Scream Queens – Season 2, Episode 10: “Drain the Swamp”

FOX’s Scream Queens
Season 2, Episode 10: “Drain the Swamp”
Directed by Ian Brennan
Written by Brad Falchuk & Ian Brennan

* For a review of the penultimate Season 2 episode, “Lovin the D” – click here
screen-shot-2017-01-11-at-2-35-45-pmChanel Oberlin (Emma Roberts) is confronted by the Green Meanie again. She’s trapped in one of the hospital’s dark hallways, as the killer has a baseball throwing machine aimed right at, running full speed. Chanel ducks and dodges, until one of the newest Chanels takes a ball right in the head. Luckily, she’s not dead. Chanel #1 gets away, and we see it’s Ingrid Hoffel (Kirstie Alley) behind the mask.
At the same time Chanel #3 (Billie Lourd) is sneaked up on by the remaining Green Meanie, Cassidy Cascade (Taylor Lautner). But he doesn’t kill his love. They both want to try and convince his mother Jane (Trilby Glover) otherwise. So #3 runs off for a “whores bath” so they can bang, and Cascade threatens Hoffel: leave his girl out of it, or face his wrath. Things between the Meanies aren’t looking good. Uh oh.
screen-shot-2017-01-11-at-2-42-16-pmDr. Brock Holt (John Stamos) apologises for the hand’s actions, nearly strangling her to death, although Chanel doesn’t think much of it, other than it’s progress in their relationship. Yikes. Meanwhile, Hester (Lea Michele) is still kicking around. She’s scheming over Cathy Munsch’s (Jamie Lee Curtis) fortune, who is on the verge of dying. Hester wants Brock to help her steal all her money, then they’ll run off together: “Just two murderers with no one to murder except for each other, but we never will because we love and trust each other.” What could go wrong, right?
Out in the garden, Ingrid gets some nasty ideas when one of the new Chanels is fertilising the tomato garden. Explosive substances. Green Meanie. Murderous impulse. You know what’s coming.
Also, Chanel mixes up the fact Brock is looking at engagement rings for a pending marriage proposal. Only when Dr. Holt calls everyone to Cathy’s room, where she’s lying waiting for death to come, he proposes to the former Ms. Munsch, soon to be the new Mrs. Holt. But he works on Chanel behind the scenes, too. He strings her along.
Cassidy and #3 talk with his mother Jane. He tells her that the “killing and revenge stuff” is all her thing. However, mom isn’t so willing to let all that go. She doesn’t want it to stop until the job is done.
So the wedding of Brock and Cathy goes ahead, right there at the CURE Institute. They’re now officially husband and wife. Then as they snuggle later, Chanel #5 (Abigail Breslin) comes in with information saying that maybe Munsch isn’t dying. She wants to get a sample of her brain, to test for sure. And though Brock isn’t thrilled, Cathy wants more time to be with her new husband.

screen-shot-2017-01-11-at-2-53-16-pmDownstairs, Denise Hemphill (Niecy Nash) is still in cryogenic storage. And Ingrid is down snooping around. She gets a call from Jane, who has her own secrets with Zayday (Keke Palmer) trapped in her cellar. “Now its just you and me,” she says. But Ingrid’s more interested in her latest plan to kill the Chanels.
Things at the hospital are getting tense with Hester wanting Brock to kill Cathy. She doesn’t want to go back to prison where she has to “draw porn” so she can masturbate. Not to mention Chanel can’t deal with Brock and Munsch together, no matter what fairy tale he spun for her earlier. Later, the biopsy goes ahead. Cathy sings “Smoke on the Water” while Chanel plots on throwing her pumpkin spice latte into Cathy’s open skull, which doesn’t work as planned.
Now the verdict: no evidence of the nasty disease, but it’s inconclusive. And she’s still going to die. Maybe. Could even be extreme dehydration. Silly, no? “I only drink scotch, or vodka,” Cathy gasps in a hilarious moment of revelation. She even rinses out her toothpaste mouth with scotch. She goes on to find out the brain eating wasn’t human brain; it was lamb. She’s not going to die!
Everybody heads to the basement for a celebration, champagne included. But it’s all a trick by Ingrid. She traps them in a cage downstairs. She reveals to them all her identity, sister of Agatha Bean who was accidentally burned alive in the deep fryer during Season 1. Out of nowhere Zayday arrives, alongside Jane who doesn’t want to keep on killing after seeing the CURE Institute’s good work. Only Ingrid guns her down, and they’re all left in no better position than before. She further reveals a huge fertiliser bomb, leaving them to die. Afterwards, Denise is alive! And she’s hilariously missed a few things while in her cryogenic coma. Waiting for Denise to defuse the bomb, #5 finally admits she does have teeth in her vagina: “I didnt want to die a liar.”

screen-shot-2017-01-11-at-3-06-53-pmUpstairs the crew chase down Ingrid. They head out back into the swamp. There, Cascade takes a machete right in his torso trying to save #3. In the forest Ingrid runs through a patch of muddy ground which slowly sucks her into the earth. Nobody helps. Until Munsch suddenly feels her conscience tug. She tries to save the woman, but the mud suffocates her and sucks her to the bottom.
Everything is over, and the Chanels have made it through alive. A little worse for wear. You know them, though. They’re bouncing back. #5 is doing her thing at the hospital; she and Zayday are essentially running the place. Munsch hit a rough patch when she finds out someone cleaned out her bank accounts – Hester, of course, who took off with Dr. Holt to an exotic beach on Blood Island. Where they play The Most Dangerous Game. Munsch went on to become a sex expert, like you didn’t see that coming after all her friskiness.
And Chanel, she went on to become a TV doctor with #3 as her executive producer on Lovin the C. So it looks like things have progressed for them after being hunted by the Red Devil killer, the Green Meanie(s). Things are back on track in their lives.
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Or are they?
One night as Chanel leaves the television studio, she finds a small broach in her car inscribed KKT. Who’s that in the backseat? It’s the Red Devil.


Wow, loved this episode, and loved that final scene! Didn’t expect it, honestly. Works great and maybe gives us something to expect for Season 3, which hopefully is on the radar for FOX. What did you all think about Season 2? I thought Season 1 was spectacular, and I’ve felt that Season 2 got even funnier, weirder, and wilder. Overall, a solid season.
Let me know your thoughts, and if you want another season with the Chanels, Cathy Munsch, and that sneaky Red Devil.

Scream Queens – Season 2, Episode 9: “Lovin the D”

FOX’s Scream Queens
Season 2, Episode 9: “Lovin the D”
Directed by Maggie Kiley
Written by Ian Brennan

* For a review of the previous episode, “Rapunzel, Rapunzel” – click here
* For a review of the next episode, “Drain the Swamp” – click here
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Chanels #3 (Billie Lourd) and #5 (Abigail Breslin) are working night shift, as is #1 (Emma Roberts). They come across a doll wearing a KKT sweatshirt, full of knives. And a bed full of swampy foliage. So obviously there’s one dressed up by Dr. Cassidy Cascade (Taylor Lautner), and the other by Wes Gardner (Oliver Hudson).
Then the Green Meanies appear. You can bet Ingrid (Kirstie Alley) is under one of those masks, too. #3 gets saved, obviously by her Green Meanie boyfriend Dr. Cascade. When the three Meanies argue over flubbing their murders, Hester (Lea Michele) arrives to call them all together. A bit of a serial killer murder orgy poised to happen.
I dont wanna die in this outfit!”


But life goes on, of course. Cathy Munsch (Jamie Lee Curtis) tries to keep things on the level, as Dr. Arthur Annenburg (Ajay Mehta) is poking around with the recent disappearance of their man from the journal. Now the Chanels and their credentials will possibly be exposed. Or can Cathy keep it under wraps? She wants the trio to actually take the MCATs.
Meanwhile, Dr. Scarlett Lovin (Brooke Shields) – star of the show Lovin the D – is at the CURE Institute. She wants Dr. Brock Holt, along with assistance from the Chanels, to perform a live surgery on her show to remove a “sixteenpound tumour” from a young man’s face. Yikes, that’s wild. When Brock drops the bomb that the girls aren’t even medical students, things start going sideways. Except this is the charge the Chanels need to take the MCATs. To be on Lovin the D.
Hester holds a “Green Meanie Summit” so that “no ones feelings get hurt” and everyone gets to kill who they want. Oh yeah, just in case you forgot, Wes is Hester’s father. The four of them sit down and claim all their murders in a game show-type segment. Hilariously written and edited. Afterwards they move on deciding who’ll kill all the Chanels. It comes down to a mutiny when Wes isn’t granted the chance to kill #1, but you can bet he’s not letting that slide. Not to mention, Cascade doesn’t want #3 to die, or will he give in?

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Chanel’s got to focus and try to pass the MCAT. If she doesn’t, no Dr. Lovin, no television appearance. Pretty much left up to Brock because she’s not concerned with learning. Then, out of nowhere, he chokes her. With both hands. Seems like there isn’t only remnants of the murderous hand. Maybe something worse is going on inside Dr. Holt. And poor little Chanel, she has Green Meanies all around her and doesn’t even know it. Plus, Brock’s still trying to strangle her.
With murder on his mind Brock goes to talk with the only person he knows who can relate: Hester. “I still really wanna kill her. More than ever, to tell you the truth,” he explains. She tries encouraging him mostly. “You Dr. Brock Holt, are a killer.” Then they hook up over a dead body.
One Green Meanie kill on a newer Chanel is accomplished. Hung by the neck. #5 does her best to cover things up while Munsch keeps the visiting Dr. Annenburg busy. Wes is the one who made the kill, though he isn’t happy. He goes to Dr. Cascade and makes a case for an alliance against Hoffel, who may or may not have a plan to pin all the murders on them after it’s all said and done. Hmm.

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Poor Zayday (Keke Palmer). She’s stuck down in a well-like structure, trapped by Jane (Trilby Glover). Although she starts figuring out that Dr. Cascade is the baby in the belly from 1985. Then Cassidy turns up with his ladyfriend #3, which doesn’t please Jane, nor does she have any time for some chick who’s “waxing” her “sons knob.” So mom pits him against her and #3. He chooses mother. Now it looks like #3 must die after all.
MCATs have to be done TONIGHT. The Chanels must complete the exam, and pass, as Dr. Phil and others are trying to beat Dr. Lovin to the punch doing live surgeries. So the girls are thrust into writing the exam.
Will they pass? Yes, indeed. Turns out #5 did the best, only 3 points from a perfect score. Shiiiiiet, ladies! But what actually happened is #1 and #3 had earpieces in to Drs. Cascade and Holt. Not #5, although nobody’s super thrilled. Poor thing: “Im a genius and no one cares.” Funny and sad all at once.
With Lovin the D ready to go live, Wes has left a drugged up coffee for #1. Only Dr. Lovin winds up with an all too similar cup. Are they about to mix up their drinks? Could get interesting. Oh, yes. The host takes a drink then foams at the mouth, writhing on the floor. Dead. The show goes ahead anyways. #1 steps up and takes the lead as host while Dr. Holt goes to work on the tumour until the job is done and done well. After the show, the Chanels are offered a show of their own to replace Dr. Lovin.
#3: “Whoa. Thats a lot of tumour. Right, America?”
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Ingrid’s pissed that Wes tried killing Chanel, breaking their supposed pact. Things don’t look good for Wes, as the other two back him towards all that boiling oil Ingrid has cooking. He voluntarily drops in, his last word being “playlist” (remember from Season 1?). Fucking killed me, too funny. The other Green Meanies have themselves a bit of cover when Munsch and Dr. Annenburg stumble across a deep fried Wes. The story goes that Wes was the Green Meanie, back to try killing the Chanels. And in other news, Munsch reveals to the others she’ll be dead in a month.
The Green Meanie is dead… long live the Green Meanie!


This was a solid episode. I love the ones that really walk that line of absolute hilarity and nastiness at once, which is the case in many but a few of them are so perfectly balanced that it works incredibly well. Next episode, the finale, is titled “Drain the Swamp” and I’m hoping Ryan Murphy & Co. take a few shots at the Orange Goblin like they did in an earlier episode.

Scream Queens – Season 2, Episode 8: “Rapunzel, Rapunzel”

FOX’s Scream Queens
Season 2, Episode 8: “Rapunzel, Rapunzel”
Directed by Jamie Lee Curtis
Written by Brad Falchuk

* For a review of the previous episode, “The Hand” – click here
* For a review of the next episode, “Lovin the D”- click here
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Well, well, well – look who showed up again! It’s Wes Gardner (Oliver Hudson) from Season 1. He’s not well. So he came to see ole Cathy Munsch (Jamie Lee Curtis), his old bang buddy at the CURE Institute. He has a big tumour. But we find out more about what happened after the Red Devil murders. They ran away together. He grew a beard and made microbrew. Wrote a book about quarters called Quarters: An American History about “our most important coin.” She drove a wedge between him and his daughter. After which Cathy walked out on him. And now he’s basically a complete mess.
Oh, Wes doesn’t have a tumour, either. It’s a giant hairball: “Looks like Trumps wig,” mutters Dr. Brock Holt (John Stamos).
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With Chanel (Emma Roberts), #3 (Billie Lourd) and #5 (Abigail Breslin), present, Dr. Holt and Dr. Cassidy Cascade (Taylor Lautner) reveal that poor Wes has a condition that causes him to pull out his hair and eat it. Hence the large ball of hair in his stomach. Tony Robbins screamed at him a while and then he was fine, until the ball created problems. Having Wes in the mix makes Brock a little jealous, despite him and Chanel being together. So it’ll be interesting to see how all that tension plays out.
Finally we get more Zayday Williams (Keke Palmer). She does a bunch of videos around the hospital, though her comments are constantly filled by Chamberlain Jackson (James Earl), who’s got no game at all. She lays it out straight for him about it, and that’s pretty honest of her. They don’t let that get in the way of their Green Meanie investigation. Now they want evidence, like a piece of the killer’s costume, to try tracking more information down.
Brock and Chanel hang out while he cooks, talking a bit about himself. She’s a bit too busy with Snapchat. Then they further figure out their large “age gap,” as he talks about M*A*S*H and she talks about Chumbawumba and Boy Meets World. Things get worse after they’re in bed and Chanel looks anything but aroused or interested. Brutally funny scene, especially after Brock pictures Munsch and mumbles her name in ecstasy.

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Oh no, Zayday! She’s taking a soak while the Green Meanie skulks in the shadows. Or is she? “Surprise, bitch,” she quips before shooting a taser at the killer. Then Chamberlain takes the Meanie down and a fight breaks out. And even though the Meanie makes it out, Zayday gets a piece of the suit.
Chamberlain gets a bit of help with Zayday from the Chanels. #1 does a bit of cell magic to help him out. I really like Chamberlain, he’s funny and also a good dude, so it seems. Let’s hope there’s more of him.
The wonderfully creepy character actor Bill Oberst Jr. plays a man that owns a costume shop where Zayday goes to figure out where the Green Meanie got their costume. He says that he’s used the fabric before – three scary costumes, different sizes. One in 1986. One a few months back. One only a few weeks ago. He remembers them because he got a “handy” associated with those dates. Anyways, he gives her a bit of information to go on, gets creepier, and Zayday heads off further on her journey towards the killer’s identity.
Hester (Lea Michele) offers her own help to Chanel. She believes it’s a generational thing. So they’re going to learn everything they can about him and his generation, then throw Brock a dinner party to impress.

