the door. What I love about this opening, as is the case at many points through each episode, is the music from Cliff Martinez. I mean, does it ever give this period piece series an extra edge, or what? Insanely catchy, intriguing, weird.
Here, the score leads into a scene where Cleary brings a bag of rats from the lookout boy down to a tiny ring, lined on every side by drunk, loud men. Inside the ring, the rats are dumped out and a man in the middle tries his best to stomp them. One of those basement gambling rings that’ll host any sort of event.

 


At the hospital, Herman Barrow (Jeremy Bobb) presents ashes to a widow. It turns out the pig he cut up at the end of the last episode was for the ashes, as the body clearly went to making money.
In the operating theatre, Dr. Algernon Edwards (André Holland) scrubs in for surgery. Even while Dr. John Thackery (Clive Owen) says there’s no need. All the while, Dr. Everett Gallinger (Eric Johnson) fumes at being told what to do by Edwards, who orates the surgery for everyone present. At the ready is Dr. Bertie Chickering (Michael Angarano), as well. But at one point Algernon refuses to tell Everett “whats next“. Worse, Everett says he has no time for “nigger games“. Finally, in steps Edwards to do the rest of the procedure and doesn’t miss a beat. He helps harden and clot the aneurysm with an electrical current, which prompts Gallinger to punch Edwards in the face; a dirty, cheap shot.

 


Inspector Speight (David Fierro) and Cornelia Robertson (Juliet Rylance) head over to see Mrs. Hemming (Emily Bergl) concerning the typhoid outbreak. We see how frank and upfront Speight is, after refusing a handshake from the lady due to not knowing her “hygiene habits“. He further asks tough questions to the lady, wondering if there were any women “on the side” for her husband
We see Thack reciting lines for a crowd, an obvious flashback to a time before Abby (Jennifer Ferrin) lost her nose, and when Dr. Christiansen (Matt Frewer) was still alive. A Christmastime party at the hospital. Happy, carefree. Cut back to 1900, Abby sits ghastly in a chair with the skin on her arm grafted to her face, elbow bent back up over her head. Things have certainly changed. Tragic. And it seems their sad reunion does nothing to help John’s state of mind. As the two talk, Nurse Lucy Elkins (Eve Hewson) listens on. She hears everything at the hospital, but just listens. Taking it all in.
Herman has a new hush-hush agreement with Cleary, taking the ambulance for obviously nefarious purposes. Afterwards, Sister Harriet (Cara Seymour) comes to ask Cleary to give up his fooling around. Only Tom isn’t fooling around. He tells her what he knows – the abortions, all the girls. Now they’ve got an arrangement since he’s strong arming the nun. I don’t like what he’s doing, though, I don’t exactly feel he’s on the level. It isn’t Christ keeping him on the moral side of anything: he’s in it for money.
IMG_2415IMG_2416
Algernon meets his father Jesse (Leon Addison Brown) outside of the hospital. He is a proud man to have his own son, a strong African-American man a doctor at The Knick. They have a chat about the history of the building, the neighbourhood, bits about Captain August (Grainger Hines) and that crowd. When Dr. Thackery strolls out, Algernon makes a great quip about how good John is: “But I might be better,” he says to his father with a smirk across his face.
We get more of Bertie now, which I love. He’s a good character and Angarano plays him incredibly well. His father, Bertram Sr (Reg Rogers), seems out of the loop in his son’s life. He doesn’t approve of the circus that is The Knick. It’s interesting to watch their relationship play out, especially into Season 2. Great actors with a nice chemistry, as well.
Furthermore, we’re privy to Algernon and his family in a scene together in a scene. I’m excited to see more of his story; another solid part of why The Knick is well written, having Algernon tackle all the racism in 1900 being an educated black man in a fiery New York City. Even better, Algernon goes on to meet Hobart Showalter (Gary Simpson), future father-in-law of Cornelia. Hobart is a real greasy guy, a capitalist whose beady eyes are those of an absolute predator. But Algie gives him a nice saucy retort after listening about the “docile” natives of Ecuador. Nice scene to include here, which pits Algernon against the upper class racism of the early 20th century.

