From Premiere Episode

Fear the Walking Dead – Season 2, Episode 1: “Monster”

AMC’s Fear the Walking Dead
Season 2, Episode 1: “Monster”
Directed by Adam Davidson
Written by Dave Erickson

* For a review of the Season 1 finale, “The Good Man” – click here
* For a review of the next episode, “We All Fall Down” – click here
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Back again for another season, and out on the open sea, too!
The first episode of Fear the Walking Dead‘s Season 2 opens on Madison Clark (Kim Dickens), Travis Manawa (Cliff Curtis) and their families, or what’s left of them, on the beach by the water. On the boat named Abigail, Victor Strand (Colman Domingo) and Nick Clark (Frank Dillane) are regrouping. Everywhere on the shores nearby looks devastated.
And as Chris Manawa (Lorenzo James Henrie) mourns the death of his mother, zombies start to encroach on their brief reprieve. Travis and Madison fend off a bunch of the undead, as best they can. They’re a pretty kick ass team.
Luckily they all make it free of shore and off into the water by a small motorboat, as Nick gets Daniel Salazar (Rubén Blades), his mother, and the rest out of harm’s way and onto Abigail.
But what next? Where does their new course take them? Safe, for now, everyone watches their city get blown to bits. An ominous, terrifying sight. Sort of like a moment we saw in The Walking Dead when Shane and Lori saw Atlanta getting bombed.


Out on the high seas, Madison and the group see a bunch of people stranded in the ocean. Strand isn’t willing to stop, though, Madison, her daughter Alicia (Alycia Debnam-Carey), they want to help them. In the early days not everybody is willing to simply help people first thing. People are suspicious. Strand is one of those because he saw some of the darker shit the military were doing, so he understands. Madison hasn’t seen all that, not as much as someone like him.
The foreboding warnings on the radio are creepy, eerily reminiscent of the classic zombie films from George A. Romero, as officials warn there is no help – not by air, not by sea, certainly not on land. Imagine hearing that. What a punch to the gut.


Strand: “The whole world is I dont know right now


Nothing is good for these people. The zombie apocalypse has begun, but the human drama is still always there. We know that from its parent series. Right now there’s Travis dealing with his son, whose feelings about his mother are obviously tumultuous. And there’s Alicia, she’s a young person which is already tough, then add on top of that the effective end of the world. So to be going through a formative period of life then have this happen? Can’t be easy. For the time being, she chats over a radio with someone playing tunes over a station, soundtrack to the collapse.
In lieu of bonding with his father, Chris finds himself fishing with Daniel. They’ve both lost someone close to them: “Neither of us got to say goodbye,” says Chris. And Travis sees them, bonding or whatever it is they’re doing. Hopefully he’s not the type to be jealous. After all, he did have to shoot his ex-wife. Zombie virus or no zombie virus; tough to get over for everyone involved. Travis asks Daniel about it later, and the older of the two reminds him that what he did for his ex-wife was the right thing: “What I wouldnt give to trade my failure for your mercy,” Daniel tells him.
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On the radio, Alicia tells the guy she’s talking to a little too much about Strand’s yacht. Trouble? You bet.
Speaking of Strand, he’s mysterious. Everybody is watching him closely, particularly Madison and definitely Daniel. They’re grateful, at least Madison is, but Daniel has suspicions. About his intentions, his “motives” possibly.
Everyone on board attends a brief, semi-funeral for Liza. An emotional scene, as Travis eulogizes his ex-wife, and Chris says goodbye to his mother. He dumps her overboard pretty fast. Then father and son have a fight. This is quite clearly a rift they won’t soon get over.
The voice on the radio asks Alicia for help. She gives up a bit of information trying to help coordinate their locations. Only Strand is not happy with everyone else doing whatever it is they want on his “goddamn boat“, and I can’t say I blame him. Healthy scepticism. The relationship between Strand and Nick is interesting, too. I enjoyed them in the latter part of the first season. Hoping they’ll go further as friends and allies because there’s something kindred about them, beneath the exterior.
Later, they all sit to a fancily prepared meal, as if nothing ever happened. Though, the air is heavy with tension in certain places. Out on the boat’s edge Chris jumps in. Without a though, Nick goes in after him. But he just wanted to take a little swim, so then he and Nick wade around a little.


When Alicia tries to tell the guy on the radio they won’t be coming, he replies: “I got you. Ill see you soon.” And upstairs, a radar detector goes off on Strand’s console. And above Nick down under the surface floats a zombie. In fact, there a ton of them in the water ahead in the wreck of a boat. The altruistic side of Nick continues to emerge, and he heads off saying there’s a voice nearby. Turns out the smashed boat is a result of bullets; lots of ’em.
Strand finds someone on their trail. “Could be no one,” he says. Also could be the people who shot down the other boat. I knew Alicia never should have gotten on that radio. Guaranteed they’re involved in the fate of this other boat. Now they’re headed back for the survivors.


I enjoyed this opener to Season 2. Introduced us to what will most likely last a few episodes, trouble on the ocean. Next episode is titled “We All Fall Down” and will hopefully start in with more action and excitement to get the season rolling.

