Tagged V/H/S Viral

V/H/S: Viral is a Weird, Wild Ride

V/H/S: Viral. 2014. Directors: Marcel Sarmiento, Gregg Bishop, Justin Benson & Aaron Moorhead, and Nacho Vigalondo (the Blu ray release will include the segment “Gorgeous Vortex” directed by Todd Lincoln).
Starring Emmy Argo, Emilia Ares Zoryan, Justin Welborn, Amanda Baker, Gregg Bishop, Nick Blanco, Dan Caudill, Stephen Caudill.
Magnet Releasing.
Rated R. 82 minutes.
Horror/Thriller

★★★★

Click on the titles for my previous reviews on the Blu ray releases for V/H/S V/H/S/2.VHS-VIRAL_FINISH-27x40_halfsize-691x1024So apparently a few people, for some reason, can’t get why I’ve given this movie such a high rating. I’ll attempt to explain it even further than I already have just in case any anonymous people once again have problems reading my review.

This is probably the most misunderstood and maligned entry in the V/H/S series. I never judge a movie by its rating online, or anywhere for that matter, but IMDB for instance has this somewhere around a 4 out of 10 star rating (IMDB, unfortunately, is mostly only great for finding titles/actors/et cetera – the ratings are ridiculous on there). I think that is such a nonsense rating. This is a worthy entry in the series, and it’s also a good, innovative horror movie. People don’t see it right now.  I get that – or no, no – I don’t get it, actually. I really don’t understand because I think this is the film where the whole concept of the V/H/S series comes to life, full steam blowing ahead.
I think it’s misunderstood simply because I don’t know why people prefer the other V/H/S films over this one. I love them all, but this installment has the most unique segments, and it’s definitely the most exciting in terms of energy; I never felt any sort of lag in this movie.

But who am I?  Just a lowly cinephile in a horde of horror fans.

The wraparound segment in V/H/S: Viral is definitely an interesting one. I wasn’t sure on the first viewing if I really dug it or not; things felt very chaotic and I wasn’t sure if it worked. Then, once I went back and watched this once or twice more, I started to really get into the whole segment (its official name is “Vicious Circles”) because it sets up the whole viral angle from the title; not only the main character’s intentions of being “a part of something bigger” than himself, but also just in how the videos come to is, as if transmitting around through cell phones wireless by way of this strange ice cream truck that’s rampaging through the streets on the run from authorities. It felt weird on the first watch, but second time around I started to really pay attention more, and I thought it worked very well to setup the whole film’s theme.

There are some real brutal moments in this segment, as well. Particularly, I really loved the scene where one kid is being dragged along from the back of the ice cream truck – his feet are flailing around awhile until finally they start scraping wildly along the pavement, and the sound is just disgustingly great, becoming only flying flecks of blood and bone. It’s one of the few moments in any film where I’ve literally cringed because of how it made me feel. A painful-looking moment. Loved it.
Vhs-Viral-Dante-640x360The first short directed by Gregg Bishop is called “Dante the Great”.  It centers around a magician, Dante (Welborn), who came into possession of a mysterious cloak (one formerly owned – apparently – by the great Harry Houdini but got sold because it frightened him). The cloak allowed him to do crazy, normally unattainable feats. But soon, it’s obvious there is something sinister driving the cloak and behind all its magic. Eventually, Dante kills people in pursuit of being the ultimate magician. I won’t say any more – you need to see this for yourself!