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With Chamberlain’s phone blocking calls from Zayday until 9pm, he doesn’t get her call for help. She’s headed to see Jane (Trilby Glover), who tries slamming the door in her face. After that she invites Zayday in. Oh, my. Jane looks downright sinister, even if she’s only pouring tea. And Jane says she bought a suit back in ’86, for her brother to go kill the people who killed her husband. She also says that she raised her son to kill in case the hospital opened again, which it did under Munsch. “Why are you trying to bring logic into this conversation? You do realise that we are insane people, right?” Now I worry terribly for Zayday. She’s been drugged. What will Jane do next?
The Chanels are throwing a post-WWII-themed dinner party for Brock, as if he were born in 1920. Hilariously off base. Lots of great confusion over the “Greatest Generation” and other bits, which is perfect and timely after I just recently read a poll where a lot of people messed up the generation they think they belong in. A little later Brock is willing to work things out with Chanel, appreciating her effort despite the lack of knowledge. Only Dr. Holt also wants an affair with Cathy; a long one.
Over with Cathy and Wes, things are getting sexy. They drink, they lie together in bed. Then the Green Meanie attacks. Wes uses body spray to get them out of a sticky situation, but the killer takes off before they can find out any more.
And as I worried, Zayday’s been put in a terrifying predicament, strapped down in a well-like enclosure, the nearby sound of water. Uh oh. Meanwhile Chamberlain isn’t getting any messages, unaware of where his friend’s being kept. When he throws out some trash he ends up finding a receipt stuck in the hairball from Wes’ stomach: for a machete and chainsaw. And a piece of that green fabric. Hmm. So Chamberlain goes to see the man about what he found. Wes talks about how things went bad for Grace after the Chanels ruined her life. Turns out that Wes swallowed all that hair willingly, after getting drunk. He’s there for revenge, to use the Green Meanie as a cover for him hopefully killing the Chanels.
Remember what I said about loving Chamberlain? We won’t be seeing him again.

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Wow. I never saw this one coming! But it’s an awesome addition. I always loved Oliver Hudson in Season 1, so I’m loving that he’s actually a psycho this time around and not just a red herring. Next episode is “Lovin the D” and I can only imagine what’ll happen. A bit of eeriness creeps in with Wes back and certainly with him posing as the 3rd Green Meanie.

Scream Queens – Season 2, Episode 6: “Blood Drive”

FOX’s Scream Queens
Season 2, Episode 6: “Blood Drive”
Directed by Mary Wigmore
Written by Brad Falchuk

* For a review of the previous episode, “Chanel Pour Homme-Icide” – click here
* For a review of the next episode, “The Hand” – click here
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At the CURE Institute life goes on, though not exactly well. Dirty blood, all because of Chanel #3 (Billie Lourd) recycling the stuff they mopped up. Cathy Munsch (Jamie Lee Curtis), ever the businesswoman, has Chanel #1 (Emma Roberts) organising a blood drive. That’ll likely bring some new drama to the hospital.
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We get more on Ingrid Hoffel (Kirstie Alley), whose sister was Ms. Bean – the Chanels maid from Season 1 at the sorority house. She wants revenge on those “little bitches” and she’s kept tabs on them since they were released after the whole Red Devil mess. Now, the blood drive might allow Hoffel a bit of cover to do her dirty work. The drive is now a contest, the winner getting a trip to Blood Island; actually a terrifying, war torn island full of awful insects and other gross things.
Lots of good dialogue here out of Brad Falchuk’s writing, as Chanel quips to Cathy about her “semidamp orifice” and Cathy talks sly about Dr. Brock Holt (John Stamos) with his big dick, suggesting Chanel and most of her generation already have or expect to get HPV. A totally hilarious back and forth between these two, as Brock finds himself literally stuck in the middle. In other news, Zayday Williams (Keke Palmer) wants to use the blood drive for her own investigation into the “baby in the belly” from ’85, so that they might figure things out amongst the hospital staff.
Poor Dr. Holt has more problems than just with Chanel v. Cathy. His hand replacement continues acting up, playing a knife game with himself under stress. Brock wants Chanel to get a massive STD test before they get together, even though he’s a walking hard-on. Also, Ingrid warns Brock that getting closer to Chanel could be very bad for him.

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And Hester (Lea Michele), oh Hester – she’s extremely bored. When she gets bored, she gets murderous. So it’s either find her a job, something to do all day, or a few people are going to die. Chanel goes to Munsch, landing Hester a bit of a trial period job. This involves diagnosing a guy named Brandon Sathmary (August Emerson), who’s a vampire. He has the teeth, his skin burns in the sun. He’s got a reflection, but he drinks blood “like iced tea” he gets from some creep at the Red Cross.
On an on goes the blood drive, all the new Chanels give their donations, plus #5 (Abigail Breslin) is sucked just about dry. #1 is only concerned about getting to “bone down with Dr. Hot” on Blood Island. Back at the hospital, Munsch is lurking around the blood donations. She finds #1’s packet. But the Green Meanie is also lurking, right behind her. Only to vanish into the dark without a sound. Now, the Meanie knows what Chanel is up to.
The next day, Munsch brings Dr. Holt, Hoffel, and Chanel in for the news: #1 has all the STDS; all of them. “There was a crab just floating in the sample,” Ingrid claims. Oh, my. The games Cathy likes to play. This doesn’t only ruin #1 and Brock’s plans together, sexually and otherwise. It also puts Munsch at top of the list for the blood drive. No more Blood Island for Chanel. A hilarious “O Fortuna” scene with Chanel v. Cathy in the strangest yet fucking riotous moment perhaps ever on the show. The look Brock gives Chanel then Cathy is worth a whole episode of laughs. I honestly cried, that’s how hard I laughed. Amazing scene.


Hester believes she’s diagnosed Brandon. An incurable disease, but the blood drinking is all in his head. She tells him a story about binge eating Ring Dings. Her aunt helped with a bit of Ring Ding aversion therapy, which Hester now plans to use on the vampire. Only he needs lots and lots because he’s obviously been enjoying the stuff way too much.
Oh, and Chanel, she robs herself a bunch of blood to boost the stats for her personal drive. When she goes to deposit them there’s none in her cooler. Leading away from it are drops of blood, and you just know where those are going, right? Hester’s been blood cooking: soup, sausage, tons of different dishes for Brandon. This puts Chanel awfully behind, and even though Munsch wants to be ahead she’s more hoping to put Hester back in a crazy cage.
In other news, Zayday tries keeping her investigation from Chamberlain Jackson (James Earl). He knows that she believes it’s him. He also knows all kinds of what’s going on, he’s a smart guy. We already know that Dr. Cassidy Cascade (Taylor Lautner) is the son of Jane (Trilby Glover), but could there be more to it? We know there’s always more than meets the eye on Scream Queens.
#9 is getting tapped for blood against her will, as #1 needs someone to milk other than #5. But when Dr. Holt appears, #1 runs off to try telling him she doesn’t have “sexual Ebola” or “vaginal Zika” and wants him to give her another chance, to prove herself. But he needs the proof. Then, as expected, #9 gets a visit from the Green Meanie. He’s gonna do a few tests, too. Until Ingrid walks in. She wants to help. And when she asks the Meanie to take off the mask, he does: it’s Cascade. They strike up a deal – the Meanie keeps killing, Hoffel gets the Chanels to herself. Yowzahs. Two sickos. However, Cascade reveals he didn’t kill all the victims. Someone else is posing as the Meanie, as well. Now this is very interesting.

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Hester’s trolling for blood. She wants to treat the vampire, to escape a cell again when Munsch sends her packing. In the cooler, she comes across Chamberlain, and discovers tainted blood. Oh, no. Is she planning on doing what I think?
Meanwhile, #9 is found dead, drained of all her blood. She’s a deflated football, essentially. “At some point this swamp is gonna be like 90% dead bodies,” Munsch says. She’s convinced Hester is the culprit. When they talk to her, she’s upstairs using Chanel’s supposedly STD-ridden blood.
But the reveal is Hester tested it: no STDs. A-ha, Munsch! You got got. Not only is #1 clean, she’s also winner of the blood drive, on her way to Blood Island. Except there’s issues with the flight, Chanel only goes charter. Then she decides she’ll take cash, and Ingrid’s plans are spoiled.


Chamberlain is proving himself useful to Zayday, as he winds up getting some of Jane’s saliva through a bit of food trickery. Plus, he’s AB+ and can’t be the baby in the belly. The baby, he’s O+, and he’s also a god damn doctor. Cassidy switches up the stickers on his blood, throwing the trail off a bit. This puts Dr. Holt in the firing line. Zayday and Chamberlain bring their findings to Munsch, although there’s no way the “ridiculously handsome” Brock can’t be young enough to be the baby.
There are worse things happening behind the curtain of Holt. His hand, that transplant, it is devious. I wonder what that’ll bring eventually. Down in the basement there’s more madness, with Cascade giving Ingrid her very own Green Meanie mask, bringing the tally of Meanies to three. And who’s the other one? How long until they’re revealed?

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A solid episode. Just a ton of great writing; witty, outright hilarious, and mysterious stuff. Can’t wait for “The Hand” next time.

Scream Queens – Season 2, Episode 5: “Chanel Pour Homme-Icide”

FOX’s Scream Queens
Season 2, Episode 5: “Chanel Pour Homme-Icide”
Directed by Barbara Brown
Written by Ian Brennan

* For a review of the previous episode, “Halloween Blues” – click here
* For a review of the next episode, “Blood Drive” – click here
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Chanel Oberlin (Emma Roberts) hears #5 (Abigail Breslin) from across the hospital. As #3 (Billie Lourd) explains, #1 has developed a “fine tuned” addiction to #5’s pain. Along with Munsch (Jamie Lee Curtis), the Chanels and Zayday (Keke Palmer) find #5, as well as the corpse of Denise Hemphill (Niecy Nash). So now sleazy Cathy has to come up with a story while they dispose of the body. Oh, and they leave #5 to wallow in agony alone. With more dead bodies piling up they’re forced to call the police in.
Downstairs, Munsch shows Zayday a cryogenic chamber she bought with some of the Radwell cash. They put Denise’ s body inside to test it out. Meanwhile, Cathy is still dying little by little.
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No longer blue, Chanel and Dr. Brock Holt (John Stamos) continue getting closer. He apologises for the mix up with the medicine, then goes on about his relationship with Ms. Munsch, how he did it only because of being distraught from missing out on Chanel. But she has no “emotional object permanence” and surely they’ll be together sooner than later.
A week later after the publicity surrounding the murders, Munsch’s CURE Institute is booming again. All kinds of strange illnesses pour in and the place is on wheels. Ingrid Hoffel (Kirstie Alley) is up in her business trying to get more and more all the time. Otherwise things are fine, except the fact Cathy is a complete fucking loon. She winds up on a case trying to treat a woman who’s switching from accent to accent, all over the globe. Her name is Penelope Hotchkiss (Mary Birdsong), and she can’t control the voice she uses. Now that’s an interesting one.
Ingrid gets under everybody’s skin, including the Chanels; she calls them “nondoctor idiots“, “dead inside“, “Dr. Tiny Bitch“, among other names. Usually I find Alley a irritating pain to watch, but the writing is too good not to enjoy. Her delivery is perfectly condescending. She has #1 and #3 doing the worst of chores around the hospital, which they’re obviously not happy about, and thems the breaks, right? Not when Ms. Oberlin’s putting her mind to it. Or, y’know, trying to.
Zayday goes to see Munsch about Chamberlain Jackson (James Earl). Turns out there aren’t any candy stripers. Cathy says she hasn’t hired anybody. Certainly not off Craigslist. Might have something to do with all the serial killing going on. Like Season 1, another baby mystery is at hand, and Zayday decides she’s in to solve the puzzle.


Chanel sent out word she’s accepting applications for more Chanels. Concerned about the Green Meanie. #1 wants “cannon fodder” in case he’s intent on doing her in. So when everybody on their previous list passes, they turn to the patients in the hospital getting a couple new recruits.
Then, they have no choice but to talk to someone named Tristan St. Pierre (Pablo Castelblanco). He started writing explicit, lesbian fan fiction about Chanel. He got extremely obsessed with her. Creepy. Tristan is brought in as a Chanel Pour Homme; brilliant title. They have Chanels #7 and #8, as well. All for human shields in the face of murder.
Dr. Cassidy Cascade (Taylor Lautner) and Chanel #3 try to work on Ms. Hotchkiss. In rushes Brock with information, but then it seems as if the accent issue goes viral. All three of them start talking like Penelope, shifting accents themselves.
In the lower levels of the hospital, Chanel gets a scare from Hester (Lea Michele). She tries to ingratiate herself to the Chanels again. And #1 lets her back in. She’s intent on finding the Green Meanie. No matter how crazy things must get.
Zayday and #5 go visit Jane Hollis (Trilby Glover) about her husband who died that night two decades ago. She believes Dr. Mike and the nurse covered that up. Obviously Chamberlain is out of the running for the baby. Or is he? Because Jane’s husband was black.

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The accent virus keeps going strong, changing in everybody. The writing does a smart job poking fun, as they even make fun of how bad the accents are, too. Great little bit. They also drop a lot of movie references. Also, Doctors Holt and Cascade and Chanel #3 come up with a treatment to help Ms. Hotchkiss. Moreover, Dr. Holt figures out they’ve contracted “Madonna syndrome.” They have to lock themselves up watching American films to get themselves back on track.
Zayday keeps on trying to figure Chamberlain out. He explains his presence there is only about making people feel good. “Ima let my freak flag fly,” he tells her going about doing his Willy Wonka hospital routine. In other news, Cathy has a talk with Ingrid; to fire her. She doesn’t dig the way Ingrid treats the staff. The woman has a drug addiction, however, she knows of Cathy’s disease – blackmail.
The Chanels have a big night planned. A slumber party, including makeovers. Never a good sign when the girls are being nice. Chanel #8 has to go to the morgue to find a gift they’ve supposedly left her. A “sacrifice” to the Green Meanie. Will he take it? Tristan confronts #8 because he wants the gift, putting himself in the way of possible death. When #8 turns up it’s clear who’ll be killed. And boy, is he ever dead.
Naturally, Munsch is pissed. The Chanels are always bringing her more trouble, as if she doesn’t have enough on her own. Chanel #7 is now down with being a human shield, and #8’s been in for a while. Now, Cathy has three more Chanels for admittance; #11 even has eleven fingers. #1 has the girls put to work already cleaning up #5’s “monster dumps” in her bedpan. Man, the writing kills me sometimes. I rarely laugh out loud by myself unless something is really funny; this series does it to me often. Anyways, Munsch wants to find Hester, and she wants #1 to give up the info.
The Green Meanie kills #11, after first doing a bit of homemade machete surgery on her extra finger. That poor girl didn’t last long.
Most intriguing is the finish, as Jane Hollis receives her son for dinner: it’s Cassidy. He was the baby in the belly. And now he tells her that their secrets will be safe: “Ill take care of everything.”

