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The Exorcist – Season 1, Chapter Six: “Star of the Morning”

FOX’s The Exorcist
Season 1, Episode 6: “Star of the Morning”
Directed by Jennifer Phang
Written by Laura Marks

* For a review of Chapter Five, “Through My Most Grievous Fault” – click here
* For a review of Chapter Seven, “Father of Lies” – click here
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After the longest break of my god damn life, The Exorcist returns after dropping the bomb that Angela Rance (Geena Davis) is in fact Regan MacNeil. We start on an old television show where young Regan and her mother are being interviewed about the whole Georgetown incident. She doesn’t remember much, though her mother insists she does. “The demon girl” obviously had to do some distancing to get away from her past since that show. I find it fascinating they did this, plot-wise, as the whole thing opens up a lot of great paths the show can take from here. Dig it wholeheartedly.
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Chris MacNeil (Sharon Gless) has shown up on the Rances doorstep. She and Kat (Brianne Howey) try to do a little bonding, sort of, while Angela is decidedly unhappy about her mother showing up. Unfortunately there’s the whole cover-up asect to Angela’s marriage, Henry (Alan Ruck), very appropriately, is upset about what his wife has hidden. Can he blame her? She was exorcised, she saw several people die – albeit while possessed – and went through a terrifying ordeal. It’s sad that she couldn’t tell her husband at some point, however, I don’t blame her.
Everyone’s clearly worried for Casey (Hannah Kasulka), who is god knows where and doing who knows what. Right now Henry wants to take his chances with the mother-in-law. All to find his daughter; she’s now on the lam and people are left dead in her wake. I’m even more worried for Angela right now. Her old life is clawing back. She even hears strange noises in her head for just a moment. All the same, Father Marcus (Ben Daniels) feels pissed about not having all the facts before going into Casey’s room. “Possession is like a virus,” he tells the scared mother and makes painfully obvious what the consequences are if they can’t find her daughter in time. “Integration” – the next step – is a permanent destruction of the soul, when the girl’s soul will come inextricably linked to that of the demon. Father Tomas (Alfonso Herrera) feels that his counterpart is a bit harsh. They simply don’t have enough time to piss about.
A press conference is called, the Rances in attendance with famous grandma in tow. They’re the centre of a publicity carnival. But not everyone is so concerned with the Rance family. People were murdered – butchered, and brutally – recently and nobody seems too quick to seek out the answer on that. Meanwhile, we see some of the dastardly, wholesale nastiness of those that killed these victims, using the organs taken for sinister purposes. A woman at the press conference calls out the names of the victims, hoping for justice. Nobody there understands exactly the significance of those murders, not just yet.

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The police are curious about Father Marcus, having been arrested after performing the exorcism. They want to shut the whole “possession” story down, so as not to confuse the public. Of course they show Angela and Henry the pictures of what happened during the ambulance ride Casey took. Upstairs, Chris tries to talk with Kat about what happened to her mother, formerly known as Regan. A media circus ensued, partly because Chris needed to keep her career alive. She talks about the Ouija board and “Captain Howdy.” Eerie fucking conversation, to say the least. Kat believes her grandmother is victim blaming a little by attributing it all to Regan not listening about the Ouija being no good, although Chris admits she failed her own daughter ultimately.
Father Bennett (Kurt Egyiawan) and Father Marcus are still getting a bit of help from Cherry and Lester Rego in their quest outside the reaches, and know, of the Church. And in a defiant statement, as per his bad ass usual, Marcus tells Bennett: “I dont care about Gods will.” At the very same time something terribly ungodly calls Angela over the phone, taunting her about Casey. The demon produces a horrific image for the frantic mother. All a dream. Has Pazuzu returned for Regan?
Then there’s Jessica (Mouzam Makkar), she’s left her husband and found herself a new apartment. A place where there’s no “guilt” and no “shame” for neither she, nor Father Tomas. He still resists, even though he loves her. Deeply, too. His faith has been shaken in so many ways at once it’s likely he doesn’t know where to turn.

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Poor Henry’s having a lot of trouble. With his recent head injury there are gaps in his memory. He says what held that together is his wife, his family. Most of what hurts him is the fact Angela couldn’t trust him enough to reveal her former life as Regan MacNeil. There are more problems for Angela, as well. She isn’t happy about her mother returning, dragging the media into their home all over again. “You used me,” Angela yells at Chris. Worse than any of that the coroner calls. They may have Casey.
Simultaneously, a report of wild dogs going mad in a neighbourhood prompts Father Tomas to text Marcus, which sets the renegade priest off to check it out.
At the party Maria Walters (Kirsten Fitzgerald) throws for the upcoming papal visit, Father Bennett comes across Dr. John Rexroth (Michael Patrick Thornton), whose talk of angels on Earth draws his attention. Bennett believes what the doctor is actually talking about are demons in our world trying to influence how it works.
At the coroner’s office everyone awaits the news of whether Casey is dead. In go Angela and Henry to make the identification. Gladly, their daughter is still alive. Yet surely in a great deal of existential agony. Finally, Chris and the girl formerly known as Regan embrace. Maybe those wounds can heal. Someday.
The real excitement is in the journey of Father Marcus into the underbelly of the city. He finds a tunnel filled with homeless, possibly possessed individuals. He searches for Casey, calling her name. One woman looks him dead in the eye, repeating: “Stop it, stop it, stop it, stop it.” All around him are the signs of evil at work. Then from nowhere Marcus is attacked. He commands them in the name of Christ, which holds them at bay temporarily. Behind him Casey crawls the walls and the floor doing the spider walk her mother did down the stairs all those years ago.

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At the Walters party we come to discover that Dr. Rexroth, Maria herself, one of the priests, among others, are in fact working together in order to complete the vocare pulvere ritual. They even have the little bowl of ashes those killers filled with the ashes of the organs they’d stolen. Wow. I didn’t see this coming, at all. “Star of the morning” is a reference to Lucifer, The Morning Star. Brother Simon (Francis Guinan) leads the ceremony.
All of a sudden, HE IS COMING doesn’t only signal the coming of the Pope. And what’s worse is the fact there are so many influential people at that table, including the police superintendent. “Please take me” everyone around the table declares, as the priest at the table blows ashes into the air. It is in fact the superintendent who receives demonic power from the ashes, and something other takes over his body.
Everyone present looks very, very pleased. A delighted, evil laughter rises from the table. Maria doesn’t look particularly happy; she wanted to be chosen. How sad when the devil passes you over.
On the shore near the tunnel Father Marcus locates Casey feasting on a sea bird. He approaches her, reciting Christian incantation. Before the demon attacks him, trying its best to murder the priest. A perfect place, kinda. Marcus uses the water to in effect baptise Casey, releasing the demon. Then she returns, herself once more.
Except she tells Marcus: “Hes coming back. Help me.”

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This was the best episode yet! Creepiest, nastiest, wildest, most intriguing. So much going on. The preview for Chapter Seven “Father of Lies” looks insane. Seems Pazuzu is back for revenge against the girl able to survive his wrath. Excited to see what’s next.

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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