From Inbred Cannibals

Mediocre Yet Nasty Backwoods Cannibal Horror in WRONG TURN 4: BLOODY BEGINNINGS

Wrong Turn 4: Bloody Beginnings. 2011. Directed & Written by Declan O’Brien, based on characters by Alan McElroy. Starring Jennifer Pudavick, Tenika DAvis, Kaitlyn Leeb, Terra Vnesa, Ali Tataryn, Samantha Kendrick, Victor Zinck Jr, Dean Armstrong, Sean Skene, Blane Cypurda, Dan Skene, and Scott Johnson. 20th Century Fox Home Entertainment.
Rated R. 93 minutes.
Horror

★★1/2wrong-turn-4-poster-option-1Declan O’Brien did not impress me with the previous instalment, Wrong Turn 3: Left for Dead, but I’ve got to say I like this one at least a little better than that.
Bloody Beginnings doesn’t particularly pull out all the stops, it isn’t a masterpiece – not by any stretch of the imagination – but aside from the acting, and some of the dialogue, the blood and gore pleased me for a good slasher, and the kills were vicious. This is by all means a slasher movie; a little different from run-of-the-mill horror. I think slashers need to be judged a little differently than other sub-genres of horror, that’s why this one gets a little better of a rating than the previous Wrong Turn disaster under O’Brien’s care.

The premise of Wrong Turn 4: Bloody Beginnings is the origin story of the inbred cannibals in the West Virginia Mountains. We start off in 1974, at the Glenville Sanatorium in W.V, where the three cannibal brothers are patients, locked away for their own safety and that of others. They manage to escape, killing anyone and everyone in their path. Cut thirty years later – a group of friends go snowmobiling in the woods, eventually ending up at the now supposedly abandoned Glenville Sanatorium. A storm rages outside. After not too long, the friends discover someone is still checked in at the old asylum, and the brothers emerge from the depths to carve themselves up a bit of fresh meat to throw on the fire: nothing like a bit of lunch on a quiet, stormy winter’s night.
1643781254Immediately, I loved the first scene when I saw it. You’ve got some great elements going on: the creepy asylum, the West Virginia deep woods, patients going wild, and then the three brothers. The use of classical music over the end of the opening scene is excellent, I love when filmmakers put classical or old style music over horror, or any intense situations on film; the juxtaposition makes for something interesting, you almost want to smile until you remember what’s going on in front of you. There’s just utter madness throughout the opening bit. When the three brothers kill the doctor it is a great, wild kill, and certainly sets the tone. It looks good, too. I was afraid O’Brien would pull out a kill like the first one in Wrong Turn 3: Left for Dead, which looked horrible – and not in any sort of good, practical effects type way, it was cheesy and CGI’d to death. This one was gory fun.
968full-wrong-turn-4--bloody-beginnings-screenshot.jpgI don’t like that O’Brien felt the need to go for nudity again right off the bat. I’m fine with sex scenes, if they serve their purpose; I don’t need to watch a movie for sex. And yeah, it’s a staple of 1980s slashers, but the 80s this ain’t, and the nudity in this was just silly. The first scene with the main characters came off needless, when O’Brien could’ve used that time to really jumpstart our emotions towards the leads – instead, you don’t really care about any of them, not at the start, not much in the end.
Furthermore, the acting in this was not good. A couple people held their own, but much of the acting came off wooden, very stilted. The only real emotions I bought from anyone of these characters was fear; development-wise, they didn’t do much for me. I honestly felt bad a little for the Daniel character [Dean Armstrong] because he was the only sensible, nice guy of the males in the film. Unfortunately Armstrong’s acting is a bit stiff, and he didn’t pull me in far enough with the empathy. The other guys I certainly did not relate to because they were foolish characters. This is the biggest problem for Wrong Turn 4: Bloody Beginnings, the characters don’t catch us and make us care enough for the kills to pay off in the way they are meant to for a slasher; we should care about them, so when they die it’s either a shock or it makes us emotional. The script isn’t perfect, though, it wasn’t so bad a group of solid actors could’ve have made things work. These actors aren’t the worst, but they’re far from the best. Horror needs good acting, or else so much of the framework of a horror film will fall flat on its face.
tumblr_lykqz70ONx1qdmxoco1_1280The kills are my favourite part of this entry in the series.
When they first killed the doctor I anticipated there might be some better deaths in this movie than in the last one, which relied too much on computer generated-looking junk that ultimately does not sell itself. Here, there are some great practical style effects. Those types of kills in horror always come off more effective because it’s visceral, you can see and almost feel the skin peel off, slice open, bleed, and it makes for a better reaction.
Wrong Turn 4 2011 Bloody Beginnings (6)In the auditorium of the asylum, one of the girls is killed (one of the couple pictures above), and it works so well. The blood is plenty, and the reaction of the guy trying to grab onto her feet as she hangs from a barbed wire-like noose is perfect: he screams a wild, high yell, his face getting covered in the blood running faster and faster with every second from her open wound of a neck. You almost want to laugh at the scream this guy lets out, but it is perfect. It struck me as absolute shock and terror. Plus, the blood work is incredible. Great stuff.