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Solid episode. Well worth the wait!
Next up is “Blood Drive” and I anticipate more intensity, foolishness, and more importantly – MURDER.

Scream Queens – Season 2, Episode 4: “Halloween Blues”

FOX’s Scream Queens
Season 2, Episode 4: “Halloween Blues”
Directed by Loni Peristere
Written by Brad Falchuk

* For a review of the previous episode, “Handidates” – click here
* For a review of the next episode, “Chanel Pour Homme-icide” – click here
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After the bloody events of Chanel Oberlin’s (Emma Roberts) would-be wedding to Chad Radwell ended with his death, she weeps over the body, as everyone wonders exactly what’s happened. Cathy Munsch (Jamie Lee Curtis) is of course ready for the whirlwind of another serial killer in her midst. Denise Hemphill (Niecy Nash) continues with her conspiracy theories, as everybody goes a little mad. #5 (Abigail Breslin) oversteps her boundaries and sets Chanel off on a rant against them before being carted off in a fit of madness. Taking the lead is Denise, but can she be trusted? I’m not saying she’s a murderer, though she is completely god damn foolish. We do get a window into Chad and Denise’s roleplaying, involving some Brokeback Mountain stuff. Weeeeird.
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So Denise dresses like Mrs. Chad Radwell for Halloween. She and Munsch go to see the Lecter-ish Hester Ulrich (Lea Michele), who spouts mostly ominous bullshit.
Everybody gets together for Chad’s will – his family died on the way trying to stop him from marrying Chanel. Haha, dig it. Turns out that Chad – in sound mind and “bitchinbody” – leaves his estate to Cathy Munsch. Wow. And he changed it just before dying. Hmm, coincidence? Red herring? Either way, Chanel absolutely flips out, charging at the accountant reading the will before beating the shit out of him a bit.
But there’s still Chanel-O-Ween! She decides to send out terrifying gifts this year to separate herself from the masses: “For my disgusting hippo fans.” And they positively eat it up to ridiculous lengths.
In other news, Dr. Brock Holt (John Stamos) checks Chanel out, she’s not feeling so hot. From mind to body. Can’t be nice having another serial killer in her life. Is it Dr. Holt? Or maybe the literally dead Dr. Cassidy Cascade (Taylor Lautner)? No telling for sure, not yet.
At home Chanel wakes up after taking the colloidal silver Brock gave her for a rash on her leg – to find her skin is blue. As if things couldn’t get any worse for the rich white girl.

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The night before Halloween, Denise is setting up decorations on one of the hospital’s floors at the nurse station. Then the power goes out. Uh oh, Mrs. Chad Radwell! In the darkness of a nearby room the Green Meanie comes at her. They tussle a bit, but you know Denise can kick some ass, boy. She gives the Meanie a run for his money, eventually pulling a gun. Although the green killer makes off without taking a bullet. This sends Denise to get Hester: she’ll be wearing an anklet for the Halloween party, then later she has to give up the killer’s identity. Even gets a Jason Voorhees mask to put on. Denise then hilariously goes on to mix up Michael Myers as being played by Mike Myers, y’know, after Wayne’s World. Love her and love the dialogue the writers give her.
Lots of shade thrown around between Chanel and Denise, as they stand toe to toe in their costumes. And again, more of the roleplay between Denise and Chad – this time, American Beauty. Christ, this episode is awesome and funny, too! Lots of movie references flying around usually. This episode is on another level, and doing so wisely.
Finally, Chanel goes to see Holt about her tinted skin. He says there’s no cure. Yikes! Well right now Holt also has himself an alibi, he can’t be the killer – he was boning Munsch while Chad was killed. Holy christ, Cathy gets around, doesn’t she? Good on you, ma’am. But now Chanel is taking off, sick of all the bad luck she’s immersed in. Then someone in an Ivanka Trump outfit turns up, silent, trying to murder her. No change in that luck. Oh, and it’s Hester underneath that mask. Where’d she get it, though?

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Tsk, tsk, tsk. #5 is outed now. Zayday (Keke Palmer) and #3 (Billie Lourd) reveal they helped #5 find herself an Ivanka Trump costume earlier in the day. GASP! COULD IT BE? Nah, we know the truth. However, everybody turning on #5 – more so than usual – isn’t any good. It doesn’t look good having her left all alone, especially during the Halloween party. Chanel warns her plainly: “If you show up to that party, well kill you.”
October 31st hits and the party is on. Zayday is Isis – no, not like caliphate-style, like the Egyptian goddess. Again, hilarious! Then#5 turns up as Ivana Trump, not Ivanka. They make a super funny and kinda disturbing point about the Donald and his daughter. Then there’s the fact Ivana is still wandering around, Hester in disguise. She disappears through the halls when a Halloween party full of people turn up puking and going crazy. Seems that they were bobbing for apples and ergot (a fungus) was growing on them, making people quite sick. Although, Zayday doesn’t believe that diagnosis from Dr. Holt, she challenges him.
Meanwhile, Denise and Chanel are conducting a Ouija board ceremony, fighting over the dead Chad Radwell. He event contacts Chanel over his goat, the one he keeps for milk – being lactose intolerant and all. He also tells Chanel he loved Denise more than her, but doesn’t quite get to tell her about the killer before everyone rushes off somewhere.
And all alone is #5 just as I suspected. As if Ivana Trump hasn’t been through enough married to Donald all those years. Eventually Ivana comes across Ivanka. Hester doesn’t kill #5. She lets the Green Meanie do it instead. Ohhhhh shit.

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With the help of a girl dressed as Snow White, Zayday and the others figure out what happened at the party. She saw the Green Meanie changed out the apple bobbing water: the water got dosed, as I suspected again, with DMT. Yowzahs, very wild. Anyways, things are settled at the hospital. For the time being. But maybe the Meanie didn’t want to kill him. Perhaps he needed “a distraction,” as Zayday notes. Now, there’s trouble.
Denise comes across a stabbed #5, and once more she’s also confronted with the Green Meanie. The killer tosses a punch bowl all over Denise before shocking her with some paddles. Is she dead, or can her heart take it?

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An awesome, exciting episode. Really dig this season so far. Next up is “Chanel Pour Homme-icide” and I bet we’ll get more Hester, too! Can’t wait.

Scream Queens – Season 2, Episode 3: “Handidates”

FOX’s Scream Queens
Season 2, Episode 3: “Handidates”
Directed by Barbara Brown
Written by Ian Brennan

* For a review of the previous episode, “Warts and All” – click here
* For a review of the next episode, “Halloween Blues” – click here


So with that poor young man, warts and all, burned to a crisp, Chanel Oberlin (Emma Roberts) puts the ladies on notice: there’s another serial killer lurking about! Duh, Chanel. Although she goes on accusing #5 (Abigail Breslin), as well as suggesting she had a part in some of the first murders last season. Just being a proper bitch. But #3 (Billie Lourd) is the voice of reason. Somehow. Before they can figure out what to do, Cathy Munsch (Jamie Lee Curtis) herself shows up. You know she wants things covered up just as bad. She also lets slip that she may be dying, although the girls don’t fully catch on right away.
Out in the swamp, #1 and #5 get into a “comparative wetlands” argument, a good bit of typically hilarious dialogue. Just like back in 1986, a body gets dumped into the waters. Only somebody is watching in the woods.
Meanwhile, Randal (Kevin Bigley) seems to have gotten better. No more freaks out. Suddenly the Green Meanie arrives for a brutal, bloody slasher kill. Yowzahs!
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The ladies are gone back to see Hester Ulrich (Lea Michele) in her Hannibal cell. “Sweating to the Oldies 2” is a bit of a psychological torture on her while she rots away in there apparently. Quid pro quo. “A room with a view” becomes A Room with a View, which does not help with Hester who pushes hard to get a transfer over to her hospital. Munsch ain’t playing that shit, though.
Chad Radwell (Glen Powell) has issues with a serial killer running loose in the hospital. He’s worried about Dr. Brock Holt (John Stamos) and his transplanted killer’s hand. Well, Chad and Holt get into a “sperm off,” or they almost do. Afterwards we see Holt’s hand get a bit wild, too. The whole scene is drop dead hilarious, even once Munsch disses Chad as possibly being the worst lay she’s ever had. I loved the first season. This season is already defying any expectations I might’ve had about this one not being as good. Almost better already.
Dr. Cassidy Cascade, Chanel #3, and Munsch talk with a woman named Sheila Baumgartner (Cheri Oteri). She has orgasms, constantly. Not in a good way. So Dr. Cascade does his best to start a course of treatment. Later, he and #3 are alone cleaning up in the morgue. He mentions to her that Chad was in there earlier chopping up bodies and swearing a ton. Great. More than that he tells #3 that he’s dead. Like a “Highlander” who must wander the Earth. Haha, jesus. I’ve never watched Lautner in anything before, to be totally honest. He cracks me up in this role so far.

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Zayday Williams (Keke Palmer) and the Chanels are hanging out together, as #1 rants and raves about her skin. All of a sudden, Zayday has an epiphany while paying Scrabble and playing the word nurse.
Again in the showers Chad confronts Dr. Holt. Naked. “Just airinout my scrote, bro,” he tells Brock before also letting him in on the fact he’ll be doing the new hand transplant to get rid of that pesky serial killer organ.
Out on a hunt, the Chanels, Zayday, Munsch, and the ever hilarious Denise Hemphill (Niecy Nash) go to where Hester suggested they start on their search for the truth behind the Green Meanie. Turns out they discover the guy behind Esrun skin cream was there the night the Green Meanie killed all those people. He was paid $5-million to keep his mouth shut, all from the hospital. He claims Nurse Thomas (Laura Bell Bundy) told him a story about the year prior, when a doctor and nurse threw a dead body in the swamp. So is the woman whose husband died, or the child she later had?
Idiot Chad is trying to prepare for the big hand surgery. However, Munsch shows up to reveal Chad is actually her “prime suspect.” Holt cannot be the killer, she says. Nobody’s out of suspicion fully. Not yet. There’s certainly a bit drama building between Dr. Holt and Chad. Something nasty will come of it.

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Together, #3 and Dr. Cascade try figuring out Mrs. Baumgartner’s problem. #3 gets into the yoga pose she was in when the orgasm problem began. Things get slightly sexy, before the doctor recreates what happened to make Sheila slip into full-time orgasm mode. A-ha, they’ve cracked the case! Like a millenial slasher version of House.
Things aren’t going well for Chad. He’s trying his hardest to impress Chanel. He even goes ahead, asking her to marry him. Yet in the distance is Brock, watching strangely. An eerie moment.
#3 and Dr. Cascade get a bit freaky right after surgery. I mean RIGHT AFTER. Eventually they move back to a bed, at least. Music troubles make their sexy times a bit tough for the first few moments. Cassidy’s worried about his deadness. So he shows her a thermometer for proof.
Surprisingly enough, Chad tries asking Dr. Holt to be his best man. Truthfully he has cold feet about it, he wants help to go through with the marriage. Brock agrees, though I can’t help wondering: what’s his endgame?

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Chanel #1 is beaming. She wants #3 to be a bridesmaid. Zayday, too. She only wants #5 as a ring bearer. Dressed like a dog. Hahah good lord. The wedding’s tomorrow because rich white people are crazy.
After Sheila Baumgartner’s recovered and heading home she says the media has been alerted of the great care at Munsch’s hospital. Nothing lasts long, as Sheila sees the Green Meanie down the hall, tossing a scythe at her long distance. Sheila has her head lopped off. Chamberlain Jackson (James Earl) gets a slasher across the belly. But Zayday? She only challenges the Meanie: “Lets go, bitch.” The killer runs off, leaving the question, why Zayday?
We get an awesome Hannibal mask on Hester when she’s brought over to the hospital. With the Esrun lead, Denise pulled some Quantico strings to get her transferred. Things are only getting creepier though, as Hester’s sure the Meanie has killed again already.

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At the Chanel-Radwell wedding things are underway. Poor #5 is wearing her dog collar. A few witnesses, including Munsch, are waiting. And wait they do. You didn’t think Chad Radwell was getting married, did you? Nope.
Or is it more than that?
When Chad’s dead body falls from the ceiling of the church right next to Chanel, all bets are off.

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Who is the Meanie? My early bet is on Dr. Brock Holt, or the mysterious Ingrid Hoffel (Kirstie Alley). There’s no proof yet, really. So let’s see what happens in “Halloween Blues” next week.
Oh, in case you want to rock out to the wedding song before Chad’s bloody entry, here’s “Baby Love” by Regina from 1989.

Fear the Walking Dead – Season 2, Episode 15: “North”

AMC’s Fear the Walking Dead
Season 2, Episode 15: “North”
Directed by Andrew Bernstein
Written by Dave Erickson

* For a review of the penultimate Season 2 episode, “Wrath” – click here
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The finale is upon us! Who will survive, and WHAT WILL BE LEFT OF THEM?
After the head crushing finish of the penultimate finisher, “North” starts out on Travis (Cliff Curtis) having unleashed fury on the two young men who put Chris (Lorenzo James Henrie) down after being injured in their car wreck. In the process, he hurt Oscar (Andres Londono) real bad. This isn’t going to sit well with anyone in the hotel. Elena (Karen Bethzabe) has him taken away, locked up somewhere. Everything is getting pretty rough at this point. Madison (Kim Dickens) tries her best to keep a cool head, at the request of Strand (Colman Domingo). She then takes Alicia’s (Alycia Debnam-Carey) knife to go put walkers Brandon and Derek out of their misery. Feels like Madison is starting to rage in her own way, too. Ain’t just Travis anymore. Strand, he looks worried.
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At the colonia, Luciana (Danay Garcia) patches up Alejandro (Paul Calderon), whose bite is fierce. He’s getting sick, and fast. She wants to try making him look “presentable,” but he sees the end coming now. It doesn’t look pretty. She stays with him to help, although Luciana’s not impressed. “This is ending,” Alejandro says. But she thinks there’s still a future there for the rest of them.
Strand wants Madison to calm down. Technically, Travis has gone against the rules they’ve set out. “Weve lost our place,” Alicia says about their situation in the hotel. Going against them, Strand believes Travis can’t stay there. And Alicia wants to leave, take him, set out on their own once more. She’s sick of losing people and wants to not become hardened people, willing to give up the lives of others for a safe space to lay their head. At this point, Strand is set apart from them. Not sure if they’ll come back together, or if Strand will stay at the hotel for good. The agreement is to let Travis out of his lockup until dawn when the group heads for the hills.
Nick’s packed and ready to leave the colonia, with or without Luciana. She stubbornly won’t go anywhere. Marcos (Alejandro Edda) is coming, at some point or another. “Do what you do, Nickrun,” Luciana taunts.
With Oscar unconscious things are awful for the people at the hotel. Alicia tries to help. Nobody really wants it, though. They’ve got their hands full trying to do homemade surgery on Oscar.

