Tagged Ryan Lee

Goosebumps and My Childhood Nostalgia

Goosebumps. 2015. Directed by Rob Letterman. Screenplay by Darren Lemke from a story by Scott Alexander & Larry Karaszewski; based on the novels by R.L. Stine.
Starring Jack Black, Dylan Minnette, Odeya Rush, Ryan Lee, Amy Ryan, Jillian Bell, Ken Marino, Halston Sage, Steven Krueger, Keith Arthur Bolden, Amanda Lund, Timothy Simons, and Karan Soni. Columbia Pictures/Sony Pictures Entertainment. Rated PG. 103 minutes.
Action/Adventure/Comedy

★★★1/2
goosebumps-posterAs someone who grew up reading all of R.L. Stine’s Goosebumps series, I was more than happy to go to the theatre with my dad and my little stepbrother today and see the new Rob Letterman-directed adaptation; in 3D, no less. For many of you that have been around my site before, you’re aware I’m a big fan of horror movies. I attribute part of that love to Stine. There are way too many instances in his novels where I found myself creeped out. Even after getting into them, reading any one I could put my hands on, I’d always come across another story that would frighten the life out of me just as I thought I’d become accustomed to Stine’s scares. He was always a consistently imaginative and slightly scary type of author. A favourite of mine was always The Haunted Mask, which shows up briefly in the film.
While I’d actually love a more horror version of Stine, this adaptation of Goosebumps was still a lot of fun, as well as the fact it’s definitely something your entire family can enjoy. Predominantly a comedy, there are plenty of the Stine monsters here with several fan favourites, and Jack Black certainly plays the author himself with youthful vigour. One of the greatest parts of the film is the acting because the kids and adults seem to have a blast. And even as a horror fan, I still thought there were a few creepy moments calling back to Stine’s books. It really made the nostalgia inside me flare up remembering all those spooky nights laying in bed with one of his haunting stories.
MFBTFWhen Gale (Amy Ryan) and her son Zach (Dylan Minnette) move to the – fictional – town of Madison, Delaware, their life starts to get more exciting, or possibly more frightening than ever before. Settling in, Zach discovers the next door neighbours are a little odd. Well, Hannah (Odeya Rush) seems to be lots of fun. She and Zach bond almost immediately. But it’s Hannah’s father, Mr. Shivers (Jack Black), who is the rough and jagged personality in the house. After Zach believes Hannah is being kept captive against her will by her father, he calls the police. After they bumble around and do nothing, Zach – with the help of silly sidekick Champ (Ryan Lee) – sneaks into the house to try and rescue Hannah.
But what comes next is unexpected. Inside the house, Zach accidentally releases the monsters from a set of locked books…. belonging to none other than R.L. Stine. The supposed Mr. Shivers is really the Goosebumps author hiding out, trying to live a normal life. Because what is in the books has come alive, each and every monster Stine ever dreamed up in the course of his life now roaming the streets.
And nobody is safe.
goosebumps_trailer.jpg.CROP_.promo-xlarge2First and foremost, the acting is solid from start to finish. Jack Black does a great job playing R.L. Stine, not only adding mystery to the character, but as he usually does adds plenty excitement and charisma. While he’s not the wildly frenetic Black sometimes on the screen, there’s such an interesting quality to this fictional Stine and I’m not sure anybody else would’ve been as well suited to the role. There’s even a nice cameo near the end where Stine himself walks by, greeting the fictional version, to which the fictional author replies: “Mr. Black