I hate the term “torture porn”. So silly. I understand what it means, and the intentions of such a term in trying to describe the types of films that run under that banner, but – aren’t slashers meant to be full of blood and kills and carnage? Yeah, I get that some of it is overkill, what I don’t get is how relevant that is to anything. A slasher is a slasher is a slasher. You can try to spice things up – I loved You’re Next and thought it was a fresh new slasher flick for the modern era – but a slasher will always be made up from some basic elements: one of which is gore. What else do people expect a bunch of cannibals stuck in an asylum out in the deep woods of West Virginia are going to do? You think they’re going to all of a sudden start hunting? No, they’re going to eat people, they’re going to chop them up and make new dishes out of them – stir fry and all kinds of crazy concoctions – and it’s going to be a big, bloody, rotten mess. That’s what I came here for, anyways.
wrongturn4bloodybeginnings2011dvdripxvidac3-yefste_screen[1]People will say I’m mental, but I’ll give this a 2.5 out of 5 stars. There is effort here, regardless if you can’t seem to notice right away. The horror element of this movie really works, for me at least. All the gore and the kills and the creepiness pays off. Whereas in Wrong Turn 3: Left for Dead there’s a lack of both good horror and any decent acting, this entry into the series gives us some worthy terror, packed with savage, bloody murder, and plenty of brutality to make things worthwhile. If that isn’t what you’re looking for, then go watch a ghost story, or a haunted house movie – or anything else than a slasher. Because if you’re looking for a slasher… there will be blood.

WRONG TURN 3: LEFT FOR DEAD – Cannibals, Criminals, CGI, Oh My!

Wrong Turn 3: Left for Dead. 2009. Directed by Declan O’Brien. Screenplay by Connor James Delaney, based on characters by Alan McElroy. Starring Tom Frederic, Janet Montgomery, Gil Kolirin, Christian Contreras, Jake Curran, Tom McKay, Charles Venn, Tamer Hassan, Jack Gordon, and Borislav Iliev.
20th Century Fox Home Entertainment.
Unrated. 92 minutes.
Horror