 


Down in Chinatown, Lucy finds Dr. Thackery laying in a haze of opium. Naked Chinese woman by his side. Naturally, she’s shocked and makes her way out quickly. Their relationship is headed somewhere. No doubt to a tragic end for one of them. Or both.
And so Cornelia is marrying Hobart’s son Phillip (Tom Lipinski). Everyone’s mingling at the party uptown. A few strange looks pass between Algernon and Cornelia, after talk – from Phillip – about them moving away. Is there more to the relationship between these two? Sure, they’re old friends; the Edwards’ have worked for the Robertsons years upon years. Only there’s something else there.
Algernon talks with a vacuum salesman about how one of his units might work with blood. So they tinker with it a little, and the doctor quickly buys it up. Should be fun to watch what he’s up to with this gadget. I assume perhaps a better way to pump blood during surgery.
At The Knick, Bertie Jr shows his father around while doing rounds with patients. An injured, sick man comes in with rat bites. He’s the one who stomped rats at the beginning of the episode; after he slipped, they got him a bunch. Algernon gets pushed out of the way mostly, called a shoeshine boy essentially, then Everett wrestles his way in next to Chickering. They’ll soon have to accept him. Particularly now that Algernon stands tall in Gallinger’s face, ready for a punch instead of getting suckered. I just want to see Everett get the smile wiped right off his face.

 


Cleary comes across a young woman covered in blood, laying in bed. He takes her in the ambulance, eventually ending up in Thackery’s hands. At his side are Bertie and Sister Harriet, watching on is a distraught Cleary and an interested Dr. Bertie Chickering Sr. The blood is leaking everywhere. The young girl didn’t want to be pregnant and massacred herself. At a time like this, we truly see that someone like Harriet is needed. But it should’ve been legal, instead of her having to do it backdoor secretive. So many young lives lost, so much horror. This scene is real gruesome, in a brief moment. We see John reach inside the woman, then Bertie; the first shot is raw, almost surreal. Lots of blood. A little later, Bertie’s father is not exactly impressed because he came from a worse place than The Knickerbocker, all so that his son didn’t have to go through the same. Except Bertie likes the way Dr. Thackery operates, the experiments he tries, and the methods which he attempts. He is like no other, certainly. Alas, family problems plague Bertram Junior.
Speaking of problems – Herman’s in a jam. Down in the morgue, he has a slight confrontation with Cleary who knows what he’s doing. Barrow talks about “the going price for a fresh body“. Cleary just isn’t having any of his nonsense. We find out he was a gravedigger. Doesn’t surprise me in the least. He must have done whatever he could after coming over from Ireland. He and Sister Harriet go see the girl who died earlier get buried. Along with a bunch of other bodies in a semi-mass grave. Harriet says a prayer before they head off.

 


The end of this episode sees Lucy riding off on her bike, as Dr. Thackery heads out – once again – to Chinatown. We’ll see what other interesting things progress in this shady relationship in the next episode titled “They Capture the Heat”, as well as where all the other tenuous, wild friction between characters heads. Stay tuned.

The Knick – Season 2, Episode 10: “This Is All We Are”

Cinemax’s The Knick
Season 2, Episode 10: “This Is All We Are”
Directed by Steven Soderbergh
Written by Jack Amiel & Michael Begler

* For a review of the penultimate Season 2 finish, “Do You Remember Moon Flower?” – click here
Picture 1
And here we are: the Season 2 finale of The Knick.
Open on Tom Cleary (Chris Sullivan) headed into Chinatown. On the floor of a brothel, he finds Dr. John Thackery (Clive Owen) who doesn’t want to go to The Knickerbocker Hospital, but rather Mount Sinai – to see Dr. Levi Zinberg (Michael Nathanson). He needs a bit of work done on the bowels. Although, John wants to stay awake. Nothing to dull the pain. He and Zinberg are a little at odds, but something will be done either way.
Lots of condoms are being sold. Harriet (Cara Seymour) has them all packed up, disguised in boxed of vegetables, while Clear carries them to and from where they need to go.
Then we find ourselves with Henry Robertson (Charles Aitken) and Nurse Lucy Elkins (Eve Hewson). He’s obviously torn up with the death of his father, the fire at the new Knick. He plans to take his mother to the country, away from the city and everything else. Henry offers Lucy to come stay at the guest house out there: “I dont know what Id do without you,” he says. Doesn’t seem she’s too eager to head out, though.


Many people mourn the death of Captain August Robertson (Grainger Hines). People attend his wake and funeral to give condolences to Henry, Cornelia (Juliet Rylance) and his wife. Herman Barrow (Jeremy Bobb) arrives with his new lady, leaving fairly abruptly. Others such as Dr. Algernon Edwards (André Holland) stay to grieve.
Outside, Herman is confronted by the police. He reels off his mouth a bit, calling the contractors down to the dirt to make himself look better. The cops, for their part, aren’t exactly interested in his bullshit. Herman further throws down a few insults acting all high and mighty. But with August gone, is he exactly in with the upper-ups? Not sure.
Back inside the wake, Algernon with his freshly beaten face talks with his father Jesse (Leon Addison Brown) about what happened between himself and Dr. Everett Gallinger (Eric Johnson). You can tell Algie has had a history of fights. Not by his own fault, all the same. He is a properly defiant man for good reason. He’s always being thrown into fire, and also feels his father was essentially beaten into submission, “afraid to look up“. This scene comes off incredibly well, plus more perfect Cliff Martinez score works in to turn this into a spectacular moment between these characters. Dark, brooding, and intense.


