Bates Motel – Season 5, Episode 4: “Hidden”

A&E’s Bates Motel
Season 5, Episode 4: “Hidden”
Directed by Max Thieriot
Written by Torrey Speer

* For a recap & review of the previous episode, “Bad Blood” – click here
* For a recap & review of the next episode, “Dreams Die First” – click here
Pic 1Now that Chick (Ryan Hurst) is officially in on the body count, how will things unfold for him going forward with Norman (Freddie Highmore) and Norma (Vera Farmiga)?
First of all, they’ve got to deal with the corpse of Caleb (Kenny Johnson) that’s sprawled in the middle of the road. Norman wouldn’t mind calling the sheriff, though the other two aren’t so sure about that option. And clearly Chick isn’t keen on that for being the one to have hit him. Seeing Norman navigate conversation between a dead woman and a living man is delightfully disturbing. Then Chick takes the corpse, Norman takes the groceries, and that’s that!
Can’t forget about Alex Romero (Nestor Carbonell). He’s been shot on a farm while heading back towards White Pine Bay. He pleas with the kid who shot him for a bit of first aid, so on. Not like Alex is going to the cops, having escaped a police transfer last episode. What motivates him seems to be just an utter need, a burning desire to get home and deal with Norman, once and for all.
Pic 2I love Chick. He’s so weird and quirky, but not too much. He is way out there. Not so far that it’s annoying or that it doesn’t fit. Sort of nice to see someone amongst this cast of characters over five whole seasons who isn’t the same typical White Pine Bay resident like all the other greasy, crooked people that exist in their small town.
Speaking of their community, there’s a new sheriff: Jane Greene (Brooke Smith). What a mess she’s inherited.
At home Norman isn’t happy with “how things are.” He and mother aren’t seeing eye to eye, he doesn’t like that things never go how he plans. More than that the two of them argue about dresses like the wild maniacs they are. And nothing feels better once Sheriff Greene comes poking around to meet Norman. Jim Blackwell, the man who came to kill him, has skipped on his parole; she found the Bates address in his belongings. She worries Alex, who’s now escaped, might be coming to cause problems. Or that there’s something both Blackwell and Alex are after, perhaps in the house, in the motel. Not good for Norman and mother to have an officer of the law snooping. She’s all good intentions. Just that… he’s a psychopath, guilty of so, so many things.
And now this ratchets up the tension between mother and son. He doesn’t even tell her about her former husband and the escape. Knowing deep down that Romero is on the way to their home.
Norma: “So I shouldve just let Jim Blackwell kill you?”
Norman: “Maybe
Norma: “Thats depressing


The more he and mother fight, the further Norman drifts towards Madeleine Loomis (Isabelle McNally). He actually brings her some of mother’s dresses in an unnerving gesture; scary because he not only has interest in Madeleine, she looks similar to Norma and that’s what propels his desire most of all. There’s a great, sly little Psycho reference when she brings out his shower curtains, remarking that he must go through a lot of those; he casually replies that “Yes, yes. We do actually.” Can’t help believe that’s a nod to Hitchcock and the infamous shower scene, as Janet Leigh and the curtains alike were slashed apart.
Later on at home Norman has a talk with Chick. He doesn’t want him around the house so much. Chick feels a bit betrayed, by how much he’s done for them. Not so smart for Norman to turn his back on a guy who’s seen all the secrets. I see this having serious repercussions.
Romero makes a fake ambulance call outside an apartment building. When the EMTS arrive prepared for an overdose, he slips into the rig and gets himself a few necessities to treat his wounds. Then he does a bit of homemade surgery on the buck shot in his gut. Enough to keep him alive, anyways.
When Sheriff Greene snoops around more at the motel Norman starts putting his foot in his mouth. While he covers his ass, he doesn’t do it very well. Her suspicion is official at this point. Stupid Norman! Should’ve let mother do the talking. Except she’s a bit irrational herself. She hid Blackwell’s car in the woods after killing him. And the sheriff is searching for that very vehicle. Norman wants to be rid of it totally, and Norma insists it was wiped clean, et cetera.
So… what to do, what to do?