★1/2MV5BMTM0NzkwNTM0MF5BMl5BanBnXkFtZTcwMzY0NjI4Mg@@._V1._CR83.1875,193.8948860168457,1484.1818237304688,1746.0908317565918_SX640_SY720_ I don’t like to specifically rag on a director because directing can be tough, although, that’s what critiquing is all about in the end. Declan O’Brien doesn’t exactly have the greatest track record when it comes to his filmography as a director. He’s done a lot of sequels, including Joy Ride 3, plus Sharktopus, as well as both Wrong Turn 4: Bloody Beginnings and Wrong Turn 5: Bloodlines. Now, while I do actually enjoy the 4th film of this series, I can’t say I like the 5th, and that brings me to Wrong Turn 3: Left for Dead.
What a pile this movie is, if it weren’t for a half decent performance from a couple people and at least a different story than the usual “people wander into the deep woods and get murdered by cannibals”, then this would be completely useless in every single way. Not that it’s good, at all, but at least it has one or two small redeeming qualities amongst the garbage.
The third film in the Wrong Turn series begins with the obligatory opening scene of people being killed, only this time a girl survives and runs off. Meanwhile, a notorious prisoner is being transported by some prison guards, along with several other inmates, and on the way they are thrown off course, their bus crashes, and the guards are then at the mercy of the criminals. Then come the inbred cannibals, raving from the woods, shooting arrows from bows and throwing knives and generally destroying anything and anyone who comes across their path. The surviving girl from the beginning meets up with the guards and the inmates, then they all try to survive the woods together, as the cannibal brothers descend upon them with blood and madness and murder.1158. Povorot ne tuda 3Right off the bat there’s needless nudity, and I’m not someone who needs to get my daily fill of breasts on film, thank you very much. Sure, if there’s some reason calling for a little bit of nudity, that’s fine, but I’ve got no time for horror movies that try to fill time with naked women. There are some 1980s horrors I don’t mind even though there’s a bit of shameless nudity, because there was a certain charm to slashers from that era that had the whole “don’t have sex or do drugs or drink or you’re dead” thing going on. I just think nowadays it’s a bit tired, and the opening scene here was not called for, no need.
Then there’s an awful bit of CGI for a kill in that beginning scene that was just… whoa. Brutal. Funny because afterwards it looked like practical effects, and yet the kill itself, as a guy literally tears apart, looked to be terrible graphics. It was laughable, I actually cracked up. One of the things I loved about Wrong Turn and Wrong Turn 2: Dead End was the fact they did some great gory stuff with practical effects, you got to see good blood and guts and it looked plausible. This one gag just throws all that out the window. They obviously used some practical stuff in the aftermath of that kill, or at least it looked that way, so it boggles my mind why they couldn’t manage to pull the whole kill off that way. We’ll never know.
There only comes more terribly done kills, for the most part anyways. There’s a horrid face-cutting kill that just blew me away how wretched the effects were and how fake they looked. Very few effects are decent – one knife to the side of a prison guard’s neck is done well, even though it’s not super gory or anything too extreme; it went off well enough to be enjoyed, for a brief instant anyways. The most decent bit of blood was when the cannibals hooked the loudmouth prisoner with all sorts of barbed wire and hauled him off, and even that wasn’t too special.
484756640_640I can’t recommend this at all. I gave it 1.5 out of 5 stars because there are at least a couple actors who aren’t complete rubbish, even if the dialogue is crap for the most part. Not all the performances were good, and none of them were great. At least the main guards were all right, a few of the prisoners were annoying, but overall it could have been much worse. The acting gets worse and worse as the whole series goes on. Stay away from this one. Most people hate all the rest, I actually enjoy part of the next entry – Wrong Turn 4: Bloody Beginnings. That being said, from here on in none of the films measure up to the first two in the series, so proceed with caution; you won’t be too enticed by any of the films that follow this one, even if I do enjoy the next instalment.

WRONG TURN 2: DEAD END – Rollins Reality Show Ushers in Sleazy Backwoods Bloodletting

Another WRONG TURN, another bunch of blood and guts. This sequel's actually not so bad.

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WRONG TURN’s Freaky Backwoods Cannibal Horror

Wrong Turn. 2003. Directed by Rob Schmidt. Screenplay by Alan McElroy. Starring Desmond Harrington, Eliza Dushku, Emmanuelle Chriqui, Jeremy Sisto, Kevin Zegers, Lindy Booth, Julian Richings, Gary Robbins, Ted Clark, Yvonne Gaudry, and Wayne Robson. Summit Entertainment. Rated R. 84 minutes. Horror.

★★★WrongTurnIn my last review, for the 2009 Indonesian gorefest Macabre, I mentioned how there are a plethora of ‘cannibal family in the woods’ films, especially in the past decade since 2003’s Anchor Bay remake of Tobe Hooper’s classic The Texas Chain Saw Massacre. There have been so many movies that copied TCM, but like Macabre there are also a lot of solid efforts in the horror field which emulate and pay homage instead of trying to cover all the same ground.
Wrong Turn, released in the same year as the aforementioned remake of Hooper’s low budget masterpiece, is a film that certainly has its roots in TCM and no doubt there are bits that remind people of it. However, Rob Schmidt’s backwoods horror film does enough to separate it from the carbon copies with some decent acting, creepy characters, and several intense kills, and though it isn’t a great movie it is a head above so many lame, boring cannibal horror movies flooding the theatre these past dozen years.

