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Breaking Bad – Season 2, Episode 9: “4 Days Out”

AMC’s Breaking Bad
Season 2, Episode 9: “4 Days Out”
Directed by Michelle MacLaren
Written by Sam Catlin

* For a review of the previous episode, “Better Call Saul” – click here
* For a review of the next episode, “Over” – click here
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Walter (Bryan Cranston) is at the doctor with his family in town. Everybody’s there, from Skyler (Anna Gunn) and Junior (RJ Mitte) to both Hank (Dean Norris) and Marie (Betsy Brandt). They’re all waiting for his next results from a PET-CT. I have to mention, I love Marie – she is incredibly annoying and ignorant at times, but she is loving, and only wants the best at all times for her family.
In the bathroom, Walt isn’t feeling so hot. Although it’s almost a good excuse to get away from the hovering presence of his loved ones. Cancer patients probably feel smothered at times by a constant need of others to be around them, worrying, fretting over the next result, the next test, the next this or that. Bad enough being put in those machines, it’s claustrophobic enough.
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Over with Saul Goodman (Bob Odenkirk), Walt is trying to get things settled in case he dies. Or well, for when he dies. What comes of all this is a bit of financial advice from Saul, and help with money laundering. Then Walt decides it’s time to start cooking. A lot.
Skyler is back in supportive wife mode. She’s now dealing with a new lie, though one she’s obviously oblivious of currently – Walt says he wants to go see his mother. A clear ploy to get himself time for a cook in the Winnebago with Jesse (Aaron Paul).
Speaking of Jesse, his day plans with Jane (Krysten Ritter) are about to be ruined. They plan on going to see the Georgia O’Keeffe Museum. However, the time for meth cooking is now, and Jesse’s assistance is required by MasterMr. White.
So Walt lies to his wife who drops him at the airport, then Pinkman picks him up in the ‘bago. They head out into the desert for a weekend full of meth. Love the tumultuous relationship between Jesse and Walt. It’s amazing how shitty he treats Jesse, over and over. The way he talks to him is awful most of the time, like lecturing a child. Either way, they get down to cooking. Only when the work is over and they decide to start back towards civilization – with 2.35 pounds of meth packaged and ready to go (netting them about $670K each) – the battery in the Winnebago has had it. Kaput. Now that is a kick in the nuts. Especially seeing as how Jesse put the keys in the ignition to keep them from getting lost, draining the damn thing.
Things get worse before they get better. They try getting Skinny Pete (Charles Baker) out to pick them up. Lot of good that does them. Some different ideas come, but nothing else happens for them. In between everything else Jesse figures out that Walt is getting sicker, closer to those final days, and lied about their batch of product going bad/needing to cook as much as possible.
Everything is looking bleak. Until another YEAH, SCIENCE! moment from Mr. White saves the day.


When they’re finally back, Walt casually asks Jesse to make sure his family gets money. Of course Jesse agrees. They part ways for now. We can see Jesse truly cares about Mr. White, even though Walter treats him like a child, or worse a dog.
But now Walt is back at the doctor’s office with the whole gang. Even better, the results of his scan are positive. Remission is possible now; his tumour shrank by 80%. A stark contrast from where he was just previously, believing he was on the verge of death. Everybody else is happy. Except for Walt. He’s happy, just not ecstatic. He almost wanted for things to go on as they were. Now he’s faced with living, moving on, and how could that work with what he’s brought into his life?
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This was a tight, contained episode that moved a lot forward in terms of the overall plot. Looking forward to watching the next one again, titled “Over”, that is also a solid chapter. Like so many of the others.

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About Father Son Holy Gore

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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