Tagged Wrong Turn Series

THE HUMAN CENTIPEDE II: FULL SEQUENCE – Depravity Without Plot

The Human Centipede II: Full Sequence. 2011. Directed and Written by Tom Six.
Starring Laurence R. Harvey, Ashlynn Yennie, Maddi Black, Kandace Caine, Dominic Borrelli, Lucas Hansen, Lee Nicholas Harris, Dan Burman, Daniel Jude Gennis, Georgia Goodrick, and Emma Lock. Six Entertainment Company.
Unrated. 91 minutes.
Horror

1/2★
TheHumanCentipede2
I’d always known from the subtitle of First Sequence in the first film, Tom Six would continue on to do more work on sequels. I think that was always his plan because it seems that subtitle intended right away there would be further films in the series.
That being said, I’m not particular thrilled that Tom Six decided to keep going. While I do find the premise of The Human Centipede II: Full Sequence, I think Six would do far better moving onto something else and putting his unique touch on another film. That’s his choice, however, and I’ve got nothing to do with it.
It only frustrates me because the first movie was a decent horror, and the beginning of this movie sets up an interesting premise, yet Six squanders the potential.
There’s a bit of a deeper idea behind this sequel. Certainly it’s meta, beyond the concept of meta, which is actually something I love. Though it’s only a bit of shock horror, much unlike the method Six went for in the first film, I feel like Six has a bit of a message here. It’s still just blood and gore and depravity, but the main character sort of speaks to the obsession people have with horror. I don’t know if, ultimately, Six is mocking people who think horror/disturbing films have an overall negative effect on people, or if he’s saying there are some twisted fucks out there who might be sitting at home or at their dead-end jobs plotting to use horror movie scripts as their own M.O. Not sure, but regardless, I think beyond all the cheap horror Six brings for this lacklustre sequel, there is some kind of commentary on horror movies, and how we as viewers interact with that horror as either detractors or fans.
The Human Centipede II Full Sequence 7Meet Martin (Laurence R. Harvey) – he’s a loner, mentally ravaged by his parents, living with his mother in a terrible sort of flat on a dreary housing complex. He is a nightshift security guard in a below ground parking lot. There, he watches The Human Centipede: First Sequence, fantasizing about applying the fictional Dr. Heiter’s methods to real life and making himself a real Human Centipede. At home, he is plagued by his mother’s hatred, tough guy neighbours who want to play their music however loud they feel, and a creepy doctor who seems to take an affection to Martin, though, the wrong kind.
Slowly, Martin begins to collect victims so that he might eventually create the fabled Human Centipede. It isn’t only a will to kill and hurt. Martin is beyond turned on by the prospect of connecting all his victims, mouth to anus, anus to mouth. He is a vile, wretched human being.
Thus begins the vicious and menacing sequel which is: The Human Centipede II: Full Sequence.
everythings-come-down-to-thisBefore I let loose on what I don’t like about this sequel, I’ll start with the few portions I actually really do enjoy about Full Sequence.
There’s something about the choice to film this in black-and-white that interests me. Not sure what Six was attempting to accomplish. Perhaps it’s because of how hardcore the gore and sick imagery is in the film, Six decided to go with black-and-white to try and counteract how vicious things look; if it were colour, I can only begin to fathom how brutal it might end up being. Black-and-white can really give off a natural feeling when used appropriately. I think Six does well with this concept, though, it does not help to really tone things down in the end because there’s just so much rottenness happening. Taking the colour out so that the blood and guts and nasty bits don’t look as vibrant and in your face, for this film, does nothing to lessen the blow. Maybe that’s not why Six chose to do this black-and-white, maybe he just imagined it would look a bit artsy and give the film some credibility. I don’t know.
I do think that at times this really works. The scenes at home with Martin and his mother, all those bits, they were spectacular as black-and-white. Honestly, if the depravity level weren’t skyrocketing into the outer atmosphere near Mars, this movie would have done well with the black-and-white scheme. I don’t think it hurts the horror, it does not detract. I just feel as if the horror here is for horror’s sake. I know that the story itself dictates how much blood and gore will come out – it’s all based around Martin’s obsession and sick lust over the original film. But still, I loved the first Human Centipede because, though highly disturbing subject matter, it felt like it was more restrained than I’d expected, and Six really put together a decent horrifying film.
The black-and-white idea is really something when it comes to a lot of scenes. Even that savage moment where Martin kills his mother, drags her to the table, then has a little bit to eat before egging on the musclehead upstairs and subduing him to add to his Centipede; I found this a chilling bit of horror. Honestly, if Martin hadn’t succeeded to even put together the Centipede, this might’ve worked. Then I guess that would defeat the purpose, there has got to be a form of the Centipede somewhere throughout the film. The end result doesn’t spoil the good black-and-white scenes, but I wish Six could’ve done something better with it all.