They argue. Norman almost kills mother. Things are not good inside this insane young man’s mind. Fractured into pieces is an understatement. Regardless, they decide on leaving the car and heading home for the night. One of the creepier scenes so far this season, just a strange, atmospheric tension, and the way it’s shot makes the moment all the more unsettling.
Those dresses belonging to mother fit Madeleine perfectly. This excites Norman, quite a bit. Or makes him happy. Or makes him want to bang his mom; who knows?! Still this precipitates a dinner between Madeleine and Norman. I wonder if it’ll get romantic. Possibly murderous, if things don’t go the way mother would want.
Chick gets a visit from Norman at his trailer. The kid wants advice, on hot wiring a car. He wants to get rid of that car in the woods. But Chick knows something’s up: “What did you do?” He’ll help, only if Norman tells him the truth. He gets it. Not the full truth: the truth about mother.
At the house, Norman tells Norma about his dinner with Madeleine. She’s not thrilled. Yet off he goes, no matter. When he shows up at her place she’s wearing one of mother’s dresses. Good lord! This is getting scarier with every passing scene. What particularly gets me is that in Hitchcock’s Psycho, Sam Loomis (played in the series by Austin Nichols) is a divorced hardware store owner. Will the history be rewritten to make Sam a widowed man instead of divorce? I worry poor Madeleine’s not long for this world.
Pic 7Madeleine and Norman make cake together, listening to Daniel Johnston’s “True Love Will Find You in the End” and falling into each other’s arms. Suddenly, mother shows up. Norman has a vision of cutting Madeleine’s throat, or of mother doing it; the blood, the body on the floor. None of it actually happened, though. He runs home. He can’t find Norma anywhere. He finds only the remnants of a man living alone.
Is this an acceptance of his psychosis? No, it’s only a deepening sense of it coming on stronger and stronger. Mother’s will is becoming terrifyingly merged with that of Norman’s, and this means nothing but more bloodshed.
Pic 8A great, great episode that had me on the edge of my seat near the end! Loving this season. Such a fascinating way to go out, plus lots of awesome adapted writing coming out of what Bloch and Hitchcock each did. Excited for more.

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Bates Motel – Season 5, Episode 3: “Bad Blood”

A&E’s Bates Motel
Season 5, Episode 3: “Bad Blood”
Directed by Sarah Boyd
Written by Tom Szentgyorgyi

* For a recap & review of the previous episode, “The Convergence of the Twain” – click here
* For a recap & review of the next episode, “Hidden” – click here
Pic 1Caleb (Kenny Johnson) is waking up chained to the basement floor after being surprised by Norman (Freddie Highmore), dressed as Norma (Vera Farmiga). He wakes to his sister speaking to him. Only, it’s not, of course. It’s his nephew, dressed as his sister. So awfully creepy. Then there’s whatever Norman plans on doing with his uncle Caleb.
Could be a brutal end for him.
Pic 2And what about Chick (Ryan Hurst)? He knows all the secrets. He’s bore witness to the blonde wig, the odd way Norman sways across the room when he’s in his mother’s clothes/skin. They’ve formed a tenuous bond. I only wonder what Chick is getting out of this, other than maybe a bit of revenge on Caleb along the way. For now, he’s staying at the Bates house to protect Norma/Norman against the nasty uncle downstairs. Hmm. A truly strange situation, all around.
Alex Romero (Nestor Carbonell) is being transferred from prison, and he’s another one I wonder about – he has a card up his sleeve. When they make a stop for gas and a bathroom break, he takes his chance and enacts a plan for escape.
At home Norman and his mother keep on coexisting, as best they can. She takes care of him as usual. In their creepy kind of way. He doesn’t remember that Caleb is downstairs, but she does, and she tries keeping him away from the basement. Always trying to control him. But of course Chick is still kicking around, curious about how Norman navigates his fugue state. He reveals he knows about Norma, and another tenuous bond with the other half of Norman is made.
Chick: “Were all in this sideshow together. And then we die.”
Caleb remembers his childhood with Norma, both of them brutalised by a crazy mother. Trying to survive. They had no one but each other, and despite what came later in their lives I can understand why their bond, for a time, was extremely strong. None of it matters now with Caleb chained in that basement and Chick standing guard.


