Glenn & Maggie are broken out of Woodbury. But these troubles are only the beginning of the heartache for Rick & his crew.
Tara tells Rick about Oceanside, & the group descend on the survivors to try making a deal. Meanwhile, Sasha must make a tough decision.
Rosita & Sasha start their journey towards Negan. Meanwhile at Hilltop, The Saviors arrive; and not for supplies.
Morgan is put to the ultimate test of his ethical code when a death in the Kingdom rocks everybody, even Carol.
Rick & Michonne are on the road looking for guns, while Rosita's planning something outrageous & dangerous.
Eugene finds out what it's like to be on Negan & Lucille's good side. While Dwight falls further into despair.
On their search for Father Gabriel, Rick and the Alexandria crew stumble onto a group of people unlike any they've encountered on the road of the zombie apocalypse so far.
AMC’s The Walking Dead
Season 7, Episode 9: “Rock in the Road”
Directed by Greg Nicotero
Written by Angela Kang
* For a recap & review of the previous episode, “Hearts Still Beating” – click here
* For a recap & review of the next episode, “New Best Friends” – click here
Here it is – the mid-season premiere!
Open on Alexandria. Father Gabriel (Seth Gilliam) stands on watch at the top of the gate, everything is dark. He passes time reading the Bible. But it’s getting harder to read, you can tell by the look on his face. Soon he goes back to one of the houses, starts piling canned food into a box and looking through the inventory, most of which is going to The Saviors. He packs what he can into a car, gasses up, then heads out into the night.
Is he bringing things to them? No, I think he wants to hide things from them. That could turn things awful tricky.
Back at Hilltop things aren’t so easy, either. Gregory (Xander Berkeley) argues with Rick Grimes (Andrew Lincoln) and his people, he isn’t so convinced the group can do what they say and take out Negan (Jeffrey Dean Morgan) or his Saviors. Maggie (Lauren Cohan), Tara (Alanna Masterson), and the rest try convincing Gregory, but he’s simply not buying it. “You‘re either with us or you ain‘t,” Daryl (Norman Reedus) reminds him.
After they’ve gotten nowhere with the fearful leader, Enid (Katelyn Nacon) brings a few people to speak with Rick and the group. One woman named Bertie (Karen Ceesay) tells Maggie that they’re willing to fight, long as they’re shown how to fight and defend themselves properly. This is a good turn of events, they don’t need Gregory when the people at Hilltop are ready to be part of the resistance. Jesus (Tom Payne) also says it’s time that the gang meets King Ezekiel (Khary Payton). Yes!
They go to the Kingdom – Jesus, Rick, Daryl, as well as Michonne (Danai Gurira), Carl (Chandler Riggs), Tara, Rosita (Christian Serratos) and Sasha (Sonequa Martin-Green). And there they meet a couple guys on horses, one of whom is Richard (Karl Makinen).
It’s amazing to see Rick and the group when they witness the Kingdom. Even better once Morgan (Lennie James) strolls out to see greet them. He tells Rick and Daryl about Carol (Melissa McBride) wanting to be left alone, too. Afterwards they meet the King and Shiva, and it’s a big of a culture shock. Although Rick jumps on in for a chat. He brings up The Saviors, wanting to band together and bring them down. Everybody discusses Negan, his brutality, why he must be stopped. Jesus also chimes in to say that he once thought their deal was something they could all “live with” but that’s all quickly, horribly changed. On top of that we already know Richard doesn’t like The Saviors, he’s on board to get shit done.
Ezekiel: “And what plans have you, Rick Grimes of Alexandria?”
What comes out is Rick talks about his mother telling him a story when he was a boy, about a road to a kingdom. A little girl and her family went along the road, losing all they had after their wagon hit a rock in the road. The girl, determined never to let the rock hurt another, dug at it until eventually finding a bag of gold. Negan is the rock in the road, and if they’re able to dig him out then at the end of the line is their gold: a world at peace.
Out on his own, Benjamin (Logan Miller) runs into a gun-toting Carol. They talk about general badassery. They also talk about Ezekiel, a little. In this brief exchange, Benjamin instils a tiny smidgen of hope in Carol, somewhere deep down. The fact that this young man still holds hope for mankind, wanting to help others, it sort of goes against everything she’s started believing about the new world.