My big problems with The Human Centipede II: Full Sequence have to do with the excess of gratuitous EVERYTHING. Not only does Six go for more disgusting sequences of nasty gore, he pulls in a lot of sexuality. Now, I’ve just finished with reviewing the Wrong Turn series (I, II, III, IV, V, VI), and part of my problem especially with the later entries was that there was a lot of sex and nudity brought in to either fill time, or from some perceived notion that there needed to be some sex in order to be true to “horror roots” (which is nonsense; I won’t go any further on that). Six does exactly this with his sequel. While Martin (Laurence Harvey) could have been just as sick and maniacal without so much of the sexual aspects being played up, and graphically most of the time onscreen, Six still opts to pile it on when it comes to the sex, as well as nudity.
The whole aspect of Martin obviously being abused by his father is fine. That’s understandable, especially dealing with a psychopath like Martin; he’s bound to have a history of sexual abuse, or any abuse. But Six lays it on way too hard. There’s enough outright and graphic imagery here without having to full-on show us every last single little thing.
C’mon, Tom! You can leave bits to the imagination while still having your nasty fun.
Basically, I think it comes down to Six’s lack of worry as a screenwriter. I hate to say that, and it’s not to say he can’t write, but I just feel like too much of this sequel (as opposed to the first film) relies on shock horror and the “torture porn” aspect of his story instead of going for real tension and suspense. The first had some excellent moments of tension that worked, but here that’s almost non-existent. Six has the ability to write, it’s just as if he doesn’t want to at times.
Human-Centipede-2-YummyThis is one of those horror movies that goes way over-the-top with its excessive blood, gore, and overall nastiness. I know that’s probably exactly what Tom Six set out to accomplish, and perhaps that’s the total of his expectations for the film. Unfortunately, for me anyways, I really did think that the first Human Centipede was a good horror – for all its flaws, it was effective and it didn’t need to go far over the line. It gave enough to get enough of the reaction needed. Here, Six surpassed was is needed to effectively communicate the disturbed world of Martin, the loner security guard and Dr. Josef Heiter obsessive fan. I think the combination of all the ridiculous gore while Martin creates his Centipede and the depraved sexuality that’s going on at certain points (worst case: Martin humps on one of his victims collected for the Centipede and it is horrifyingly sickening) really made things too much to even enjoy. For the people who love shock horror, and dare I say it “torture porn” (again I fucking hate that label), I guess it’s really enjoyable.
But to me, this goes beyond shock horror, or whatever you want to call it. Martin shits himself, he farts and he makes disgusting noises, and at certain times during the film I was saying aloud, “Are you fucking kidding me?” Once again – maybe that’s the point Mr. Six is trying to get at, maybe that’s what he wants from me as a member of his audience. I just don’t find it to be good horror, nor is it enjoyable on any level when things get to the point of ridiculously staged debauchery and murder.
Don’t even get me started on the fact that, without all the proper medical equipment and knowledge, I don’t see how a guy like Martin, dumb and fucked up in the head as he is, could ever manage to successfully staple and tape together a Human Centipede. Not even touching the fact he had what, twelve people, ten? I mean, that’s just brutal.
maxresdefaultI can only give Full Sequence a half of one star. Honestly, I really did dig a lot of what Tom Six did in the first film, but this one is just an absolute mess – as we say here in Newfoundland, Canada, it’s a real fuckin’ state. What a brutal movie – and in no way do I mean that as complimentary. I thought a lot of the black-and-white was great when it involved the scenes at Martin’s flat, with his mother, et cetera. Even a few of the moments with him in the parking garage complex, before his big creation began, I found fairly well done and the black-and-white helped its creepy atmosphere. However, that does not keep up long.
In the end, there’s too much gross-out horror at work. The shock horror, the “torture porn” is all too evident. Some might say, “What did you expect?”. Well, frankly, I expected Six to follow up his decent start of the series with something near equal to what he’d done. What he did was try only to gross us out – nothing more. Maybe that’s fine for some, but even with the gory horror (think more modern like Martyrs – tons of gore and a great story) I often like to have at least some semblance of well-intentioned writing and coherence. Here, Six cops out, and instead of writing something that could’ve worked terrorizing wonders on his captive audience, all we get is the full toilet humour most jokes about The Human Centipede films cover. There’s no attempt at creating genuine horror. Here you’ll only find the disgusting, the nasty, and the wretchedly vile.
HC2 syringeBEWARE: in the last fifteen minutes there is some truly atrocious stuff happening – I’m not one to get disgusted, I have seen so many rotten and over-the-top disgusting horror flicks, but this one really took my stomach for a whirl. It’s not that which ultimately bothers me, it’s the fact this stuff has no real purpose other than shock. In the first film, there was at least an attempt on Six’s part to come up with something that was uniquely terrifying, this is just nothing but cheap gross-out horror and failed attempts at (crazily) dark humour.