I really loved this segment. It’s my second favourite of the lot. The story itself is just really innovative in terms of horror – there aren’t too many horror movies out there (though a couple of questionable quality do exist) dealing with magicians. Why is it innovative? First off, “innovation” is defined as being “something new or different introduced”. So for starters, I began with saying there aren’t too many magician-themed horror movies. A user on IMBD had a particular problem with my review, which is fine. However, he commented that nobody wants to see a horror movie about magic “because it sucks and no one wants to see that *beep*” – I guess if that’s considered an explanation, then sure. For some of us, “Dante the Great” was unique in that a horror story about a magician is rarely done & I don’t think we’ve ever seen a found footage film about magic – correct me if I’m wrong. If this is the first magic-themed found footage movie then that alone is fairly innovative. It didn’t suck for me in any way. In a sea of horror movies, there are so many fast-forward-worthy films; the ones you just want to skip over until they’re done. For me, V/H/S: Viral had none of those moments. If it did for you, that sucks.  “Dante the Great” in particular is one of the better offerings in this installment.
I really dig this one. Bishop really uses the camera in some interesting and fun ways. A lot of people seem to get their brain in a twist over “who has the camera” and such things – but by using a magician and a supernatural-type cloak as the center of the plot, Bishop is able to not worry about all those little things. Because it’s about the magic! Dante can do anything. He proves this time and time again. Some of the scenes involving the police, specifically when they cuff Dante and put him in the back of the car, are just absolute perfection. The plot is great enough, but just the visual effects and the camerawork alone are worth the price of admission here. Really impressed by Bishop here, and hope to see some more fresh work from him in the near future.
VHS-Viral-photo-01Right off the bat, I absolutely love Nacho Vigalondo’s filmmaking. He is a special voice in a sea of horror films. Of course he loves time travel, so it’s no surprise his segment “Parallel Monsters” draws on elements of time travel, alternate universes (et cetera) to help him craft an expertly creepy, odd, and at times weirdly funny horror short. This one is about a guy who has built some sort of machine which allows him to essentially open a door and look into an alternate universe; through the door, he sees himself. We begin here as the man decides to finally switch places with the alternate version of himself on the other side. They agree to meet back there and switch over once more at a certain time. However, things get very weird for the man when he discovers the alternate universe into which he’d been peering is not at all what it seems. On the surface, at first it seems a little sexy, but slowly it devolves into the man’s discovery of a terrifying universe where nothing is sexy – and everything, especially sex, is awfully scary.
Vigalondo really knocks it out of the park with this one. I don’t know where he came up with this, but that man’s brain is genius – when he passes away, hopefully at a very old age, we should take that brain and preserve it, let future filmmakers study it/him. I can’t get over this segment. I really love, and own a copy of, his film Timecrimes. He does such an amazing job with the concept of time travel, et cetera. I don’t know if it’s just something he’s always been interested in, or it’s a concept he got into because it lent itself to very interesting horror movies – whatever the reason, I’m glad he loves it. When we finally get a look at some of the ‘people’ in this alternate universe, after they appear in their true forms, it is some of the scariest shit I’ve ever seen. Honestly. I was horrified. Once again, apparently this makes me crazy. I’m 30-years old, I’ve seen over 4,000 films, but because I’m terribly creeped out by something another person finds subjectively unscary I must be 12. OH – I’m sorry – have you been to the alternate universe where people have glowing faces, women’s vaginas are huge claw-like traps, and dicks are dripping, hair werewolf arms? Well, I apologize. The rest of us were disturbed by this. We’ve not yet been granted the ability to cross over into other universes and experience what life is like for the people there. Guess I’ll have to book a trip before watching any of Vigalondo’s movies from now on.

This segment is the best one in this film. It’s also the best segment overall in any of the V/H/S movies so far (I hope they continue to make more) – without any doubt. Anybody who disagrees? That’s fine. I love when people have differing opinions. I just agree to disagree. Even if they make another great V/H/S movie I doubt I’ll have a new favourite. “Parallel Monsters” is just so creepy, and a lot of fun.
VHS-Viral-Trailer-600x337The next segment is “Bonestorm” directed by Justin Benson & Aaron Moorehead, of whom I’m a fan (they did the excellent modern horror Resolution and the fantastic Spring). I enjoyed this one mostly because of nostalgia – I spent a lot of my teen years beating around the streets in my town skateboarding with my friends although that was in the late 90s and we mainly just had actual cameras. I actually still have some of the snapshots I took of my buddies and I doing lame tricks. Loved that stuff. “Bonestorm” is basically just the story of some skateboard kids, one who of course has a gun (maybe a little gun commentary on America in there?  I don’t know but it works!), who end up going into Mexican cult territory just across the border where they encounter some very scary people. This ends up in an all out blood bath where the young skateboard kids, the two who aren’t immediately killed, fight for their lives against a creepy group of cult-like worshippers (whose blood boils and catches fire, et cetera). It’s pretty wild.