Then the unexpected happens: Tom took the money he and Harriet earned. Except he took it to invest it in them, “in us” he says. Down on one knee, he asks Harriet to marry him. But then she rushes out, leaving him on the floor in a broken state.
At The Knickerbocker, in the operating theatre, John is getting things together to perform surgery: on himself. Alongside are Dr. Bertie Chickering (Michael Angarano) and Dr. Gallinger. They’re not too eager at first to do what Thack wants. Eventually, he gives an ultimatum: help, or get out.
Barrow is trying his best to weasel out of responsibility for any part in the fire. Furthermore, he’s hoping things will work out for him going forward. It’s possible the city may take over The Knick. Of course, Herman doesn’t like that because it means bureaucracy, which in turn means not much chance for more money. He heads down and talks to Thackery, who’s ingesting turpentine to keep him going. Herman’s flaunting his full membership of The Metropolitan Club: “Bully for you,” John says sarcastically. It doesn’t look like he’s much too concerned about The Knick, not any longer. Still, Herman squirms hoping to come out on top in the end.
Cornelia’s having a tough time after the death of her father, regardless of the business in which he was supposedly involved. Her husband Phillip (Tom Lipinski) is attempting to cheer her up. Then he lets slip Henry has been working on the ports for years. Exactly as I thought. “Turns out your brother is quite the wharf rat,” Phillip tells her. Really, now? Perhaps Henry’s been up to more than anybody ever expected. The look on Cornelia’s face says it all. I knew that sly bastard was up to something nasty, more than just his pornographic pictures.


I know what you did behind our fathers back,” Cornelia confronts Henry, who acts coy and unassuming. She accuses him of all the rotten things first assumed to have been done by their father. Henry felt his father was doing nothing with his fortune, pissing it away. And so he tried to take the reins, steer things towards his vision of the future. He further tries to put some blame on Cornelia for apparently pressing his hand into doing what he did. Henry says she won’t do anything like go to the press, to the police, to their mother because it’s Cornelia’s word against his. Very eerie moment where he backs her to the top of the stairs, and we wait with bated breath almost already assuming she’ll go tumbling down backwards at any moment. He threatens her and assures that her “onewoman crusade is over“. On her way out, Lucy is heading in with bags in tow. The disgust on Cornelia’s face is powerful, staring up at her brother in all his hideousness.


Cornelia: “How could you?”
Henry: “How could I not?”


Barrow is all but unraveling. His new lady Junia (Rachel Korine) is worried, too. Afraid she’ll be put out onto the streets. He’s going just about mad, looking outside and seeing police camped, waiting to see what he does next. Things in his world are becoming less and less fun as the days go by.
In the world of Tom Cleary, he’s over at the Catholic Church looking for a confessional. Kneeling, hilariously with his feet hanging out the back, he talks with the priest on the other side of the veil. He admits to lots of wrongdoing, but also believes he’s “an all right fella” for taking the sick to the hospital “lickety split“. He believes perhaps confessing to God his sin may be what Harriet needs before she can accept his hand in marriage. This is probably the best scene for Cleary, ever. He reveals to the priest he set Harriet up for the abortion crimes, telling a police officer to get things going. But he further shows how hateful he can be, yelling at the priest who scolds him: “She was a fuckinabortionist.” I like Cleary, though, he’s made me feel unimpressed at various times in both seasons. Then again, I guess it can’t be easy for someone like himself in America, at that time. So, kill or be killed, the motto of too many people forced out of their country and homes in the early 20th century.
Picture 22
More of the modern medicine man Dr. John Thackery. He’s practicing in front of a mirror for the surgery he plans on doing, on himself. What I love is the determination in his eyes, you can almost feel him willing the power to perform right there. An impressive, if not a bit reckless man.
Then we jet back to Harriet and Tom – she’s wearing his ring, as they sit at the table ready for a meal. He spies it and stops. Her smile speaks volumes, and they both have a chuckle. But is he ever going to reveal to her what he told that priest? Can he be cold like that? Perhaps it’s better off, yet I don’t think Harriet could ever bring herself to stay with him if she knew.
Barrow is still being followed by Dt. Tuggle (Joe Hansard). Only now, the detective is apologizing. Seems the reach of The Metropolitan Club has smoothed things out for ole Herman. Plus, even though he’s an embezzler, we certainly do know the source of the fire and so on. Worse – on Herman’s hands are what looks like lesions.
Everett Gallinger is being offered an opportunity to spread the message of eugenics. From the board who reviewed his case, Dr. Phelps (David Pittu) says he would be the “prophet of eugenics“, planning on traversing the globe – of course starting in Germany; “As good a place as any,” says Everett.