P.S. Why does that mother step on her baby? Did I miss something? I get it – she wanted to get away. But would a new mother who’d just traumatically popped out her child really just go ahead and step on the gas pedal, crushing her infant child? Is that actually plausible? She couldn’t pick the thing up, toss it in the passenger seat with the umbilical cord and drive away?
Come on, Tom – you can do better. Or I don’t know, maybe the “What did you expect?” crowd is right – maybe I should expect nothing more than perversity and needless gross-out horror from you. I’m about to watch the third instalment, who knows what it holds in store for me!

WRONG TURN 5: BLOODLINES – Doug Bradley Spent His Hellraiser Money

Wrong Turn 5: Bloodlines. 2012. Directed & Written by Declan O’Brien.
Starring Doug Bradley, Camilla Arfwedson, Simon Ginty, Roxanne McKee, Paul Luebke, Oliver Hoare, Kyle Redmond-Jones, Amy Lennox, Duncan Wisbey, Radoslav Paranov, George Karlukovski, Borislav Iliev, Peter Brooke, and Finn Jones. 20th Century Fox Home Entertainment.
Rated R. 91 minutes.
Horror

No ★s
Wrong_Turn_5_Poster_12_18_12Now, I actually gave Wrong Turn 4: Bloody Beginnings a rating that, in a totally subjective light, it probably does not deserve. However, I can be a sucker for horror movies with a decent bit of practical gore and a creepy asylum out in the woods, and isolated winter settings in horrors, particularly slashers. So, whatever.
But sweet jesus in the garden (I’m not religious that’s just one of those sayings I’d grow up hearing in my days as a good little Catholic boy before I found atheism) – Declan O’Brien seems to have just taken hold of the Wrong Turn franchise and steered it as hard into the ground as he can possibly manage. With Wrong Turn 5: Bloodlines, his efforts get no better. Even worse, the iconic Doug Bradley – immortalized as the villainous Cenobite named Pinhead – shows up here and not only does his character really make little to no sense, he’s just garbage.