Then there are the younger actors, each giving it their all in respectively fun roles. Dylan Minnette played Zach well and very believably, which played well off the skills of Odeya Rush. These two were good together, as well as apart. Mainly it’s the subplot of Hannah (Rush) which makes their dynamic work so well; they’re a real and genuine pair of teenagers embedded in a highly supernatural situation. On top of their talents, young Ryan Lee does a fantastic job with the Champ character. While there are all kinds of cheap jokes and real cheesy ones, as expected in a PG film especially, I found Lee made me laugh out loud. There are moments with him and Minnette where they had me cracking up, from big laughs to more subtle bits. These three actors added to the energy of Black as Stine are one of the major reasons Goosebumps is enjoyable, despite its flaws.
goosebumps goosebumps-(2015)All the monsters included were extraordinary. Keep in mind, I did see this in 3D, so a certain amount of why I loved the big flashy stuff is because of this reason. I’m not usually huge on CGI, much more a big fan of practical effects. But all the same, the way this film used the monsters it played out like a light-horror disaster movie – in undeniably exhilarating fashion.
The werewolf is one of my favourite creatures. Also, the ghouls are amazing! When they started to break through the cemetery ground, grabbing at the kids and Stine, I was creeped out and pumped at once. Really brought in a nice dose of horror. Again, while this isn’t exactly horror there’s still plenty of that aspect out of Stine’s novels here. It isn’t savage or anything, not by a long shot. Yet it’s spooky at certain times, and of course infused with action. The abominable snowman sequences, especially early on, were too fun and suspenseful. It’s almost like the larger the creatures/monsters get funneling off the page, the more wild and enjoyable the film gets. This isn’t always the case with monster movies, but the way all of Stine’s monsters converge on the tiny Delaware town is really well done and goes to show how the screenplay is written with a lot of thought given towards honouring Stine.
My only complaint about the monsters? Not enough Haunted Mask. A little shoutout, just wasn’t enough for me.
goosebumps-image07This is certainly a 3.5 out of 5 star film. I had a lot of fun in the theatre watching this; a huge film fan, I’m not particularly fond of seeing movies in theatre honestly because people bother me with their ignorant stuff. More than that, 3D usually makes me feel sick after an hour. But this Goosebumps film adaptation wrapped me up in its unbridled fun, almost right from the beginning, and the nostalgia it offered was almost enough to sell me on the whole thing. While I did find the script could’ve went for more creepiness and done away with some of the super cheesy portions, overall I found the screenplay really kept the heart of Stine, in many ways, and the characters were rich enough I forgot most of my gripes by the time the film ended.
If you’ve got some young ones around, I would totally suggest taking them out to see this before Halloween. Nice movie for the family and if you were an R.L. Stine fan/still are, you owe it to yourself to go see this fun flick.

