Enemy. 2014. Dir. Denis Villeneuve.
Starring Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon, and Isabella Rossellini. E1 Films. Rated R. 90 minutes. Mystery/Thriller

★★★★★ (Movie)
★★★★ (Blu ray release)

I won’t waste any time really describing the plot of Denis Villeneuve’s Enemy, which is in part based on the novel The Double by José Saramago. You can easily get the quick description from any site like IMDB, or somewhere else of that nature. What I want to talk about is my take on what actually happens in the film. So, with that being said, if you’ve not yet seen this you’ll probably want to avoid the remainder of my review.

Early on, Adam Bell (Jake Gyllenhaal), a history professor at some college, gives lectures pertaining to totalitarian regimes. I think this leads into one of the larger themes of the film. While some think the movie is an analogy of how it is to live under a totalitarian regime, maybe unknowingly. However, I think this is ultimately about the totalitarian in all of us. What I mean is that I believe Adam Bell and Anthony Claire – his double – are truly one person. I think this movie speaks to how we are often dictators of ourselves.
In this sense, Adam is both himself, a history professor, and Anthony, or Daniel Saint Claire the background actor in lesser known films.
One of the instances I think that points to this is when Adam meets with his mother (the consistently interesting and lovely Isabella Rossellini) – he tells her about this possible double, which she of course pretty much laughs off. Afterwards, though, she tells him: “I think you should quit that fantasy being a third-rate movie actor“. The statement throws Adam off. It’s worth mentioning that just before this his mother serves blueberries for dessert. Adam tells her he doesn’t like blueberries, but she reassures him “of course” he does, and they’re good for him – this directly relates to when we see Anthony earlier before his meeting with Adam, when he arrives home looking for blueberries and his pregnant wife (Sarah Gadon) forgot to get the ones he wanted. I believe this is one tell-tale sign Villeneuve is exploring the duality of one person.
There are most certainly instances in Enemy that cannot truly be reconciled into one neat little package for explanation. On the other hand, I do believe there’s one overall theme that protrudes from the film – the struggle of certain men to overcome their desire and draw towards infidelity. I am almost certain the spider imagery here is also closely paralleled with the idea of women. For instance, the very end – and once again, TURN BACK if you have not see this film to the end!
At the close of the film, Anthony has died in a car accident along with Adam’s girlfriend Mary (Mélanie Laurent) after a switch between the two identical men goes awry. After this, Adam is seem continuing on, seemingly, happily with a pregnant Helen. He receives an envelope in the mail containing a smaller black envelope; inside, a key. This is harkens back to an awkward encounter Adam has in the elevator with a man, thinking he is Anthony, talking about some place they went together, rambling about new keys, and so on. All of this plays to the beginning where Anthony is seen at the weird sex club with the women and the spider – all that. Adam then says he may have to go out later that night, but receives no response from Helen. When he goes into the room to find her, Adam only finds a massive black spider huddling up, as if scared, in the room instead. He doesn’t really look scared so much, as he almost seems to have expected to see it there sooner or later.
I believe this is a huge key. Right there, Adam comes face to face once more with the infidelity inside him – the feelings Anthony represented. Adam had no desire to have sex with Helen in the beginning. It was only due to Anthony’s aggressive behaviour Adam ever agreed to switch places for the night; Anthony was the one who wanted to get away from his pregnant wife and be a single man again for a night, even if it meant pretending to be Adam. Once Anthony’s crazy behaviour goes over the top, it leads to him and Mary being killed in the car crash – this is Adam effectively killing off the side of him which strives to cheat on his wife. In reality, Adam and Helen are together, and the parts of the film involving Anthony and Mary are almost like the struggle involving his feelings of infidelity going on in his mind. You can see a real change start to happen particularly once Adam lays down in bed with Helen for the first time – I think this scene unlocks a lot of things.
These ideas also tie into the moments where we see the ominous spider stalking through the Toronto skyscrapers. Furthermore, the woman in the beginning about to crush the spider with her heel is sort of a representation of a woman being the answer to Adam’s search – the woman is literally going to crush the spider, the infidelity, underneath her boot. At the end of the film, Adam sees the giant spider in that room and we can see how he may have thought the thoughts of infidelity were killed off with Anthony – however, they were simply relegated to a room in his mind – because it’s clear the city itself is a sort of lifelike, realized world representative of Adam’s overall mind. Even some of the cover art points to this fact. I think, for me, this is one of the best explanations of the film. It works for my viewing. Maybe not for that of others.

This is by far one of the best films I’ve seen in the past decade or so. I love a movie which not only has what can be taken as a definitive meaning behind all the imagery, but also likes to play with the imagery in a way that can shock us, or push us to interpret, reinterpret, and so on. Villeneuve does a great job of weaving a fantastic tale here. He certainly leaves a lot to the imagination. I’m not saying my opinion on the meaning of this film is a definitive answer at all – there are many other great views on what Enemy truly means, and I think some of those are excellent, as well as very viable options as to a concrete theory. I happen to think mine, which is shared by plenty of others before me, is just one of the most interesting ways to look at the film. It’s a great one, and on the top of my 2014 releases – this didn’t make it out until last year here, even though it was screened plenty in the latter half of 2013. So please, check it out.
The Blu ray is also fantastic – there are a few special features you can dig into, including interviews with all involved. Wonderful picture and sound. Highly recommend this release. Denis Villeneuve is one of the best Canadian filmmakers ever to grace us with his presence. I can’t wait to see what he does in the future.