Wrong Turn begins as Chris Flynn (Dexter‘s Desmond Harrington) travels through West Virginia. On a backroad, he accidentally slams into a vehicle. Chris discovers the vehicle belongs to a group of friends – Jessie (Eliza Dushku), Carly (Emmanuelle Chriqui), Scott (Jeremy Sisto), Evan (Kevin Zegers), and Francine (Lindy Booth). After they make sure Chris is all right, the group discovers someone threw a trap into the road: a length of spiked metal and barbed wire designed to blow tires out. They wander around for awhile looking for some way to call for help, or anything that might give them a hand. The group comes across a sort of shanty-house out in the woods. Chris decides to head inside, followed by some of the others. Meanwhile, Evan and Francine are murdered as they wait back at the car. Soon enough the inbred cannibalistic murderers who live in the shanty, One-Eye (Ted Clark), Saw-Tooth (Garry Robbins), and Three Finger (Julian Richings) return, with the body of Francine in tow, and the rest of the group do their best to hide where they can in the house. The horror has only just begun.
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Probably one of the best things Wrong Turn has going for it overall is the fact that Dushku, Harrington, and Sisto are three pretty solid actors. Not that the others aren’t – Emmanuelle Chriqui is probably the only good thing about Entourage – but those three are actors I’ve enjoyed in other things, and they help to carry the emotionality and tension needed in a horror film. So many horrors, especially ones similar to this involving good amounts of blood/guts and disturbing material (inbred cannibal murderers & no doubt they like to rape), suffer due to poor acting. Because a lot of low budget horror gets put out, maybe more so than any other genre, many of those films end up with unknown actors. And unknown actors are fine, as long as they can act. Many times in horror, I think low budget outings try and make up for the acting in other ways, but the fact is you need good actors to sell the emotions and complexity of a horror film. Even if it’s one about inbred cannibals in the woods of West Virginia.
Perhaps my favourite part of the film is when Scott (Jeremy Sisto) tries to calm his fiancee Carly (Emmanuelle Chriqui) after their first close encounter with the cannibals. He tells her: “We’re going home, we’re gonna get married, all right? And we are never going into the woods again.” In another movie, this might’ve come off too sentimental and cheesy, but Sisto really sells it the way it’s meant to go, and Chriqui does well acting off of him. This is just one instance of some actual decent acting, which often times gets left at the door in (too) many horror movies. The weak links are no doubt Kevin Zegers and Lindy Booth, but luckily there isn’t much screen time for them until they meet a grisly, bloody end.
mountain-men-wrong-turn-2003-The Texas Chain Saw Massacre is, and always will be, one of the scariest films I’ve personally ever seen with my two eyes. Something about it hit me right in the correct scary spots. What I like about Wrong Turn in comparison is how it doesn’t opt to have this family of cannibals act with any semblance of organization, outside of the fact they’ve got a house and they have not been discovered/caught. In TCM it isn’t as if Leatherface and the clan are criminal masterminds or anything, but Drayton Sawyer at least has a job, he appears as a member of the Texan community, and this is all a part of how the family does their business. With Wrong Turn, these nasty boys are just a bunch of savage monsters; they live in the hills and take whoever they can from off the roads to fill their pots of stew and their freezer. It works because the actors who are playing Three Finger, Saw-Tooth, and One-Eye sell their characters so well.
I think the scene where the group of friends has to hide in the old shanty while the boys arrive home is a great one. Very tense, lots of quiet suspense. The point where one of the cannibals tosses Francine’s body to the floor, wrapped in metal and barbed wire, dead, bloody, is rough – in the best way possible. That whole scene really set things up for the moment where Chris and the others flee the house, into the woods, and the cannibals wake up from their nap. Honestly, it reminded me of a twisted version of “Goldilocks and the Three Bears”.
movies-wrong-turnNot near a perfect horror, I can still honestly give Wrong Turn 3.5 out of 5 stars. You can do much worse than watch this movie if you’re looking for something with a decent bit of gore, quality acting, and a nice handful of thrills. Plus, the inbred cannibals are terrifying. The best way, for me personally, to enjoy these types of ‘survival horror’ movies or the ‘backwoods horror’ stuff is to try and put yourself in the shoes of the characters – how would you truly react? Me, I would run, and scream, and cry, and probably ruin my pants. I’d probably be the first to die, or close to first. That’s why Wrong Turn creeps me out so hard, though it has flaws, and another reason The Texas Chain Saw Massacre does a number on my head because I imagine myself in those scenarios, how bad it would be. The acting is good from the lead characters, the make-up effects and gore is a lot of fun, the cannibals scare the hell out of me – check this out if you haven’t. The entire series is not up to par, but there are definitely a couple decent ones in my opinion, at least better than so much of the other generic crap being funnelled into theatres and straight-to-video/VOD. Worth the time to enjoy some internal organs and terrifying, inbred murderers.