I love that we get a guy like King Ezekiel, too. Because for so long we went from either Rick’s group and their various people, some good and some bad in the end, then there’s The Governor, all those battles, and then it was Terminus, and so on. Once Negan turned it up you start to wonder, if you haven’t read the comics like many of us, if only the big baddies are kicking around. Finally, we get a guy who’s pure, or at least his intentions are of the purest sort. A little later Benjamin actually becomes the voice of reason for the King, in regards to helping the people of Alexandria: “My dad always said that if you‘re asked to be the hero, be a hero.”
We find out that Ezekiel has regrets about once sending some of his people into battle, which yielded many dead, many children orphaned. So this is part of why he’s so altruistic at this point in time. He wants to right his wrongs. But Rick has been there, as well. We’ve seen all that. He has demons, he also isn’t a total saint. In the end, Ezekiel won’t agree to help, though offers Daryl asylum from The Saviors. Hmm. Something needs to happen to change the King’s mind. Richard’s on the side of Rick and his friends. That’s not enough. At the moment Daryl’s left at the Kingdom with Rick asking him to try his best on swaying Ezekiel.
Over the radio Negan’s voice is heard eulogising Fat Joey. Meanwhile, Rick and Co head onto the highway where they find a bunch of cars blocking the way. They move them with their vehicle while Michonne keeps her eye on the horizon; she spots a strange device. It’s a rope across the road rigged to an explosive device. Now, they’ve got to disarm the thing. Rosita has her hands into the trap’s inner workings, as they hear Negan call out over the radio for men to go searching for Daryl. Following that, Rosita gets the main component of the trap disarmed, and they all go about carefully unwrapping the dynamite and other explosives, watching the road for Saviors or walkers.
And sooner than later the undead come shambling from a distance. The group packs up what explosives are in good condition, scrambling to put the cars back in place on the road. A massive horde of zombies works its way up the highway faster than expected, forcing Michonne and Rick into a quick plan.
We get one of the coolest zombie killing scenes EVER, as Michonne and Rick use the wire between the cars from the trap to clothesline tons and tons of the walkers before climbing in with the rest of the crew and scooting to safety. Behind them an explosion goes off blasting more meat into the sky.
Michonne: “We‘re the ones who live”
Once Rick makes it back to Alexandria they’re greeted by a Saviors convoy. Simon (Steven Ogg) arrives, coy as ever. They’re trying to find Daryl, of course. Simon wants to search the entire place and they go about their business, all the while trashing everything like pigs. The Saviors also come across the empty shelves in the storage garage, the stuff we saw Father Gabriel take in the opener. But they don’t care, not until pickup day. When the group is left on their own again people believe Gabriel ran off with their supplies. But what’s the truth? Rick, Tara, some of them don’t believe he’d do that to them.
Turns out they were left a message: BOAT. Mysterious how he knew where Aaron (Ross Marquand) and Rick had gone. So, another journey is at hand. When the crew make out for the boat on the lake they find footprints. They follow them to an old factory in a field where they encounter people with guns, many others with weapons; MANY.
But Rick smiles in the face of it all. Literally. A big shit-eating grin. Is it a ‘bring it on’ smile, or a ‘these people can help us’ grin?A great mid-season opener after the break. So many things to look forward to, and lots of character development going on, especially when we get a conversation between Aaron and his partner Eric (Jordan Woods-Robinson). We see that everyone has issues, everyone has worries. This will only continue in the next episode “New Best Friends” and I’m excited.
AMC’s The Walking Dead
Season 7, Episode 8: “Hearts Still Beating”
Directed by Michael E. Satrazemis
Written by Matthew Negrete & Channing Powell
* For a review of the previous episode, “Sing Me a Song” – click here
* For a review of the next episode, “Rock in the Road” – click here
Maggie (Lauren Cohan) is still reeling from the death of her husband, obviously. You can’t expect she’ll get over that quick, if ever. Especially not in this new post-zombie apocalypse world. At the Hilltop community, she’s getting by, as well as expected. Gregory (Xander Berkeley) is being a real dick, though. He doesn’t like anybody else looking like the big dog around his backyard, y’know.
