Tagged Justin Lin

True Detective – Season 2, Episode 2: “Night Finds You”

HBO’s True Detective
Season 2, Episode 2: “Night Finds You”
Directed by Justin Lin (Better Luck Tomorrow)
Written by Nic Pizzolatto

* For a review of the next episode, “Maybe Tomorrow” – click here
* For a review of the previous episode, “The Western Book of the Dead” – click here

Picture 7I thought the opening of “Night Finds You” was a really great little piece. Not because of what Frank and Jordan Semyon [Vince Vaughn & Kelly Reilly] are talking about particularly, but because of the image above. First, Frank sees the water stains in the roof, and he wonders where they came from as it hadn’t rained that much recently. Then, as the second scene crossfades with the one before the images mix and the water stains become the eyes of Ben Caspere, City Manager, who was found dead at the finale of the first episode.
Now what I enjoy is how the water stains come to represent a couple things. The obvious one is how Frank sees them, and yet they’re big blotches, brown and almost rotten, so they must’ve been there awhile. Only now is Frank noticing them. The stains represent the things which are right in front of us, the things growing and festering right under our noses but in a blind spot, somewhere it’s almost too obvious so it gets passed over. This can mean a lot of things. Then the stains also come to mean something else.
The other idea of the water stains and what they represent is how everything eventually bleeds through, like the water through to the inside of the house. For instance, the cops of True Detective, their “other lives” outside the badge blur into the badge, and then the job itself bleeds out into the other parts of their lives as well. Velcoro, obviously, has every part of his life both touched by the law and tainted by the law’s inability to always and effectively dole out justice. Woodrugh represents how the lives people live before the badge come to affect the way they do their jobs because they still have to go on and live a life outside the badge; he also symbolizes the people who cannot come to terms with who they are because they believe they must be a certain type of person to do a certain job, to lead a certain life, et cetera. I think the idea of those stains is what reflects throughout the course of the episode, and likely what might be the rest of the season. Frank has a great quote in the early part of the episode at the beginning when he mentions how everything seems like paper mache, and this is because the paper is wet, things bleed through; everything is mixed, there are no dichotomous distinctions only grey areas, like life is one giant cesspool.
See? Pizzolatto’s philosophical pessimism and ruminations on life are still all there, you just have to dig a little deeper than Rust Cohle’s eloquently lobbed softballs from the first season.
Picture 12BAM! This season is definitely moving at least a little away, initially anyways, from the violence against females which heavily characterized the first season. Not to say it was an epidemic of scenes including women being beaten or anything – I know the difference – but last season certainly had enough of it packed in there with the storyline and plots surrounding to last a lifetime. Such is life, things can be grim! Regardless, I think that whether or not Pizzolatto is intentionally moving away towards something else or if it’s natural doesn’t matter. The story is great so far, and I think people are worried there are too many characters. I’m not. There’s enough plot to keep us going – with Ben Caspere dead, above with his genitals removed, there are wheels in motion, and Episode Two “Night Finds You” shows us the consequences of what happens to people who get in the way of the big, heavy, moneymaking wheels.
IF YOU’VE NOT SEEN THIS EPISODE – WHAT IS YOUR PROBLEM? WHY ARE YOU READING THIS? TURN BACK NOW OR FOREVER BE SPOILED.
Really, I shouldn’t bother warning anybody dumb enough to come looking at reviews of an episode they’ve not yet seen. Alas I follow suit to be polite.