Chasing the White Rabbit of Anger

White Rabbit. 2013. Dir. Tim McCann. Written by Anthony Di Pietro.
Starring Nick Krause, Sam Trammell, Britt Robertson, and Ryan Lee. Breaking Glass Pictures.
Unrated. 90 minutes.
Drama

★★★★

White Rabbit is the story of Harlon (Krause) – a normal, awkward young man who is trying, like a flower stuck in a walk of pavement, to grow up through being constantly bullied at school and even at home by his forceful father and family. The beginning of the film show us his encounter with the titular rabbit, which is a moment that also closes out the film. This is something which reoccurs throughout; Harlon sees the white rabbit, over and over again.
imageHis life really gets complicated once he meets a girl, much unlike the other people he knows at school, named Julie (Robertson). She is sort of like Harlon; jaded, broken, and though she tries to look tough underneath it all, very sad. They bond. His only other friend is another bullied young boy named Steve (Lee), who aside from being deemed an outcast looks pretty small and young for his age. Unfortunately Steve has a lot of problems, though Harlon tries to help as best he can.

Eventually, Julie goes away. Harlon is left by himself mostly, as Steve has his own problems and his own family with which to deal. Then suddenly Julie reappears, but now she is a whole new person; she had problems, went away, and come home new. Harlon can’t deal with this, especially after he sees Julie is with his high school nemesis, the one who bullied him most growing up. From here, things spiral out of control, as Harlon finally starts to fight back against his bullies, and darker, more rage-filled fantasies start to rise up in him.
344a25e40348e8880a7ee7a861523022A lot of other reviews I came across seemed to file White Rabbit away with a lot of lesser, similar films. Yes, the scenario here seems fairly close to other dramas. Yes, the way it plays out could remind you of other films. However, this finishes in a very unpredictable manner. I honestly didn’t expect the finale of White Rabbit. Though I had some idea where this might be headed, the finale of the film really did catch me off guard. Because you resign yourself to a particular ending and then just before the credits roll it does a switch on you, finishing instead with an ambiguous note. Well, not so much ambiguous, as we can guess what Harlon will do, or rather what we hope he will do, but still the director opts not to show us any decision; only the option for decision. Of course, you’ll understand more once you see it. I’m being deliberately vague, so as not to ruin anything. Just know that you don’t necessarily have all the answers. Wait until the very last moment.

The acting here was spot on. Nick Krause did a fine job as Harlon. We basically watch him transform from a little boy, pushed around and abused by everyone near him, to a teenager, to a young man, and still abused just as much as when we first saw him. The real transformation comes after he’s all but lost every last thing in his life worth being sane for, and snaps while on the verge of becoming something far worse than anyone could ever imagine. Some say his acting here was wooden; I disagree. He played things subtly. He acted quite well, making Harlon out to be a little boy still trapped in the body of a young and burgeoning man. Because of the people around him, he was never able to really become a man, stunted by constantly being told (by bullies and his own despicable father) he’s a pussy or a faggot, or some other just as hurtful and terrible insult. I’ve personally never seen Krause in anything else. After this, I’ll be sure to at least check out another film he’s been in, or will be in.
Britt Robertson is pretty energetic and pulls off the character of Julie well; she reminded me a lot of a few girls I knew in high school, really fit the part.
VSZQfW.pngParticularly, though, I enjoyed Sam Trammell as Harlon’s father, Darrell. He was easy to hate because Trammell did a bang-up job. I really didn’t like him as a person, but as a character loved him. There was always a feeling just below his surface suggesting so much more about him than we actually get to see. I got the feeling Darrell was the typical sort of man who never became much, whether because of extenuating circumstances or his own doing who knows, but that’s the way he portrayed the character. Maybe Darrell was one of those hometown all-stars who played hockey or football growing up, everyone knew him, yadda yadda, and then never amounted to anything out in the real world. Regardless of what his actual story is, Trammell was great, and I really enjoyed watching his scenes with Krause; their troubled father and son dynamic truly worked.
UylTcW.png
For a small, relatively unknown film, White Rabbit really delivers. Although there are a few points which could have been edited out to save the film’s pacing, overall it is really wonderful. There are a ton of similar films, as I mentioned before, which might seem just as good. But if you stick with White Rabbit through until the end you’ll really get a treat.

I don’t often try to jump ahead of the plot in a film because for one it ruins things for me if I start guessing, and two I’d rather try to stay in the moment when I can, but I figured this one out early on. Not that it ruined things for me – on the other hand, I then sat back and enjoyed the performances, as well as some of the scenery which was beautiful at times. But I thought I knew how this would go. I didn’t. Not many films truly surprise me in that sense, so for that White Rabbit really should be highly recommended. It plays on our fears, relating the story of Harlon to other similar stories, but without the end provided here. This will suck you in. It’s not a controversial film. Essentially, I believe this is a hopeful film. The end provides a glimmer of it. Though it doesn’t actually go ahead and serve up hope by the slice or anything, the very final moment gives us a tiny glimmer we can hold onto and walk away with. That’s the final message of everything. It shows as a bright spot in the darkness. Sort of how Harlon dies one spot of his hair a pink-ish colour; one bright patch in a sea of black. I loved it. Anthony Di Pietro hasn’t written anything else I know of, though after this I really hope to see more, as the story of White Rabbit is impressive.
lF1TIO.png This has been shown at a few festivals, et cetera, since its release in 2013, but recently Breaking Glass Pictures apparently picked up the distribution end, so hopefully this will soon make a wider debut for people to enjoy it as much as I did when I was lucky enough to catch this.