Back at Alexandria, Negan (Jeffrey Dean Morgan) taunts Carl (Chandler Riggs) and baby Judith, then cooks a bit of pasta and suace for dinner. Most interesting is at the Savior’s compound, where Daryl (Norman Reedus) is more and more on the verge of getting himself free; hopefully.
Nobody in Alexandria is happy, not with Negan around. Olivia (Ann Mahoney) tries her best to keep it together with a bit of help from Tara (Alanna Masterson). But Olivia’s the one who has to sit down to dinner with Negan. Pretending like they’re a happy family. She only does it to keep a promise to Rick (Andrew Lincoln), that she’d look after the baby.
We keep seeing that Morse code in Rick’s place, as well. You think that means something? I do. But we’ll see.
Of course Rick is still out and about with Aaron (Ross Marquand), attempting to get out to the boat on the lake where the place is probably loaded with supplies. At home, Rick’s son has to “pass the rolls” to the man who smashed Abraham and Glenn into bloody chunks. Because “Lucille is hungry” and so is Negan.
Possibly the most sinister opening to any episode yet, honestly. Loved it.
Eugene (Josh McDermitt), Spencer (Austin Nichols), and Rosita (Christian Serratos) bring their latest finds to the Saviors. One of whom, a lady, hits on Spencer: “Maybe I‘ll buy you a sandwich.” He plays along, for the time being.
We can’t forget about Carol (Melissa McBride), in her house just outside the Kingdom. And Morgan (Lennie James), he leaves a little something on her doorstep – fruits from the garden. She likes to be on her own, she’s got plenty. Ezekiel keeps on bringing her fresh produce. But she’d rather be alone. Then Richard (Karl Makinen) shows up, too. He has something the three of them need to discuss.
Morgan: “I think you‘re goin‘ soft.”
Carol: “I think you‘re going.”
Out on the lake Aaron and Rick come into trouble, though they fight off the water zombies to get to a canoe in good shape. Only more walkers swarm, and Aaron’s hauled into the water. Dead? No, sir. He’s just a damn good swimmer. They both make it to the boat, in one piece. Barely. They find lots of guns. As usual, not much ammo. Rick and Aaron talk about the deal with Negan – Aaron understands, he was present for the brutality of the man. “What we‘re doing is gonna keep people living. We get to do that. Doesn‘t matter what happens to us.” The title of the episode comes from Aaron’s talk about keeping people alive, taking what they can. Across the lake, someone watches them both.
At the Saviors’ compound, Daryl runs through the dark halls and ends up in somebody’s bedroom. He searches for a way out, getting some peanut butter on the way and a new shirt. Please, Daryl: get the fuck out of there. He sits first, listening to nearby voices, and then gets on the move.
Enid (Katelyn Nacon), Sasha (Sonequa Martin-Green), and Maggie hang out together, talk it up. Maggie’s pregnant stomach keeps her eating constantly. Everyone in Hilltop, aside from Gregory, is a fan of her, as well as the other two. But while the expectant mother leaves, Enid confronts Sasha about a lie concerning Jesus (Tom Payne). It’s because Sasha wants to get Negan. And Enid wants in. They just want to keep Maggie out of the equation because she’s too headstrong, even with a baby growing inside her. Yet Sasha tells Enid she has to keep Maggie safe.
Back with Richard, he tells Morgan and Carol about when he came to the Kingdom, about the terrible threat of the Saviors. He wants Carol and Morgan to help him convince Ezekiel they need to take action against Negan, because “things will go bad; and when they do, the Kingdom will fall.” Thing is, he’s come across Carol at a point in time where she wants to let go of everything – the killing, the people, all of it: “I don‘t want anything to do with your lives, or your deaths.” Interesting to see someone like her, and particularly Morgan, turned away from violence now being forced to maybe turn back; the never ending plague of this new world.
Oh, Spencer – will you die tonight? He gets back to his once nice, well kept home, to find it in complete disarray. Negan and his crew have tossed the place. He cleans the place up, he cleans up, practises his best introduction and leaves with a bottle of liquor. Will he actually dare try something against Negan on his own? Yikes.