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In front of everybody, Alejandro limps sickly to his people and confronts them with the truth about Marcos. He does his best to inspire them. Simultaneously, Nick heads for the wall of zombies. He smears himself well with blood, then ventures into the vast unknown past their wall. While Alejandro spins a fairy tale of bullshit to the colonia, Nick spies a helicopter touching down in the distance.
Oscar’s surgery goes on as Madison and Travis spend their last night in the hotel upstairs. “Whoever you think I am, whatever part of me you think is the same, its not,” Travis tells her. She agrees those two guys deserved to die after what happened, after all that happened with them on the road. Madison believes herself worse than him. They’ve bonded closely over this brutality, and that’s how it goes in the new world post-zombie apocalypse. A beautiful little moment between these two; and boy, did they need it! Downstairs, Oscar lies dead on the table. So now, will there be war? Oh, it seems that way. The men go for Travis in the middle of the night. Andrés (Raul Casso) puts a gun to Travis for killing his brother. When Alicia stabs him, all bets are off. Strand winds up getting his hands on the gun flicking across the floor, and states the obvious: “We need to get out now.” If only for the fact Strand won’t leave with them. No, please! I love Strand, I hate to see the group separate. He’s awesome and I don’t want him to die. So as long as he sticks around on the show, that’s fine. Just don’t kill him AMC, you bastards.
The road ahead for Madison, Alicia, and Travis doesn’t look great. But better than getting torn apart by everyone back at the hotel.

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Alejandro gets a surprise visit from Nick. He’s come back after seeing the helicopter, finding Alejandro incredibly sick. They have a frank chat about dying. About whether to leave. Nick believes actually caring about the people in the colonia would mean doing the right thing; getting them out. To be a good man, Alejandro must “let them go.” That helicopter, it landed across the border in a camp. Nick sees hope out there.
In the big supermarket, now empty, Alicia, Madison, and Travis search for information about the colonia. They also see hope – that maybe they can find Nick again. Well, they stumble across that death room where Marco had a bunch of dead bodies. Not a nice place. Although they may be able to figure out how to get to colonia if there’s anything left on the corpses. And there just may be some clues.
In the daytime, Marco and his crew roll out to the colonia. There, they first come across the wall of undead. Heading into the bus they find it’s “too easy.” After they’re all the way inside Marco discovers a veritable ghost town. Nobody visible, anywhere. Not from far away, anyways. Alejandro’s still lurking, looking to die a “beautiful death” as Nick predicted. He’s well enough to get to the bus, put it in drive, and let the walkers crawl on in. Colonia no longer secure.
Along a city road Nick and Luciana lead the good colonia citizens elsewhere, out towards the border in a bid to maybe find that camp, maybe a helicopter. Anything’s better than being slaughtered by drug dealers.


On their own way, Madison and Travis head into the colonia. Fuck, shit, FUCK! Always one step behind Nick. Outside, Alicia waits by herself, but then decides to go in towards the bus. The tension is killing me. Of course the inner sanctum is covered in walkers, dropped guns. Even Marco is a zombie. Every last person is dead. Alicia finds Alejandro at the bus and makes him comfortable. He tells them about Nick and the plan to head towards the border. At least they know which direction he’s going. Someday they may cross paths again.
The border is littered with cars, a scattered zombie here or there. Nick and Luciana take the group through the gates. He looks out towards the horizon spotting a helicopter through binoculars, a refugee camp not too far off. Then from nowhere a man with a gun. Luciana takes a bullet. Reynaldo, as well. Armed militia-style men take the group over. Nick and Luciana are cornered.
With Madison, Alicia, and Travis seeing Alejandro out of life once and for all, Nick is beaten down by the armed men. Nobody’s future is certain, as we always know a little too well. How will the next season begin? Where will they all be?
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A tragic and exciting end to this season. I dig it! Very ominous. Lots could happen.
Let’s await Season 3 with a new season of The Walking Dead in a few weeks.

Fear the Walking Dead – Season 2, Episode 14: “Wrath”

AMC’s Fear the Walking Dead
Season 2, Episode 14: “Wrath”
Directed by Stefan Schwartz
Written by Kate Barnow

* For a review of the previous episode, “Date of Death” – click here
* For a review of the Season 2 finale, “North” – click here
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Here we are at the penultimate episode of Season 2! Can’t believe it’s here so quick, honestly.
Ofelia (Mercedes Mason) is off on her own still, only the truck she’s driving breaks down on the road. As she takes care of it a couple walkers sneak up on her. She manages to get out of a jam, but now she finds herself on foot, walking down across a long wall in the middle of the desert. Is she headed back into the U.S. or what is the plan? I only hope she doesn’t get eaten alive.
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Nick (Frank Dillane) and Luciana (Danay Garcia) lay in bed together, having gotten closer with each episode as of late. Except he and his buddy Reynaldo (Cuauhtli Jiménez) are sneaking around under the nose of Alejandro (Paul Calderon) trying to make sure things go smoothly for the colonia.
At the hotel, Madison (Kim Dickens) watches over her newly returned husband Travis (Cliff Curtis) sleeping. They’re not doing well since his fateful last moments with Chris (Lorenzo James Henrie) before he callously left his father behind. “Hes safer with people who understand him,” Madison tries to explain. Not going to fly right now. It’s hard, no matter how shitty of a person they are, to let go of someone you love, especially a child.
At the overtaken supermarket, Nick and Reynaldo head in with the oxy. Not only that, they want to see Marco (Alejandro Edda). They offer him oxy, every week, for a promise to be left alone to their own devices. Turns out Marco doesn’t need them any longer, and that spells trouble for their little colonia. ‘Cause this Marco, he’s fucking ruthless.
Serving up a bit of breakfast, Alicia (Alycia Debnam-Carey) tries to bond a bit with Travis. She feels as if she pushed his son away because of his behaviour. Rightfully so, which he readily admits, too. “Hes sick,” Travis tells her. He knows, it’s just a damn hard thing to accept as a father. He further apologises not for protecting her when Chris went haywire on them.
Worse than anything is the fact Brandon (Kelly Blatz) and Derek (Kenny Wormald) have wound up in the hotel. And when Madison asks about how they got there, they make it sound like their friend driving, who we assume is Chris, didn’t make it. Shit. That’s going to devastate Travis if and when he finds out. Madison goes to tell Strand (Colman Domingo) about what she’s discovered. He thinks they’ve got to try and keep it from Travis, at least until they can figure out what to do from here. He worries that if Travis finds out Chris is gone for good, it may do terrible and irreparable harm. “Hes already broken, thatll kill him,” confirms Madison.

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Back at the colonia, Nick lets Luciana know about their new predicament, advising they tell Alejandro. The head honcho isn’t pleased; not about the whole thing, nor about Nick going out on his own. There’s a bit of zombie trouble first, though. A walker stumbles in, about to bite Nick, and Alejandro takes a CHOMP right in his forearm. Nick tumbles over a railing with the living corpse, and this puts it right in the hospital bed of unsuspecting patient – whose nose gets bits off – then a nurse gets her fingers eaten. All before Nick puts an end to the zombie by pushing his fingers into its eyeballs until POP! What a god damn mess, every bit. Tragic, yet an awesome scene of chaos.
Along the border fence, Ofelia finds a hole cut, and starts in through the desert on the other side. At the same time in the colonia, those bitten – excluding Alejandro – head through the bus, into the wall of undead. Now Nick is worried that soon the “shooting starts” and he knows “faith is not gonna protect us.” He wants Luciana to go, although she isn’t as willing. Until Alejandro reveals to her he isn’t immune, that he was bitten by an addict, then the story went wild. She won’t leave with Nick, no matter the lie.
The hotel turns into chaos, as well. Refugees there in the parking garage aren’t happy that Brandon and Derek are being treated first. Little do they know this is a ploy for Madison to get them out of there without Travis knowing. Only he sees this from upstairs, spying the men who were with Chris. He manages to get down there before they’re tossed out.
Out of nowhere Ofelia gets bullets fired near her feet. She takes off to find what little cover she can. A man (Dayton Callie) with a rifle stalks her down, removing her knife: “Welcome to America.”

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Travis has Brandon and Derek taken back inside. He wants to know about Chris. Things get very, very tense. They tell him how it all went on the road. When Chris volunteered to drive, he dozed off and flipped their truck. Instant death through the windshield. Or is it really how things went down? Travis starts noticing their stories don’t add up. Little slips of the tongue. So he locks everyone outside, then starts in on beating the two young men. He kicks the living shit out of them before Brandon confesses: “We killed him.” His injuries were too bad and they decided to put him down. No surprise there. And that’s all Travis needed to hear. He cranks Brandon’s arm back out of its socket. Derek tries to fight him off, but Travis lets the beast out and demolishes what’s left of them both. Even stomps Brandon’s head in leaving him dead like Chris was on the road. Savage.

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What a whopper of a penultimate episode. Can’t wait for “North” up next.

Scream Queens – Season 2, Episode 2: “Warts and All”

FOX’s Scream Queens
Season 2, Episode 2: “Warts and All”
Directed by Bradley Buecker
Written by Brad Falchuk

* For a review of the Season 2 premiere, “Scream Again” – click here
* For a review of the next episode, “Handidates” – click here
screen-shot-2016-09-28-at-12-45-44-amWith murder on the hospital grounds, Cathy Munsch (Jamie Lee Curtis) has more trouble on her hands again. Chanel #5 (Abigail Breslin) is being sweated by the police, even though she was stuck in the hydrotherapy tub the entire time. Lots of whodunnit already! Chanel #1 (Emma Roberts) and #3 (Billie Lourd) arrive to circle their other namesake, berating her about not getting any dick at all, especially in light of Dr. Cassidy Cascade (Taylor Lautner) and Dr. Brock Holt (John Stamos) respectively asking them out. Of course, it’s like nobody believes #5.
screen-shot-2016-09-28-at-12-46-46-amBack with Drs. Cascade and Holt, along with Zayday (Keke Palmer), the Chanels suffer through another consultation being insensitive as usual. This latest guy, Tyler (Colton Haynes), essentially has these tumours forming bumps like pebbles under his skin, all over. Wonder how this might play into the episode, or if it’s just a bit of background mess. In the meantime, Zayday worries about Munsch and her motives for running this hospital. Zayday doesn’t like how things sound about the latest murder, and well, she was around for Season 1. She knows what that crafty bitch gets up to now and then. “I think she wants revenge,” Zayday says re: Munsch. And she asks Chamberlain Jackson (James Earl) to help her out with a bit of low key investigating.
Out at the movies, Dr. Holt and Chanel #1 bond over being horrible people. Ironically The Hand is playing (as well as Pieces). We start seeing more of Brock’s “out of control hand” and she talks about “his hot mouth” – I can’t wait to see where this whole hand transplant thing is headed, because I love it. Meanwhile, #5 is bonding, too. With Tyler. And she comes round to deciding she’ll help him raise the money for the surgery he needs.
Late in the night, Chanel #1 is on duty at the nursing station. Power goes out. Screams. The Red Devil Killer shows up! He lifts his axe, and then removes his mask: it’s Dickie Dollar Scholar, Chad Radwell (Glen Powell), bitch. Who else?
Now that’s an interesting return. His buddy Randall can’t stop screaming, so there he is to get a bit of help. As well as discover that Dr. Holt and Chanel may be “boning.” This scene is god damn hilarious. When Brock keeps clicking the pen, showing off Randall’s exaggerated reactions. In between we find out that Chad’s started a band: “Goldplated Nutsack.”

screen-shot-2016-09-28-at-1-44-37-amscreen-shot-2016-09-28-at-12-58-43-amZayday’s digging. Plus, Chamberlain went and got some of the microfiche for her to help, along with a machine setup downstairs. They come across the Halloween Massacre at the hospital. We zip back to 1986 with Dr. Mike (Jerry O’Connell) and a bunch of partygoers, other doctors, all rock out. When a couple of them head to take a few shots alone, they encounter the Green Meanie Killer who promptly chops them to bits. He then pulls a Michael Myers on Dr. Mike, lifting him off his feet impaled before chasing down his next victim to Tiffany’s “I Think We’re Alone Now” and tossing a machete through her midsection. Wickedly nasty sequence. Dig that.
Ingrid Hoffel (Kirstie Alley) asks suspicious questions about whether Zayday might let her know where the Chanels are at all times. She makes a case, but seems pretty sketchy. I wonder what her deal is, I hope she’s got an interesting story.
In the showers, Chad tries to stand his ground against Dr. Holt. They argue over the “dateable guy checklist” and who’s most fit to be dating Chanel #1.  This scene gets more homoerotic by the second, as Chad gradually works his way further and further until literally being tip-to-tip with Brock in the shower stall. I laugh way too hard at Chad Radwell. He’s the ultimate douche and he’s written as such. Powell plays the role incredibly well.
With #1 and #3 convincing #5 that Tyler won’t like her anymore if he gets the surgery, #5 is quite on edge. She kicks the shit out of two dudes who make fun of Tyler in a diner before screaming: “I do not have teeth in my vagina.” Another role played way too funny, written wonderfully, is Chanel #5. Breslin is magic.

screen-shot-2016-09-28-at-1-09-15-amMunsch says she could “really use a friend” and so with Chamberlain and Zayday at her door, they agree to listen to her secrets. She tells them about having awful headaches, bad joint pain, a ton of various symptoms. So it looks like Cathy may be straight up this time around. Although there’s no telling if she’s even being truthful. You know how underhanded she can get. Oh, and a lurking figure outside – is it #1? Or is that Ms. Hoffel? – hears all. A little later in the dark corridors, Munsch winds up confronted with the latest Green Meanie Killer. Luckily she has some ass kicking experience. Fighting hard she downs him. When Dr. Cascade and #3 come across Munsch, this distracts her, and the killer gets away. In a meta moment, Curtis goes off on those moments when somebody kicks the killer’s ass and nearly unmasks him but gets distracted. Fucking awesome! This episode is full of fun writing.
Still, Drs. Cascade and Holt are trying to cure Randall of his screaming. In an aside, Brock’s hand acts up again, scrawling a note; that only Chad cares to read. Funny enough it seems to be a grocery list for a fancy dinner. Hmm. Afterwards playing squash, things get tense between Chad and Brock, though the latter asserts his dominance, as well as possibly a homicidal streak? We’ll see.
You know Denise Hemphill (Niecy Nash) is kicking around, apparently an FBI trainee at this point. She calls Zayday a “stone cold hoe” and believes it’s likely her killing people. Even though she already barked up that tree last season to no avail. But Nash is outrageously funny and I love every time she’s allowed to let loose.

screen-shot-2016-09-28-at-1-21-29-amAnd the moment we’ve all been waiting for – or at least I have – the return of Hester Ulrich (Lea Michele). They’ve got her in a Hannibal Lecter-like cell, even talking like Hopkins a bit and there’s plenty of homage dialogue, the dungeon cell area highly reminiscent of The Silence of the Lambs – a patient even throws… birthday cake mix… at Chanel #1. So the crazy Hester locked away has demands for helping with their case. One of which includes transferring to Munsch’s hospital. “Bitch, aint nobody got time fodat,” Denise tells her. But I’m guessing they’ll be enlisting Hester soon enough.
So we get a good dose of story about the hand Holt has now. The guy was a world class squash player, finding people to play with and then killing them. That menu Brock wrote down is the last meal he had before going to jail. The guy was executed, a notorious serial killer, and gave up his organs for donation. Chad brings this newfound information to Dr. Holt and they have a bit of a face-off. We also see another tiny slice of that possible crazy person inside Brock.
Munsch talks of going to Papua New Guinea, which Zayday believes led to her having a disease cannibals get from eating human flesh. There’s nothing they can do: less than a year to live. Yikes. We further discover Ms. Hoffel has a bug planted in Munsch’s office, and she knows everything.

screen-shot-2016-09-28-at-1-29-17-amscreen-shot-2016-09-28-at-1-30-59-amscreen-shot-2016-09-28-at-1-35-09-amSeems as if Tyler’s been trying to help #5, finding information on the Green Meanie Killer. And then all of a sudden, his surgery is switched, someone wheels him off. Problem is that Drs. Cascade and Holt are gone home to have a “Handsome Contest.” With Tyler on the table, the Green Meanie puts an end to his prying. Tyler gets the laser all right. The Chanels are too late to stop his untimely death.
screen-shot-2016-09-28-at-1-37-31-amLoved this episode! Maybe one of my favourites of the entire series, honestly.
Excited for more. Next up is “Handidates” and I can only imagine what we’ll see judging by the title.