But the main attraction – John’s surgery. Doctors of all sorts pile into the operating theatre, each of them eager to see what will happen. Then, Thack gets himself into the medicine locker for a bit of cocaine. We’re back to the old John Thackery. He bursts into the theatre hopped up on cocaine, mainlined to his veins. You can see that there’s a wildness in his eyes. He strips down naked and then gets ready on the table, wide-eyed and maniacal. In the audience, Dr. Levi Zinberg and others watch on with their own widened eyes. Into his spine goes the cocaine solution, rendering John’s lower body painless. And the surgery begins! Thack watches the mirror and cuts, only allowing the nurse present to cauterize and hand around the instruments, not wanting to be “accused of not performing the entire surgery myself“. It is a gruesome scene, and amazing all at once. He pulls intestine out, feeling around to look at the necrotic tissue and determining it worse than expected. Bertie and Everett want to help, though, he refuses any of it. The effects work in this show is at its PEAK here, with lots of nasty looking entrails on camera, a close-up view on the surgery itself putting us almost right in Thackery’s shoes. Soon enough, he nicks himself badly and starts to bleed a good deal. His visions starts to dull, making things a little more difficult. Though, everyone watches on quietly. Not wanting to disturb the mad doctor at work. “This is it,” John says almost passing out: “This is all we are.” Then he fades and fades, seeing images of the girl in his hallucinations. Then he’s out like a light. Algernon comes in from the crowd to help. John has no pulse. They’re all working now, blood pouring out of Thack and onto the floor. Rushing down to the office, Bertie flies like a bird: to get adrenaline. Into the chest goes the drug.


But now we cut to an empty Knickerbocker. At least the operating theatre. Algernon sits looking at pieces of rope on Thackery’s desk. He finds a book belonging to Abigail (Jennifer Ferrin), a diary. Has John died? Nowhere is he to be found.
Henry and Algernon have a meeting. The latter has problems with his eye, even worse now. He says he’ll need a “new profession” and it seems he’s looking to try furthering some of the work done by Thack: “I owe him at least that.” Sitting down on the addiction ward with Mr. Dominczyk (Eugene Poznyak), Algernon tries to continue his therapy. They talk of bad dreams, almost starting the idea Edwards will venture into psychiatry down the road, reminding us of a doctor and patient on the couch situation.
Picture 42Picture 43Picture 44
I loved the end. A true cliffhanger if there ever were one.
Excited to see more of The Knick next year. Season 3 ought to be highly interesting, wherever it goes. I don’t believe Dr. Thackery is dead, but perhaps he’ll be disfigured or permanently injured due to his surgery. Maybe he and Edwards will continue in the third season together, going into a line of psychiatry involving addiction, or something similar. Who knows. He could very likely ACTUALLY be dead, too. It seems that way to most.
Either way, stay tuned with me – I’ll be going back to watch Season 1 over and review it soon enough. Cheers!

The Knick – Season 2, Episode 2: “You’re No Rose”

Cinemax’s The Knick
Season 2, Episode 2: “You’re No Rose”
Directed by Steven Soderbergh
Written by Jack Amiel & Michael Begler