In Savior territory, Daryl makes it to the motorcycle lot where a guy finds him. He agrees to let Daryl go. Rather than go on, Daryl beats the man to death, as Jesus shows up just in time. Now they’ve got themselves a gun to boot.
“We‘re all Negan”
With Michonne (Danai Gurira) still holding one woman at gunpoint, she finds where she’s headed. Furthermore, we see how people are willing to die rather than go back to Negan, as the woman essentially asks to be put down. And Michonne obliges the request.
In Alexandria, Rick and Aaron get back with supplies. Over on the porch Spencer shares a glass of liquor with Negan. Something bad’s brewing in their little town. When one of the Saviors gets rough with Aaron, this leaves Rick helpless, watching on. Spencer gets a pool table into the street for him and Negan, then brings up the dissent with his leader in Alexandria. Great editing takes us from the pool balls knocking together over to Aaron’s beating, as Rick must stand there, doing nothing. Such an amazing build, between editing, dialogue, action, score. “You should know Rick Grimes has a history of not working well with others.” This takes Spencer into talking about how he believes Rick brought their town down, his family now dead. Then he offers to lead Alexandria.
Does Negan take the bait? Well, he isn’t exactly impressed that Spencer’s not out gathering things, like Rick, who’s “swallowing his hate and gettin‘ shit done.” As he says, that “takes guts.” Oh, is that the cue? If so, pitch perfect line.
What follows is straight from the comics: Negan plays on the word guts again, then plunges a knife deep into his stomach, letting those guts fall right out, horrifying everyone watching on. Another vulgar display of power. Out of nowhere, Rosita fires a bullet at Negan and it digs right into Lucille. HOLY FUCKING SHIT, ROSITA! YOU BAD ASS MOTHERFUCKER. Wow. Did not expect that. Neither did the man himself. Plus, now he’s discovered their homemade bullets. Uh oh. “You may be stupid, darlin‘, but you showed some real ingenuity here.” It’s either give up the secret of the bullets, or get a new carved up face. Rather than carve her up when she refuses to give it up, Negan has Arat (Elizabeth Ludlow) shoot somebody at random: Olivia. Fuck, man.
None of that sits well with Rick. Except Negan wants a thank you, for not killing Carl, for taking Spencer down when he was crying mutiny. All for you, Sheriff Grimes. And Negan isn’t leaving until he figures out who mad the bullets. Eugene doesn’t let anyone else take the fall this time, he confesses. Bad news for him: he’s now Savior property. Alexandria is left devastated, without another couple members, and “in the hole” with Negan worse than ever.
As always, Rick blames himself. For everything. Like he asked to be the leader of their group, to be the one to make all the tough decisions. He never asked for that, it was heaped upon him. Then everyone blames him when things go sideways. He doesn’t always make the best or right decisions, yet he always does the best he can.
When Michonne gets back, she tells Rick that she doesn’t want to go it alone. She wants them to go it together, to fight alongside one another. And she won’t give up hope.
At Hilltop, Maggie gets one nice gift: she gets her friends back. Rick embraces her, glad to see her again, and he gets to see she’s safe, healthy. Rick is ready to fight. He’s ready to do what’s necessary. Oh, and Daryl is at Hilltop, too. The whole gang reunited. A heartwarming scene after so much devastation and blood and hurt. One fantastic mid-season finale. Rick even gets his gun back, a figurative recharging of his will to live and to fight for a better life.
I’m so pumped for the back half of Season 7! I don’t care what anyone says, I’ve enjoyed all these episodes. Lots of fun and the show is picking up steam from a few lacklustre moves over the course of the past couple seasons. Great to see them pushing ahead.
AMC’s The Walking Dead
Season 7, Episode 7: “Sing Me a Song”
Directed by Rosemary Rodriguez
Written by Angela Kang & Corey Reed
* For a review of the previous episode, “Swear” – click here
* For a review of the next episode, “Hearts Still Beating” – click here
I’m worried about Michonne (Danai Gurira). She found all those mattresses the Saviors burned on them and now she just can’t bring herself to believe what Rick (Andrew Lincoln) does about the way forward. And now, she’s beginning to revert to a few of her old ways again.
And Rick, he’s with Aaron (Ross Marquand), wondering about Michonne.