Fear the Walking Dead – Season 2, Episode 13: “Date of Death”

AMC’s Fear the Walking Dead
Season 2, Episode 13: “Date of Death”
Directed by Christoph Schrewe
Written by Brian Buckner

* For a review of the previous episode, “Pillar of Salt” – click here
* For a review of the next episode, “Wrath” – click here
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Swarms of bodies are at the gates of the hotel. But not walkers: people. They’re refugees trying to find safe haven. Madison (Kim Dickens), Alicia (Alycia Debnam-Carey), Elena (Karen Bethzabe), they all stand there not knowing how to turn people away, yet having to do just that.
Then in the crowd Madison sees a face – it’s Travis (Cliff Curtis). He’s finally come back to her.
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We switch back to some time before with Chris (Lorenzo James Henrie) standing over the dead man he shot. This is the moment which ultimately devastates his father. For the time being, Travis sticks around to try helping James (Israel Broussard) got shot in the process, doing a bit of stitching to the best of his ability. The humanity of Travis is still there; he digs a grave for the man who owned the farm, even makes a cross to go on top: “I dont even know your name,” he laments over the closed up grave afterwards. Later that night everyone sits by the fire and eats chicken, enjoying the farm’s commodities, except Travis. He has no time for the way his son’s acting after having murdered a man in cold blood. I genuinely don’t like Chris. He is a “savage” just like his father says.
Cut to Travis at the gates of the hotel. Alicia asks him outright where Chris is, and the look on his face certainly does nothing to assuage any fears she might have in her heart. But again, I can’t stand Chris. He deserves whatever he gets.
Madison and Travis talk about Nick (Frank Dillane) a little. Inevitably, Chris comes up. Travis tells her “I had no choice.” And so we’re back to the farm again. The chicken is gone, then the crew are ready to move out after a week; heading to San Diego. Feeling it isn’t the right choice, Travis does his own thing around the farm a while. He searches the house to try and find the owner’s name. After finding a wallet, he’s able to carve out the name in his cross: Elias Suarez. Soon they all board the truck and leave. Not long and they have to stop because James isn’t healed enough to travel. And you know what that means – Travis is at odds with the group again, as they’re ready to leave James behind to die.

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Guns are drawn and shit gets serious. Travis waits it out with James to try protecting him from the group. Chris ends up coming in and tricking his father, they hold him down and then James is murdered in mid sentence. “Your way doesn’t work,” Chris tells his father before leaving with the other two men: “Im better off without you.” He believes that who he’s becoming is right. He has actually become a sociopath. Much as I hate him, seeing Travis have to watch him drive off is heartbreaking.
At the hotel, Travis at least feels lucky to be at the hotel with Madison. He still feels guilt for what’s happened to his son. “I left him,” he tells Madison. She tries to reassure him things will be okay, but sadly too much has happened and right now Travis is profoundly wounded. His morality is all mixed up for having lost his boy.
Meanwhile, there’s all the refugees. They were let in because the people at the hotel haven’t become hardened, they still want to help others as much as they can. Alicia is checking people out in a makeshift medical tent, although her mother comes to get her – Madison reveals the truth about her father’s death not being an accident, and in fact a suicide. His note simply stated: I LOVE YOU ALL BUT ENOUGH’S ENOUGH. This, of course, rocks Alicia. The honest openness of Madison is enough to keep mother and daughter from any hurt feelings, even if it’s tough to digest. Alicia is strong, though, and together these women can get through anything. At the same time I can see there’ll likely be fallout from this decision of Madison’s because Alicia still feels upset deep down. And who wouldn’t be?

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They’ve got worse things to worry about right now. Because at the gates, up turn the group Travis left behind. You know he can’t be in the same place as them. Will Chris pull Travis back in and will they be let past the gates? Or will someone let them through unknowingly? Is Chris even with them??
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Can’t wait for next episode – “Wrath” – and I’m hoping for a big, angry confrontation! This was a nice episode. I’ve seen reviews already saying it was boring, nothing happened, same old stuff. This is the episode I’ve waited for, to see a rift open up between father and son. Again, that’s also paralleled in the troubles Madison has with her own kids, albeit less intense than Travis and Chris.
Either way, pumped for the next chapter in Season 2.

Scream Queens – Season 2, Episode 1: “Scream Again”

FOX’s Scream Queens
Season 2, Episode 1: “Scream Again”
Directed by Brad Falchuk
Written by Falchuk & Ian Brennan & Ryan Murphy

* For a review of the Season 1 finale, “The Final Girl(s)” – click here
* For a review of the next episode, “Warts and All” – click here
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The bitches are back, bitches!
This season opens on October 31st, 1985 (just seven days after my birthday). In a hospital people are partying. But one woman’s husband is in trouble, and she can’t find anyone to take her seriously. Until they come across Dr. Mike (Jerry O’Connell), who – after a bit of prodding – takes care of the man. He and one of the nurses plan to dump a body out back in a swamp, let the animals and nature take care of him. She talks about the “Green Meanie” – an urban legend from when she was younger, a monster that stalked the swamps. Now, heading to the present, are we going to see someone taking revenge for this crime? You betcha.
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It’s 2016. Cathy Munsch (Jamie Lee Curtis) is all over the place as the face of “new feminism.” Meanwhile, hands Doctors Cassidy Cascade (Taylor Lautner) and Brock Holt (John Stamos) are taking care of a Ms. Catherine Hobart (Cecily Strong); an unfortunate lady who’s had to deal with werewolf syndrome. So we come to find out it’s Dr. Cathy Munsch. She received the honorary doctorate they “stripped from Bill Cosby.” Mostly she’s a lot of talk. As usual. But she’s awesome, and she opened up the hospital. Via voice-over, Cathy takes us back through how she got to this point. A fun little romp with Jamie Lee Curtis; ever cool, ever hilarious in a dry, sly way.
And what about the Chanels? Chanel Oberlin (Emma Roberts), #3 (Billie Lourd), and #5 (Abigail Breslin). We go back over their court case, the involvement of Denise Hemphill (Niecy Nash) in her crack up testimony during trial. There’s a bit of Hester Ulrich (Lea Michele) on tape claiming “double jeopardy” while arguing with Denise: “Its single jeopardy!”
Then there’s Zayday Williams (Keke Palmer). She’s in med school, trying to get by like many students. Munsch is swooping in on her, offering to pay for her tuition, offering a position at the hospital. Too good to be true? Well, Zayday takes her up on it. Whether that’s a good thing will have to wait a while.

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Starting her schooling, technically a direct entry residency, Zayday meets the obnoxious Dr. Cascade and the weird Dr. Holt. Particularly we get a story about how Holt actually lost a hand a few years back. Lost a ring in the sink, garbage disposal got turned on, and VOILA! These days he’s doing surgery like a magician. His speech is both tragic and hilarious – the way he keeps hitting things, scaring Cascade and Zayday made me laugh. Lots of eeriness, all the same. Cascade seems like an ass, as well as the fact he’s strikingly cold to the touch. Best is when Chamberlain Jackson (James Earl) shows up. His charm is undeniable, if not a bit in your face.
Zayday makes a big with Munsch to get more women around the hospital. You know what that means. Oh, yes.
Chanel and her “idiot hookers” are back. Everybody hates them now to the point they’re having shit thrown at them in the streets. They majored in Communications, they all got jobs. Not exactly what you’d think. Especially after ending up poor, tired, and knocked down a few social pegs. Once Munsch shows up, everything changes. Naturally the girls are sceptical of the former Dean’s extending her hand, asking them to enrol as students and work at the hospital. But really, what else will they do? Their arrival throws Zayday for a loop, too.

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So the fashion clash begins when the Chanels realise they have to wear scrubs. Although things feel more palatable after seeing Dr. Holt taking a shower. Curious: #5 notices a tattoo, sort of like a coat-of-arms with an H in the shield. Hmm. Anyway, the girls each have their jobs. After a bit of brutally funny banter on the term ‘ghosting’ as per Munsch: “Isnt ghosting when you do a number two and you look down at the paper and theres nothing there? And so you stand up and you look in the toilet and theres nothing there either because the turd somehow got shot down the hole before you even flush?”
The Chanels don’t have much bedside manner. Neither do Dr. Cascade or Dr. Holt, the first rambling on a Nietzsche-like thought and the other texting. Poor Catherine, the werewolf lady, is trying to get a bit of sense out of the doctors. Only one providing that is Zayday. We also get introduced to Ingrid Marie Hoffel (Kirstie Alley), R.N., who doesn’t have time for Chanel or any of their bullshit. Speaking of which, Munsch puts the Chanels on academic probation because of their treatment of Catherine earlier. Everything quickly feels like it’s crumbling beneath the Chanels after discovering they also don’t get paid, only free room, board, so on. So they head back to their room and brainstorm about what to do next: find a cure for “werewolf girl” first.
Chanel goes to talk with Dr. Holt about Catherine’s case. We see a bit of his weird, transplanted hand. In the midst of everything, Holt and Chanel figure out there may be a testosterone problem in Catherine, which prevents any further hand madness. Thus starts the fierce competition between Zayday and the Chanels. After a bit of treatment, Catherine loses ALL her hair. Not just a little. Every last bit. They give her a bit of a makeover, so that patches things up for now. Making Munsch’s hospital look great and pissing Zayday off.

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#5 is on graveyard shift while the other two have dates. While she helps Catherine with a bit of hydrotherapy, someone watches in the shadows. #5 opts to get in one, as well. Both of them locked in a tub. Smart move, dummy. Then, a green-masked intruder appears with a couple blades in hand. He puts on a bit of music for the occasion. Before lopping Catherine’s head off.
And we end on a last chop: is it to #5? Or to the head? Or maybe just a last scare? We’ll find out next week.

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An exciting, weird, creepy first episode for the second season of Scream Queens! Really loved this one. Can’t wait to see “Warts and All” next. Lots of promise, new characters, new setting, and a fun mask for a new killer, too.

Fear the Walking Dead – Season 2, Episode 12: “Pillar of Salt”

AMC’s Fear the Walking Dead
Season 2, Episode 12: “Pillar of Salt”
Directed by Gerardo Naranjo
Written by Carla Ching

* For a review of the previous episode, “Pablo & Jessica” – click here
* For a review of the next episode, “Date of Death” – click here
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In the villa, a family of three – mother, father, daughter – looks to be escaping. They quietly make their way through, past the empty streets and sleeping people, to try getting through the wall of zombies. Papa cuts open a walker and they all paint themselves, trying to make it through the wall like that. This opening sequence is chilling. An aerial shot craning upwards, wide on the ground, shows us how many of the zombies stumble around in the fenced off area. The family, luckily, gets out alive.
Then out of nowhere comes a vehicle. Some men confront the father. Marco Rodriguez (Alejandro Edda) pulls his gun on them, eventually forcing them into the vehicle, too. And off they go.
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Ofelia Salazar (Mercedes Mason) is off on her own. She’s doing fine. Killing zombies, taking care of business. A lot easier just to watch one person’s back. But then again, there’s nobody to watch yours except you. That isn’t always easy. For now, Ofelia finds herself near the ocean on the beach in a little house. She remembers life, before the fall and the zombie apocalypse. Her fiancee, their plans. All that’s long gone, painful memories at this point.
Back at the hotel everybody does their part to get things going. They’re locking the gates, making sure the electrical systems and generators are running to the best of their abilities. A garden’s being planted. Madison (Kim Dickens), Strand (Colman Domingo), Alicia (Alycia Debnam-Carey), they’re actually enjoying themselves for the first time in so long. Although Alicia worries for her brother, Nick (Frank Dillane). Speaking of Nick, he’s spent the night with Luciana (Danay Garcia). They’ve found about the family taking off in the night; the father was the one who helped get water for the villa. So Nick and Luciana have to take charge.
Tragedy strikes when the mother of the bride stabs Strand for having dispatched her daughter. Some of the hotel survivors try helping Victor, as do Madison and Alicia. One of the survivors studied in med school. He works to keep Strand alive.
When Alejandro (Paul Calderon) discovers the family missing from their villa, he isn’t happy. Mostly he feels slighted, so it seems. There’s something more here. Something boiling. I feel like Alejandro is wearing a mask, or at the very least hiding something.
Problem at the hotel is Ilene (Brenda Strong), the grieving bride’s mother. Madison lays down the law: “If anyone raises a hand to another, theyre out. Any of us; gone. Thats how it has to be. Thats the only way this works.” And such is the grounds for a new, primitive society in the hotel.
Nick is starting to wonder about Alejandro, who, for his part, doesn’t exactly appear calm and collected like he did once. He and Luciana want to head out to take care of their business. Except now Alejandro says nobody leaves their villa, for as long as he says. Hmm. That’s definitely sketchy.