I liked this segment, but it wasn’t all perfect. Though a lot of the young kids’ dialogue worked because they were young, some of it felt so forced and awkward. I wasn’t totally put off. Some of what they said was awesome, especially once the big fight starts going down. I loved how one kid went and switched on their music – says so much about our culture nowadays, and more so the younger kid – can’t even murder a bunch of weird skeleton people without putting on some tunes.
On the surface, “Bonestorm” sort of looks to be a real big excuse for blood and guts without much to it, but it’s more than that. First, we get a natural reason for the cameras, which sometimes is often an aspect fumbled in found footage; with the kids being skateboarders, especially in modern day, it’s only normal at least one of them has a GoPro or some type of recording equipment. I mean, one of them has a gun – not hard to believe they’d also have access to cameras. Second, I found it to be a good subversion of what we often see in horror – the monsters, or the villains (whatever they happen to be), don’t just rise up and obliterate everything, or at least not in total dominance. Instead of turning and running, the skateboard kids fight back. One even switches on their music, so they’ll have something to fight to – a soundtrack. Benson and Moorehead could’ve simply stuck with the kids running away, trying to escape all this scary stuff going on. Instead, they turn and fight. One of them sort of goes mental, which was hilarious. But it’s the end that caps it all off.
I thought the end of this segment was really awesome. Some people think it ripped off “Safe Haven” from the previous film, however, I think it went well with the whole cult vibe going on, and maybe it was more so meant as an homage. I don’t think, other than one part of the end, this resembled Gareth Evans & Timo Tjahjanto’s short from V/H/S/2. It fit well here for me because just as the two skateboarders think they’ve really kicked some ass and driven all those skeletal cult members into the ground, this (I don’t want to ruin anything so I’m keeping it vague) “thing” appears. Very cool.
Screen-Shot-2014-09-18-at-12.49.48-PM-620x400This is absolutely my favourite of the three V/H/S films. I can say that in absolute confidence. Not only are the ideas big, they are well-executed. I don’t know why I’ve seen some of the complains about this entry into the series that I have, granted some of that is mostly banter I see around the internet. I think all three of the shorts are great. The wraparound segment is pretty good, but there are also some parts I didn’t like a whole lot. I wasn’t a big fan of the moment in “Vicious Circles” where we land with the Latino gangsters – not that I have anything against the Latino gangsters, I just felt it sort of went too stereotypical, and also made them look really bad (misogynistic and very trash all around). It just didn’t flow with the rest of the wraparound. They should have tried to include less switching from camera to camera stuff, which is why they put this portion in, but it just comes off as too much; trying to cram all these bits into one. They might as well have just went ahead and included Todd Lincoln’s segment anyways, and cut some of the fat off those spots.

Regardless, I think V/H/S: Viral is easily the best in all aspects of the three films, so far, in this horror anthology series. I know I’m in the small minority, but usually I am when it comes to underrated films, or at least films I see as underrated. I think the ideas in the shorts themselves, mainly “Parallel Monsters” and “Dante the Great”, are so unique. That’s what a series like V/H/S needs if they want it to continue to have any sort of longevity. Otherwise, people will really bore with the whole concept. To me, it seems like a lot already are tired by it, but I think this is going to see better life on Blu ray, et cetera. Once people give the three films more time to sink in (it feels to me like they were almost rushed out in succession though I really love the series anyways), I really believe it’s going to hit people differently. I already love them. However, sometimes you have to give the general public awhile to digest certain movies. Maybe this will be one of them.
Right now, I suggest you watch it. I hope you’ll enjoy it. And either way, hit me up – we’ll discuss. Don’t just talk shit on the message boards. Don’t just say “the movie sucks” & half-quote what I’ve said trying to make your case. If you think it’s bad, share your thoughts – tell me! I know I’m in the minority, but that being said don’t expect me to give your opinions any type of equal weight in consideration if you can’t sensibly and sociably discuss a film. That’s what movies are all about.

V/H/S/2: A Mixed Bag of Nasty Tricks

V/H/S 2. 2013. Directors: Simon Barrett, Adam Wingard, Eduardo Sánchez, Gregg Hale, Timo Tjahjanto, Gareth Huw Evans, and Jason Eisener. Magnet Releasing.
Rated 18A. 96 minutes.
Horror.

★★★1/2 (Movie)
★★ (Blu ray release)

For my review of the first V/H/S on Blu ray, click here.  For a review of the third installment in the trilogy, V/H/S: Viral, click here.

vhs_2_poster_3The wraparound story for the first V/H/S held things together well enough. While it was at best a decently played out section of the film, what really sold me on it overall were the individual segments (minus one), which I thought were really creepy and the first was fairly innovative in terms of their use of found footage. This time around in V/H/S/2, the wraparound segment called “Tape 49” (directed by usual writer Simon Barrett) is much better than that in the first installment of the series, and by the same token I didn’t really like as many of the shorts this time around. While I still love this series, I do think V/H/S/2 is essentially the weak link of what is so far a trilogy; I’m a big fan of third regardless of what others think – I think it’s the most unique and definitely the most far reaching in terms of concepts, particularly the segments by Gregg Bishop and Nacho Vigalondo. That is for another review.