Anyways, Ray Velcoro [Colin Farrell] is the man who meets the heaviest of consequences in this second episode. Life for Ray is deteriorating fast as it is because his ex-wife wants to take his son away, after getting wind of the savage beating some unknown man, clearly Ray, laid on a bully’s father [for those who don’t remember Ray beat the dad and told the kid if he ever bullied/hurt anyone ever again Ray was going to come back and buttfuck his father with the mother’s headless corpse on the front lawn in Episode One]. He makes the mistake of telling his buddy/master Frank [Vince Vaughn] there isn’t much reason for him to keep going along with everything that’s going on, et cetera. However, I don’t think the fate Ray meets at the end of the episode is something Frank had anything do with, and here’s why…
In Episode One, there’s a shot of Ben Caspere’s corpse riding in back of a car, and upfront alongside the driver sits a big crow/raven type of mask.
Picture 1
Now, Frank seems to not know anything about what’s happened to Caspere, so when the crow/raven mask shows up again in the episode’s finale it’s hard to believe Frank has anything to do with what’s being done. Then again, we can never count on truly knowing what’s going on in True Detective, and certainly not when we’re only two episodes into the whole mess.
Picture 10Image above and all, Ray Velcoro is not out for the count just yet.
Picture 2Not even with this last shot either. Everyone can stop discussing. All you need to do is check it out – Farrell is listed as appearing in all the episodes of this season, so that’s enough right off the bat. Then, there’s the fact that he’s being shot at mid-to-low range here. I would imagine Farrell is wearing a vest. He survives, no doubt. Plus, there are images released, pieces in the trailers/teasers that show him in other scenes not yet aired. At the very least he’s in flashbacks. People need to calm down. Yet, this is what Pizzolatto knows, HBO too, and they play the game quite well.
This event will mostly just serve as paranoia and motivation for Velcoro. He’s probably going to immediately assume that Frank Semyon has done him in, but then again, Ray also realizes the men he works for in the Vinci P.D are not the most honest and uncrooked men there are in existence. So, the rabbit hole begins for ole Ray.
Picture 8Other than Ray, this episode showed us that Detective Bezzerides knows who she is working with. At one point she flat out asks Velcoro himself to tell her exactly how “compromised” he has become. The distrust in the picture above when she is with the other detectives and officer on the case is evident.
Furthermore, we get a little more evidence as I referenced in my last post [re: Officer Paul Woodrugh] that Paul is definitely having issues with his sexuality. Not only do we see him apparently checking out a corner where what looks like gay prostitutes are getting rides/dropped off with a bit of desire in his eyes, mixed with hatred, mostly for himself, but then he further tells another detective that a “fag” was checking him out and that he almost knocked the guy out – to which the other male detective responds “and why would you do that?” – so it’s more than clear Paul is having a lot of rough times dealing with the sexuality inside him that wants to be free. This should be interesting to see play out. I also want more of his Black Mountain Security past to come out because there’s no doubt neat places to explore in that part of his psyche, mixed with all the homosexual angst he feels so far.
queensdamnedsWith many believing death looms over Detective Ray Velcoro, I safely tell you – Ray lives. Don’t worry. Either way, this was an excellent second episode, and I think definitely built with strength on the first. Things are beginning to unfold now, and the further we go, the better this ride will get. The events of the second episode are really going to propel the third somewhere else. There are many places to go from here – what will Ray do if/when he survives this attack by the masked birdman? what will Frank do when he finds out about Ray/if Ray comes after him for the attack? is Paul going to continue wrestling with his sexuality, or will it give way to some kind of acting out in lieu of gratification? can we expect Ani to start unravelling some of the dark secrets behind Ben Caspere’s murder and maybe even the men she’s working with? So, so many avenues to go down. Let’s wait and see what happens, I know I’m beyond pumped to watch more True Detective. I’ll see you all next week.

