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Aquarius – Season 2, Episode 11: “Can You Take Me Back?”

NBC’s Aquarius
Season 2, Episode 11: “Can You Take Me Back?”
Directed by Timothy A. Good
Written by David Reed

* For a review of the previous episode, “Blackbird” – click here
* For a review of the next episode, “Mother Nature’s Son” – click here
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On August 9th, 1969, Emma Karn (Emma Dumont), Tex Watson (Cameron Deane Stewart), and Sadie (Ambyr Childers) take charge of their victims. Mostly, Tex and Sadie do the dirty business. They blast one away while they setup the noose from a beam on the ceiling.
Cut to awhile before. Four months since the last episode. Charles Manson (Gethin Anthony) and Ken Karns (Brian F. O’Byrne) laze around at Spahn Ranch in a perpetual orgy of bodies. In other news, Detective Brian Shafe (Grey Damon) and his wife Kristin (Milauna Jackson) aren’t doing any better. She’s not coming back any time soon it looks like. At the same time he’s slipping back towards using drugs again.
And then there’s Dt. Sam Hodiak (David Duchovny) – his car’s stolen, but the precinct holds bigger issues. The police commissioner recently resigned because of corruption and such under his watch, partly due to Hodiak and his slippery detective work, his… issues. Now, Sam is suspended for the foreseeable future. Hmm. That won’t sit right with him, you can be sure.
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Up at Spahn, Ken and Emma are entering a new era of their father-daughter relationship. He’s doing his thing, leaving behind all the time he wasted in his life. Doubtful he’ll be finding any comfort there. We start hearing more about Charlie’s madness. First there’s him digging holes to hide food and anything else they have on hand. Secondly, the plan for hiding in a “hole” out in the desert. What that refers to is the fact Manson actually believed the Family would hide under the Grand Canyon in the City of Gold. Bigger problems arise when the Manson baby gets taken by the police after a couple of the women encounter some officers. All because Ken’s card wouldn’t work at the store. So, naturally, Charlie blames him. Things are tense.
Hodiak kicks around the station and tries helping his fellow officers. Yeah, that’ll go well. He hops in on an interrogation; an Asian man was attacked, then killed a man in defence. He says it was prejudice, Sam feels differently. Of course he can’t do much more, being suspended and all.
As expected, Brian – with the help of his buddy from the clinic, Mike Vickery (Jason Ralph) – falls back into the arms of heroin. While up at Spahn, Charlie is putting the pressure on Ken to start pumping money into the Family. I can see a hard, brutal fallout coming a mile away. Just depends at what point that happens.
Grace Karns (Michaela McManus) doesn’t know where her husband is, so she’s trying to move on with parts of her life. She has options, although her father is footing the bill while she and her husband are separated. I feel bad for her, yet not totally for how she treated Emma.
At home, Shafe and Vickery trip hard. Possible the heroin was cut with something because Brian takes a hard trip down the rabbit hole, hallucinating wildly. No wonder he’s headed for a bit of self-destruction, as we’ve seen glimpses of where he ends up on the nights of the Manson Family murders.
Charlie and the Family are working towards their big plan. By the minute, Ken starts to see how his old buddy is dangerous, more criminal than he ever thought. Speaking of old buddies, Vickery starts overdosing at Shafe’s place. Being a cop, he doesn’t want to call an ambulance. Instead he tries to handle things himself. In the middle of it all, Roy Kovic (David Meunier) comes through the door with a sawed-off shotgun pointed at Brian. Ah, great!