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Elena (Karen Bethzabe) and Madison are on the road to seek out medication and supplies to help Strand. They bond a bit, as Elena tells her own personal story, more than we’ve heard yet. And just so happens it involves drug addiction, or someone of hers addicted to them. Something Madison knows too well. Her own son was lost in the drugs. At the same time, he’s lost in Mexico. Stuck in Alejandro’s little “colonia” (a creepy word if you think of this) – the villa he’s ruling over.
But the villa and the hotel are connected. Madison and Elena head to that big supermarket the gang controls, that’s where they go for the medical supplies necessary to treat Strand. Will this soon bring Nick and his mother together? Alejandro’s kept Nick from going anywhere today, so the reunion will have to wait. While Madison and Elena do their shopping, Marco is upstairs questioning the escapee father about the colonia from which he ran in the night. When Madison gets wind, via Elena, that an American came with Luciana about the drugs, things get tense. She flips, wanting to find her boy. Before Elena has to get them out fast.
Well, Nick is worrying more by the minute. Alejandro is gone paranoid, to the extreme. Acting like he’s been burdened with everything. He requires faith. “So you want me to just follow you blindly?” Nick finally outright inquires. However, it’s only more control Alejandro wants. That’s how it seems to me. Either way Nick doesn’t want to be under anybody’s thumb. He’s worried most about people going without water, and that Alejandro keeps pressing people not to leave, under any circumstances. You know the former junkie won’t have that. His philanthropist side has emerged larger with every episode he’s in. Simultaneously, he softens the hardened exterior of Luciana slowly.

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Everything’s slipping. On the rooftops, Nick spies Marco and his henchmen with binoculars: looks like they’ve found Alejandro’s colonia. Uh oh.
Back to Ofelia – she flashes to memories of her mother Griselda (Patricia Reyes Spíndola), talking about men and how you find the right one, et cetera. All those things she’d be thinking on the edge of a marriage. Her mother also talks about the violence of where they lived, and that leaving their original home wasn’t a struggle; they had to leave. They did not want to “live in fear” everyday. Griselda says she’d do anything on Earth for her family: “That is love.” On her own in the zombie apocalypse, heading back towards the USA, Ofelia understands her parents more than ever.
At the hotel, everybody’s going a little crazy. Elena isn’t pleased with the way Madison is acting after possibly hearing of Nick. She turns on the hotel lights, she’s made everything difficult with Marco and their crew. Madison is letting her head get clouded and Alicia doesn’t see things the way her mother does; not about the new world, not about Nick and what he did or where he’s been. Lot of tension between these two.
Although, out in the darkness Travis (Cliff Curtis) can see the hotel lights. When they shut off, he walks in their direction; alone. His son is nowhere to be seen.
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This was a stellar episode! Loved the twisting  bits wondering if Madison will finally find Nick, the intrigue about Alejandro and his paranoia. And now Travis is on his way back to his wife, hopefully having either put his son down or left him with those crazy dudes.
Next episode is titled “Date of Death” and I have a feeling we may see a cast member depart. Will it be Strand? I hope not. Someone else, please. I dig Victor. We’ll just have to wait and see.

Fear the Walking Dead – Season 2, Episode 11: “Pablo & Jessica”

AMC’s Fear the Walking Dead
Season 2, Episode 11: “Pablo & Jessica”
Directed by Uta Briesewitz
Written by Kate Erickson

* For a review of the previous episode, “Do Not Disturb” – click here
* For a review of the next episode, “Pillar of Salt” – click here
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Victor (Colman Domingo) and Madison (Kim Dickens) are trapped in the hotel bar. Surrounded by a wall of walkers. They do their best to start taking out zombies, one by one, when Madison can hear Alicia (Alycia Debnam-Carey) calling out from somewhere. Bad ass mom starts taking charge, as she and Victor cover themselves in dead blood to mask their scent. Slowly, they push through the throngs of living dead to get out of the bar. The pair climb up to a balcony, at least away from the walkers a moment. Certain areas of the building are just – pardon the pun – dead quiet. Not a soul around. Strand believes maybe, if it came down to it, Alicia would leave: “To survive.” And for a second Madison almost believes that.
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They keep hydrated, stay vigilant, as outside the zombies ramble around. From a way off they hear living people banging on a door. It’s Alicia and Elena. Reunited again. Strand’s not exactly happy to see strangers, though.
Back in the protected Mexican villa, Nick (Frank Dillane) is adjusting to some kind of new life. He’s trying to make up for his recent mess, offering his services to Alejandro (Paul Calderon). He wants to use his junkie experience to make things right. Out comes that old side of Nick he left behind him. Alejandro watches on as Nick shows off a little drug magic to “2020” by Suuns. Nice, fun little sequence to add in amongst the horror of it all.
Madison doesn’t want to leave Ofelia (Mercedes Mason) behind, not without knowing for sure where she’s gone. Strand and Alicia don’t think it’s worth it, as Ofelia didn’t think they’d make it anyways. She probably left on her own. At the same time, Elena lets the group know about some supplies still kicking around the hotel. Victor and Madison go to try talking with a man named Oscar (Andres Londono), although that’s not exactly easy at first. After dropping their weapons, Madison takes charge: “Im tired of runnin‘, Victor.”
She tries to convince Oscar and his people they need each other. First, they need to clear out all the zombies. Only they don’t want Elena to stay because of what she did. Kinda understandable. But then again, I might’ve locked people inside that room too if I were here. You can’t be sure. Barbaric? Sort of. Smart? You betcha. Either way, Oscar’s willing to give up some keys for the hotel. That’s a start. As for Strand, he isn’t convinced with Madison believing they can make a home out of the hotel.
The story of Alejandro’s bite comes out, as he was “beaten by the living” he was simultaneously “bitten by the dead.” Luciana (Danay Garcia) brought him away from it all, to their villa. And death never came for him somehow. All because Alejandro tried saving a poor junkie that was mistaken for a walker. Ah, emotional intrigue between these two. I like their chemistry as characters together. A new relationship and connection for this season to feed off.
Then words comes to the villa: they’ve found Pablo dead, Luciana’s brother.

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At the hotel, Alicia, Strand, everybody pitches in to clear the hallways and rooms. Madison leads everybody in doing what needs to get done. Alicia says it’ll “take weeks” for them to get everything cleared, every floor, each building. Mother and daughter get a bit of time together, Madison apologises for her perceived failures as a mom. I really enjoy Fear the Walking Dead because of the amount of smart, tough female characters so far. These two, of course, being some of the best.
Nick now has his own trailer in the villa, a place of his own. Semblance of a normal life. He doesn’t necessarily want it. Alejandro insists. First thing Nick does? Touch the ceiling. Not because he’s too tall. Because it’s a room, four walls. For the first time in a long time.
The hotel clearing takes on new form, as Alicia’s come up with a plan to use the high riptides in order to get rid of some walkers. Alicia and Hector start luring them outside. Inside, Strand and Elena open up doors, Madison gets zombies piling through the halls. They draw hordes of the undead out the doors and onto the pier. Madison is the one to take the long walk alone, locked on the pier with the zombies, pushing further and further. The others plan to get her on a small boat at the end. Madison jumps off and the zombies, like lemmings, go toppling after her into the water. Luckily, Hector and Alicia are there to scoop her up.
Later, everybody celebrates with a nice dinner together, candle light, wine. Strand goes off and winds up talking with the former groom, the one who lost his bride. “I wont let you touch her,” he tells Victor. She’s not lost, but she certainly isn’t herself anymore. Eventually you just have to let go. That goes for Victor, as well.
Oh, and the bride’s name was Jessica – hence the Pablo (Luciana’s brother) and Jessica of the episode’s title.

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Again, I enjoyed this episode. A few inconsistencies, though nothing major for me. People complain about the cell phone? There’s no guarantee that was Alicia’s cell. She could have easily found it in the hotel, so chill, nitpickers.
Most of all I enjoyed Madison and Alicia this week. They are a great mother-daughter combo: smart, fierce, determined, flawed. Awesome stuff. Excited for “Pillar of Salt” because I can’t wait to see a few of these threads develop further, and maybe we’ll see more of Chris and Travis, too. They’re at a crossroads, which I’m dying to see resolve, or explode.

Aquarius – Season 2, Episode 13: “I Will”

NBC’s Aquarius
Season 2, Episode 13: “I Will”
Directed by Jonas Pate
Written by Mike Moore

* For a review of the penultimate Season 2 episode, “Mother Nature’s Son” – click here
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Season 2 finale, we’re here! I hope there’ll be more. Although because of NBC not treating the show with proper respect it deserves I’m not holding my breath on Season 3.
This possible series finale begins on August 7th of ’69 in the early morning hours. Former detective Sam Hodiak (David Duchovny) is start off retirement by trying to track the killer of women who recently rang him up at home. Sam heard a fire engine going, so he tries to track down any calls in that area to narrow things down. Alongside is Officer Charmain Tully (Claire Holt) doing her best to help. He soon comes up with where he believes the perp to be, the neighbourhood he seems to remember from some time ago. He follows the man into a diner; his name is Gerald Dunn, they shake hands. Sam begins an uneasy conversation with Dunn. Neither willing to openly say anything about why they’re there. Except Hodiak makes clear he’s eager for retirement: “Kinda looking forward to doing whatever I want. To whoever I want. Ill see youround, Gerald.”
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Ken Karn (Brian F. O’Byrne) has the money from his wife, and I assume Hal Banyin (Spencer Garrett), as well. He’s brought some for Charlie Manson (Gethin Anthony). Brought a bit of lovin’, too. Yowzahs. Doesn’t help him or his daughter being involved with Mr. Manson. Especially after he starts hearing more about Charlie’s “Helter Skelter” prophecy.
Over at the precinct, Ed Cutler (Chance Kelly) isn’t happy about Charmain or Detective Brian Shafe (Grey Damon) doing their respective things. He’s funny, though, and that’s all right. Poor junkie Shafe is suffering through his addiction AND not having his wife Kristin (Milauna Jackson) around anymore.
For the time being, Sam enjoys a little respite from murders, dead women and such. He and Billie (Olivia Taylor Dudley) have a bit of breakfast. She isn’t too thrilled about his addiction to chasing down suspects. I guess she’s right about him, and at the same time he only wants to do good. Speaking of which, he’s got Dt. Shafe knocking on Mr. Dunn’s door, hauling him down to the station while Sam Goes for a look inside the house.
And what does he find? A secret, nasty little dark room. Photographs everywhere. At the station, Gerald prints #1 DETECTIVE and SAMSON BENEDICT HODIAK, over and over on a pad of paper. Oh, he is a creepy man.

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With everything going on, Grace Karn (Michaela McManus) is trying to keep her head straight. She finally reveals to her political lady friend the truth about her daughter Emma (Emma Dumont). Where’s Emma, exactly? Heading out on a “creepy crawly” and trying to calm her father down. He’s worried for his daughter. His sad, brainwashed, pregnant daughter. Charlie’s sending Tex (Cameron Deane Stewart) off on a mission. To do some terrifying things; painting the walls with blood, using knives. It’s August 8th, after all. Soon enough, Sharon Tate, among others, will be bleeding to death tragically. Because Charlie’s reading to “make history.”
Meanwhile, Shafe has to let Gerald go. He and Hodiak know this is the killer, but alas – the law. Charmain helps the fellas figure out an important piece to Gerald’s story; he was married to a pin-up girl who wound up dead, just like the women he murders and poses.
Out on their mission, Tex, Sadie (Ambyr Childers) and the others start Helter Skelter into motion, as Tex murders a man in his car up the driveway to their destination.
Hodiak finds pictures of him in the developed rolls of Gerald. He then rushes to a crime scene where Billie lies murdered viciously. Now, we see where this is all leading.
Charlie rambles on to Ken about his race war plan and hiding beneath the Grand Canyon, as his “children” head inside the Tate house. Tex continues his murderous rampage: “Im the devil, and Im here to do the devils business,” he eerily explains to one of his victims. Watching on, the pregnant Emma is horrified by what comes next. One by one, people are dispatched violently.

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At home, Gerald is gathering up some things. Problem is that Sam Hodiak has come to pay him a visit, gun in hand. Seems that Billie got a vicious beating, no typical M.O. from Dunn. And so Sam starts in on the guy: “Im gonna hurt you, Gerald. Im gonna hurt you until you tell me everything.” The whole thing comes down to Dunn being put in jail by Sam, not being there to protect his wife when she was killed. But Gerald taunts, wanting to get shot. Shafe turns up to convince Sam otherwise. We discover the dead woman was in fact Billie’s sister; still awful. At least she wasn’t also brutally killed.
The Tate house is being absolutely torn apart. Tex puts a knife in Emma’s hand and commands her to go finish off anybody that’s left. She only warns a man staying in the guest house not to come outside, or make a peep. The Manson Family starts to leave, as Emma witnesses the last of the killings take place, a horrified look in her eyes. Once it’s all over they write “something witchy” on the wall for their master. Simultaneously, Ken and Charlie have an intense confrontation leading to Karn’s death.
When everyone shows up again, Manson flips because none of his little plans turned out appropriately. No witchy words other than PIG, knives left behind. He throws a tantrum, deciding he and Emma are headed back to the Tate house.
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So does Sam kill Gerald?
Mans a sick animal,” Hodiak explains to Billie, as she pleads for him not to shoot Dunn. It takes every ounce of will power in him not to, but Sam doesn’t shoot after all. He relinquishes the gun and hugs Billie with all his strength.
Over at the crime scene, Charlie orders Emma to get things done. They fix the place up a bit to his liking, although it’s still an absolutely horrific thing to see. For a second time, Emma leaves the house, nearly 6 in the morning on August 9th. Tex clears Ken’s body out back at Spahn Ranch. Everything’s in (dis)order.
At the station, everybody hears about the murder concerning Sharon Tate and her friends. Big time news, as Cutler takes the call. He even opts to tell Hodiak “you just unquit.” Things are about to get serious for the whole of Los Angeles. The Hollywood Divison station is gone mad.
Over at the Tate house, Shafe is covered in blood and holding the medallion Emma left behind. You know, the one Sam gave to Emma awhile back. Ah, the deeper connection for Hidoak to this case has come out.
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What a fucking fantastic episode! Gruesome, intense, gritty. All sorts of aspects that makes this series excellent. Again, I can only hope they’ll renew the show. If not, we’re left with a lot of interesting things that could have and SHOULD HAVE been.
Please, NBC: do the right thing. At least give them a Season 3 to clue up on a proper note. I want to see Hodiak on the hot trail looking for the Manson Family, all the while junkie Shafe trying to piece together his life and do his job, PLUS WE NEED MORE CHARMAIN TULLY! Please and thank you.