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True Detective – Season 2, Episode 1: The Western Book of the Dead

HBO’s True Detective
Season 2, Episode 1:
“The Western Book of the Dead”
Directed by Justin Lin (Better Luck Tomorrow)
Written by Nic Pizzolatto

* For a review of the next episode, “Night Finds You” – click here
Picture 2To start, this is NOT a repeat of True Detective True Detective Season 1 – the show is trying to do a new story, new characters, the whole shebang. Of course the whole thing is still very existential, regardless if Rust Cohle is not spouting out Nietzsche rehashes and what not [which I loved but come on – they weren’t anything groundbreakingly new outside of philosophical circles]. I mean, Colin Farrell’s low-down-and-dirty Ray Velcoro already gave the beauty line “We get the world we deserve” in the second episode of this season, so there is definitely still an existential element kicking around inside of Nic Pizzolatto’s second season. However, this time around there’s much of a demon-within type of vibe going. Whereas the police detectives Rust Cohle and Marty Hart were truly trying to serve justice for the sake of the victims, all those poor young girls taken and killed by vicious, hateful men, the second season of True Detective seems to be focusing on how some of those same police get lost along the way, how they bend the law to work for them, and even though they’re ultimately trying to do good, they end up doing a lot of bad along the way.
Picture 1Starting off, we get to see Ray Velcoro [Farrell]. His tale is a rough one – his wife was raped, they never found the attacker, and neither she nor her now ex-husband Ray know if their boy is his or not. Certainly Ray does the true blood thing to do: he raises the kid as his own. He doesn’t want to know anything about DNA, he just wants his son to be his son. Problem is ole Ray has vices – the drink and the drugs – and his temper is fierce. Like anyone, Ray wanted revenge for what happened to his wife, and as an officer of the law, he naturally felt stuck when even the law let him down. In comes Frank Semyon [Vaughn] who facilitates the revenge Velcoro needs by tracking down the man responsible, which coincides with Ray’s wife and her statement. This puts Ray deep in with Semyon, who uses him as a man on the inside, and as Ray climbs the ranks to detective, of course Frank reaps the benefits.
I think Ray is going to be one of the most interesting of the bunch in this season. There’s a scene involving Ray and a kid who bullies his son at school, plus the boy’s father, which really takes you from “Okay, Ray is a normal guy in a bad situation” to “Wow, Ray is a bad dude”. Even while you side with him, he takes things much too far. Not hard to see the booze and the cocaine, and the more booze, doesn’t help his natural temperament. At the end of the tunnel, for Ray I see a bit of redemption. Now, whether or not Ray will have to die for this, it is way too soon to tell [even in light of Episode Two’s events]. We will see.
Picture 3Next is Rachel McAdams as Detective Ani [Antigone] Bezzerides who has more than her fair share of issues, as well. First, her estranged father Eliot [David Morse] is a New Age guru-type who runs a sort of 1960s style institute or commune, and clearly is a narcissist. Then her sister, Athena, is a webcam girl doing porn who is off her medication and living free. Not to mention the fact their father named both her and her sister Antigone and Athena. So, Ani drinks, gambles, and raids houses to find out where her sister is when she feels like it. Also, her boyfriend is not exactly the sexually adventurous type when Ani clearly surprises him with something in the bedroom he couldn’t handle straight away. She is a dominant woman; she carries knives all over her, making clear in the next episode this is because she has no illusions about certain female-male situations where she will be physically smaller than a larger man in which the knives will come more than in handy. There is no doubt the years living in the cult with daddy brought on issues, most likely from some kind of abuse, but we can never be sure. Perhaps she’s just a smart, cautious woman who has seen too much. Either way, I’m excited this season has a lead female character and one who is also in the police. Offers a great new perspective for the show.
Picture 9Officer Paul Woodrugh [Taylor Kitsch] is another interesting character. Clearly Paul is a troubled man. He worked for Black Mountain Security in Iraq, obviously mimicking a similarly named military contractor, and has issues from what he calls “the desert”. It isn’t hard to see Woodrugh has issues with his sexuality; he sneaks a blue pill while claiming to be showering and taking far longer than necessary before trying to have sex with his girlfriend, then when she is going down on him Paul looks off into space as if troubled, maybe trying to concentrate so that he’s able to get an erection. This becomes even more clear in the second episode with a comment he makes to another detective. Furthermore, Paul obviously has deeper issues – he speeds out on the highway on his motorcycle, flicking off the headlight and rushing through the darkness, almost daring death to come and get him. I can’t wait to see more of him. Kitsch is a talent, and I don’t care what anyone says. Given the right material with this character I can see Kitsch doing excellent work this season.
Picture 4Vince Vaughn as Frank Semyon spit out the worst line by far of the entire show since the first series began, along the lines of “don’t do anything out of hunger – not even eating”. Now I’ll give it to you – some of Rust Cohle’s lines, which personally I loved, were equally batty, but Matthew McConaughey was able to let them roll off his tongue and out of his mouth like they were natural to that character. Vaughn is good, I dig him, even as Semyon. I just didn’t dig that line. I can buy Vaughn as that character, totally, because he isn’t an outright psychotic gangster type like something out of Goodfellas with Henry Hill’s outbursts or the violence of Joe Pesci – I buy Vaughn as a collected, calm business sort of crook, and sure, he’s a big guy, I bet he can lay hands. Mainly, I think his attitude suits the part. However, that line in his mouth sounded like garbage. Moving past that point, Vaughn was great, and he does the dark/brooding thing well. Given more time the character of Frank will grow on people, I believe.
Picture 5Mainly people need to lay off this season, and forget about the first, in the sense that this is an anthologized show. There is no continuity other than it involves police work; that’s it. Once again, there are existential themes at play here, heavily. We just need to keep in mind – existential doesn’t mean that people have to constantly spout philosophical musings. That was a character Pizzolatto used, and it worked. This season is different. Existentialism has to do with human beings, the experience of existence and reality, and the touch of humans on existence. So we’re going to see how human beings deal with their terrible inner demons, and this season we’re going to see more about the abuse of power from the perspective of those abusing it mainly instead of solely from the perspective of those outside and looking in. The police here are good police, but they toe a dangerous lines, more so than anything Rust Cohle did in Season One. I can’t wait for the next episode.