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When Sam gets talking to the Japanese man whom he interrogated earlier. He talks about being at war, as the Japanese man tells him of being in an interment camp on U.S. soil. What we discover is that Hodiak found out that who this man killed used to be a guard in the same internment camp where he was locked away. Very curious.
Terry Melcher (Chase Coleman) has agreed to record Charlie, to get him off Wilson’s back. All is well, I guess. Ken sees more and more the strange brainwashing that happens with the Manson Family, as once Charlie leaves the table the women are allowed to eat. Tragic, all those young lives wrapped up in his mania.
The sexism Charmain Tully (Claire Holt) experiences is always present. She reels off a story about even her own father’s misogyny. One of the upper-ups gives her a shot to turn things around. Only if she helps him “fix” a problem of his own. Does that involve double-crossing her mentor?
Oh, things are getting worse for Shafe, and for everybody. Roy isn’t pleased with all the undercover bullshit. Will it wash out as a “drug deal gone wrong“? When Kristin comes in during the whole confrontation everything becomes scarier.
Now Charmain’s being summoned by Brian, as he and his wife sit at the end of Roy’s shotty. Kovic talks about some of the Manson ramblings, the “wheel of karma” that crushes those in its way.
That addiction of Hodiak’s, the need for mystery in his police life, it won’t stop. He figures out that the man the Japanese gentleman accidentally killed had a wife; she had an affair with the Japanese man in the camp where she taught. This produced a child, and then the man wanted revenge. Still, it’s “justifiable homicide” and lets the man go. You can tell he didn’t take any pleasure in killing the other guy, he didn’t even know he had a son. All that will weigh on him, forever.
Roy is bearing down on Charmain and the Shafes. Things are not looking good. Until the half-overdosed Vickery plants a heroin needle in Kobvic, starting a brutal fight between the biker and Charmain. All ending with a knife right in Roy’s heart. That just leaves them with a mess. At least nobody’s dead. The Shafes marriage? This did it no favours, either.

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After getting the Manson baby back to the Family, Ken wonders why anybody sticks around anymore. Everything at the ranch is getting dire. Emma then reveals to her father she’s with child. Not exactly a jump for joy bit of news, but news nonetheless. Charlie’s got the recording finished, and Ken did up a contract. To please the master. Melcher doesn’t want to sign anything. Then he goes on a tirade against Manson, insulting him terribly. Yet another incident to drive Charlie crazy. Also serves to drive Ken off from the ranch.
With everything happening, Charmain tears into Sam about the way he conducts himself. “I dont your permission to tell the truth,” she says. “Sometimes I wonder, did I create the monster, or did I just drag it back from the swamp?” Sam replies.
Hodiak hands in his resignation to Cutler then heads out. He says he’s done. Not sure how Charmain feels in the end, though she looks surprised. Everything is falling apart, for everybody, from Sam to the Shafes to Charlie and Ken.
Cut to August 9th of ’69 again. With a baby inside her, Emma watches as Sharon Tate, with child, is murdered savagely by the Manson Family. A too late and horrific awakening.
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What a wild episode. This show gets better with each passing chapter in Season 2. Up next is “Mother Nature’s Son” and it brings us to the penultimate finisher. I know NBC hasn’t really treated this series with the respect it deserves. It will likely never see Season 3. I do, however, feel it deserves one. After the decent Season 1, Aquarius stepped up its game hugely, in writing, directing, editing, all aspects. So I do hope NBC gives it a swan song third season to explore the last bits of the Manson days.

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About Father Son Holy Gore

I'm a B.A.H. graduate & a Master's student with a concentration in pre-19th century literature. Although I've studied everything from Medieval literature onward, spent an extensive time studying post-modern works. I completed my Honours thesis on John Milton's Paradise Lost and the communal aspects of its conception, writing, as well as its later printing and publication. I'm starting my Master's program doing a Creative Thesis option aside from the coursework. This Thesis will eventually become my debut novel. I get to work with Newfoundland author Lisa Moore, one of the writers in residence at MUN. I am also a writer and a freelance editor. My stories "Funeral" and "Sight of a Lost Shore" are available in The Cuffer Anthologies Vol. VI & VII. Stories to be printed soon are "Night and Fog", and "The Book of the Black Moon" from Centum Press (both printed in 2016) and "Skin" from Science Fiction Reader. Another Centum Press anthology will contain my story "In the Eye of the Storm" to be printed in 2017. Newfoundland author Earl B. Pilgrim's latest novel The Adventures of Ernest Doane Volume I was edited by me, too. Aside from that I have a short screenplay titled "New Woman" that's going into production during 2017. Meanwhile, I'm writing more screenplays, working on editing a couple novels I've finished, and running this website/writing all of its content. I also write for Film Inquiry frequently. Please contact me at u39cjhn@mun.ca or hit me up on Twitter (@fathergore) if you want to chat, collaborate, or have any questions for me. I'm also on Facebook at www.facebook.com/fathersonholygore. Cheers!

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