At the same time a few greasers sit along the road, driving the truck Jesus (Tom Payne) and Carl (Chandler Riggs) are hiding inside. This is an interesting pair. Jesus is a young guy, though experienced, and a bad ass. I used to hate Carl and then he grew up, got a bit bad ass himself. They might be good together. Except Carl ditches him, very clever, and heads on by himself. This kid’s balls are too big for his own good.
When the Saviors roll into Negantown and Negan (Jeffrey Dean Morgan) comes out to inspect the latest haul, Carl opens fire with an assault rifle. “I only want Negan, he killed my friends; no one else needs to die.” The man himself is impressed: “You are adorable,” says Negan. He is a saucy, mouthy bastard. They disarm the boy, but then the leader welcomes him as a guest. As Daryl (Norman Reedus) watches nearby. Fuck, this is maybe one of the most intense openers of any episode, at least in a long while. Plus we see how big Negan’s home is, and it’s massive.
Carl is brought inside to see what things are like on Negan’s side. The kid’s also schooled in how to be a bad ass by maybe the ultimate bad ass himself; like him or not. Everyone in there kneels before him. Gross. It’s like he gives a sermon. Or a speech in the way of a dictator.
Back in Alexandria, Rosita (Christian Serratos) doesn’t want to give things over to Negan and his Saviors. She doesn’t like Spencer (Austin Nichols) and his bullshit, either. So she and Eugene (Josh McDermitt) are going to head out. You know where: to find bullet making materials.
We see how Negan is trying to corrupt Carl. He wants to corrupt everyone he comes in contact with, and especially anybody he perceives as more helpless to his violence, such as women and children. He is really one disgusting man. He uses increments of violence to ensure further cooperation just by threat later, like reading straight out of portions of Machiavelli’s The Prince.
Did you notice Carl lean in quick while Negan turned for a second? Definitely said something. Either way, at this point I’m not willing to count out anything when it comes to Carl; whether it’s him getting killed tragically somehow, or doing something wild to get himself free.
We see more of Spencer literally hating Rick. He admits it to Father Gabriel (Seth Gilliam). He has a lot of strong feelings. And I can see Spencer going the way of his character in the comics. For those who read them, you know what I’m talking about. Gabriel, though – he has faith in Rick. The priest holds onto Rick’s leadership, while Spencer all but wishes for his death.
Gabriel: “What you‘re saying doesn‘t make you a sinner. But it does make you a tremendous shit. Just for now. It doesn‘t have to be terminal.”
Negan likes the cut of Carl’s jib. He likes that the kid is smart, a bit ruthless. He also wants to see the hole in the kid’s face where that eye used to sit. “It‘s like talkin‘ to a birthday present,” he taunts. Then Carl shows him. He shames the boy, asking to touch it. Being an all around piece of shit until Carl weeps a little. And this actually provokes a response in the man. He apologises, forgetting he’s been talking to a kid. Wow. Afterwards the title of the episode comes when Negan asks for Carl to sing him a tune. In return for the men he mowed down. And the kid sings “You Are My Sunshine” for the evil nutcase, as he swings Lucille wildly in the background. “Lucille loves bein‘ sung to.”
Oh, my. Now comes something awful. There’s an iron in the fire, and somebody’s due to get branded. Negan preaches another sermon about The Saviors, out there to supposedly save the world. Right on, dude. Someone in their crew has gone against the pack; more so against Negan. So he must be branded for his transgressions. Just like Dwight (Austin Amelio). God, that’s vicious. At least they have a doctor to tend to the burn.
Already with supplies, Rosita and Eugene get back to the bullet making factory. But he doesn’t feel good being there. The memories of Abraham lingering at that place, as well as the fact he isn’t sure about barrelling into Rosita’s half-cocked plan. However, she is damn convincing.
We see Dwight and his former wife Sherry (Christine Evangelista), they obviously still care for each other and are only apart because of Negan. The nasty leader is up trying to “break” Carl, as he does with Daryl. The kid, like Daryl, is strong. He doesn’t give the motherfucker an inch. How will Negan deal with him? Especially when Carl threatens to kill him. So instead of anything else, Negan opts to go for a ride out to take Carl home. He doesn’t notice Jesus on top of their vehicle, nor that Jesus disappears quickly. He does notice that Daryl is ready to kill him if Carl is hurt.