I’m a big fan of Adam Wingard, and I honestly love almost every single bit of his work, however, I really can’t get hugely into his segment here, “Phase I Clinical Trials”.
Quick synopsis: Wingard plays a man who has a bionic eye implanted by a company that will monitor his every move and record whatever he does – it isn’t long until he discovers the eye helps him see just a little too well, and a little too much.
500full It is not badly done whatsoever – let me start by saying this – I have no problem with the visuals or aesthetics in general. What I’m not a fan of is the execution in terms of how it was written. I find usually Barrett, who wrote this segment along with the one he directed, subverts some of the norms I come to expect from horror. Here, in “Phase I”, Barrett really plays into some foolishness. Like when the girl just suddenly decides the best way to ignore all the weird, undead-like stuff going on around her and Wingard is to take off their clothes and start having sex. I mean – come on. I am a big fan of both Barrett and Wingard, and I usually never find myself saying these things about their work together, but here it is just unbearably bad. I really thought this was some tired writing. The direction worked well, as well as benefitting from Wingard acting in the short, in terms of the filming techniques used (he talks about this in one of the featurettes on the Blu ray – Wingard wanted to have an actual actor play the part but because of the fact he was shooting the segment in the first person perspective he felt it easier to take on the role himself). Other than the fact Wingard directs well, this segment isn’t really much fun – a few cool effects don’t make a decent short horror. I like its finale; there are some creepy ghosts and all that. The build up, on the other hand, doesn’t really do anything for me.
VHS2_19-1024x576Eduardo Sánchez is another filmmaker whose work I really enjoy. He does really well in the found footage sub-genre, and thrives. His segment is a zombie-filled romp through some woods called “A Ride in the Park”, which sees a mountain biker zipping through forest recording on his GoPro – he comes across a wounded woman, gets bitten, and then slowly becomes a zombie. From there, we follow him and his GoPro as he wanders with a herd of zombies through the trees, terrorizing others, including a little girl’s birthday party.
VHS2_31-1024x576
Not only do I like the innovative use of found footage here with the GoPro camera on the biker, I really thought it was interesting to follow the perspective of a person who gets bitten by a zombie and becomes one himself. The GoPro really helps add to things by giving us a very up close and personal view of this perspective. Sánchez explores ideas about what happens to us after the zombie virus takes hold – do our feelings still linger? Can we retain any sort of control?

One really great, and heartbreaking, moment comes when the man-turned-zombie hears his phone making noise. After fumbling it from a pocket and realizing he accidentally dialed his girlfriend, a single pathetic-sounding groan comes from him, and it’s the stuff of good drama really. Thoroughly enjoyed this segment. It was good in all these senses while also being downright fun zombie madness – after the zombies infiltrate the birthday party it is just awesome.

Gareth Evans and Timo Tjahjanto teamed up to create a really horrifying and adrenaline injected segment named “Safe Haven”. This short takes a young documentary film crew inside the complex of a cult run by a man known as Father. They want to give an inside scoop into the cult with untampered footage, giving the leader a chance to present his group, unbiased, to the outside world. Father allows them unprecedented access into the complex. Soon after, the crew begins to realize something is amiss. I won’t say any more. Go in knowing only this, or less.
500full-1I love how the pacing really keeps up in this segment. Things kick in with crazy gore, horror, and downright terror. I enjoyed every second of this one. The effects are outrageous, in the best way possible, and even the performances, specifically that of Epy Kusnandar as the previously mentioned Father – he is maniacal, a little funny at times, and absolutely scary as hell. This is by far the best segment of the first two V/H/S films because it scares the life out of me, but it also remembers to stay fun, and doesn’t take itself seriously the whole time. The final moments of “Safe Haven” are brilliant, hilarious, and terrifying all wrapped into one.

I enjoy Jason Eisener, especially after I’d seen Hobo With A Shotgun, but his segment “Slumber Party Alien Abduction” isn’t his greatest work to date. Not that I didn’t enjoy it – it was a lot of fun. The story is basically about a bunch of kids, with the parents gone away, who are then laid siege upon by a UFO and some aliens. Pretty good little plot for a short.
I just thought there was a bit too much epilepsy-inducing light flashing. The effect worked in certain places. Others, it was highly annoying. It really did help several shots look more effective, particularly when one of the kids goes up into an attic, and there ends up being a number of alien-creatures already there, some coming up behind, and I thought it definitely enhanced things. On the whole, though, there was too much of it. I just wanted the segment to end after things kicked into high gear. The adrenaline was pumping, there is no doubt, however, I don’t think it pumped correctly because there was too much flashy nonsense.
Eisener should have focused more on the horror itself and the terror rather than trying to forcibly slip us into being terrified by flashing lights and noises; I, personally, was creeped out as it was with the aliens, I didn’t need some of the nauseating effects that came along with it to be scared. Really disappointed in this section ultimately, but I did love the initial setup, as well as some of the kids’ dialogue.
VHS2_72-1024x576Part of the reason I really did enjoy V/H/S/2 is, as I mentioned earlier, the wraparound segment. Barrett’s “Tape 49” follows two private investigators who are looking for a missing student, and after they manage to get into his seemingly deserted house they come across a bunch of strange VHS tapes. Once they watch the tapes, their night gets even worse.

