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Outcast – Season 1, Episode 5: “The Road Before Us”

Cinemax’s Outcast
Season 1, Episode 5: “The Road Before Us”
Directed by Craig Zobel
Written by Robin Veith

* For a review of the previous episode, “A Wrath Unseen” – click here
* For a review of the next episode, “From the Shadows It Watches” – click here
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Allison Barnes (Kate Lyn Sheil), estranged wife of Kyle Barnes (Patrick Fugit), locks her door then starts to head for bed. She finds her daughter Amber playing, talking about drinking the “black poison.” She uses her dolls all to similar to what likely happened between her mother and father. Eerily reminiscent, for sure. Outside, Allison sees a car sitting in the darkness – inside sit Reverend Anderson (Philip Glenister) and Kyle. The torn up husband worries for his daughter, he worries about if whether a demon still resides in his wife. Anderson tries to talk Kyle out of anything foolish saying he can go and talk with Allison. The younger of the two worries about Mildred (Grace Zabriskie), and that Anderson can’t tell on his own anymore. They’re at odds.
So Kyle calls up his sister Megan (Wrenn Schmidt) asking her to help setup a meeting between him and Allison. Bad idea. The sisterly advice is he’ll only fuck his family up more. Megan offers to go see them herself, a good woman.
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Police Chief Giles (Reg E. Cathey) goes to see his buddy Fire Chief Ogden (Pete Burris) about the blaze down at the little shack. Of course he doesn’t get much. Though, without being too heavy on the puns here, a fire is lit under Ogden. He knows there’s more to Giles than just a bit of talk.
Meanwhile, Kyle and Anderson head over to see Roy Marcus (Jason Davis), who’s had an experience close to that of the Barnes family. Roy’s daughter is out on the streets now, as things have taken a turn for the worse. He’s a broken man. Not hard to see. Although Kyle is still not sure about the Reverend’s abilities after Mildred, and after their experience with Blake Morrow previously; both of which make him wonder if the demons can’t be expelled completely all the time.
At Allison’s place Megan arrives, unexpected. She tries to talk closely with her sister-in-law. She expresses her worry for Allison, for Amber, their well being. The young mother seems off, though it’s tough to tell whether that’s demons. Because it could easily be the fact she’s just under a ton of stress. There’s still love on Allison’s part for Kyle, just no trust, as Anderson pointed out earlier. She knows he’s a good father, but he also has a danger in him. Or, well, that’s the way it’s perceived. She, and Megan and many others, still don’t know the truth behind what really went on between them. For her part, Allison knows something is “blocking the truth” after discovering there are pieces of her memory missing.

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On the road again Anderson takes Kyle to see another soul he’s… helped. The guy is another broken down sort. His pet store is shut down. The wife left, got the house. Something is not right with him immediately – Kyle notices he strays from his handshake. So the young exorcist grabs the guy by his shoulders and things set off. The former pet store owner grabs his gun, pointing it at the duo before they take off. Smart idea. Only there’s a demon left sitting inside that man. Now they’re both incredibly worried for what the rest of the people Anderson has ‘saved’ are doing, out there, maybe still possessed. Then Megan calls Kyle, letting him know something isn’t right with his estranged wife. He wants to go see her. Uh oh.
In the meantime, Sidney (Brent Spiner) makes his way out to the Barnes residence. He  looks around, in the closet, the kitchen. Everywhere. Even straightens up a picture before laying down in Mrs. Barnes’ old bed. Over at the station, Officer Mark Holter (David Denman) brings Chief Giles some results from his work down at the burned down trailer. An ID and everything. Well, turns out they’ve got the “DNA of a missing woman” that was present at whatever happened in that creepy little camper. Giles suggests before making a big deal to do some follow-up and figure out whether the woman is actually disappeared. But Giles, he worries more, as Ogden is clearly into some troubled shit.


Kyle foolishly goes to see Allison. He wants to talk and does his best to make her feel comfortable, going so far as to take steps away from her off the porch. When Amber shows up things are brutally awkward. She calls her mother a bitch and says she wants to go with her father. In the midst of it all Allison accuses him of trying to turn their daughter against her. Not the case at all. However, we see a moment when Kyle ends up touching her, just for a second, and she flinches. The flinch of an abused woman? Or of a woman possessed by a demon?
Flash back to Allison waking up, beaten, bruised in a women’s shelter. She can’t remember anything from the trauma. Kyle admitted to beating her, though nobody knows the truth, and it all upsets Allison.
In the present, Giles goes to see his old buddy Ogden; gun ready to draw and everything. He talks about their friendship: “I might go so far as to say best friends, maybe,” says Giles. He’s clearly been hurt by the lack of trust between them. Yet Holter calls with news about the missing woman: she isn’t missing. Hmm. The plot thickens, so literally. There’s still something going on with Ogden, obviously. We’ll just have to wait and see exactly what.
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The devious Sidney goes to see Mildred. Right away, she understands who he is, no introduction necessary. That’s creepy. They have their chat about physical possessions, how they keep busy as human lifeforms, so on. Sidney wants to know about Kyle Barnes, planning on taking care of him and the Reverend Anderson. Moments later Mildred tries to suck the life out of Sidney, just as the demons often do to Kyle. Does this mean he and Sidney are similar, or one in the same? Very intriguing, brief moment. Mildred mentions something about “the merge” which almost seems like an event the demons wait to see.
On the streets, Kyle and Anderson are out looking for the missing, possibly possessed daughter of Roy Marcus. They find her and she leads them down into the subway tunnels. And she is most certainly still afflicted with a demonic influence. She rambles some madness at Kyle before attacking him, trying to suck that black force out of his body. A battle begins that soon sees Kyle being wrapped up in the black, fog-like, oozing substance from within the possessed girl. Just like his mother, she’s left catatonic.


Sidney: “Humans are so desperate to express their individuality, to separate themselves from each other. Seems so short sighted.”
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Allison discovers a trail of blood in her house. Or she thinks so, until discovering it’s red paint Amber tracked in from the garage to throw around the walls. This prompts the little girl to hide in a closet, so painfully similar to the way her father once hid from his own mother. We can see the direct parallel. At the very same time, Kyle is tearing himself up over the Marcus girl, now lying in a hospital bed; again, exactly like his own mother. So many things are directly paralleling his own existence and his life that it’s like a weight bearing down on his chest. Reverend Anderson believes those souls are “in Gods hands now” while Kyle isn’t happy with any of it. None of it is holy or redemptive to him. No miracles. “Cause no ones fuckinlistening. If your God is out there, hes laughinat you,” Kyle berates Anderson.
Back home, Allison is waiting for Kyle. He can’t explain exactly what it is compelling him to protect her. She also wonders why he hasn’t apologised for what happened, seeing as how he’s a chronic apologist, even for the smallest things. This makes her curious and begs the question: did he really do it? Then she goes in to kiss him. She touches him. Nothing bad happens. They embrace. “Youre safe,” he tells her quietly. Allison doesn’t understand, but can’t remember on her own. She begs to know the truth. But he can’t. The truth is too unbelievable, no matter how true. A rift still exists between them and unless Allison witnesses a possession, or experiences it again herself, there’s no telling if it will ever close.
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An amazing episode. The best so far, in my opinion. What a great chapter to this first season. Can’t wait for “From the Shadows It Watches” next!

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About FATHER SON HOLY GORE

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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