Aquarius – Season 2, Episode 12: “Mother Nature’s Son”

NBC’s Aquarius
Season 2, Episode 12: “Mother Nature’s Son”
Directed by David Duchovny
Written by Sera Gamble

* For a review of the previous episode, “Can You Take Me Back?” – click here
* For a review of the finale, “I Will” – click here
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The penultimate Season 2 episode of Aquarius starts on August 9th of ’69. Sam Hodiak (David Duchovny) holds his gun on the killer who’s been tormenting him these many, many months.
Cut to Charlie Manson (Gethin Anthony) raving at Bobby Beausoleil (Mark L. Young) and Sadie (Ambyr Childers). He says the need to “get to the desert” where they’re headed, y’know to the City of Gold where he believes they’ll be spending time during the coming race war. Madness, Charlie. They’ve got their eyes on the guy who provided them with mescaline for weird Hal Banyin (Spencer Garrett), a fella named Gary Hinman (Jefferson White). Might be trouble.
Hodiak is in bed with Billie Gunderson (Olivia Taylor Dudley) enjoying his newfound retirement. At the station, Detective Brian Shafe (Grey Damon) is struggling to contain his heroin habit. He’s now a full blown junkie, all the way.
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Finally we see a little more about Walt Hodiak (Chris Sheffield). His father goes to see him and now Walt is deciding to recant, not wanting to rot away in jail for the rest of his life. Sad that he has to go against his own personal principles, though. Sometimes that’s what American justice is: a load of shit.
Unsuspecting Gary finds Bobby and Sadie show up to see him. And things get nasty real quick. The poor guy doesn’t have much more for them to take, so naturally Sadie and Bobby get pissed off. That won’t mean anything good, for anybody.
I keep anticipating how Shafe is going to end up where we’ve seen him in the flash-forwards to those fateful August nights. For now he’s out doing detective work, generally getting things done. A bit of a close call with bossman Ed Cutler (Chance Kelly) nearly outs his drug addiction. Later, at a god damn crime scene after collaring a murderer, Brian decides to shoot up out behind the house. Like a maniac. He’s fallen awfully far.
An explosion on a university campus has Officer Charmain Tully (Claire Holt) riled up. She thinks she can find proof for her superiors. Is it back into the field for Charmain? Hope so. She’s awesome.
Sadie rambles to Gary about “the end of the world” that Charlie speaks about. All the guy can do is give up a couple cars for them to take. Along for the ride, Mary (Abby Miller) doesn’t take part in any of it, though can’t stop anything either. If any of you know who Himan was in real life, or Beausoleil, you know what’s coming. On the phone, Charlie tells Bobby what to do, by appealing to his wounded past. That was the biggest problem Manson posed to those around him, he preyed on the weak. Just like the chicken hawks he rages against during his phone call with Bobby. Eerie conversation.
Then there’s Ken Karn (Brian F. O’Byrne), whose conflict of being a hardline Republican on the Nixon team and being gay continually butt heads. He’s trying to crawl his way back from the scandal of being exposed. Who knows what he’ll do next.
OH, and surprise, surprise: Shafe lost his murderer. Nowhere to be found. Good job, junkie.
Charmain gets back to her old friend from undercover. Except she knows that Charmain is a cop. So the girl is given the deal: help, or go down with the idiot running things.

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Using an actual bit of history, Manson shows up at Hinman’s place. Brandishing a sword and claiming: “I need a thousand dollars.”
The best yet is that Shafe is almost ready to face the music when his murderer, Jeff, pops up in the seat behind him. Hilarious. Then he takes the detective on a nice chase. Imagine being high as fuck on heroin and having to run after a guy covered in blood? Crazy. Shafe shoots the guy in the ass to slow him down.
Charlie gives Gary a nice slice across the face when he doesn’t get what he wants. You can see lots of details about the actual event and case right here. And there’s plenty more to come.
Sam and Walt try to do a bit of bonding at home. Father Hodiak talks about once having to leave a man behind during his time at war: “Every morning I wake up and sometime between standing up and coffee I remember, oh, Im a coward.” Everything comes down hard on his son. Much as Sam tries, Walt believes he’s failed everybody; his fellow soldiers, his mother, his own cause. “You can hold a conviction and still make the decision to live,” Walt tells him.
With all sorts of leverage against people around him, Ken tries to work his way back up from nothing. His back is against the wall, so he tries to push back against both his own wife Grace (Michaela McManus) and Hal. He gets what he wants while blackmailing and fighting as dirty as it gets.

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Hodiak gets a call at his place from the killer who’s been leaving him pictures of women in terrible distress. He taunts Sam, challenging him to “use that celebrated brain” and come get him.
Things are getting darker for Hinman. He tries to get Mary to help him out, but it’s no use. Manson has them all wrapped around his finger, and he shows up once again. Sinister plans ahead. When Mary tries to let Gary go she’s caught in the act. Charlie makes her play some piano while Bobby stabs Hinman to death before smearing blood on the walls. “That is shot one of the revolution,” says Charlie.
A cop ends up finding Bobby Beausoleil in his car with blood on his arms after the young man falls asleep in his car at the roadside. Uh oh.

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Back to that opener, as we see Hodiak on August 9th of ’69, confronting the killer he’s been seeking out. Shafe comes down into the basement trying to stop him from pulling the trigger.
Will he?
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An absolutely fascinating penultimate episode for this season. Cannot wait to watch “I Will” and see what the finale will give us. I know NBC is going to dump this and they likely won’t get a Season 3, however, a guy can hope. I dig this series, for all its faults. Lots of fun. Fingers crossed on a renewal.

Fear the Walking Dead – Season 2, Episode 10: “Do Not Disturb”

AMC’s Fear the Walking Dead
Season 2, Episode 10: “Do Not Disturb”
Directed by Michael McDonough
Written by Lauren Signorino

* For a review of the previous episode, “Los Muertos” – click here
* For a review of the next episode, “Pablo & Jessica” – click here
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This episode starts with a wedding reception. Might look familiar, as it’s likely the one that happened right before the zombie apocalypse broke out. Everyone is happy, having a good time. Or at least most people are, anyway. Such is life. The world went on turning while the infection came on strong. And some guests start to get wary of sticking around too long, no matter if it’s a wedding. When the bride’s father collapses mid dance with his daughter, the phone lines go dead, nothing’s looking too good for any of the guests. Dear ole dad comes back to life from the dead, and then one of the women from the hotel locks everybody inside the reception hall to let things take effect. Nasty, creepy opener.
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We’re finally back with Travis Manawa (Cliff Curtis) and his son Chris (Lorenzo James Henrie). They’re not exactly bonding, as you can tell Travis has trouble relating to his boy. Nevertheless, he lets Chris head off on his own to check out a nearby building. Voices and walkers send him into survival mode. Several men inside are shocked to see Chris, who takes off with his father quickly, not waiting to find out what the men were up to, or what they were like. With a new-to-them car they’ve stolen, Travis takes his son “away,” he says, wherever they can manage. He lets Chris take the wheel to learn to drive.  They have a normal moment for once.
After their car runs out of gas, Travis and Chris start a fire, camping along the highway. They start to figure out what’s next. At least Travis tries to make it seem positive. “It might not be perfect, but itll be ours,” he tells his son. “And then what?” Chris replies hopelessly. Soon, a truck comes by; the men who Chris ran into earlier. They don’t seem dangerous, although they do feel sketchy. For the time being they all relax.
Back with Alicia (Alycia Debnam-Carey) in the hotel, she watches zombies stumble through the hall. Waiting for her time, counting how many of them there are nearby. When she feels ready Alicia walks out into the dark hallway, undead lurking not far. Ofelia (Mercedes Mason) is nowhere to be found. So Alicia goes it alone, down an elevator shaft. Narrowly missing being eaten. The hotel employee from the wedding helps her up, then questions Alicia frantically: “Where is he?”
Where is who?

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Chris and Travis get to chatting with the trio. Lots of tragic stuff, as they recount to the men about how California’s basically been decimated. They roast Spam over the fire, talk about killing the “wasted” – what their group calls the zombies. But Travis doesn’t like having his boy around people like them, eager to trade tales about murder and mayhem in this new world. More and more, the father-son duo bump horns.
The hotel employee, Elena, let zombies into the halls. To contain the problem, so she says. She’s searching for a man named Hector. Only Alicia wants to get to her mother, Madison (Kim Dickens), who’s trapped with Strand (Colman Domingo) in the bar. Trouble is this woman seems pretty dead set on keeping Alicia right where she is, and until Hector comes back she isn’t totally thrilled about going anywhere else.
Father and son can’t get on the same page. Travis wants to keep his son non-violent, he doesn’t want him swept away in the carnage of their new existence. “I want to take care of you,” he tells Chris. But the kid doesn’t care. He wants to be with who he sees as strong people. However, Travis finds them too dangerous. And they are, you can just tell.
Alicia and Elena take their chances together. They lure walkers into a room then trap them inside. What I dig in this episode is how Alicia is becoming a big time bad ass. She’s stabbing walkers, dangling from hotel room balconies, she’s just owning it. This is how things are now, and she doesn’t hesitate anymore. Well, Elena and Alicia get downstairs, first to the reception hall. Elena’s no slouch, either. She “contained” that problem and she will continue to contain them all until she’s dead or there are no more problems left to worry about (like that’ll ever happen). “Ive seen worseWeve done worse,” Alicia assures her.

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Meanwhile, Travis is still highly unsure about being with these new men they’ve met. Chris is right at home laughing and talking with them. His father’s uneasy. “The end times made us gods,” one of them says to Travis. They’re somehow pleased with the evening effect of the apocalypse. Seriously? Fucking idiots. Coming across a farm, Travis suggests they stay there, but Chris thinks they need to be with a group.
Things at the hotel get tense. Other survivors have a hold on Hector and they want Elena out, along with Alicia if she’s on her side. But the sly women make their way out of the situation, down into the bowels of the hotel. There, they find Strand and Madison hiding behind a locked door; reunited and it feels so good!
At the same time, Travis realises someone owns that farm and he’s still around. He has a shotgun, too. Now the men they’ve met want to take the farm. Travis can’t let that slide, even if his son isn’t too bothered. And then Chris shoots the guy, killing him. He and his father have officially been separated, this act made sure of that. There’s no telling what happens next for them.

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What a great episode. I often say that, but this one really put the screws to us, emotionally and viscerally. A couple nice zombie kills, plus lots of intrigue. The drama between Travis and Chris is what interested me most, and of course the unstoppable Alicia.
Next episode is “Pablo & Jessica” and I can only imagine what we’ll have in store for us.

Aquarius – Season 2, Episode 11: “Can You Take Me Back?”

NBC’s Aquarius
Season 2, Episode 11: “Can You Take Me Back?”
Directed by Timothy A. Good
Written by David Reed

* For a review of the previous episode, “Blackbird” – click here
* For a review of the next episode, “Mother Nature’s Son” – click here
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On August 9th, 1969, Emma Karn (Emma Dumont), Tex Watson (Cameron Deane Stewart), and Sadie (Ambyr Childers) take charge of their victims. Mostly, Tex and Sadie do the dirty business. They blast one away while they setup the noose from a beam on the ceiling.
Cut to awhile before. Four months since the last episode. Charles Manson (Gethin Anthony) and Ken Karns (Brian F. O’Byrne) laze around at Spahn Ranch in a perpetual orgy of bodies. In other news, Detective Brian Shafe (Grey Damon) and his wife Kristin (Milauna Jackson) aren’t doing any better. She’s not coming back any time soon it looks like. At the same time he’s slipping back towards using drugs again.
And then there’s Dt. Sam Hodiak (David Duchovny) – his car’s stolen, but the precinct holds bigger issues. The police commissioner recently resigned because of corruption and such under his watch, partly due to Hodiak and his slippery detective work, his… issues. Now, Sam is suspended for the foreseeable future. Hmm. That won’t sit right with him, you can be sure.
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Up at Spahn, Ken and Emma are entering a new era of their father-daughter relationship. He’s doing his thing, leaving behind all the time he wasted in his life. Doubtful he’ll be finding any comfort there. We start hearing more about Charlie’s madness. First there’s him digging holes to hide food and anything else they have on hand. Secondly, the plan for hiding in a “hole” out in the desert. What that refers to is the fact Manson actually believed the Family would hide under the Grand Canyon in the City of Gold. Bigger problems arise when the Manson baby gets taken by the police after a couple of the women encounter some officers. All because Ken’s card wouldn’t work at the store. So, naturally, Charlie blames him. Things are tense.
Hodiak kicks around the station and tries helping his fellow officers. Yeah, that’ll go well. He hops in on an interrogation; an Asian man was attacked, then killed a man in defence. He says it was prejudice, Sam feels differently. Of course he can’t do much more, being suspended and all.
As expected, Brian – with the help of his buddy from the clinic, Mike Vickery (Jason Ralph) – falls back into the arms of heroin. While up at Spahn, Charlie is putting the pressure on Ken to start pumping money into the Family. I can see a hard, brutal fallout coming a mile away. Just depends at what point that happens.
Grace Karns (Michaela McManus) doesn’t know where her husband is, so she’s trying to move on with parts of her life. She has options, although her father is footing the bill while she and her husband are separated. I feel bad for her, yet not totally for how she treated Emma.
At home, Shafe and Vickery trip hard. Possible the heroin was cut with something because Brian takes a hard trip down the rabbit hole, hallucinating wildly. No wonder he’s headed for a bit of self-destruction, as we’ve seen glimpses of where he ends up on the nights of the Manson Family murders.
Charlie and the Family are working towards their big plan. By the minute, Ken starts to see how his old buddy is dangerous, more criminal than he ever thought. Speaking of old buddies, Vickery starts overdosing at Shafe’s place. Being a cop, he doesn’t want to call an ambulance. Instead he tries to handle things himself. In the middle of it all, Roy Kovic (David Meunier) comes through the door with a sawed-off shotgun pointed at Brian. Ah, great!

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When Sam gets talking to the Japanese man whom he interrogated earlier. He talks about being at war, as the Japanese man tells him of being in an interment camp on U.S. soil. What we discover is that Hodiak found out that who this man killed used to be a guard in the same internment camp where he was locked away. Very curious.
Terry Melcher (Chase Coleman) has agreed to record Charlie, to get him off Wilson’s back. All is well, I guess. Ken sees more and more the strange brainwashing that happens with the Manson Family, as once Charlie leaves the table the women are allowed to eat. Tragic, all those young lives wrapped up in his mania.
The sexism Charmain Tully (Claire Holt) experiences is always present. She reels off a story about even her own father’s misogyny. One of the upper-ups gives her a shot to turn things around. Only if she helps him “fix” a problem of his own. Does that involve double-crossing her mentor?
Oh, things are getting worse for Shafe, and for everybody. Roy isn’t pleased with all the undercover bullshit. Will it wash out as a “drug deal gone wrong“? When Kristin comes in during the whole confrontation everything becomes scarier.
Now Charmain’s being summoned by Brian, as he and his wife sit at the end of Roy’s shotty. Kovic talks about some of the Manson ramblings, the “wheel of karma” that crushes those in its way.
That addiction of Hodiak’s, the need for mystery in his police life, it won’t stop. He figures out that the man the Japanese gentleman accidentally killed had a wife; she had an affair with the Japanese man in the camp where she taught. This produced a child, and then the man wanted revenge. Still, it’s “justifiable homicide” and lets the man go. You can tell he didn’t take any pleasure in killing the other guy, he didn’t even know he had a son. All that will weigh on him, forever.
Roy is bearing down on Charmain and the Shafes. Things are not looking good. Until the half-overdosed Vickery plants a heroin needle in Kobvic, starting a brutal fight between the biker and Charmain. All ending with a knife right in Roy’s heart. That just leaves them with a mess. At least nobody’s dead. The Shafes marriage? This did it no favours, either.