Underneath the door in his closet, tucked in the dark, Daryl gets a message: GO NOW. Is it from Sherry? I’d bet on it. She is a good woman, forced into unimaginable horror.
On a road lays a pile of walkers blocking access any further. This is a pile Michonne has made. She disarms a woman and orders: “Take me to Negan.” Man, everybody is just out for going after the guy alone. Instead of listening to Rick – even though he’s not perfect – they all want to go try taking Negan out by themselves.
In Alexandria, Negan strolls through with Carl. He wants to wait for Rick to come home. He goes on to insult Olivia and her weight, then trying to have sex with her; she slaps his face, though. Good woman! Fuck that guy and his bullshit. Luckily he just decides to sit there and wait. And drink a bit of lemonade.
What follows is a hilariously soundtracked montage of Negan settling in around the house, playing darts, feeling the carpet between his toes. He discovers Judith in her crib, despite Carl trying to prevent it. Weird seeing such a horrific pig like Negan holding an innocent child.
While her dad Rick and uncle Aaron are out on their own. They come across a sign, stating a man lives past that sign and he’s ready to kill anybody getting too close. Is he dead? Or is he still somewhere out there lurking? Nearby on the lake is a boat, supplies likely still aboard.
When Spencer, Eugene, and Rosita return to Alexandria they find Negan already there obviously. He’s taken up in the neighbourhood. “Oh, I like it here,” he says with a menacing smile, still holding Carl’s little sister. Thinking about whether he’ll murder Carl and his father.
Fuck, this was an intense episode in places. A couple slow parts, but I can see they’re setting a few things up. Lots to look forward to in “Hearts Still Beating” next.
AMC’s The Walking Dead
Season 7, Episode 6: “Swear”
Directed by Michael E. Satrazemis
Written by David Leslie Johnson
* For a review of the previous episode, “Go Getters” – click here
* For a review of the next episode, “Sing Me a Song” – click here
On the beach two girls find Tara (Alanna Masterson) washed shore, still alive and not infected. One of the girls nearly kills her, but the older one decides they won’t kill her, not if she isn’t sick. They won’t tell their community about it, or at least the older of the two won’t. At least there are still some good people left in the new world. Sad to see the youngest are already becoming desensitised to living in the post-zombie apocalypse. Although, lucky for Tara one of them was willing to do the right.
Some time before, Heath (Corey Hawkins) and Tara survive on their own. They’re losing hope about what’s next. No gas, barely any food. Heath laments what happened at the station, when they killed those Saviors. All over food and rations. Now with Hilltop and the deal with the Saviors things are supposed to be… tolerable. However, that isn’t enough for everybody. All Heath knows is that to be honest to themselves, they’ve got to admit who they are: killers beneath it all.
Tara’s personal saviour, Cyndie (Sydney Park), tries keeping her presence secret. She leaves a passed out Tara some water, a little food, along with a spear to defend herself. When the poor girl finally wakesup she doesn’t know whether Cyndie’s there to help. So she remains sceptical. Out into the woods Tara goes, following Cyndie back to her community. The place is full of people, and firepower. Suddenly everyone rushes at the sound of a whistle, or a horn, or something. Guns are handed out to everyone. The community’s on high alert. Then the bullets start flying, as Tara runs for her life. She gets the jump on one woman, but the young girl who wanted to kill her earlier stops Tara, gun pointed. Once more Cyndie stops it, although the rest of the community – all women notably – hold their weapons on Tara. “Look, I‘m cool,” she tells the group. She tries talking to them, even if the place looks on edge. Who knows what’ll happen next.
Back when Tara was with Heath, they come across a bridge, old cars, tents, tarps, you name it scattered everywhere. Lots of “blind spots,” as Heath points out. They go ahead, slow, steady. They find a load of sand dumped on the bridge, covering a ton of bullet casings. When they try sifting through, one wrong pull sends the sand down on top of them, and a load of walkers crawl out from underneath. In the crowd of zombies Heath leaves Tara to fend for herself; no, you fucking didn’t, Heath!!!!! Oh, man. That is raw.