I thought this angle for the story that sort of encompasses the film, explaining the tapes themselves, worked very well, and it was also directed well by Barrett. I just thought it worked even better than the simple premise of the first film’s wraparound segment. It was more intriguing.
VHS2_75-1024x576I think one of the things V/H/S/2 really does have going for it, adding something new to the second installment of this series, is that the whole film is really fun. It’s absolutely an exciting and entertaining ride. Though I didn’t really click with Eisener or Wingard’s shorts, they were still enjoyable even if I had some problems with them myself. “A Ride in the Park” and “Safe Haven” really hit the mark the best I could have possibly imagined (I expected good things from both Evans and Sanchez because I was huge fans of theirs previous to this movie), and they keep the energy of the entire film at a really high level.

If you enjoyed the first V/H/S then you will most likely enjoy V/H/S/2 because, for all its faults, the film tries its best at all times to be entertaining, innovative, and above all else scary, as well as disturbing. You can do worse than this movie – certainly, I wouldn’t own it on Blu ray if I didn’t think it was worth watching.
That being said, the Blu ray release is not really the greatest. While the picture and sound are incredible, there is little else to be excited about other than a 3-minute featurette on each of the segments; one includes a ridiculously pointless video of Sanchez and crew tipping over a dead and rotting tree, which ends in slight injury. I only enjoyed the featurette for, surprisingly enough a segment I wasn’t big on, “Phase I Clinical Trials” – I really like Wingard a lot, and just hearing him talk a little about the filming process, et cetera, it was nice. Though, it was still only 3 or 4 minutes. Neither of these features are longer than 5 minutes tops. Disappointing, especially considering this is a film highly based around the visuals. They could have done better.
Check out the Blu ray, but don’t expect a ton of great extras to keep you entertained. You’ll be getting the film and not much in the way of added toppings. The movie is pretty good. The Blu ray? You’re better off waiting for them to put out all the V/H/S movies as a set. Maybe then they’ll get some more, and better, footage to include for the fans. Until then, this a mediocre at best Blu ray release.

Found Footage – 15 Films Worth Watching

The found footage sub-genre can be one of division. Some people like certain found footage films. Others don’t like the entire category, can’t stand it. I’m one of those who likes the genre. A lot. But only if it’s used to an advantage, if it works well. Sometimes the concept just falls flat on its face. On the other hand, when a competent director gets ahold of a story and uses found footage correctly it can really be a treat. One thing worth noting is that a lot of times the actors involved end up shooting parts of the film. In the case of Blair Witch for instance a great deal of the footage (I can’t speculate how much but I’m sure near all of it) was caught on film by the actors themselves. Whatever the case may be, however it comes together, found footage in the right hands is a great sub-genre for filmmakers to use, and more often than not it can be frightening as hell.

Here are 15 of my personal favourite found footage films. Most of which I would consider to be the horror genre. And these are in descending order towards my favourite of them all.

15. The Collingswood Story (2002)
600full-the-collingswood-story-coverThis is one of the lesser-seen on this list, no doubt. If only because it hasn’t been widely available on DVD, and as far as I know it isn’t on Netflix. I was lucky enough to see it a couple years ago. Mostly, to be honest, it can be boring, but for me it’s all about the payoff. If I can make it through to the end of a film (check my mention of Soft for Digging in previous post) I find a little less than exciting and the finale blows me away, I will always be impressed. This is one of those films which doesn’t have a lot going on. It’s the last 10 or so minutes that really change the game. A creepy story involving a weird house, typical. However, this film really uses found footage well as a concept, and I think that also gives this a spot on the list.

14. The Houses October Built (2014)
The Houses October Built MovieFor a full review, click here.

I’ve never seen the documentary of the same name (also directed by Bobby Roe). This movie terrifies me. The concept is simple: a group of friends seek out the most extreme scare, to find where the wildest haunted houses across America are located. Of course they get what they’re looking for, just not exactly how they expected to find it. One thing I really loved about this flick is that the acting seemed so natural. A lot of found footage films come off as forced. These people seemed like they were very familiar with one another. Certainly they probably are, as they all appeared in the documentary The Houses October Built together. So there must have been an advantage due to that. Either way, I thought that really helped when it comes to character development. It felt like I was watching a group of friends who’d known each other a long time, made me really invest in them. When the terror really hits it can get very creepy. At one point, you’ll know it, Brandy (essentially Brandy Schaefer playing herself) is slowly figuring out she may now be alone, without her friends to protect her, and it is an extremely chilling moment. Got to me. I highly recommend this one. It’s especially great when Halloween comes around again.