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After getting the Manson baby back to the Family, Ken wonders why anybody sticks around anymore. Everything at the ranch is getting dire. Emma then reveals to her father she’s with child. Not exactly a jump for joy bit of news, but news nonetheless. Charlie’s got the recording finished, and Ken did up a contract. To please the master. Melcher doesn’t want to sign anything. Then he goes on a tirade against Manson, insulting him terribly. Yet another incident to drive Charlie crazy. Also serves to drive Ken off from the ranch.
With everything happening, Charmain tears into Sam about the way he conducts himself. “I dont your permission to tell the truth,” she says. “Sometimes I wonder, did I create the monster, or did I just drag it back from the swamp?” Sam replies.
Hodiak hands in his resignation to Cutler then heads out. He says he’s done. Not sure how Charmain feels in the end, though she looks surprised. Everything is falling apart, for everybody, from Sam to the Shafes to Charlie and Ken.
Cut to August 9th of ’69 again. With a baby inside her, Emma watches as Sharon Tate, with child, is murdered savagely by the Manson Family. A too late and horrific awakening.
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What a wild episode. This show gets better with each passing chapter in Season 2. Up next is “Mother Nature’s Son” and it brings us to the penultimate finisher. I know NBC hasn’t really treated this series with the respect it deserves. It will likely never see Season 3. I do, however, feel it deserves one. After the decent Season 1, Aquarius stepped up its game hugely, in writing, directing, editing, all aspects. So I do hope NBC gives it a swan song third season to explore the last bits of the Manson days.

Aquarius – Season 2, Episode 10: “Blackbird”

NBC’s Aquarius
Season 2, Episode 10: “Blackbird”
Directed by Michael Zinberg
Written by Rafael Yglesias

* For a review of the previous episode, “Sexy Sadie” – click here
* For a review of the next episode, “Can You Take Me Back?” – click here
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On August 8th, 1969, Tex Watson (Cameron Deane Stewart) gets his marching orders from Papa Charlie Manson (Gethin Anthony). Tex and Sadie (Ambyr Childers) are to go to the designated home in the hills, tie people up, knife them to death and “paint the walls with their blood.”
But 7 months earlier, Ken Karns (Brian F. O’Byrne) has hauled his daughter Emma (Emma Dumont) out of that snake pit of a psychiatric ward. Only problem is the ECT has her scrambled for a while. Now Ken is trying to make amends. Or is he? Blaming his wife Grace (Michaela McManus) for most of it, he asks Emma for forgiveness. When she mentions his homosexuality, though, Ken is a bit taken aback. He isn’t ready to be true to himself. He’s on the Nixon team.
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In another part of town, poor Kristin Shafe (Milauna Jackson) has seen Bunchy Carter (Gaius Charles) shot up. Her husband Dt. Brian Shafe (Grey Damon) and Dt. Sam Hodiak (David Duchovny) are there to offer comfort. And because of all his personal connections to the case, Sam insists he’s the one to take charge.
Mr. Manson is not at all happy with Dennis Wilson (Andy Favreau) for changing his song to fit the Beach Boys mould. He threatens one of Wilson’s housekeepers, frightening her badly. What else is he willing to do?
Kristin’s sure the shooting was done by United Africa (UA). She believes the FBI are working through the police and other groups outside of the Black Panther Party to tear them apart. She wants the UA all taken in, so she can identify them. However, Hodiak can’t just bring them all to jail. Then he assures her there will be justice. Maybe not from the department; from him. Meanwhile, Brian is still doing work over at the clinic with Sam’s friend Billie Gunderson (Olivia Taylor Dudley) to get himself, and keep himself, clean. He’s pretty conflicted over the death of Bunchy. The jury on Brian is still out. Not sure if he’s a good guy, or a shitty man.
The FBI are swooping in on the Carter case. That’s not about to stop Hodiak, though. He doesn’t care what Ed Cutler (Chance Kelly) tells him. Then there’s Officer Charmain Tully (Claire Holt), she’s heard information about UA trying to get at the Black Panthers. The upper-ups do not care: “Thats what we wanted to happen,” her commanding officer explains. But Hodiak, he’s the one she can go to with these situations. Let’s see what ole Sam gets up to.
In a bar where Charlie searches for Wilson, he winds up running into a still kickin’ Ralph Church (Omar J. Dorsey). They almost kill each other before the police arrive.


Emma is still attached to Charlie, or the idea of him. She longs to be with him and the family. For now, she and her father smoke a joint together and relax. Across the city, Hal Banyin (Spencer Garrett) is tripping out and needs something to calm him. Apparently the solution is mescaline. So his hippy friends are tracking some down.
Stuck in a cell together, Charlie rambles about “when Helter Skelter starts” to Ralph. The bigger of the two doesn’t care. He has a “slow and ugly” plan for Charlie’s death. But Manson only cares about the big race war he believes is happening. Finally, Ralph understands how crazy the man across from him is truly. A frightening scene.
Brian has to bail his wife out of jail when the Black Panthers get arrested. At home, Sam is waiting for them. He wants to jump in before the FBI gets swinging. Moreover, he surprises Kristin, and Brian, after wanting to borrow a book called The Souls of Black Folk by W.E.B. Du Bois. Here, we see how Sam is more in tune with the black experience than ever Kristin’s own husband. Sort of a jarring moment for her, as the man she’d never have expected to understand actually seems to start doing exactly that.
Oh, and we find out Hodiak had the Panthers rounded up after Charmain alerted him to UA’s plan. Smart move. Except Charmain has guilt about what happened to Bunchy, and things slightly fall apart between her and Sam when he grills her on it.
A face we haven’t seen in awhile, Roy Kovic (David Meunier), has figured out that Dt. Shafe is in fact a cop, after one of Brian’s old buddies runs into him at the clinic Billie runs. Uh oh. There’s some nasty trouble ahead for the Shafes.


Brian: “Doesnt everyone feel that way sometimes?”
Sam: “Well sometimes aint all the time
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Spahn Ranch is now on the Manson Family radar. Hal babbles about it while getting fingered in the ass by Sadie. She seems intent on it being their new destination, just by the look in her eyes. For those of us who know Manson history, we know that is indeed where they’ll go soon enough. Where things will get darker, dirtier than ever before.
Back to Ken, whose life is in shambles even if he won’t fully admit it to himself. He’s losing friends, losing business acquaintances, so on. He discovers “no one” in all of California will be hiring him. Likely ever again. Seems his father-in-law has shut him down all over the place.
Hodiak follows Charmain to her meet with the CI from United Africa. He further discovers the links to the FBI. Yet Sam forges on anyway. He puts a line-up together for Kristin and she makes an identification. Cutler’s mostly concerned with credibility, although Sam has his plan in place, and he makes clear there won’t be any further help, or interference, from him. Either way, Mrs. Shafe is convinced she knows who shot Bunchy. And I believe her.
She and Brian aren’t exactly on the best terms. He still doesn’t fully support her, though he pretends. It’s so obvious he has slight problems with the Black Panthers. “Your people impoverish a generation of negroes and you dont expect that theyre gonna end up in prison or gangs,” Kristin questions her husband. There is a huge issue between them and that wedge will only drive in further.
More and more, Ken sees that his daughter isn’t made for a normal life. She wants so badly to find the family once more. Well, the family’s out taking care of business, as Charlie leaves the police station while Tex and Sadie kill Ralph waiting outside. Took them long enough to get him finished off.

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At the station, Sam finds his case being swept up by the FBI. Simultaneously, Charmain is being kicked around for helping Hodiak. Again she’s back to being treated like the little girl around the precinct, back to getting coffee refills probably. Very sad.
So with Ralph dead, Charlie fearing reprisal by the Black Panthers if they find out who killed a “blackbird” – as he calls them – Sadie suggests they all head out to Spahn Ranch. Where Papa Charlie says they’ll play “cowboys and Indians.” Jesus. What a delusional bit of madness. And more is coming.
You, Sam, are addicted to being a detective,” Billie tells the detective while they lie in bed. She makes a great point. He’s addicted to “solving mysteries” that keep him from working on himself. Perhaps the reason he and many cops find themselves lost in the work, forgetting everything else around them.
The Shafes are separating, at least for the time being. Kristin doesn’t like that he’s a part of a terrible organisation. She’s pretty right, that he works for “the enemy.” Only makes sense she can’t stick around. Especially in the late ’60s, couldn’t be an easy time for a white cop and a female Black Panther to be together.
Out at their new digs, Charlie receives Emma back in his arms, as well as her father Ken; been quite a long time. They both get taken back into the fold.
We jump to quickly to August 8th in ’69. Ken confronts Charlie telling him to stop whatever is about to happen. Tex and Sadie are ready to go, but Ken begs for his daughter not to be involved. Too late.
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Another solid episode getting deeper into the bit of Season 2. I love this god damn show. I don’t care about the liberties they take with facts concerning Manson or otherwise. They get the spirit of the 1960s, the danger of Manson, all of it, and they put it together nicely with a lot of intrigue for us to hang on. Excited to see “Can You Take Me Back?” next.

Fear the Walking Dead – Season 2, Episode 9: “Los Muertos”

AMC’s Fear the Walking Dead
Season 2, Episode 9: “Los Muertos”
Directed by Deborah Chow
Written by Alan Page

* For a review of the previous episode, “Grotesque” – click here
* For a review of the next episode, “Do Not Disturb” – click here
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After checking in with Nick Clark (Frank Dillane) last episode back from the break – where is his mother Madison (Kim Dickens), his sister Alicia (Alycia Debnam-Carey)? What about the others?
Well, Nick’s enjoying a bit of peace and quiet in the Mexican commune where he’s found shelter. Although not everybody there’s having a great time. There are still those who are ill, those injured, and so on. For the most part it’s a paradise compared to where he’s been since the zombie apocalypse began.
Except for when it isn’t. Everyone has their own way of dealing with things. Mexicans are no different than the rest of us. Let’s just say the first 5 minutes opening this episode are intense. Looks like south of the border human sacrifice has come back.
This is my favourite Fear the Walking Dead opener yet, out of both seasons. Chilling to the bone. I love it.
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We catch up with Madison and Co. She and her daughter ride in the back of a truck, scoping out the horizon with Strand (Colman Domingo) and Ofelia Salazar (Mercedes Mason). The mother is the only one dead set on continuing to search for her son. She knows he’s a survivor. And indeed he is, help or no help. He’s doing her proud, though. Helping out in the village where he’s been taken in, not sitting by idly while others work. A good man.
When Strand and their small group go back to the coast his boat is gone. The military’s taken it. Totally different situation for them at this point. “Its me and you now, whether you like it or not,” Alicia tells her mother when Madison worries Nick won’t find them without the boat. They do the smart thing now and leave a message in the sand, just in case.
Then they head off to scope out a hotel by the beach. Shelter is a must. After watching the place awhile they head on inside. Not expecting to find anything other than a roof over their heads. In the building there is a barricade against the door; a last stand was taken, no doubt.
Will they find humans? Walkers? Both? Strand, with his big ole balls, starts ringing a service bell. Not a sound, other than the ringing. Safe for now.
In the village, Luciana (Danay Garcia) does a lot of the boss work. She keeps an eye on Nick, enlisting him for a bit of help. She knows what he’s capable of after seeing him on the road, caked in blood, walking amongst the dead. I wonder what she has in store for him. Out in the sacrifice pit she starts killing zombies, laying out rules: “You stay absolutely quiet.” They cover themselves in blood then get going.
Strand and the crew find a wedding inside, left with the cake barely cut into. They share a bit of personal information, as Ofelia talks about a near marriage. “The pastitll make you sick,” Strand tells her deciding the chat is over. Smart move.

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When Nick asks about the morning ritual, Luciana talks about faith. There’s lots of superstition in the way she, as well as many of the Mexicans, understand the apocalypse. She and many of the others, such as the doctor Alejandro (Paul Calderon), believe that once everything passes, the world is washed clean. Yeah, okay. I wouldn’t hold my breath. After some time they come across a gang; guys you do not want to fuck with, whatsoever. The man running it all? Marco Rodriguez (Alejandro Edda). Seems that Luciana has a deal going with the gang, a trade-type setup. They’ve got a supermarket full of everything, stocked on the shelves, and Luciana wheels herself a cart to get supplies.
At the hotel, Madison and the others start searching. She wants to keep things careful, although Alicia and Ofelia are off to starting searching on their own. Strand and Madison do a bit of hanging at the bar. “You need a drink, I need a drink,” he quips. They pour themselves some martinis, take a load off for a few minutes. Upstairs, Alicia and Ofelia look through the corridors, checking to see if there’s anything of use to them. Not all the rooms are clear, as the sound of zombies is evident behind several doors. They do find empty ones; relatively. One of the creepiest walkers yet is in a bathroom, though he poses no threat. However, he does start a conversation between Alicia and Ofelia, about the tiresome nature of surviving amongst a new and awful world.
When Nick leaves the supermarket, he’s caught taking an authorised treat in his pocket. They want to cut off his hand. But the tricky ex-junkie makes a deal, saying they won’t bring any more drugs. And that’s no good for Marco, whose family would be directly affected. A close call, nearly getting Nick’s throat cut. What a deal maker. He gets his tasty treat, too. Luciana isn’t too happy he did that because now the gang is following them, hoping to figure out where their little commune is located.

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The drinking makes Strand get closer to Madison. She tells him about what happened to her husband; impaired driving I assume, Madison doesn’t say it in so many words. She told the kids he fell asleep at the wheel. “To false hope,” she and Strand toast while she drinks and tosses glasses at the wall. Smart move. More so when Strand bangs on the piano a bit. They make lots of noise and nearby there are zombies, dying to get close to some human meat.
Alicia gets out of the shower and sees walkers taking swan dives off the balconies. They hit the ground, then get up walking again. Shit. All the noise downstairs has been drawing walkers through the halls, down from stories up. Real smooth move. Sort of ironic, after Madison was talking about trying to protect her kids.
Remember that treat Nick stole? It wasn’t even for him. It was for the little girl whose father got eaten alive in the opener. Wow. A good man becomes more good by the minute. This puts Nick in a room with Alejandro. They chat, Alejandro talks about their current situation. He doesn’t want to offer comfort. Only faith. Strange that he can’t see that it’s all the same thing. He believes that the dead will leave. Nick catches a glimpse of the man’s shoulder: a big bite once taken out of it is now a healed wound. Very, very intriguing. He’s like a sort of Jesus figure amongst the zombie apocalypse. The one who has risen after the dreaded, infecting bite: “This world is for usthe children of the resurrection,” he preaches to his masses. Nick is falling into the faith head first. Not good.

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At the same time, Victor and Madison are starting to discover their walker problem at the hotel. Time to check out? Definitely time to start moving, as the zombies are encroaching on the bar. Nice time to be hammered. They are boxed in crazily. How will they manage to get out of this one?
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A solid episode to add to this back half of Season 2. I’m hoping that next episode we see more of the crew and find unity once more. Also, I worry for Nick. He is becoming sucked into a dangerous place, I think.
Next episode is titled “Do Not Disturb” and it’ll be good, I can feel it.