Alex steals a car and then runs it off the road when he’s far enough. He makes his way back home, one mile at a time. In the meantime, Chick sits down to dinner with Norman and Norma, or y’know, one of them at least. He also brings a recorder with him. He offers to help them around the house, just for a sense of being with people after living alone so long. And what a conversation they all have together! Surreal, and crafty on Chick’s part, as well.
Later, Norman receives Madeleine Loomis (Isabelle McNally) at the motel. She clearly feels comfortable with him; bad move. But she’s having troubles with her husband, obviously. And this is a way for Norman to worm his way into her life.
In the basement Caleb hallucinates and thinks he’s hugging Norma, then her corpse. Then Norman, upstairs, finds out his uncle is trapped down there. That he’s spoken to Norma. Further than that Norman continues straddling the line between sane and utterly fucking psychopathic, as he doesn’t even understand his mother is literally dead, not just figuratively and pretending. So he heads down to talk to uncle Caleb, where mother takes over. Then both of them are hallucinating, in their own respects.
Norma: “Im sorry, Norman will probably have to kill you. I cant do it.”
Pic 5Pic 5ATrying to steal another car, Alex gets shot in the gut. What a tough, bloody journey!
Chick is continuing to record his story about the Bates family. He goes looking for a typewriter, to type up his novel. Getting ahead of himself a little on the true crime writing, though. I worry that, mixed up with the Bates’, he’s only going to get burned. Or worse.
And Norma, he had a little quality time with uncle Caleb. While thinking he was his mother. So, there are issues with his understanding: what he knows v. what mother knows. Never clear, at least for him. She wants him to kill Caleb and get this situation cauterised. Although her boy doesn’t think he can do that. Tsk, tsk, Norman – mother knows best. She advises a quick bullet to the temple.
Can he accomplish the task? We know murder’s not exactly out of his wheelhouse. He’s done plenty of heinous things before, just not all of them while fully conscious.
The answer is no – Norman can’t kill his uncle. He runs him out instead. Prompting Norma to take over and fire on Caleb. Inadvertently, Chick plays his part and accidentally runs him over in the road on the way back to the motel. Oh, shit.


Another great chapter in this last season. So many strange things converging, and now Caleb’s seemingly been taken out of the picture. Is he dead? Or just fucked up completely? Either way, Chick and Norma/Norman have their hands full with another likely corpse; at the very least, now a vegetable. Thing is, Chick has as much to lose as Norman, and their tenuous bond becomes more concrete, stuck together with blood.

Bates Motel – Season 5, Episode 2: “The Convergence of the Twain”

A&E’s Bates Motel
Season 5, Episode 2: “The Convergence of the Twain”
Directed by Sarah Boyd
Written by Alyson Evans & Steve Kornacki