13. Afflicted (2013)afflicted-featuredFor my full review, click here.

This one came out of nowhere. Another film that really capitalizes on real life friendships. Derek Lee and Clif Prowse play themselves here pretty much. In the film, they’re taking a massive trip around the world, documenting everything on camera. However, the reason for doing so is because Derek has found out he’s got a serious disease, and it could very well take his life. So, all the more reason to do the trip of a lifetime with his friend Clif. While overseas though, Derek encounters a mysterious woman, and afterwards he seems to be changing. Into what, who knows. I really, really enjoyed this to the fullest. I won’t spoil this at all by telling you what Derek is turning into because it’s best left to slowly figure out. Not that it’s difficult. But it’s just worth discovering on your own. The realization setting in almost puts you in Derek’s shoes. All in all I think this is a good use of found footage, and really imaginative story with some well-done effects to boot.

12. The Conspiracy (2012)640px-Poster_for_The_Conspiracy_(2012_Film)For my full review, click here.

One of my favourite things about scary movies is that some of them can be terrifying without really being what you’d call a ‘horror’ movie. One in particular, when concerning found footage, is The Conspiracy. I for one love the whole Bilderberg conspiracy theory/theories. Not that I necessarily buy into it all, or dismiss it all either, but I just love it- so much excitement in those conspiracy theories, and the theorists themselves. This film plays off all that. A couple filmmakers are doing a documentary on conspiracy theories, but it gets very dangerous, very real once they discover links here and there to a secret society that has been around for years. This movie mixes Bilderberg and Bohemian Grove stories together, and it really works. The finale is something to be seen. I found it all fairly scary. It’s not a horror, but it will definitely get to you in ways most horrors will. My interest in conspiracy/all related matters is most likely the reason this one is on the list. Really made this film work for me.

11. Exists (2014)exists_06There is nothing like a good creature feature. Essentially, Exists is a creature feature, but it’s dressed up like a found footage film. This works. Combining the real life typical plot of going into the woods up to a cabin with some friends and a really great looking sasquatch costume design, this film packs a punch. At times I was absolutely frightened to death. Bigfoot looks amazing. You don’t really get a great look at the creature most of the time; at first it’s a lot of quick, blurred images, slowly some more defined shots. Finally it all culminates near the finale when one of the characters comes literally face-to-face with the sasquatch. And is it ever wild. They did a great job making him look man-like yet still scarily ape, massive, and horrifying. I loved this. Worked really well.

10. The Last Horror Movie (2003)

For a full review, click here.
045072H3-1Everyone knows the classic mockumentary Man Bites Dog, and it is a doozy. Well this is my choice for the “serial killer makes a movie”-type plot. The Last Horror Movie is a frighteningly real depiction of a serial killer who decides he ought to make a true movie. He documents gruesome, horrific murders. There’s nothing much more to it. Though he does offer some psychotic ramblings to go along, it’s all mainly about the murders. Man, are they rough. There’s one in particular I actually cringe while watching (something which rarely happens nowadays as I’ve become almost desensitized on some levels) where he lights a person on fire and lets them burn. Very, very disturbing. Although I do recommend this one. It starts off as a VHS tape rented from the local video store; another little bit I really enjoy. Adds some character. So if you want some really depraved stuff, then go ahead, watch this one. It will bite on your nerves.

9. The Blair Witch Project (1999)
the-blair-witch-projectFor a full review, click here.

Everyone knows this one. I don’t need to describe it. What I will say is this.. when the movie first came out I was about 15-years old. I hadn’t seen it yet, but I knew I would love it. I asked mom to get it for me. For my birthday, or Christmas, who knows. Anyways, when I got it on VHS I remember watching it a bunch of times. It frightened the life out of me. It was the whole thing that did it. But specifically those last moments, when Mike is turned against the wall.. it kills me. There are several moments which chill me to the bone in The Blair Witch Project. I still think it’s one of the best found footage films out there, and certainly the one that really kicked off the modern fascination with this sub-genre.