* For a review of the previous episode, “Ten Knots” – click here
* For a review of the next episode, “The Best with the Best to Get the Best” – click here
Picture 1
After the premiere’s interesting events, “You’re No Rose” starts out with more excellent Cliff Martinez score. Two men find a body on the shore, a water-laden corpse. When they turn it over, the body is Inspector Jacob Speight (David Fierro).
Meanwhile, Dr. Bertie Chickering (Michael Angarano) talks with Dr. Algernon Edwards (André Holland), reading a newspaper as they walk the streets together. As they arrive at the hospital, Dr. Everett Gallinger (Eric Johnson) is bringing Dr. John Thackery (Clive Owen) in to see the board. He claims he hasn’t taken cocaine in a long while, and the other drugs – heroin – are completely out of his system. For his part, Thack doesn’t look nearly as bad as he did in the first episode. Although, his eyes still have a dangerous tinge of addict in them. The board wants him monitored while at the hospital, Herman Barrow (Jeremy Bobb) insisting any of the drugs he must take out of the medical locker has to be checked. At the same time, Thackery doesn’t want to do surgery much any longer. He wants to do research into “what causes addiction“. Nevertheless, none of the board wants any of it. Thackery believes addiction needs to be cured, it is a disease and ought be treated as such; very modern of Thack. Everyone else believes addiction belongs to the lower class, “present company excluded“, so they say. He doesn’t have many friends left on the board, not anymore. It’s the faith of Henry Robertson (Charles Aitken) which keeps him afloat. For now.
Picture 3
Out on the street, Tom Cleary (Chris Sullivan) tries to get his ambulance fixed, up and running. Only there’s trouble with the vehicle and things seem to shut down. Cleary is not happy.
Up in his office once more, Thackery in his slick white shoes tries to readjust to the world like before. Only without the use of drugs to keep him on the level. He and Lucy Elkins (Eve Hewson) reunite, both of them with their eyes shining at the sight of one another. Except John is not the same person he used to be, for better and for worse. Lucy loves him, but he says “we cant be together“. An abrupt end to their relationship, though, probably better off for Lucy. She doesn’t see it. But it’s true. He is a mess of a man, clawing back to his professional life, which won’t be easy. There’s no good in their relationship for her, only more possible heartache. Still, sad to see her cast off like that after all she did for Thackery.
Back at the Knickerbocker, there are new charts confusing Thackery, as well as the ass-kissing Gallinger. They’re, of course, modern medical forms we recognize today. Thack does not like them, nor do the other doctors, but Edwards assures them it’s easier to read, makes things quicker for them and allows the orderlies information about the patients. Oh, the modern world! After that, we get more friction between Edwards and Gallinger, as well as the usual stuff from Thack to Edwards. When will Algernon get the rightful respect he deserves?


Cleary is having a tough time with the ambulance, trying to get an advance out of Barrow, who won’t budge of course. And who knows what Barrow has going on concerning the budget. While talking to Cleary, a group of people come into view, women in fact. Ping Wu (Perry Yung) has shown up with his ladies. Ah, yes – the deal he struck with Barrow, for regular medical care. “A philanthropic endeavour,” Herman tells Lucy Elkins. She is being tasked with “discretion” and taking care of the prostitutes. They bring Dr. Mays (Ben Livingston) into the fold after he stumbles upon the women. Seems Mays is quite happy to start helping the women, as he’s used to serving women. Only he’s a bit too eager. Lucy gets the stirrups, but he says nonsense – they’ll rest their legs on his shoulders. He doesn’t even need any swabs: good nose and a smart eye is all he needs. Disgusting. I’m pretty sure ole Mays is looking to get his nasty jollies off.
In other parts of the hospital, Bertie worries to Algernon that all the latter’s good work will see Thackery tear it down. The silent Edwards only washes out of surgery, not a word. I’m looking forward to seeing how Algie takes care of Thack’s sudden presence back at the Knick.
And speaking of Thackery, he’s off in a dingy little room with instruments set up in front of him, a book at his side. He receives Bertie for a chat; Chickering gives him a resignation letter, though. Thackery tries to explain away his drug use as changing who he was, making him do odd things he never would have done, only his young friend thinks the drugs made him bare his “true self“. They talk about Lucy a little and Thack drops some wisdom about the male view of women: “Dont get confused by some puritanical notion of womanhood. Virginity is a mans idea, meant to shame,” he tells Chickering.


Barrow is out trying to get the best supplies for the hospital, as well as skim money off the top of the construction. What a greasy little man, that Herman. Always scheming and wasting money.
Cleary visits Sister Harriet (Cara Seymour) trying to get her some more help. Only Harriet knows more about the law than Cleary, and the lawyer he brought confirms it. Regardless, Attorney Whitting (Jefferson Mays) lays out some options for Harriet, to try and help her as best he can. Bless Cleary’s heart, trying his hardest to do right by Harriet. He is a hard man, but a good one, for sure. We also discover Harriet’s birth name is Rose; all the same, Cleary likes Harriet better, so he tells her. The money Clear was trying to get out of Barrow earlier wasn’t simply for vehicle issues. He needs money for the attorney, so he can start the wheels in motion for Harriet.
In other news, Cornelia Showalter (Juliet Rylance) is looking for more information about the dead officer, Inspector Speight. No one at the station is too concerned, as it seems an accident. Cornelia heads off and calls Algernon; she wants to know if there’s any way to find out the blood alcohol level of a person, particularly after death. She knew Speight didn’t drink, he never took a drop. There is certainly something foul afoot in the city of New York. Only problem: Speight has already been buried, even Algernon can’t take him out of the ground.
There’s more trouble for poor Cleary, who gets information about fixed fights down at the bare knuckle boxing ring. Apparently the fighters he’s in league with are taking dives, but not even at good prices: “You can have the dollar I made tonight,” one of them says to Cleary.


