Tagged Ouija

The Exorcist – Season 1, Chapter Six: “Star of the Morning”

FOX’s The Exorcist
Season 1, Episode 6: “Star of the Morning”
Directed by Jennifer Phang
Written by Laura Marks

* For a review of Chapter Five, “Through My Most Grievous Fault” – click here
* For a review of Chapter Seven, “Father of Lies” – click here
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After the longest break of my god damn life, The Exorcist returns after dropping the bomb that Angela Rance (Geena Davis) is in fact Regan MacNeil. We start on an old television show where young Regan and her mother are being interviewed about the whole Georgetown incident. She doesn’t remember much, though her mother insists she does. “The demon girl” obviously had to do some distancing to get away from her past since that show. I find it fascinating they did this, plot-wise, as the whole thing opens up a lot of great paths the show can take from here. Dig it wholeheartedly.
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Chris MacNeil (Sharon Gless) has shown up on the Rances doorstep. She and Kat (Brianne Howey) try to do a little bonding, sort of, while Angela is decidedly unhappy about her mother showing up. Unfortunately there’s the whole cover-up asect to Angela’s marriage, Henry (Alan Ruck), very appropriately, is upset about what his wife has hidden. Can he blame her? She was exorcised, she saw several people die – albeit while possessed – and went through a terrifying ordeal. It’s sad that she couldn’t tell her husband at some point, however, I don’t blame her.
Everyone’s clearly worried for Casey (Hannah Kasulka), who is god knows where and doing who knows what. Right now Henry wants to take his chances with the mother-in-law. All to find his daughter; she’s now on the lam and people are left dead in her wake. I’m even more worried for Angela right now. Her old life is clawing back. She even hears strange noises in her head for just a moment. All the same, Father Marcus (Ben Daniels) feels pissed about not having all the facts before going into Casey’s room. “Possession is like a virus,” he tells the scared mother and makes painfully obvious what the consequences are if they can’t find her daughter in time. “Integration” – the next step – is a permanent destruction of the soul, when the girl’s soul will come inextricably linked to that of the demon. Father Tomas (Alfonso Herrera) feels that his counterpart is a bit harsh. They simply don’t have enough time to piss about.
A press conference is called, the Rances in attendance with famous grandma in tow. They’re the centre of a publicity carnival. But not everyone is so concerned with the Rance family. People were murdered – butchered, and brutally – recently and nobody seems too quick to seek out the answer on that. Meanwhile, we see some of the dastardly, wholesale nastiness of those that killed these victims, using the organs taken for sinister purposes. A woman at the press conference calls out the names of the victims, hoping for justice. Nobody there understands exactly the significance of those murders, not just yet.

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The police are curious about Father Marcus, having been arrested after performing the exorcism. They want to shut the whole “possession” story down, so as not to confuse the public. Of course they show Angela and Henry the pictures of what happened during the ambulance ride Casey took. Upstairs, Chris tries to talk with Kat about what happened to her mother, formerly known as Regan. A media circus ensued, partly because Chris needed to keep her career alive. She talks about the Ouija board and “Captain Howdy.” Eerie fucking conversation, to say the least. Kat believes her grandmother is victim blaming a little by attributing it all to Regan not listening about the Ouija being no good, although Chris admits she failed her own daughter ultimately.
Father Bennett (Kurt Egyiawan) and Father Marcus are still getting a bit of help from Cherry and Lester Rego in their quest outside the reaches, and know, of the Church. And in a defiant statement, as per his bad ass usual, Marcus tells Bennett: “I dont care about Gods will.” At the very same time something terribly ungodly calls Angela over the phone, taunting her about Casey. The demon produces a horrific image for the frantic mother. All a dream. Has Pazuzu returned for Regan?
Then there’s Jessica (Mouzam Makkar), she’s left her husband and found herself a new apartment. A place where there’s no “guilt” and no “shame” for neither she, nor Father Tomas. He still resists, even though he loves her. Deeply, too. His faith has been shaken in so many ways at once it’s likely he doesn’t know where to turn.