8. Frankenstein’s Army (2013)Frankenstein's_Army_DVD_coverFor my full review, click here.

I love any kind of horror movie that incorporates World War II and/or Nazi Germany. It’s fascinating. Frankenstein’s Army works really well. It’s at a time when sound recording with film was still relatively a new and fascinating thing. The concept of found footage works well here. There’s even one point where Frankenstein himself (played by the always fascinating Karel Roden) asks about the camera being used, and remarks he has never seen one “of those types of camera… with sound“. Great little film. There are some genuinely weird and creepy moments in this one. A lot of Frankenstein’s forgotten toys, it seems. When they start spilling out the woodwork it’s really something to behold. I was frightened a few times, just trying to put myself in someone’s shoes back then, seeing things that we wouldn’t see until almost 70 years later, and only because of the imagination of film. It’s an impressive found footage horror, and certainly belongs on this list.

7. The Taking of Deborah Logan (2014)
tGfBTG.pngFor my full review, click here.

I’d heard about this a long while before it actually came out, mainly because of Bryan Singer’s attachment as producer. Regardless, it turned out to be a super creepy little movie. Posing as a documentary about Alzheimers and those suffering with it as well as their caretakers, The Taking of Deborah Logan turns into something very scary. At first it seems like the disease is taking its toll on the titular Deborah. She scrapes her fingers until the nails nearly come off in her flower bed. At night, she’s climbing onto the counters while sleepwalking. Soon it becomes worse, and worse. And worse. Things get really scary, as Deborah’s past unfolds, and it comes back to haunt her. Literally. There are some extremely terrifying images in this one. The finale of the film is absolutely wild. I loved every second of it. I kept rewinding one part because I thought it was just so well done – the effects, everything. So satisfying. There were a few times I gasped out loud. I really recommend this to anyone tired of the same old plots in found footage, also.  This is a unique and fresh look at the sub-genre.

6. The Sacrament (2013)

For a full & in-depth review, click here.
large_sacrament Ti West is an absolute monster in the horror field. I mean this in the most wonderful way possible. I’ve been a fan of his since The House of the Devil, purchased his first feature film The Roost which I also really loved. His films are phenomenal. One of only two feature films West has not shot using film, The Sacrament is a found footage-style look at a Jim Jones-ish cult and its charismatic leader. There’s not much else to tell plot-wise. Other than a few minor bits, West uses Jones’ story almost verbatim at certain points. But that’s not for a lack of originality. West sort of gives Jones’ story to a modern audience, some of whom might not know the story (though who they are I don’t know myself), and sets it in a world where everyone knows VICE, and how they report on stories. West sets the story in a digital world. One where the cameras are rolling. Unlike the actual massacre, we get to see everything instead of just hearing bits of audio. We experience all the deaths, the throes of agony, the screaming, wailing children and men and women dying everywhere. We hear the gunshots and the merciless shouting and the tears. It’s all there. This is an unsettling film. Anyone who passes this off as merely a rehash of Jim Jones is wrong. The story is much the same, but it is worth the watch to experience all Ti West has conjured up for us.

5. V/H/S/2 (2013) & V/H/S: Viral (2014)

For my Blu ray review of the first V/H/S, click here.
For my Blu ray review on V/H/S/2, click here.
As well as a review of V/H/S: Viral here.

I’m a fan of the entire V/H/S trilogy, however, I think the 2nd & 3rd entries are both huge improvements on the first. The 3rd, being the best of all, is an even bigger improvement on the 2nd.vhs2_posterFor starters, V/H/S 2 contained two very well executed shorts: Eduardo Sánchez and Gregg Hale’s “A Ride in the Park”, & Gareth Evans and Timo Tjahjanto’s “Safe Haven”. The first is an absolutely fantastic POV zombie short about a man who goes for a bike ride in the park forest only to end up with the only disease worse than cancer: zombie. I really loved it. Great use of found footage and the zombie genre.
The second, “Safe Haven”, follows a documentary crew into an Indonesian cult’s complex where things slowly spiral out of control, and one of them discovers they’ve fathered more than just a baby with a good friend’s girl. This is a wild, wild ride. Lots of gore, lots of weirdness, and even a little dark humour to top things off. I really enjoyed it.
VHS-Viral-Glow-Faced-Body-Horror
V/H/S: Viral is, in my humble opinion, the best, or at the least most imaginative, of all three entries in this trilogy. The first short, Gregg Bishop’s “Dante the Great”, is a great little horror about a magician who discovers a cloak that can help him achieve even the most unknown of tricks. I really liked this one. Very unique take on horror, and honestly makes me crave a full-length feature about some sort of magician crossed with the horror genre; it works well here. The second is a mindbender from frequent mindfucker Nacho Vigalondo called “Parallel Monsters”. Basically it’s a view into another world. And it is god damn terrifying. I’ll say no more. The third segment (a fourth was cut from the first release on VOD but apparently will be added in later) is directed by Justin Benson and Aaron Moorehead, who previously co-directed the interesting Resolution, is called “Bonestorm”. It’s a bunch of skater kids versus a strange Mexican death cult of some sort, who barrel out of the desert towards the as they kick flip and ollie around a skate park littered with animal feces and strange shrines. Contrary to what some people seem to believe, I think this is the best one of the lot. It’s pure horror. I loved it. Not that the other shorts in this 3rd installment aren’t great – they are – I just think Benson and Moorehead tap into the real horror, and it’s a great little bloody short with an almost homage to Evans’ previous ending in “Safe Haven”, although not as blackly comic as that. All in all, both of these V/H/S films are worth checking out, and even the first, but the latest two have really picked up in quality moving forward.