Back to Thack. His wet, sober eyes are dangerous. Not for long. He heads down to replace the drugs with drinking, slamming back a few shots. Before that, his head was stuck on a young girl in flashbacks, under the sheet on his operating table; is this the girl from the Season 2 premiere, the one he couldn’t stop seeing? Either way, Thack is putting the drugs away and letting the drink reign. Certainly not a great idea, but early 20th century wasn’t exactly the day and age of understanding drugs/alcohol are equally as damaging; alcoholism wasn’t a problem, drug addiction was a disgusting behaviour. Out in an alley, Thack bends a drunk prostitute over a barrel and has himself a good time. I suppose drinking and sex take away the dull pain of wanting drugs.
At a nice candlelight dinner, Cornelia and others enjoy interesting company, drink, and good food. Lots of talk about “the new Knick“, and so on. Henry and his father have differing opinions on what the hospital needs. The son believes more donors is necessary, and also looks to the future, but dear ole dad has no time for his opinions really.


Algernon has a drink with his friend Dr. Russell Daniels (Colman Domingo). They complain about their respective situations at their hospitals. Algernon laments how people at the Knick almost expect daily thank yous for the supposed gifts they’ve given him, the opportunities. Then he contrasts a doctor working elsewhere who is treated like a King in France, yet in America he’s just a “nigger on a bike“. Sad, tragic times to see these great African-American doctors suffer under the weight of bigotry and rampant racism. How the times have changed, only not completely.
Lucy Elkins receives a visit from her religious father, A.D. Elkins (Stephen Spinella – who I loved in Ravenous). There’s a clash between science and medicine, just not a rough one. Dad only wants to see his daughter is safe and sound in New York at the infamous Knickerbocker.
Thackery is being monitored, along with the drugs he has to take out of the medical locker; Barrow is in tow making sure everything goes correctly. In the hallway, John meets Lucy and her father, to whom he gives a glowing review of his daughter’s service as nurse at the hospital. Up in one of the rooms, Thackery discovers a unit called a “fever cabinet“, which the nurse tells him was installed at the request of Dr. Edwards awhile back. Of course, the two doctors go head-to-head over the cabinet: “Do you read German?” Edwards asks Thack with a bit of tongue in cheek. Following this little argument, Algernon reveals the trouble with his eye to Thackery. They bond a little over possible surgeries for Algie, Thack showing interest in what’s happening. Perhaps a tenuous bond is forming between these two now with Thackery’s burgeoning sobriety? I hope so. Especially now seeing as how Edwards’ eye and career are all on the line. It’d be nice to see redemption on Thack’s part, as Edwards tells him: “Youre the only one I can trust. Please, John.” He agrees, but only to do it at night when the hospital is empty, so that nobody figures out what’s going on. A deal is struck.


Cornelia can’t get any traction on Speight and his death, or better put murder. She discovers there is a cover-up happening, after taking a meeting at Tammany Hall. However, she isn’t able to get much further than figuring out something is wrong at the surface level. Well, Cornelia finds her way down to see Cleary for a conversation. Turns out, Cleary used to dig graves once upon a time. Harriet let Cornelia in on this fact, so it seems Cleary is just glad the former nun said anything at all about him. Cut to Cleary digging up Speight, all the while carrying on for a few laughs with the new Ms. Showalter. Great scene, which brings together the lower class to which Cleary belongs, even with his job, and the upper crust of Cornelia and her family; I love how she is very much not the expected ‘lady’ type, she likes to be involved, to get her hands in the dirt and figure out what’s happening instead of standing by idly like so many others.
We also get a glimpse of Lucy’s father preaching, talking about all the different cultures of New York, and the “language of God” before speaking in tongues a bit. Weird, sort of ominous in a way, yet it gives us a look into Lucy’s past, too. Accompanied by tons more perfect Martinez score; the music truly makes The Knick a highly unique series.
Picture 31
At the Knick, poor Thack is still hallucinating the young dead girl. Worse, he sees blood pouring out of the faucets where he’s washing up. All the while, Algernon sits out on the operating table awaiting his friend Thackery for surgery. And then, it begins, first with eye drops before moving into the thick of it. John handles cocaine again, but not for himself; it goes in under Edwards’ eyeball, thankfully. Seeing these two come together under such intense pressure and a very tense situation, it’s sort of magical. But when Thack starts putting the knife near Algie’s eye, he also hears noises nobody else can hear, he shakes slightly. Before he can do anything, Algernon stops the procedure. Thack nicks him a little with the blade, and things come to a stop.
Cue, Thackery out on the town with another drink and flirting with the prostitute he had sex with last time. Drowning away the sorrows: “To your health,” she says lifting a drink. Then, Thack falls into the rabbit hole – the prostitute tells him how the cocaine and heroin take the edge off one another, each of her arms dedicated to one drug. In that moment, will Thack succumb to drug use again, or use this knowledge towards his research?