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Poor Henry’s having a lot of trouble. With his recent head injury there are gaps in his memory. He says what held that together is his wife, his family. Most of what hurts him is the fact Angela couldn’t trust him enough to reveal her former life as Regan MacNeil. There are more problems for Angela, as well. She isn’t happy about her mother returning, dragging the media into their home all over again. “You used me,” Angela yells at Chris. Worse than any of that the coroner calls. They may have Casey.
Simultaneously, a report of wild dogs going mad in a neighbourhood prompts Father Tomas to text Marcus, which sets the renegade priest off to check it out.
At the party Maria Walters (Kirsten Fitzgerald) throws for the upcoming papal visit, Father Bennett comes across Dr. John Rexroth (Michael Patrick Thornton), whose talk of angels on Earth draws his attention. Bennett believes what the doctor is actually talking about are demons in our world trying to influence how it works.
At the coroner’s office everyone awaits the news of whether Casey is dead. In go Angela and Henry to make the identification. Gladly, their daughter is still alive. Yet surely in a great deal of existential agony. Finally, Chris and the girl formerly known as Regan embrace. Maybe those wounds can heal. Someday.
The real excitement is in the journey of Father Marcus into the underbelly of the city. He finds a tunnel filled with homeless, possibly possessed individuals. He searches for Casey, calling her name. One woman looks him dead in the eye, repeating: “Stop it, stop it, stop it, stop it.” All around him are the signs of evil at work. Then from nowhere Marcus is attacked. He commands them in the name of Christ, which holds them at bay temporarily. Behind him Casey crawls the walls and the floor doing the spider walk her mother did down the stairs all those years ago.

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At the Walters party we come to discover that Dr. Rexroth, Maria herself, one of the priests, among others, are in fact working together in order to complete the vocare pulvere ritual. They even have the little bowl of ashes those killers filled with the ashes of the organs they’d stolen. Wow. I didn’t see this coming, at all. “Star of the morning” is a reference to Lucifer, The Morning Star. Brother Simon (Francis Guinan) leads the ceremony.
All of a sudden, HE IS COMING doesn’t only signal the coming of the Pope. And what’s worse is the fact there are so many influential people at that table, including the police superintendent. “Please take me” everyone around the table declares, as the priest at the table blows ashes into the air. It is in fact the superintendent who receives demonic power from the ashes, and something other takes over his body.
Everyone present looks very, very pleased. A delighted, evil laughter rises from the table. Maria doesn’t look particularly happy; she wanted to be chosen. How sad when the devil passes you over.
On the shore near the tunnel Father Marcus locates Casey feasting on a sea bird. He approaches her, reciting Christian incantation. Before the demon attacks him, trying its best to murder the priest. A perfect place, kinda. Marcus uses the water to in effect baptise Casey, releasing the demon. Then she returns, herself once more.
Except she tells Marcus: “Hes coming back. Help me.”

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This was the best episode yet! Creepiest, nastiest, wildest, most intriguing. So much going on. The preview for Chapter Seven “Father of Lies” looks insane. Seems Pazuzu is back for revenge against the girl able to survive his wrath. Excited to see what’s next.

Dead of Summer – Season 1, Episode 6: “The Dharma Bums”

Freeform’s Dead of Summer
Season 1, Episode 6: “The Dharma Bums”
Directed by Michael Schultz
Written by Richard Hatem