4. Lovely Molly (2011)

Read my review for the Blu ray release, which is spectacular and creepy as all hell.
gretchen-lodge-as-molly-in-lovely-molly-2011There are a lot of disturbing things going on in this one. Another Sánchez directed film (as were Blair Witch Exists if I failed to mention, and also “A Ride in the Park” from V/H/S 2 which I did mention). This is about two newlyweds who move back to the wife’s (Molly) childhood home, where she once lived with her seemingly crazy, cruel, demented father. Soon things begin to happen. The husband is worried. His new wife once had a serious drug habit, and it starts to come back. But something is spurring it on, leading her down that path again. Something very dark. There are some great shots in this. Particularly one later in the film where Molly walks out into the darkness, into the arms of something creepy, maybe dangerous. It’s highly unsettling. Watch this. There are some disturbing shots here that will linger on and on.

3. As Above, So Below (2014)
AsAboveSoBelow_BenFeldman-1024x576Perhaps it’s my interest in strange history, alchemy (et cetera), or maybe this is just one well-done found footage film. Whatever. I think this is fantastic. The plot is great: a young explorer tries to carry on her father’s work searching for the Philosopher’s Stone. Along with some help, after discovering the key to a complicated map in the cave systems below Iran, she ventures into the catacombs below Paris, into hidden chambers where she believes the Philosopher Stone might just be found. I thought this film played out very nicely. There were some genuinely chilling moments. One is in the trailer, in fact. However, there is a moment where a hooded figure sits on a creepy little chair, and even though nothing really happens it’s just the atmosphere which really draws me in and captivates me. So scary. The end was not typical of most found footage films, and I have to applaud it for finishing on the note it did. Different. I think this is worth a watch. It’s unique. We don’t always have to see the same recurring plot over and over. It’s nice to mix things up a little with found footage, and it can work in a variety of ways. As Above, So Below showcases how it can work when mixed with a little history and adventure. This is like a found footage horror version of Indiana Jones at times. Great film.

2. Noroi: The Curse (2005)
0c04aaf109299e9f705e8a26aba_prevI already talked about this one in my previous Halloween list. If you want detail, head back there! Just know this is one of the creepiest found footage films ever, and just a fascinatingly scary horror in general.

For my full review of this horrifying film, click here.

1. The Poughkeepsie Tapes (2007)poughkeepsietapes7* For a full & chilling review, click here.

The granddaddy of them all – The Poughkeepsie Tapes. Lucky for me I caught this a long while ago, and earlier this year actually it briefly appeared on VOD for a short time before it was pulled (just like how out of nowhere its theatrical release got pulled seemingly). Nobody can find it nowadays. Turns out this is by the same director who went on to do another of my favourites from just earlier in the list, As Above, So Below. I’m hoping with some success from his latest film it might prompt someone to distribute this one, because when I saw this film I was transformed. I couldn’t believe it. Every image seemed to horrify me worse than the last. Things escalate more and more. The whole thing is a series of tapes left by a serial killer who of course recorded all his crimes. He is the ultimate killer. His methods change from kill to kill. He is always one step ahead of police and profiles and FBI agents alike. It’s truly scary. Some of the masks the killer wears, including a Plague Doctor mask, are just the worst things you can imagine. Terrible, and perfect. This is truly a symphony of horrors. There is one scene where the killer answers his door and meets two little Girl Guides. As the audience watches, he teeters on the edge of either letting them go or killing them. You can never tell which. Until finally they walk out the door. It’s once they leave we get the real horror- one of his victims was underneath the coffee table the whole time. It is a horrifying moment. The whole movie sticks with you long after it is over. I highly recommend this. Definitely the most scary and wild found footage horror film I have ever seen. If you get the chance, check it out, and you will not be disappointed. You certainly won’t get any sleep.