Come back again soon for a review of the next episode, “The Best with the Best to Get the Best”. Stay tuned, fellow Knick lovers!

The Knick – Season 2, Episode 1: “Ten Knots”

Cinemax’s The Knick
Season 2, Episode 1:
 “Ten Knots”
Directed by Steven Soderbergh
Written by Jack Amiel & Michael Begler

* For a review of the next episode, “You’re No Rose” – click here
Screen Shot 2015-10-19 at 4.30.53 PM Screen Shot 2015-10-19 at 4.30.58 PMI’ve only just now decided to start reviews for The Knick‘s second season. Being a huge fan of the first, I thought it’d be fun to get in on the action.
So, after the wild events of the first season in New York – in particular the gutpunch of the final episode as Dr. John W. Thackery (Clive Owen) finds himself being weened off one drug, only to be weened onto the dreaded heroin – Season 2’s opener “Ten Knots” begins with a nice fade in on ole Thack’s eyes; fitting shot to start. But first it’s a blurry image turning into a little girl… then the watery eyes of Thackery emerge.
Then we’re back with Lucy Elkins (Eve Hewson). She’s dictating a letter in narration to Thackery. Apparently Sister Harriet (Cara Seymour) is “bearing up” according to her while Herman Barrow (Jeremy Bobb) is still kicking about, naturally, as well as young Dr. Bertie Chickering (Michael Angarano) and the steadfast Dr. Algernon Edwards (André Holland). They’re all getting by best they can. Though, Dr. Everett Gallinger (Eric Johnson) hasn’t returned as of yet, even with his suspension lifted.
Screen Shot 2015-10-19 at 4.32.15 PMMost interesting, as usual, is Dr. Thackery. In a tiny room he works on a woman’s nose. Very gruesome little bit, not to mention Thack looks like something ragged and worn out. Worse, it appears he’s working for vials of drugs. Sad state of affairs.
Screen Shot 2015-10-19 at 4.32.27 PMAnother suffering soul, Sister Harriet gets a visit in jail from her Mother Superior (Maryann Plunkett). Mother asks Harriet if the charges against her are true, to which the latter does admit clearly. It’s a sad scene once again, as even the non-religious (like myself) will feel bad for Harriet; she only wanted to do the right thing and help women in need, but this of course turned her against her faith in confrontation. Mother Superior pretty much rubs salt in the wound.
Another actually gruesome scene – at the home of Dr. Gallinger, his wife Eleanor (Maya Kazan) is helping to size up her sister Dorothy (Annabelle Attanasio) for some new teeth… teeth which came out of her own face. Eleanor has a grim smile now with sharp and stumpy gums in her mouth. What an image.
Screen Shot 2015-10-19 at 4.33.11 PMDr. Edwards has a problem with the retina in his left eye. This is obviously troubling regarding Algernon’s abilities as a surgeon, difficulties with his vision would mean even worse things for his career. At the same time, Edwards hopes to become the permanent chief surgeon at The Knickerbocker Hospital while Thack is not around. What I love is that Edwards works well with those who wish to give him a chance. For instance, his relationship with the youthful Dr. Chickering seems pretty great; he gives Bertie the chance to have a hand at doing a surgery, encouraging him not to simply watch and rather get his hands on the work himself.
Only problem is, as always, Edwards is constantly the underdog to everyone at the top – simply because he’s African-American. Foolish nonsense, though, we are at the dawn of the 20th century in this series. Hindsight is twenty-twenty.
But the scene where Dr. Edwards is being completely dismissed by the hospital’s board was downright brutish! Wonderfully acted and written scene. Still nasty, though. He’s clearly an amazing doctor, we as more modern men and women can see this, yet those racist old white men just can’t get it through their heads.
One of my favourite moments in this Season 2 opener is near the end when Dr. Edwards is let in on the photo-op for The Knickerbocker, to the dismay of a few old white men. Such a classic moment! Loved the look on all the faces of the others involved in the photo, actually made me laugh aloud. Also fist pumped a little for Algie, he’s fucking classy.
Screen Shot 2015-10-19 at 4.33.25 PM Screen Shot 2015-10-19 at 4.33.32 PMWe watch Cornelia Robertson (Juliet Rylance) still continually trying to do good in the world – she carts a load of green vegetables into an obviously poor neighbourhood, Chinatown, and finds herself overrun with people trying to get their hands on a bit of food; pretty dire, no?
Inspecter Jacob Speight (David Fierro) is still kicking around the hospital, up in Barrow’s office, investigating patients records. Certainly we’ll see more about the outbreak of plague, the dirty Black Death, more and more as the episodes get going this season.