* For a review of the previous episode, “How to Stay Alive in the Woods” – click here
* For a review of the next episode, “Townie” – click here
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At Camp Stillwater in 1970, a young Deb and a young man named Keith obsessed with Jack Kerouac are out in the woods burying a book by the author, so that if they ever need to remember they can just dig up their greatest summer. The episode’s title comes from the Kerouac book, The Dharma Bums.
Back to their present – 1989. Cricket (Amber Coney) is dead, her things are being cleared out. A grown up Deb (Elizabeth Mitchell) counsels everybody, allowing them to call anybody they need to, whatever’s necessary. Poor Cricket’s family is left devastated. As are Amy (Elizabeth Lail), Joel (Eli Goree), Blair (Mark Indelicato), Alex (Ronen Rubinstein), Jessie (Paulina Singer), and Drew (Zelda Williams). But Deb blames herself, for not leaving “the past in the past” and trying to recapture her own glory days.
Then in her cabin, Deb finds Keith (Dylan Neal). He’s turned up after all these years? Something is definitely afoot at Camp Stillwater.
Joel still thinks Holyoke is the culprit responsible for Cricket’s death. The others sceptical, though anything is possible. Blair and Alex look throughan old cellar until they come across an old Ouija board. There’s talk of Santería, Blair’s abuelita was into the whole thing. They all agree to meet back there later to try talking to Cricket beyond the grave.
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With Deb, she’s not particularly interested in having Keith around. Although it’s what drove her back to Stillwater that part of her life is over. At least that’s what she feels in the moment.
We flash back to Deb at a Children’s Defence League table outside a building. She reads poetry by Keith, asked by a friend about him. Deb gets a little sass from a lawyer, before being hit on. We see that she’s very passionate, in many ways. Another flashback later, Deb is in a big office, and the lawyer that sassed her is now her man. She went from hippy to big shot lawyer, married to another lawyer.
Finally we’re back to Deputy Garrett Sykes (Alberto Frezza). He’s asking his mother (Janet Kidder) about what his father may have been investigating out at the cabin in the woods. In the cuff link Garrett found, there’s a tiny piece of paper with a file number on it. Something that likely got him killed. After Garrett starts looking he comes across the file. It’s filled with creepy drawings, and an ominous note left by his father to warn anybody that might be following “the trail” like he once did.
Blair gets a bunch of things together – like ginger, chicken blood. Y’know. Santería-type shit. When Deb shows up, he gets a bit pissed. He throws everything in her face, figuratively, and runs off. So we get another look at the old Deb, or the new Deb that came after the old one. She and Keith run into one another. He’s having a rough time financially. Being a poet isn’t proving much for the wallet. Keith wants them to run off and dig up their time capsule. Or really, he just wants to sleep with her. The conflict is clear in her. Perhaps why seeing him again at the camp in ’89 is more thrilling. Yet she’s still conflicted: “I dont deserve to be this happy,” she tells him while they dance next to the fire together.
In their cabin, Blair starts the Santería ceremony – he sets out three candles, brings out a white rose, then begins a recitation involving the chicken blood. “Dont do this,” Joel begs him quietly. But the boy is determined to contact his friend Cricket in the afterlife.
When nobody feels it’s working, the Ouija board rocks, the fire lights up. And something makes its way inside Amy, possessing her, nearly cracking her back in half. Through Amy, the voice of Cricket speaks to them. Blair weeps for answers. All they get is a cryptic message, someone coming for her. Then it’s Holyoke, possessing Amy to try and kill some more. Blair manages to quell the magic. However, Jessie gets a bit possessed, too. Her hand unwillingly scribbles an eerie Satanic drawing before the pen whips from her fingers, pinning it to the wall. Awesomely creepy stuff. A little while later they all try to figure out what to do next. Joel is optimistic that at least they’ve got a better idea of what’s going on, but there’s still plenty they don’t know.

 


Deb’s busy getting down in the woods with Keith. They’ve had quite a good reunion. Of course he’s ready to up and take off, which doesn’t feel too good after their romantic night. He basically disappears into the woods.
Simultaneously, Jessie goes to Sykes. He reveals what he’s found so far, about Holyoke, Satanic rituals, all that nasty stuff. He thinks he’s an idiot, that none of it is really happening. Once she hands over the drawing from their seance, this only helps compound all those weird things Garrett’s uncovered so far. When he puts the drawing over the map, there’s a suggestion of where the cult may be operating.
Worse is our flashback to Deb, going up to meet Keith. That’s where she finds him on the floor, drugs in his arm. Next to him a map of where they buried their capsule, the Kerouac book.
It’s now we finally understand that Keith is a ghost, an apparition. He’s there to remind her: “You have to stay here for them.” She wants to go with him, into the darkness of death. The ghost of her old lover reminds her that he’s always there for her. Although he warns of “dark things” on their way, coloured with a slight optimism that she may be able to help the kids under her care now. Another flashback shows us that Keith’s ashes were poured on the grounds of Camp Stillwater. So are there more ghosts to come? And what about Cricket, Blotter, will they turn up somewhere eventually?
In ’89, Deb has decided to take initiative. She admits her own faults, as well as the fact that talking to ghosts isn’t the best way; something she and Blair now fully understand. Deb uses the idea of the time capsule to preserve their memories of Cricket, everybody placing an object in the old box where once Deb and Keith kept their own memories. It’s a beautiful, highly emotional scene. One that also sees Blair and Drew get a bit closer in a sweet way. But everyone gets a chance to try moving on.

 

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Elsewhere in the woods, Sykes and Jessie find a box with an unmentionable item inside. Furthermore, Garrett notices the points of the pentagram with the skull in it from Jessie’s drawing have numbers on it, each corresponding to where Cricket was found, Dave, et cetera. This leads them to the next number where they find a hole seeping blood.
Funny enough, the weird biker Satanists are watching, and even they don’t know who moved their bloody little treats. In another hole, a masked cult member buries what looks like Blotter’s head, or could be any head. The madness is getting madder.
Plus, there’s the next number on the pentagram. Who will meet death next?
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A pretty intense, fun episode. I like the Deb storyline, as it sorts of amps up the ghostly aspects of Camp Stillwater more. Excited for the next episode titled “Townie” because I bet, by the name, we’ll get more on Sykes, and hopefully on his father’s connection to the investigation into Holyoke and the Satanist cult.