* For a recap & review of the Season 5 premiere, “Dark Paradise” – click here
* For a recap & review of the next episode, “Bad Blood” – click here
Pic 1Norman (Freddie Highmore) is heading up to the prison. He and Alex Romero (Nestor Carbonell) have things they need to discuss. And that surprises the former sheriff. He isn’t exactly happy to see his former stepson. Especially considering the guy he sent to see Norma was supposed to kill him. Lots of tense mindgames going on right now. And outright threats, too. While Norman gloats, Alex makes clear he isn’t going away.
But on life goes for Mr. Bates. Another day, another act for him to perform.
In other news, Caleb (Kenny Johnson) has left. Emma (Olivia Cooke) tells Dylan (Max Theriot) she talked to him about their worries with him around. “No secrets,” she tells him. Dylan understands. Although he’s rightfully conflicted. He still has his concerns over what happened to Emma’s mother. Whether Norman did something terrible.
And Caleb, he’s back at the motel. Not knowing the truth of what’s happened there since he’s been gone. Nobody is around, so he lets himself inside the house. He quickly sees something isn’t right, the place is messy and generally looks unkempt. He finds no one. He does find a book called The Lost Art of Mummification. Creepy shit, all things considered.
Pic 2In prison, Alex gets into a nasty fight with another inmate. Taking quite the beating. Because his mind is elsewhere. Being locked up is one thing, knowing your former wife – saint or no – was killed by her son is an entirely other beast. And speaking of the beast, Norman is honing his focus on Madeleine Loomis (Isabelle McNally), whom he watches from afar. She actually offers to fix him up with someone she knows. A double date with her and her husband. Although there’s definitely a weird chemistry between them. Then we see that David Davidson is her husband, Sam Loomis (Austin Nichols). Ohhh damn, he knows a little secret, and that could be a thorn in Sam’s side. Yikes!
At home Norma (Vera Farmiga) is learning French online. Might as well keep her mind active, right? Being dead can really take its toll. She senses something, and coaxes out a conversation about Romero. A little later Chick Hogan (Ryan Hurst) turns up knocking at the door with apples. And a business proposition. He’d like Norman to do a bit of taxidermy from time to time, then he’ll help sell the pieces. A partnership is born.
Caleb checks himself into a motel and finds out indirectly that Norma died. That’s rough. Devastating way to discover her supposed suicide.


Sam Loomis goes to see Norman, looking for discretion. He doesn’t wholly get what he wants. Instead, he threatens Norman. God damn, did he ever pick the wrong creepy motel manager to fuck with! As if he could know how insane Norman is, it was like a twist of fate they’ve come across one another.
No matter how unsettling the relationship between Caleb and Norma Louise, there’s still heartbreak seeing him at her grave. I don’t care. I know he’s a terrible person for what he did when they were younger. Regardless, he experiences horrible emotion having to see that Norma died while he ran away elsewhere.
Norman: “Please dont be childish, mother. Its boring.”
Out for his date, Norman plays the part of normal human being, alien amongst people in a skin suit. He asks his date all the right questions, all the while Sam stares him down, wondering if his dirty little secrets will trickle out. The two men are verbally at each other’s throats. Yet Norman is sharper, one step ahead at all times, in every way. Worse than anything mother turns up in the washroom to chastise her boy for lying about the double date dinner. Tsk, tsk, Norman. Of course he isn’t actually lying to her. She’s fucking dead. He’s only lying to himself, which is nothing new.


After getting beat up, Alex is looking to get himself out of prison. Using it as an excuse to say his life is in danger. This would get him out into the free world again. To… take care, of Norman. Like a good stepfather, whose wife the boy murdered and passed off as suicide. So messed up. Not quite as messed up as Norman, though. Who’s interested in Madeleine specifically because she looks like his mother. And that bothers Norma, even though, y’know, they’re technically the same person. So deliciously unhinged.
Seeing him become Norma in his own skin is visually interesting, also a great feat of acting on Freddie Highmore’s part. The way he embodies Norma, moving like her and taking on her mannerisms, et cetera. Amazing work. And the writing is top notch.
Meanwhile, Chick is writing it all down in one of his notebooks. Telling the story of Norman Bates. He also notices, across the bar, Caleb sitting for a drink. That’s a score left to be settled, in a massive way. But Chick knows everything about their family, the darkest of the hidden secrets. That’s a lot with which to be armed. We see that Caleb is more interested in holding Norman responsible for the death of his sister.
He goes to the house and breaks inside. But he finds nobody, again. Aside from the corpse of his dead sister in the basement. All the while Norman is running around dressed as mother. He knocks Caleb out. Right as Chick comes in to witness it all. Whoooa!


I knew this was coming and yet the way the writing manages to weave things it’s all a nice surprise. The addition of Chick as a character in the mix is an interesting one. Excited to see what happens next with him and Norman/Norma.