Screen Shot 2015-10-19 at 4.34.23 PMDr. Gallinger heads over to Cromartie Hospital where Thack, under the name Dr. Crutchfield, is wasting away. Turns out Thackery doesn’t want to leave, he’d rather not go back to The Knick. The drugs have taken hold and I doubt they’ll ever let go. He actually tries to convince Everett to infiltrate one of the doctors offices in order to get some cocaine and other drugs for him – a true addict, through and through. Naturally, Gallinger is only there to try and bring Thackery back to the hospital so Dr. Edwards can’t become chief of surgery; therefore Everett could gladly go back and work under him. It’s amazing Everett is willing to work under a drug-adled headcase like Thackery and not Edwards, all because of race. This whole hypocrisy really shows off the idiocy of racists.
Then in a scene later, Thack wakes tied at the wrists. He’s in the belly of a small sailboat, which is headed out on the ocean. Is Dr. Gallinger going to try detoxing Thack?
Way out on the Atlantic, Gallinger tells Thackery about his plans saying he’s going to “fix the mess” Thack drummed up. Only two options Everett says: “Either get well, or jump off.” Everett also gives Thack some rope to tie, saying he’ll know the naughty doctor is back in control if he can tie the ten knots on a wall chart nearby. I thought this was a great touch.
Screen Shot 2015-10-19 at 4.34.36 PMTom Cleary (Chris Sullivan) shows up down at the jail where he sits with Sister Harriet. He gives a sort-of-apology. Funny, though, how Harriet shows off her sense of humour in the face of so-called justice. She jokes around with Cleary quite a bit here, and even Cleary acts the serious part of the pair. He’s worried about her, clearly. Even with the weak apology (that wasn’t even really an apology), you can tell Tom wants to help Harriet and plans on doing just that. Can’t wait to see how their subplot plays out because I like these two characters, ever since the beginning of the first season. Even further, both Sullivan and Seymour are great actors playing off one another.
Over in Chinatown, Barrow is meeting with Ping Wu (Perry Yung). Wu is negotiating terms with ole Herman – he needs his women, the prostitutes, to be clean. Barrow’s hoping to whittle down his debt from Season 1 by providing discount services for Wu’s stable of ladies; $2 reduction with each service. The money man at The Knickerbocker is no better than a gangster when it comes down to it.
Screen Shot 2015-10-19 at 4.34.56 PMSo happy the continuity of the aesthetic in The Knick overall is being preserved. With Soderbergh as D.P and Cliff Martinez still rocking out his unique, beautiful score in every episode, there’s no way to deny the power of so many scenes. There’s one sequence which begins with an old school boxing match – in a padded ring with no ropes and a big Masonic-like eye/pyramid on it (similar to the American dollar bill) –  then leads back out to the boat with Thack/Gallinger… such an amazing piece of filmmaking. Soderbergh gives the grim plot such a distinctive look and feel with his camerawork, on top of that there’s a relentlessly percussive score happening which almost keeps you in a frenzy for the two or three solid minutes of the entire sequence. It does not get any better. More and more of this as the episode heads to a close in the last 20 minutes, proving why this Cinemax series is one of the best to ever grace television. Period.
Screen Shot 2015-10-19 at 4.35.20 PMWhen the episode’s finale comes, Thack has managed to tie the ten knots for Gallinger. However, at the edge of the boat he sees a sickly looking girl – the one from the beginning of the episode – and starts at her with his wide, bloodshot eyes. It’s clear he is not at all back in full control, nor should we have ever thought so – Everett may be too gullible compared to the addiction that rages inside Thack.
Could the girl be Thack’s daughter, one who may have died? There’s a pain inside him he tries to drown in drugs. Take a look at the girl’s eyes – they look very much similar to those bulging out of Thack. Either way, we’ll figure out more about the force driving him towards drugging himself into a stupor, this season will bring us more characterization. Owen does a fantastic job with the role and I’m always itching for more after an episode finishes.
Screen Shot 2015-10-19 at 4.36.17 PM Screen Shot 2015-10-19 at 4.36.23 PM Screen Shot 2015-10-19 at 4.36.30 PMCan’t wait for the second episode. This is one of my favourite series’ ever, plus it’s one of the best on television right now. Stay tuned for my review of the next episode, “You’re No Rose”, coming again this Friday, October 23rd. Cheers!