I do dig the Wrong Turn franchise simply for the first, second, and yes, fourth, films. Even the fourth is not a good movie overall, but I still dig it. So it’s disappointing to see it keep on going while it gets no better, only worse and worse over time. They’re just milking the entire concept for all its worth, yet – following the metaphor through – there’s no milk left, it’s just like… milking a milked cow? Beating a dead horse works better, but you get the picture.
Although the whole cannibalistic clan in the backwoods trope has been more than fully explore in the horror genre over the years, Wrong Turn as a series has at least had a couple good kicks at the cat (as we say around here – ’cause we’re fucked up where I’m from). Unfortunately, Mr. O’Brien continues to nosedive the series as a whole into the shitter, one bad sequel at a time.
Wrong-Turn-5-Bloodlines-DIBloodlines has an even worse plot than the others in the series.
The brothers – Three Finger (Borislav Iliev), Saw Tooth (George Karlukovski), and One Eye (Radoslav Paranov) – along with a serial killer named Maynard (Doug Bradley) escape from the Glensville Sanatorium. They murder people near Fairlake in West Virginia. Complete with very cheesy jokes like when Maynard asks for a hand – and one of the inbred brothers literally holds up a severed hand. HAHAHAHAH SO FUNNY, RIGHT?
At the same time, a group of friends – I won’t bother listing their names because none of it really matters – travel to Fairlake for the Mountain Man Festival during Halloween. On their way, Maynard wanders onto the highway causing the friends to swerve. Naturally the car gets crashed; how’d you know?
When they go to check on Maynard, the old bastard attacks them. They stomp the shit out of the guy until police officers arrive and take the lot of them to lock-up for the night. Of course, one of the young people has drugs on them! So during this big Mountain Man Festival, the friends and Maynard are locked away.
6986_2But Maynard warns that his boys are going to come and spring him from the Big House. Everyone thinks he’s talking smack until the brothers descend upon the jail. It’s up to the cooperation between law enforcement, a couple locals, and the out of towner 20-somethings to keep one another alive and out of the grips of Saw Tooth, One Eye, and Three Finger, or their equally disturbed friend Maynard.
Wrong-Turn-5-Bloodlines-6756First thing’s first – the inclusion of this Maynard character, played by Doug Bradley. Now, I’ve honestly never really seen Bradley in anything other than Hellraiser. Well, Nightbreed, and then there are a couple brief cameos such as during The Cottage, and more recently in Exorcismus. Regardless I love Bradley as Pinhead, there’s honestly nobody else who is ever going to be able to replace him. I feel like certain iconic horror characters, one of which is Pinhead, have such a specific persona that it’s hard to let another actor take that on. For instance, I think it was easier for different people to assume the role of Michael Myers or Jason Voorhees simply because of the silence, the mask; not to say there wasn’t a particular way they both walked, moved, reacted, because there absolutely was, I just feel when it comes to emotion there is none with them so it didn’t require too much true acting (not meant to disrespect the wonderful actors who’ve played both Michael and Jason – much love and respect to them!). But when you look at someone like Pinhead or Freddy Krueger, their vocal tone and the way they say things, though able to be replicated within a certain degree, is a specific part of the character’s make-up. I mean, the newest Nightmare on Elm Street, the terrible remake, had an amazing actor (Jackie Earle Haley) play Freddy, but you just can’t have Freddy with Robert Englund. You can’t, because that guy has the charisma of Freddy; he is, was, always will be Freddy.
So, that was a ramble, about completely different movies. Just saying, I love Doug Bradley. Solely because of Pinhead. In Wrong Turn 5: Bloodlines, he does his best with what he has been given by writer/director O’Brien, but the character of Maynard makes no sense. He takes up a good chunk of things at times during a film that’s centred on the bad guys being inbred backwoods hillbillies, crazy cannibals, yet there’s Maynard, an apparent serial killer, all smooth talking and normal.
It makes no sense. I hate his character.
wrong-turn-5-bloodlines-11Even worse is the fact that he’s not just a bad character, Maynard – he is jammed into the script, messing with an already feeble story. Maynard sort of bosses these brothers around, and that’s just completely nonsensical. I’m not looking for the Wrong Turn series to reinvent or innovate the horror genre, turning it in some new direction. I’m not even looking an elaborate plot. However, there’s got to be common sense, even in this survival horror type of stuff these films have going on. What I’m saying is – there’s an early scene where Maynard cranks one of the inbred brothers with a wrench, the cannibal goes down. He grabs his face, looking as if he’s hurt.
SORRY DECLAN! YOU SHIT THE BED THIS TIME!
These inbred cannibal brothers are said to have a condition where they can’t feel pain – I forget the exact name. They say it in Wrong Turn 4: Bloody Beginnings, back in the 1974 scenes at the asylum. Yet Maynard whacks the guy with a wrench, that’s all there is to it. I mean, c’mon! If this were any bit sensible, the brother wouldn’t have even moved with the wrench’s force, he wouldn’t murdered that Maynard idiot, and moved on to the next kill.
Then it leads me to: how did Maynard ever get to a point where he was able to reason with these brothers anyway? They’ve got no loyalty other than to one another. Anybody they come across it seems the brothers just attack, kill, eat, whatever. So how did Maynard manage to even gain dominance over them? Sure, I’m reading way too deep into a cannibal horror movie. But am I? This movie, the whole series, is not complex, so can’t Declan O’Brien at the very least write a decent script that’s logical? Not really that hard. This could’ve just had sensible writing, if anything, and even with all the terrible dialogue O’Brien comes up with there at least would be common sense, characters that weren’t just thrown in for no apparent reason.
Download-Wrong-turn-5-Bloodlines-MovieThere’s not a single redeeming quality in the entire movie – acting is all atrocious, even Bradley can’t save the sinking ship, and the blood/gore is all as bad as it gets in any of the films. At least early on the practical effects were still decently done, well enough to keep a horror fanatic interested (I think most of that died after Wrong Turn 2: Dead End & Joe Lynch).
Wrong Turn 5: Bloodlines is a 0 star film. I really can’t bring myself to give it any stars whatsoever. There’s nothing worth giving a star. Not even Bradley, because the character itself is so god damned useless to the whole story overall that it boggles my mind.
Declan O’Brien can’t even keep together the meagre plot of the film because he seems to have trouble following the logic of the Wrong Turn series, and worst of all he can’t keep straight things that he himself wrote in previous instalments. I wonder how much they offered Doug Bradley to do this movie, I’m also pretty curious if they looked at anyone else other than him first in terms of well-known horror names – because obviously the character of Maynard was an excuse to put a recognizable face into the film. There’s no other reason to have that character in there unless to put someone noticeable in the part, it did not in any way add to the film’s story and certainly was not a memorable character. Not to mention there’s a sequel, and I’m more than positive Maynard is nowhere to be found there. Makes no sense whatsoever.
If you want to complete the whole series, go ahead. Otherwise just skip this piece of garbage. They replaced O’Brien for the next sequel, not that it would do much of anything to help. This series has gone steadily downhill since the first film, though the second was good (plus I’m guiltily into the 4th movie). Time to call it quits, but I hear they’re setting up a 7th instalment for 2016/2017 release. Wow.

