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R.I.P. (Read In Pieces)— Here Lies the Full Film Review Archive

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"We have such tossed salads & scrambled eggs to show you" 🔪💀 #Horror #Hellraiser #Hellfrasier #Frasier #InstaHorror #Film #HorrorMovies #HorrorFan #Hilarious #KelseyGrammer

PENDA'S FEN (1974) Dir. Alan Clarke An evocation of conflicting forces within England, past & present. These include authority, tradition, hypocrisy, landscape, art, sexuality, &, most of all, its mystical, ancient, pagan past. #FolkHorror #AlanClarke #Film #PendasFen #Horror #Movies #InstaHorror #HorrorMovies #Creepy #70sHorror #PsychologicalHorror #Paganism

"Where can I get these fine new items?" Well, that's the gag— chances are that you've bought 'em already! So remember: put on a happy face! 😄 #TheJoker #Horror #Film #Batman #HorrorFan #JackNicholson #Movies #TimBurton

"100 years ago on the 21st of April, out in the waters around Spivey Point, a small clipper ship drew toward land. Suddenly, out of the night, the fog rolled in. For a moment, they could see nothing, not a foot in front of them. Then, they saw a light. By God, it was a fire burning on the shore, strong enough to penetrate the swirling mist. They steered a course toward the light. But it was a campfire, like this one. The ship crashed against the rocks, the hull sheared in two, mars snapped like a twig. The wreckage sank, with all the men aboard. At the bottom of the sea, lay the Elizabeth Dane, with her crew, their lungs filled with salt water, their eyes open, staring to the darkness. And above, as suddenly as it come, the fog lifted, receded back across the ocean and never came again. But it is told by the fishermen, and their fathers and grandfathers, that when the fog returns to Antonio Bay, the men at the bottom of the sea, out in the water by Spivey Point will rise up and search for the campfire that led them to their dark, icy death.” 💀 Are you watching John Carpenter's THE FOG (1980) today? Father Gore sure will be! #HorrorMovies #JohnCarpenter #TheFog #Horror #InstaHorror #Film #Zombies #HorrorFan #Movies

No mouths #Horror #InstaHorror #SciFi #TheMatrix #Film #HorrorMovies #HorrorFan #Surrealism #TheWachowskis #UnChienAndalou #TheTwilightZone #Movies

Happy Easter from the Bunny Christ! May your baskets be full of excrement. 💀🐇 #Horror #HappyEaster #Creepy #HorrorMovies #HorrorFan #InstaHorror #BunnyChrist #LookUponHim

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Home of Horror Critical Theory & In-Depth TV Recaps

Tagged Scott Weinberg

[Trailer] Josh Lobo’s I TRAPPED THE DEVIL

Josh Lobo's I TRAPPED THE DEVIL looks like twisted, horrific fun.

Published: 04/03/2019

Words: Father Gore

2019
AJ Bowen
Chris Sullivan
Christmas Horror
Film
Horror
Jocelin Donahue
Josh Lobo
Scott Weinberg

AJ Bowen
Chris Sullivan
Christmas
Dave Made a Maze
horror
I Trapped the Devil
Jocelin Donahue
Satan
Scott Poythress
Scott Weinberg
Susan Burke
Trailer

Featured Articles

Father Son Holy Gore’s Interview with Larry Fessenden
[Trailer Debut] NEW WOMAN: Newfoundland Short Film Goes Gothic
[The Twisted Parallels of Cinema] Edition #1
SUSPIRIA Bathes in (Blood &) the Power of Women
“No more pain, no more death”: Fatalism, Free Will, & Fighting the Past in THE RITUAL
Destructive Legacies of Fatherhood in Larry Fessenden’s DEPRAVED
Jenn Wexler’s THE RANGER: A Punk Rock Manifesto for Women
BLOOD RAGE’s Gory Freudian Nightmare
FEAR: Queasy Male Jealousy and Patriarchal Control
PEEPING TOM Implicates Us All
HEREDITARY’s Dark Heart of Grief and Mental Illness
Trip Into a Horror of ’80s Fears with MANDY
UPGRADE: The Abject Anxieties of Bodies + Technology
[Essay]”Fear is a place”: SESSION 9’s Gothic Madness in Uncanny Places
KILL LIST: Gothic Nationalism’s Violent Erasure of Modernity
UNSANE Exposes Our Sad Society of Disbelief for Women’s Realities
Violent Evolution + Cycles of Life/Death in ANNIHILATION
VENOM: Socialism’s Accidental Super-Antihero
BORGMAN: Kabbalah and Marx in the Garden of Eden
[Video]Father Gore’s 5 Scary Flicks
SLEEPAWAY CAMP and the Horror of Enforcing Gender Roles
SLICE: Mediocre Horror Doubles as Killer Modern Satire
PYEWACKET— Or, How to Destroy Yourself + Others with Grief
Unhealthy Fetish + Sexualised Trauma in Brett Leonard’s FEED
FRONTIER(S): Post-WWII Gothic and Political Invasion of the Body
Prayers to a Consumer God: American Decay + Ideological Control in THEY LIVE
Taking Back the Night with MS. 45: Gendered Fear in City Spaces
Multicultural Hope from the Gutters of America in LOWLIFE
[Essay]Stephen King— Modern Folklorist and Old School Storyteller
The Male Gaze & Violent Religion in REVENGE
BLOODLANDS: An Albanian Parable
ESCAPE FROM NEW YORK: Carpenter’s Hyperviolent Dystopian Prison State
[Essay]FUNNY GAMES: Confront Yourself
THE FIRST PURGE is a Dark Mirror of Current America
Hidden Digital Lives in SEARCHING
SADIE and the Child Soldiers of America
TYREL: Relative Terror in Black/White
CAM: This (Postmodern) Woman’s Work
Mackenzie and Pine De-Mythologise Robert the Bruce in OUTLAW KING
Damaged Masculinity + Small Town Fates in BACK ROADS
“We should have never come to this house”: Freud’s Uncanny & the Modern Gothic in SINISTER
Transgenerational Wounds of Post-Pinochet Chile in TRAUMA
[Slamdance 2019] The Gorgeous Face of Catharsis in HAPPY FACE
Dichotomies of Violence: Abuse, Autonomy, and BDSM in Nicolas Pesce’s PIERCING

Help Father Gore Publish More!

Help Father Gore Publish More!

Buy me a coffee. Or a new pen. Or some journals (I still write old school). Or maybe it'll go towards making sure I have a roof over my head. Either way, even a tiny bit helps.

$5.00

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Father Gore

Father Gore is first and foremost a passionate lover of film— especially horror. He's also a Master's candidate at Memorial University of Newfoundland with a concentration in postmodern critical theory, currently writing a thesis which will be his debut novel of literary fiction, titled Silence. He also used to write for Film Inquiry frequently during 2016-17 and is currently contributing to Scriptophobic in a column called Serial Killer Celluloid focusing on film adaptations about real life murderers. As of September 2018, Father Gore is an official member of the Online Film Critics Society.

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