Tara’s now handcuffed to a radiator in the head honcho Natania’s little house. She learns more about the place. They have lots of security measures. Natania wants to know about Tara. She talks a big load of shit about working on a fishing boat before, she and a friend. Smart move, girl. But the community isn’t pleased with strangers wandering in. Regardless, Tara gets an invite to the dinner table for fish stew. Things go normally, and later Natania extends another invite: for Tara to stay with them. Somewhere she can “put down roots” and be a part of their community. We again find out more about the community, that they were in a fight with another group, which left them decimated, and without any of the men who were a part of the group prior. True survivors, hiding and fending for themselves, alive, healthy, together. They trust Tara because she’s had the opportunity to hurt them and chose not to do so. She then opens up to them about her own community in Alexandria, her girlfriend, their way of living. She tells them about killing the people at the station, hoping their groups can work together. “Sooner or later you‘re gonna need a friend.” Natania proposes sending a guide, to help Tara find Heath, then go to Alexandria and scope out their community for safety.
They head out through the woods. When a zombie needs killing Tara offers to get it done, taking her chance to run from her guides. She fights one of the women when they cross one another. She lands on the other side of a gun, again. The woman says that The Saviors can’t be stopped, there’s no point in going home. They are everywhere, they kill everything and everyone. They’re the ones that killed this community’s men; “every man, every boy over ten, they lined them up, shot them in the head.” Those women ran from Negan and The Saviors and they’re not willing to let Tara ruin any of that. Cyndie manages to help Tara get free, and follows her away. She pleads with Tara not to tell anyone where they are out in the woods, giving her rations for the trip home. On the bridge there are tons of walkers, though. Cyndie helps Tara to get around them, providing gunfire from a car nearby as Tara runs right through the crowd. She makes it to the other side of the zombie wall eventually.
Cut back to when Heath left her on the bridge. Or did he? Nope. He comes back with a gunshot, but Tara’s forced to jump off the bridge to save herself. Now there she stands at the bridge, not sure where Heath might’ve gone. For a second she thinks he’s there on the bridge; only a lady walker with similarly braided, tied up hair. Phew. A little farther off the bridge, Tara finds Heath’s glasses, a swipe card with PPP written on it, and tire tracks.
Out in a field she heads forward, anywhere else. She happens upon a store and some houses, an overturned boat. She keeps moving on back towards home. At the walls of Alexandria, Eugene (Josh McDermitt) sees her coming, happy as can be. But she hasn’t been back in awhile. She doesn’t know about the latest deaths, Denise, all the horror. Rosita (Christian Serratos) asks her about where she was, what happened, and true to her word Tara says she saw nothing.
This was a slower episode, but a good one. I love Tara, and Heath. They got a bit of good screentime, which I hope continues. I’m also itching to get back to Rick and Negan, too.
Next up is “Sing Me a Song” and I’m willing to bet things are going to get nasty.
AMC’s The Walking Dead
Season 7, Episode 5: “Go Getters”
Directed by Darnell Martin
Written by Channing Powell
* For a review of the previous episode, “Service” – click here
* For a review of the next episode, “Swear” – click here
After the events of the season opener, we’re back at Hilltop with Maggie (Lauren Cohan). She’s safe and sound, feeling better. At least physically. Dr. Carson (R. Keith Harris) helped her out with pregnancy troubles; she’s out of the woods, for now. The baby is fine, as well. A little Glenn or Glenda is still on the way down the road. Sasha (Sonequa Martin-Green) is well, too. They both go to where their men are laid to rest. Sasha gives Maggie the watch Hershel gave to Glenn, still in his pocket the moment he died. “All Abraham had was a cigar,” she quips. Going forward, these two women will be even stronger than they were already. They’ll take this and make it into more strength. You just wait.
Jesus (Tom Payne) is on the side of Maggie and Sasha, but Gregory (Xander Berkeley) isn’t keen on having the soon-to-be mother around any longer. He feels they’ve put themselves out enough on their behalf. I don’t like this dude’s attitude. Although he was promised to have the Saviors taken care of, and that didn’t happen. He’s concerned with “plausible deniability” and wanting to not get his head cracked open by Negan (Jeffrey Dean Morgan). For his part, Jesus does his best to stand up to the Hilltop leader. Not that it does much to sway the guy.