Mediocre Yet Nasty Backwoods Cannibal Horror in WRONG TURN 4: BLOODY BEGINNINGS

Wrong Turn 4: Bloody Beginnings. 2011. Directed & Written by Declan O’Brien, based on characters by Alan McElroy. Starring Jennifer Pudavick, Tenika DAvis, Kaitlyn Leeb, Terra Vnesa, Ali Tataryn, Samantha Kendrick, Victor Zinck Jr, Dean Armstrong, Sean Skene, Blane Cypurda, Dan Skene, and Scott Johnson. 20th Century Fox Home Entertainment.
Rated R. 93 minutes.
Horror

★★1/2wrong-turn-4-poster-option-1Declan O’Brien did not impress me with the previous instalment, Wrong Turn 3: Left for Dead, but I’ve got to say I like this one at least a little better than that.
Bloody Beginnings doesn’t particularly pull out all the stops, it isn’t a masterpiece – not by any stretch of the imagination – but aside from the acting, and some of the dialogue, the blood and gore pleased me for a good slasher, and the kills were vicious. This is by all means a slasher movie; a little different from run-of-the-mill horror. I think slashers need to be judged a little differently than other sub-genres of horror, that’s why this one gets a little better of a rating than the previous Wrong Turn disaster under O’Brien’s care.

