A woman faces a violent past when it collides with her violent present.
“You’re Poison”: Difficult Moralities & Patriarchal Legacies in BLOOD ON HER NAME
From 2019
“You don’t like me cookin’?”: Queer Struggle(s), Othered Bodies, & Work in THE LIGHTHOUSE
“Nothing good happens when two men are trapped in a giant phallus” — director Robert Eggers
“Doors in perpetual resolve”: The Gothic Capitalism of IN FABRIC
The emphasis of comfort and pleasure— only at Dentley and Soper's department store.
FSHG’s Favourite 50(+) Films: 2010-2019
Against all odds, Father Gore gives you 50(+) of his favourite films this decade had to offer.
FSHG’s Top 50(+) of 2019
A heavy dose of Father Gore's favourite films released in 2019
Bullies, Infectious Male Rage, & Small Town Survival in THE SHED
Anger and pain can either help us overcome our monsters, or transform us into them.
[Brooklyn Horror Film Festival] Uncanny Spaces and Patriotic Faces in 1BR
Move in, they said! The rent is great, they said! Lose your identity, they said!
[Brooklyn Horror Film Festival] Structures of Misogyny in GIRL ON THE THIRD FLOOR
A house is not a home when there's nothing but pain inside its walls.
THE FURIES: Fairy Tales, Gore, and Greek Myth Transform the “Final Girl”
Tony D'Aquino's film cleverly uses fairy tale and Greek myth to turn a slasher flick's Final Girl into something bigger.
Modern Loneliness and Violent Female Competition in HOMEWRECKER
Precious Chong and Alex Essoe go head-to-head in a dark satire of gender roles and postmodern loneliness.
“The villainy you teach me”: Bullying, Power, and Toxicity in TEACHER
Adam Dick explores the consequences of bullying and victimhood through a teacher who'll go to dangerous lengths to protect vulnerable students.
The Terror of Modernity: Welsh Industrial Horrors & Sovereign Women in GWEN
William McGregor serves a double dose of history and feminist horror with a tale of the Industrial Revolution in Wales.