Rick (Andrew Lincoln) and Aaron (Ross Marquand) are headed out from Alexandria, leaving a pissed off Carl (Chandler Riggs) and a reluctant Michonne (Danai Gurira) behind. Nothing is good in their world, still with a Negan boot against their windpipe permanently. One nice thing is that Michonne and Rick feel back on the same page again. She refuses to let up with him, unlike when he had Lori around only to bitch at him, to tell him what he’s doing wrong. Now, Michonne does her best to both encourage Rick, as well as let him know when he’s out of line. Even if she doesn’t, she always makes sure there’s a Plan B. As for Carl, he’s always concerned, about everything. That shit happens when you lose your mother, lose your eye. He sees Enid (Katelyn Nacon) sneaking over the walls to go to Hilltop, to make sure Maggie’s okay. And Carl says he doesn’t want to save her anymore, like a cocky little prick. Up at Hilltop, Jesus tries to reassure Sasha things will be fine. But he isn’t the take charge-type, he isn’t a leader admittedly. She does her best to help him realise he might have to “do more” in order to make Hilltop what he wants it to become.
Later in the night, music starts playing from a car. The Hilltop gates are open and fires are lit nearby. Sasha and Maggie try to figure out what the hell is going on. Walkers invade the premises by the dozens. When Sasha heads into the streets, so do Jesus and others. It’s take charge time. The car with the music is locked tight, caged in. And what does cowardly Gregory do? He cowers inside while the others work hard. Then Maggie shows off, driving a bit of farm equipment through Hilltop to crush a bunch of zombies, as well as that damn car. Good show, Mags!
Carl catches up with Enid on the road, running down walkers in his own car. They then walk on the road together. He tells her about needing to watch what Negan did to their friends, to remember. For the day when they need to kill the bastard. Enid likewise worries for Maggie, not wanting anything bad to have happened to her. They share a kiss together afterwards. Once she realises Carl is trying to hunt Negan and his people. She tries to stop him, but you know him. Hard-headed just like dad.
Simultaneously, Gregory is bitching about Maggie, not wanting her around, as Jesus fights for her. I mean, she helped them fight off an attack the night before. And he’s quite ungrateful. The Saviors have shown up, that makes it all worse. Simon (Steven Ogg) is there to have a little chat about going forward, recent developments and all. He brings the message that people at Hilltop ought not forget how bad things are out there in the world, outside the walls. He’s impressed the walkers were all cleared up by the Hilltop citizens. But worries Gregory’s people are getting “soft.” One thing is painfully evident, that Gregory is Negan’s full-time bitch, on his knees serving the master.
When the meeting’s over, he takes Simon to where Maggie and Sasha were hiding. But not for them: for Scotch. This will make a nice gift for Negan, though Simon takes the credit. Plus, they’ll take half of the supplies on-hand at Hilltop. On top of that he makes Gregory kneel for him. Like a bitch, as I said. Seeing the whole thing makes Jesus sick to death looking at their supposed leader. Gregory actually tried giving up the women, though Jesus did the right thing and hid them elsewhere. He’s taking charge a little more, or at least he’ll be making sure the leader makes less decisions without the whole community.
Maggie finds Enid outside in Hilltop, near the graves. They head inside after and eat, chatting about old times, laughing a little. Sasha soon joins in and they’re like a family again. In a sweet gesture, Maggie gives Enid the watch Glenn was given by her father. However, she also says they don’t need any items to remember the dead by; they have each other, they have the memories in their minds, never to be forgotten.
And their time will come. They’ll have revenge, in some shape or form, some way. Maybe not today or tomorrow. Someday, though. Amazing enough, Jesus sneaks on the Saviors truck as they go, meeting Carl stowed away out back.
Very slow episode, yet there was a lot going on all the same. We’re getting a shape and sense of the whole world going on in the zombie apocalypse, instead of the finite plots and stories of Rick and his crew. Lots of things happening as they mingle together.
Next episode is “Swear” and I feel like Season 7 is gaining steam with every episode, setting up good things for the latter half.