The premise of Wrong Turn 4: Bloody Beginnings is the origin story of the inbred cannibals in the West Virginia Mountains. We start off in 1974, at the Glenville Sanatorium in W.V, where the three cannibal brothers are patients, locked away for their own safety and that of others. They manage to escape, killing anyone and everyone in their path. Cut thirty years later – a group of friends go snowmobiling in the woods, eventually ending up at the now supposedly abandoned Glenville Sanatorium. A storm rages outside. After not too long, the friends discover someone is still checked in at the old asylum, and the brothers emerge from the depths to carve themselves up a bit of fresh meat to throw on the fire: nothing like a bit of lunch on a quiet, stormy winter’s night.
1643781254Immediately, I loved the first scene when I saw it. You’ve got some great elements going on: the creepy asylum, the West Virginia deep woods, patients going wild, and then the three brothers. The use of classical music over the end of the opening scene is excellent, I love when filmmakers put classical or old style music over horror, or any intense situations on film; the juxtaposition makes for something interesting, you almost want to smile until you remember what’s going on in front of you. There’s just utter madness throughout the opening bit. When the three brothers kill the doctor it is a great, wild kill, and certainly sets the tone. It looks good, too. I was afraid O’Brien would pull out a kill like the first one in Wrong Turn 3: Left for Dead, which looked horrible – and not in any sort of good, practical effects type way, it was cheesy and CGI’d to death. This one was gory fun.
968full-wrong-turn-4--bloody-beginnings-screenshot.jpgI don’t like that O’Brien felt the need to go for nudity again right off the bat. I’m fine with sex scenes, if they serve their purpose; I don’t need to watch a movie for sex. And yeah, it’s a staple of 1980s slashers, but the 80s this ain’t, and the nudity in this was just silly. The first scene with the main characters came off needless, when O’Brien could’ve used that time to really jumpstart our emotions towards the leads – instead, you don’t really care about any of them, not at the start, not much in the end.
Furthermore, the acting in this was not good. A couple people held their own, but much of the acting came off wooden, very stilted. The only real emotions I bought from anyone of these characters was fear; development-wise, they didn’t do much for me. I honestly felt bad a little for the Daniel character [Dean Armstrong] because he was the only sensible, nice guy of the males in the film. Unfortunately Armstrong’s acting is a bit stiff, and he didn’t pull me in far enough with the empathy. The other guys I certainly did not relate to because they were foolish characters. This is the biggest problem for Wrong Turn 4: Bloody Beginnings, the characters don’t catch us and make us care enough for the kills to pay off in the way they are meant to for a slasher; we should care about them, so when they die it’s either a shock or it makes us emotional. The script isn’t perfect, though, it wasn’t so bad a group of solid actors could’ve have made things work. These actors aren’t the worst, but they’re far from the best. Horror needs good acting, or else so much of the framework of a horror film will fall flat on its face.
tumblr_lykqz70ONx1qdmxoco1_1280The kills are my favourite part of this entry in the series.
When they first killed the doctor I anticipated there might be some better deaths in this movie than in the last one, which relied too much on computer generated-looking junk that ultimately does not sell itself. Here, there are some great practical style effects. Those types of kills in horror always come off more effective because it’s visceral, you can see and almost feel the skin peel off, slice open, bleed, and it makes for a better reaction.
Wrong Turn 4 2011 Bloody Beginnings (6)In the auditorium of the asylum, one of the girls is killed (one of the couple pictures above), and it works so well. The blood is plenty, and the reaction of the guy trying to grab onto her feet as she hangs from a barbed wire-like noose is perfect: he screams a wild, high yell, his face getting covered in the blood running faster and faster with every second from her open wound of a neck. You almost want to laugh at the scream this guy lets out, but it is perfect. It struck me as absolute shock and terror. Plus, the blood work is incredible. Great stuff.

I hate the term “torture porn”. So silly. I understand what it means, and the intentions of such a term in trying to describe the types of films that run under that banner, but – aren’t slashers meant to be full of blood and kills and carnage? Yeah, I get that some of it is overkill, what I don’t get is how relevant that is to anything. A slasher is a slasher is a slasher. You can try to spice things up – I loved You’re Next and thought it was a fresh new slasher flick for the modern era – but a slasher will always be made up from some basic elements: one of which is gore. What else do people expect a bunch of cannibals stuck in an asylum out in the deep woods of West Virginia are going to do? You think they’re going to all of a sudden start hunting? No, they’re going to eat people, they’re going to chop them up and make new dishes out of them – stir fry and all kinds of crazy concoctions – and it’s going to be a big, bloody, rotten mess. That’s what I came here for, anyways.
wrongturn4bloodybeginnings2011dvdripxvidac3-yefste_screen[1]People will say I’m mental, but I’ll give this a 2.5 out of 5 stars. There is effort here, regardless if you can’t seem to notice right away. The horror element of this movie really works, for me at least. All the gore and the kills and the creepiness pays off. Whereas in Wrong Turn 3: Left for Dead there’s a lack of both good horror and any decent acting, this entry into the series gives us some worthy terror, packed with savage, bloody murder, and plenty of brutality to make things worthwhile. If that isn’t what you’re looking for, then go watch a ghost story, or a haunted house movie – or anything else than a slasher. Because if you’re looking for a slasher… there will be blood.