True Detective – Season 2, Episode 1: The Western Book of the Dead

HBO’s True Detective
Season 2, Episode 1:
“The Western Book of the Dead”
Directed by Justin Lin (Better Luck Tomorrow)
Written by Nic Pizzolatto

* For a review of the next episode, “Night Finds You” – click here
Picture 2To start, this is NOT a repeat of True Detective True Detective Season 1 – the show is trying to do a new story, new characters, the whole shebang. Of course the whole thing is still very existential, regardless if Rust Cohle is not spouting out Nietzsche rehashes and what not [which I loved but come on – they weren’t anything groundbreakingly new outside of philosophical circles]. I mean, Colin Farrell’s low-down-and-dirty Ray Velcoro already gave the beauty line “We get the world we deserve” in the second episode of this season, so there is definitely still an existential element kicking around inside of Nic Pizzolatto’s second season. However, this time around there’s much of a demon-within type of vibe going. Whereas the police detectives Rust Cohle and Marty Hart were truly trying to serve justice for the sake of the victims, all those poor young girls taken and killed by vicious, hateful men, the second season of True Detective seems to be focusing on how some of those same police get lost along the way, how they bend the law to work for them, and even though they’re ultimately trying to do good, they end up doing a lot of bad along the way.
Picture 1Starting off, we get to see Ray Velcoro [Farrell]. His tale is a rough one – his wife was raped, they never found the attacker, and neither she nor her now ex-husband Ray know if their boy is his or not. Certainly Ray does the true blood thing to do: he raises the kid as his own. He doesn’t want to know anything about DNA, he just wants his son to be his son. Problem is ole Ray has vices – the drink and the drugs – and his temper is fierce. Like anyone, Ray wanted revenge for what happened to his wife, and as an officer of the law, he naturally felt stuck when even the law let him down. In comes Frank Semyon [Vaughn] who facilitates the revenge Velcoro needs by tracking down the man responsible, which coincides with Ray’s wife and her statement. This puts Ray deep in with Semyon, who uses him as a man on the inside, and as Ray climbs the ranks to detective, of course Frank reaps the benefits.
I think Ray is going to be one of the most interesting of the bunch in this season. There’s a scene involving Ray and a kid who bullies his son at school, plus the boy’s father, which really takes you from “Okay, Ray is a normal guy in a bad situation” to “Wow, Ray is a bad dude”. Even while you side with him, he takes things much too far. Not hard to see the booze and the cocaine, and the more booze, doesn’t help his natural temperament. At the end of the tunnel, for Ray I see a bit of redemption. Now, whether or not Ray will have to die for this, it is way too soon to tell [even in light of Episode Two’s events]. We will see.
Picture 3Next is Rachel McAdams as Detective Ani [Antigone] Bezzerides who has more than her fair share of issues, as well. First, her estranged father Eliot [David Morse] is a New Age guru-type who runs a sort of 1960s style institute or commune, and clearly is a narcissist. Then her sister, Athena, is a webcam girl doing porn who is off her medication and living free. Not to mention the fact their father named both her and her sister Antigone and Athena. So, Ani drinks, gambles, and raids houses to find out where her sister is when she feels like it. Also, her boyfriend is not exactly the sexually adventurous type when Ani clearly surprises him with something in the bedroom he couldn’t handle straight away. She is a dominant woman; she carries knives all over her, making clear in the next episode this is because she has no illusions about certain female-male situations where she will be physically smaller than a larger man in which the knives will come more than in handy. There is no doubt the years living in the cult with daddy brought on issues, most likely from some kind of abuse, but we can never be sure. Perhaps she’s just a smart, cautious woman who has seen too much. Either way, I’m excited this season has a lead female character and one who is also in the police. Offers a great new perspective for the show.
Picture 9Officer Paul Woodrugh [Taylor Kitsch] is another interesting character. Clearly Paul is a troubled man. He worked for Black Mountain Security in Iraq, obviously mimicking a similarly named military contractor, and has issues from what he calls “the desert”. It isn’t hard to see Woodrugh has issues with his sexuality; he sneaks a blue pill while claiming to be showering and taking far longer than necessary before trying to have sex with his girlfriend, then when she is going down on him Paul looks off into space as if troubled, maybe trying to concentrate so that he’s able to get an erection. This becomes even more clear in the second episode with a comment he makes to another detective. Furthermore, Paul obviously has deeper issues – he speeds out on the highway on his motorcycle, flicking off the headlight and rushing through the darkness, almost daring death to come and get him. I can’t wait to see more of him. Kitsch is a talent, and I don’t care what anyone says. Given the right material with this character I can see Kitsch doing excellent work this season.
Picture 4Vince Vaughn as Frank Semyon spit out the worst line by far of the entire show since the first series began, along the lines of “don’t do anything out of hunger – not even eating”. Now I’ll give it to you – some of Rust Cohle’s lines, which personally I loved, were equally batty, but Matthew McConaughey was able to let them roll off his tongue and out of his mouth like they were natural to that character. Vaughn is good, I dig him, even as Semyon. I just didn’t dig that line. I can buy Vaughn as that character, totally, because he isn’t an outright psychotic gangster type like something out of Goodfellas with Henry Hill’s outbursts or the violence of Joe Pesci – I buy Vaughn as a collected, calm business sort of crook, and sure, he’s a big guy, I bet he can lay hands. Mainly, I think his attitude suits the part. However, that line in his mouth sounded like garbage. Moving past that point, Vaughn was great, and he does the dark/brooding thing well. Given more time the character of Frank will grow on people, I believe.
Picture 5Mainly people need to lay off this season, and forget about the first, in the sense that this is an anthologized show. There is no continuity other than it involves police work; that’s it. Once again, there are existential themes at play here, heavily. We just need to keep in mind – existential doesn’t mean that people have to constantly spout philosophical musings. That was a character Pizzolatto used, and it worked. This season is different. Existentialism has to do with human beings, the experience of existence and reality, and the touch of humans on existence. So we’re going to see how human beings deal with their terrible inner demons, and this season we’re going to see more about the abuse of power from the perspective of those abusing it mainly instead of solely from the perspective of those outside and looking in. The police here are good police, but they toe a dangerous lines, more so than anything Rust Cohle did in Season One. I can’t wait for the next episode.